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A literary analysis of the Yellow Wallpaper
Charlotte Perkins Gilman’s “The Yellow Wallpaper”
Deconstructive criticism of the yellow wallpaper
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Everyone at some point in their life has felt like they were almost driven crazy by someone or something. This is the case for the main character in Charlotte Perkins Stetson’s short story, “The Yellow Wallpaper”. During this story, the protagonist is locked in a room in which she despises simply because of the wallpaper. As the story progresses, she starts to notice figures that seem to be trapped in the wallpaper. I firmly believe that the figures that seem to be trapped in the wallpaper not only represent the main character’s struggles, but also other woman who have suffered the horrible mistreatment of mental illness and women that were subject to punishment for trying to break out of their domestic spheres. In the “Yellow Wall-Paper,” They were also taught to stay at the house and live in a domestic sphere were the man of the house would go and work. It is also common knowledge that if women tried to break out of their domestic spheres, they would be punished for it. Not only for trying to break out of their domestic sphere, but also just speaking about what’s on their minds. Even Andrea L. Miller and Eugene Borgida explain this by stating that “As described above, research on role congruity theory and descriptive and prescriptive stereotypes in the workplace has established that when men and women violate gender stereotypes by crossing spheres, with women pursuing career success and men contributing to domestic labor, they face backlash and economic penalties” (Miller and Borgida 2). This is exactly the case for the narrator and her husband. She even states that “And I know John would think it absurd. But I must say what I feel and think in some way - it is such a relief!” (Stetson 5). Not only does this quote show the reader that John doesn’t want to hear about the narrator complain about the wallpaper, it also shows him controlling the main character to some degree. Even Catherine J. Golden states that “She narrates how she attempted to follow Mitchell’s often quoted parting advice: to devote herself to her children, limit her intellectual activity and ‘never touch pen, brush, or pencil as long as you live’” (Golden 5). This is of great significance because, since the “Yellow Wall-Paper” is based upon certain events that had happened in Stetson’s life, it shows how restrictive and controlling Stetson’s husband, Mitchell, was during his diagnosis of her. It not only seems that he wanted her to focus on their children, but also limit her intellectual
While on vacation for the summer, the narrator of "The Yellow Wallpaper" is, at the most, depressed at the beginning of their visit to a colonial mansion. Her husband John, however, thinks there is nothing wrong with her except temporary nervous depression (pg 391) and has her confined to a bedroom upstairs. I believe John loves her very much and is trying to help her get well, but he won’t believe there is an illness unless he can read about it or see something physical with his own eyes. "He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures." (pg 391) During the time of this writing it was the norm that men dominated women. Women were to be seen but not heard. They were not to argue with men, so she was forced to do as he said. Her husband has forbidden her to "work" until she is well again. (pg 392) She is held prisoner in her bedroom and has nothing to do to keep her mind active except stare at the wallpaper, although she did sneak in writing in her journal when possible.
“The Yellow Wallpaper” speaks of a woman who struggled of more than mere insanity, but also the pressures of life. Her life continuously seemed to weigh her down and she felt trapped by what was expected of her along with her mental disease. Her environment, marital relationship, and desire to escape her illness thrust Jane deeper into insanity. In the end Jane finds a way to truly escape her disease.
The short story “Yellow Wallpaper, “written by Charlotte Perkins Gilman in 1892, narrates the story in the first person through parts, as if they were entered as a memoir. She is a woman who is going through a type of paranoiac post-partum depression, after the birth of her child. It can also be observed also a type of bipolar disorder in her. The impact of the classic The “Yellow Wallpaper” is huge, the shock of its truth is unpredictable. Gilman’s suffering suffocates everyone around her. She is locked up in a bedroom, as she describes in one of the passages that she writes, seeing “barred windows for children” and “rings and things on the wall.” Clearly it can be seen
In “The Yellow Wallpaper”, the author, Charlotte Perkins Gilman, through expressive word choice and descriptions, allows the reader to grasp the concepts she portrays and understand the way her unnamed narrator feels as the character draws herself nearer and nearer to insanity. “The Yellow Wallpaper” begins with the narrator writing in a journal about the summer home she and her husband have rented while their home is being remodeled. In the second entry, she mentions their bedroom which contains the horrendous yellow wallpaper. After this, not one day goes by when she doesn’t write about the wallpaper. She talks about the twisting, never-ending pattern; the heads she can see hanging upside-down as if strangled by it; and most importantly the
In “The Yellow Wallpaper”, the main theme is confinement. The narrator is confined to a single room in a huge house. Her husband often spends his nights in town, to fulfill his role as a doctor. The narrator attempts to deal with her fears and isolation. Due to her confinement, she starts losing her sanity (Perkins 175). It can be seen that the narrator slowly turns mad. Her mind turns into a chaotic situation and she starts seeing shapes in the wallpaper. However, in reality, there is no woman entrapped in the wallpaper. The narrator thinks that way because she starts losing her grip on
There are various interpretations of what causes the narrator to go crazy in the short story “The Yellow Wallpaper” by Charlotte Perkins Gilman. These interpretations include suggestions that the narrator is possessed, that she is oppressed by society and is acting out, that she has suffered from a traumatic childbirth, and so on. While all of these ideas hold merit and are supported by evidence in the short story, there is an alternative explanation that fits the story just as well, if not better. That explanation is that the reason the narrator in “The Yellow Wallpaper” acts strangely and sees images in the wallpaper of her room is that she is suffering from the disorder of postpartum psychosis. During this essay I will be going into depth on a psychological analysis of “The Yellow Wallpaper”.
