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How is macbeth a victim of fate
The role of lady macbeth in the downfall of macbeth
The role of lady macbeth in the downfall of macbeth
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“Macbeth” is an age-old tragedy by, William Shakespeare, that tells the story of the disastrous down fall of Scotland and it’s Kings. The protagonist, Macbeth, starts out as a thriving Thane in Scotland, but ends up destroying his own prosperity as well as Scotland’s. Certain witches who tell people their fate convince Macbeth that he will be King and that his dear friend Banquo’s children will be kings. In an effort to be sure his prophecy is true and with some encouragement from his rash wife, he kills King Duncan, the current king of Scotland. To continue on this path of destruction Macbeth, acts on impulse and has his friend Banquo killed, because he is afraid that he killed Duncan for someone else’s fortune. Throughout the play Macbeth’s degeneration continues until the tragic ending when the country turns against him and seizes his castle. Macbeth’s demise can be attributed to his abandoning his belief in fate for a need to prove his masculinity.
Macbeth’s doubt in fate is not realized until later in the play. When he first meets the “weird sisters” they make prophecies that he finds impossible to be true. “But how of Cawdor? The thane of Cawdor lives, A prosperous gentleman, and to be king Stands not within the prospect of belief, No more than to be Cawdor.”(1.3.73-75). Macbeth doesn’t believe this because he knows that the Thane of Cawdor is still alive and that King Duncan’s sons are the heirs to the throne. His need to be masculine has not yet effected his belief in fate. Once Macbeth becomes Thane of Cawdor he is completely convinced that the predictions of the fate sisters are true “I chance will have be King, why chance may crown me. Without My Stir…Come what may, time and the hour runs through the roughest day”(1.3.145-150). This is the most trust in faith he will ever have.
Shortly after Macbeth puts all his trust in fate, Lady Macbeth challenges his masculinity. “ What beast wasn’t, then, that made you break this enterprise to me? When you durst do it, then you were a man,” (1.7.49-51). This is Lady Macbeth’s response when Macbeth tries to back out of killing King Duncan. Almost immediately Macbeth’s personality changes, he decides to go ahead with the crime as if that will make him a man.
Macbeth, a play written by William Shakespeare, portrays Macbeth as a kinsman, subject and trusted friend to King Duncan I of Scotland. A trusted friend, that is, until Macbeth has a chance encounter with the “three witches” (Shakespeare) or the “Weird Sisters”. The witches predict that Macbeth will become the next King and that his fellow companion, Banquo, will be the father of a line of kings. A change comes over Macbeth after his meeting; he is no longer content to be a follower of the King, he will “be” King at any cost. After killing the King and his friend Banquo, losing his wife to madness and ordering the execution of many, Macbeth is killed in much the same fashion as he has killed. But does this really reflect the real King MacBeth of Scotland? While examining the characteristics and actions of the two Macbeths and decide if Shakespeare’s writing was historically sound or was it just “double, double, toil and trouble” (4.1.22-26) playing with MacBeth’s character.
Macbeth, a tragedy, starts with a dying, bloody Captain talking about the valor with which Macbeth fought. How does this brave, devoted, valiant soldier become an insane, cold-blooded murderer, killing men, women, and children alike? The story of his downfall begins with his new-found ambition to become king after three witches tell him of his “imperial theme.” After fighting so courageously in battle, Macbeth, Thane of Glamis a title inherited from his late father, and fellow nobleman Banquo, encounter three witches. They greet Macbeth by his current title, by a title soon to be bestowed upon him, and last by the title of king. Immediately, Macbeth is intrigued by their prophecies, but unsure since the King and the
The witches vanish after giving their news of the future. The king's lords, Ross and Angus, come to tell Macbeth some great news. He is will receive the title, Thane of Cawdor. Macbeth is now starting to trust the witches' words. Macbeth believes the witches are right, and that he will not have to help his prophecy come true. "If chance have me king, why, chance may crown me, / without my stir" (I.iii.143-144). He doesn't want to get involved with his fate, he just wants fate to lead it's own course.
"All hail, Macbeth Hail to thee, thane of Glamis! All hail, Macbeth Hail to thee, thane of Cawdor! All hail, Macbeth Hail to thee, thou shall be King hereafter!" (1.3.49) The witches help fate out by giving Macbeth this information. If Macbeth had never known this, he would never have had the idea of becoming thane of Cawdor or king. This is the start to Macbeth's road to success and ultimate demise. It was predetermined by fate that Macbeth would believe the witches' words. When Macbeth does in fact become thane of Cawdor, he then believes fully in the witches and is willing to do anything it takes to become king.
