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Gender roles and literature
Gender roles and literature
Gender roles and literature
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Up until the post war period and the rise of post-war feminism, women struggled to attain social equality. Maggie O’Farrell’s novel, the Vanishing Act of Esme Lennox (2006), explores the damaging effects of patriarchy on women in Western society in the 1930s, the inter-war period. With its juxtaposed settings of the 1930s and late twentieth-century Scotland, the lives of Esme and Kitty Lennox, and, contrastingly, their descendent Iris Lockhart, are examined to reveal the variations in the effects and impact of patriarchy, as determined by their chronological place in history. Expectations around behaviour, education, and marriage reveal the restrictions of the 1930s and the very different freedoms of the 1990s. Using three narrative voices, …show more content…
Being confined through clothing, Kitty and Esme experienced a sheltered upbringing, constantly being told “you are the granddaughter of an advocate, not a saloon girl”. Velvet was prohibited as wanton for unmarried women, especially when crimson red, as it is a strong vibrant colour associated with sexuality in both colour and feel. O’Farrell cleverly includes this as the tactile imagery invites readers to imagine the texture and touch of the fabric, which is very sensual. Kitty, who was older, understands “you always had to wear a pair of gloves… especially coming from a family like ours,” as it was believed at the time that the gloves would prevent the skin to skin contact that could result in sexual arousal. Kitty was uneducated on sexual topics, expecting “the man to have all the knowledge and get on with it”. As a result, she is unable to comprehend Esme’s trauma with Jamie, becoming furious that “she has done it with him”, wondering how, “as she wasn’t even married yet”. This reveals to the reader both Kitty’s naivety and the impact rape had on young …show more content…
The characters provide a contrast for the readers, by presenting the powerlessness of women through Esme’s fate in the institution after her refusal to conform to married life, and the subplot of Iris being a contemporary version of Esme. Esme’s suffering foreshadows the events of Iris’ life. Through the use of narrative voice, symbols and foreshadowing, O’Farrell reveals that all aspects of Esme’s life are determined by society’s expectations to create the essence of the harsh effects of patriarchy for the reader to
At the start of the 20th century, the effects of World War I inadvertently gave British women, such as Mary Russell from The Beekeeper’s Apprentice, a stronger role in society and allowed for them to receive
Her lionhearted clothes reflected her valiant and strong attitude. However – Elisa Allen hid her true feelings. She was deceitful in interpersonal communication. Her tongue spilled bittersweet black smut like that of industrialized coal engines. However – it was compassionate, her concern and subtle behavior. A girl screaming to escape maiden life, but only knew it was disrupt order. “Her face was eager and mature and handsome; even her work with the scissors was over-eager, over-powerful. “The chrysanthemum stems seemed too small and easy for her energy.” Verily, she had the heart of a lion and the appearance of a virgin.
During the Victorian Era, society had idealized expectations that all members of their culture were supposedly striving to accomplish. These conditions were partially a result of the development of middle class practices during the “industrial revolution… [which moved] men outside the home… [into] the harsh business and industrial world, [while] women were left in the relatively unvarying and sheltered environments of their homes” (Brannon 161). This division of genders created the ‘Doctrine of Two Spheres’ where men were active in the public Sphere of Influence, and women were limited to the domestic private Sphere of Influence. Both genders endured considerable pressure to conform to the idealized status of becoming either a masculine ‘English Gentleman’ or a feminine ‘True Woman’. The characteristics required women to be “passive, dependent, pure, refined, and delicate; [while] men were active, independent, coarse …strong [and intelligent]” (Brannon 162). Many children's novels utilized these gendere...
She showcases a variety of different scenarios, standards, and occupations that women were subjected to at the time. This helps the readers to see the difficulties women of that time period had to overcome to secure what little rights they were able. The oppression of working class women did not just affect those said individuals, but in turn, males, children, and other upper class females. Stansell’s ability to look beyond the normal subject matter permits her to capture the inimitable atmosphere surrounding the struggle of an assorted group of women to find their footing within the society of a nation that was facing its own struggle of independent and prominence. Thus, giving City of Women a fascinating edge against other books of a similar
Moran, Mickey. “1930s, America- Feminist Void?” Loyno. Department of History, 1988. Web. 11 May. 2014.
...elings and portrays them through the main character Elphalba. It is as if he is taking a part of himself, the part filled with rage and frustration, and building the character Elphalba with it. She is the feminine, yet somewhat masculine, part of him revealing itself through the book.
1. She is regarded as the “Grandmother of British Feminism” whose ideals helped shape the
Throughout history, women have struggled with, and fought against, oppression. They have been held back and weighed down by the sexist ideas of a male dominated society which has controlled cultural, economic and political ideas and structures. During the mid-1800’s to early 1900’s women became more vocal and rebuked sexism and the role that had been defined for them. Fighting with the powerful written word, women sought a voice, equality amongst men and an identity outside of their family. In many literary writings, especially by women, during the mid-1800’s to early 1900’s, we see symbols of oppression and the search for gender equality in society.
Gender Trouble published in 1990 by Judith Butler, argues that feminism was and still relaying on the presumption that ‘women’ a...
The study of gender and its historical analysis has, itself, evolved. Linda Kerber in her essay Seperate Spheres, Female Worlds, Woman’s Place: The Rhetoric of Women’s History argues that the metaphor of a separate women’s sphere which she traces back to the Victorian era and to de Tocqueville’s analysis of America—and which may, indeed, have been useful at one point, i...
In the 1960s’, as second-wave feminism developed, two separate branches emerged. The first branch, sometimes referred to as having an “equal rights tendency” was made
In the Eighteenth and Nineteenth centuries, the idea of patriarchy ruled the many societies all over the world. Particularly in Britain, its “overarching patriarchal model” (Marsh) had “reserved power and privilege for men” (Marsh). Also during this time period feminist literature began to arise and was invaded by, “the complex social, ethical, and economic roots of sexual politics… as testimony to gender bias and the double standard” (“Sexual Politics and Feminist Literature”). In Jane Austen’s writing, readers have been aware of her constant themes of female independence and gender equality. However, many have criticized the author for the fact that many of her “individualistic” female characters have ended up
What is within the boundaries of the feminine is always considered to have less status and power and is always subordinate and marginal—women always remain ‘other’. I perceive feminism as a part of the process of challenging the boundaries of the socially constructed role for women in our society—a process which through struggle will create for women a different notion of the normal and natural and a different tradition of being female. (Goodman, Harrop 4)
Feminists believe that education is an agent of secondary socialization that helps to enforce patriarchy. Cultural transmission has made known the way culture and precisely expectations of the genders can be transmitted from one generation to another. While Sylvia Walby’s ‘‘triple system theory’’ argues that experiences of ethnicity and class complicate what it means to be a female so we have to combine patriarchy with capitalism and
In conclusion, David Lodge managed to embody the concrete term of feminism. Through the character of Robyn Penrose, he creates the breakup of the traditional Victorian image of woman.“ `There are lots of things I wouldn 't do. I wouldn 't work in a factory. I wouldn 't work in a bank. I wouldn 't be a housewife. When I think of most people 's lives, especially women 's lives, I don 't know how they bear it. ' `Someone has to do those jobs, ' said Vic. `That 's what 's so depressing. ' ”(Lodge