Finally, the yellow wallpaper presents perspectives of how men control females. As stated previously, In the story, John uses his power as a doctor to control his wife. He encaged his wife in a summer home, placing her in a room filled with barricades and many faults. As a human she is deprived of her rights and her ability to form house duties is taken away so she can rest as he calls it. Without a doubt, she fell into insanity because of the situation she was placed in. When she ripped the paper off the wall, it was a sign of freedom from her husband, and the bars that held her captive for weeks. Certainly she has a vivid imagination and being placed in bondage and unable to write which in turn lead her to mental health problems.
"The Yellow Wallpaper" by Charlotte Perkins Gilman is a self-told story about a woman who approaches insanity. The story examines the change in the protagonist's character over three months of her seclusion in a room with yellow wallpaper and examines how she deals with her "disease." Since the story is written from a feminist perspective, it becomes evident that the story focuses on the effect of the society's structure on women and how society's values destruct women's individuality. In "Yellow Wallpaper," heroine's attempt to free her own individuality leads to mental breakdown.
The Yellow Wallpaper was written as a realism story. It showed how woman felt they had the same opportunities as men in their personal choices. In this story, the woman expressed her worries to her husband who through good intentions, required that his wife stay in bed 24/7, and not do any of the things she would normally do. In effect his wife became worse until she reached the limit. The behavior of the husband at this time was completely normal. Men were the higher power over women and women, like the one in this story, felt that they couldn?t stand count for themselves.
Haney-Peritz, Janice. "Monumental Feminism and Literature 's Ancestral House: Another Look At 'The Yellow Wallpaper '." Women 's Studies 12.2 (1986): 113. Academic Search Complete. Web. 24 Nov. 2014.
The story "The Yellow Wallpaper," by Charlotte Perkins Gilman, is a story about control. In the late 1800's, women were looked upon as having no effect on society other than bearing children and keeping house. It was difficult for women to express themselves in a world dominated by males. The men held the jobs, the men held the knowledge, the men held the key to the lock known as society - or so they thought. The narrator in "The Wallpaper" is under this kind of control from her husband, John. Although most readers believe this story is about a woman who goes insane, it is actually about a woman’s quest for control of her life.
The Yellow Wallpaper is a very astonishing story written by Charlotte Perkins Gilman that daringly reaches out to explore the mental state of a woman whose mind eventually begins to be broken down to a state of insanity by the appearance of a creeping woman who is trapped behind a revolting yellow wallpaper. This short story takes a look at the causes of the narrator’s insanity by how she was confined in a house alone, trapped with only her mind and a dull wallpaper; while dealing with depression and consuming strong
“The Yellow Wallpaper:” a Symbol for Women As the narrator presents a dangerous and startling view into the world of depression, Charlotte Perkins Gilman introduces a completely revitalized way of storytelling using the classic elements of fiction. Gilman’s “The Yellow Wallpaper” combines a multitude of story elements that cannot be replicated. Her vast use of adjectives and horrifying descriptions of the wallpaper bring together a story that is both frightening and intensely well told. Using the story’s few characters and remote setting, Charlotte Perkins Gilman presents the wallpaper as both a representation of the narrator and the story’s theme, as well as a symbol for her descent into the abyss of insanity. As the story opens, the suspiciously unnamed narrator and her husband, John, temporarily move into a new home (226).
“The Yellow Wallpaper” is the story of a woman descending into psychosis in a creepy tale which depicts the harm of an old therapy called “rest cure.” This therapy was used to treat women who had “slight hysterical tendencies” and depression, and basically it consisted of the inhibition of the mental processes. The label “slight hysterical tendency” indicates that it is not seen as a very important issue, and it is taken rather lightly. It is also ironic because her illness is obviously not “slight” by any means, especially towards the end when the images painted of her are reminiscent of a psychotic, maniacal person, while she aggressively tears off wallpaper and confuses the real world with her alternative world she has fabricated that includes a woman trapped in the wallpaper. The narrator of this story grows obsessed with the wallpaper in her room because her husband minimizes her exposure to the outside world and maximizes her rest. Academic essayists such as Susan M. Gilbert, Susan Gubar, and Elaine Showalter have a feminist reading of the story, however, this is not the most important reading. The author experienced the turmoil of the rest cure personally, which means that the story is most likely a comment on the great mistreatment of depression, hysteria and mental disorders in general. Despite the claims of Gilbert, Gubar, and Showalter that “The Yellow Wallpaper” is solely feminist propaganda, their analysis is often unnecessarily deep and their claims are often unwarranted, resulting in an inaccurate description of a story that is most importantly about the general mistreatment of psychosis and the descent into insanity regardless of gender.
The short story titled, “The Yellow Wallpaper” is given its name for no other reason than the disturbing yellow wallpaper that the narrator comes to hate so much; it also plays as a significant symbol in the story. The wallpaper itself can represent many various ideas and circumstances, and among them, the sense of feeling trapped, the impulse of creativity gone awry, and what was supposed to be a simple distraction transfigures into an unhealthy obsession. By examining the continuous references to the yellow wallpaper itself, one can begin to notice how their frequency develops the plot throughout the course of the story. As well as giving the reader an understanding as to why the wallpaper is a more adequate and appropriate symbol to represent the lady’s confinement and the deterioration of her mental and emotional health. In Charlotte Perkins Gilman’s “The Yellow Wallpaper”, the color of the wallpaper symbolizes the internal and external conflicts of the narrator that reflect the expectations and treatment of the narrator, as well as represent the sense of being controlled in addition to the feeling of being trapped.