The one thing that all of Shakespeare’s plays have in common is a tragic conclusion, which results in the death of the hero. What is unique about the deaths of these heroes is that all of the problems that lead them to the end are self-induced. The heroes are always in control, and make crucial judgemental errors which ultimately lead to their own demise. While it is clear that the hero Macbeth causes his own death in this famous play, there are also third-party influences which push him towards this end. The three witches plant a desire for power and growing confidence in Macbeth, while Lady Macbeth eventually persuades him to go down a path of violence, and kill King Duncan in order to take his place on the throne.
In the beginning of Act I, Macbeth is regarded by King Duncan and many others as a noble man, more specifically a “valiant cousin” and a “worthy gentlemen” due to his loyalty to the crown and courage in battle. As a reward for his courage and allegiance, Macbeth is to become the Thane of Cawdor in addition to his position as the Thane of Glamis. However, before notified of this “promotion,” Macbeth and Banquo meet with three witches who greet the men with prophecies regarding their futures. At this time, Macbeth is told he is to become Thane of Cawdor and the king of Scotland in the future, but the witches also give Banquo a prophecy that his descendants are also to become kings. In line 78 of scene iii, Macbeth questions their strange knowledge and commands, “Speak, I charge you,” in order to learn more about his future. Catching his attention with news of such value, his natural reaction is to inquire for more information. This can be considered a spark of Macbeth’s tragic flaw because selfishness begins to arise when he demands t...
Macbeth’s ambition to obtain power convinces him that it is his destiny to become King of Scotland, and that he should do anything to fulfill that destiny, even if it involves him committing tremendously immoral acts such as murder. After Macbeth realizes that the witches may actually speak the truth due to the second prophecy (Thane of Cawdor) becoming true, he begins to have an eerie and frightening thought of him killing his king and friend, Duncan, in order to ac...
The Tragedy of Macbeth written by William Shakespeare is a tale of a man and his un-bridled ambition, set in ancient Scotland. Macbeth is a nobleman of the king of Scotland, Duncan, who is in mid-war with Norway. Macbeth and his fellow general Banquo encounter three witches. The witches tell the pair that Macbeth will be king, and Banquo’s children will also be kings. Any person in their right mind would question information given to them by strangers, let alone witches, but for some reason these statements intrigue Macbeth. They temp Macbeth to do evil things such as treason, and worse, to kill. Although un-bridled ambition is his main tragic flaw, there is one more that plays a big role in his decisions and the outcome of the story; Macbeth is far too impressionable.
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
After receiving prophecies from the witches about his future to come, he is forced into an ambition-fuelled madness. As previously mentioned, Macbeth was persuaded to kill King Duncan by his wife due to his debatable manliness. This presented Macbeth’s need to prove to his wife he was manly by being valiant and strong and partaking in violent acts. He responds to his wife’s forceful directives by telling her, “Please stop! I dare do all that may become a man;/ Who dares do more is none” (1.7.46-47). This quote indicates how Macbeth believes a “real” man would not murder, and only due to Lady Macbeth explicitly attempting to manipulate him into action, does he succumb to do so. Macbeth endeavours the heinous crime of murdering the King, all owing to Lady Macbeth’s commands. On more than one occasion Macbeth is seen becoming mad, being overtaken by guilt and concern, highlighting that his manhood does not in fact give him any power, but only draws attention to his lack thereof. The inferiority he has within his relationship, also makes evident that Lady Macbeth’s pressure causes the transpiration of Macbeth’s powerful future. It is clear that Macbeth’s power was affected by his gender, as seen through his desperate need to prove his masculinity. Without the questioning of his manhood, Macbeth would have still been the
“When you first do it, then you were a man, And to be more than what you were, you would, be so much more the man” (I. VII, 54-56). After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others.
William Shakespeare’s Macbeth, first published in 1606, is an endearing tale outlining the dangers of unchecked ambition and moral betrayal. In the subsequent centuries after first being performed, Macbeths critics have been divided upon whether Macbeth himself was irrevocably evil, or if he was guided by the manipulation and actions of the women in the play to his ultimate demise. Although Lady Macbeth and the witches were influential with their provocations in the opening acts, it is ultimately Macbeth’s inherent immorality and his vaulting ambition, that result in the tragic downfall. It was Macbeth’s desire for power that abolished his loyalty and trustworthiness and led him down a path of murder. It is evident through his actions and words
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
Macbeth takes his first step toward becoming evil when he is confronted with the knowledge that he will be king. When the witches tell him "All hail, Macbeth! that shalt be king thereafter!" he makes the mistake of letting his ambition overrule his judgment. If his judgment had remained intact in the face of the witches' powerful prophecy, he certainly would have decided not to let his actions be dictated by a prophecy given to him by three strange witches who evade most of the questions he asks. With great trepidation and considerable pressure from Lady Macbeth, he commits his second mistake by proceeding to murder King Duncan. Driven by a persecution complex that starts with the knowledge that Banquo is meant to be the f...