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Analysis of William Shakespeare
How was Macbeth influenced
How was Macbeth influenced
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Recommended: Analysis of William Shakespeare
In accordance with the Aristotelian tragedy, the hamartia of the character Macbeth is undeniably through his own flaw. William Shakespeare, in his play Macbeth, historically portrays the nobility of the protagonist and his gradual descent into an ambitious fiend whose disregard for the great chain of being cost him his honour, wife and status. Through his interference with fate, succumbing to the voice of his wife rather than reason and ambition are the catalysts for his fall from grace.
An interference with fate and destiny is sure to cause chaos. Macbeth’s greatness as a soldier is met with surprise when he is greeted as, ‘thane of Cawdor,’ which he receives with much pleasure. However, he notes that the witches first prophesy, ‘All hail, Macbeth, hail to thee, thane of Cawdor!’ has in fact been realised which Banquo also sees as he exclaims, ‘what ,the devil speaks, ‘ alluding to the witches’ prophesy. The seed of doubt is planted here as he begins to take the prophesies seriously. The final prophesy, ‘thou shalt be king hereafter,’ foreshadows Macbeth’s slow downfall as he becomes ambitious. According to the cultural beliefs of the Elizabethan times, a violation of the historic set-up of the chain of being is sure to lead to one’s death. While the blame for Macbeth’s downfall is through his own demise, it is also evident that Lady Macbeth’s desire to be queen also contributed to Macbeth’s hamartia.
The letter that Macbeth sends to his wife is full of his victories but mainly about the witches who, ‘met (him) in the day of success,’ making their predictions and when he wanted to know more, they, ‘made themselves air, into which they vanished.’ Lady Macbeth is now fuelled with ambition as she plots regicide being info...
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...tches foreshadow this particular event. In Elizabethan times, the introduction of the English idea of witches and witchcraft brought a renewed belief of the supernatural including the powers and beliefs of witches and witchcraft. Witches were recognised as very knowledgeable and people believed they knew everything and when it was going to happen. So as a result, in Macbeth set in Elizabethan times, Macbeth was easily influenced by the witches’ prophecies. He truly believed these prophecies because it was the norm in the times he was in. He had to believe it because it was true. Moreover, we can say that Macbeth belief in the prophecies and is helpless as it acted as his fate and destiny and he truly believed in it.
In conclusion, Macbeth is ultimately responsible for his own demise because he is allowing the witches and Lady Macbeth to plot his fate and destiny.
Macbeth begins to defer from his original character when he learns of the witches’ prophecies, which leads him to believe he is fated to be king and to pursue that “destiny.” After the witches make the prophecies, he merely views the thought of himself becoming king as something that “Stands not within the prospect of belief” (I. iii. 77). Macbeth’s disbelief of their claim of him obtaining the crown reveals how Macbeth does not trust the witches’ words and has no true ambition to become king. However soon after Banquo’s and Macbeth’s encounter with the witches, a messenger of the King greets him with the title of Thane of Cawdor as well as the title of Thane of Glamis as the witches had also done. These two titles are seen from Macbeth as “Two truths [that] are told/ As happy prologues to the swelling act/ Of the imperial theme” (I. iii. 140-142). Having one of the two prophecies become reality validates the witches’ words and makes Macbeth take their words seriously to be the truth, sparking his desire for power to fulfill the last prophecy. He now believes that what the witches have made it his destiny to become king, and it is his duty to fulfill it. Through Duncan and Macbeth’s dialogue, Macbeth hears about Malcolm b...
In the play, Macbeth was responsible for his downfall and let his greed take over. He was always ambitious, but ended up abandoning his loyalty from King Duncan, the King of Scotland and slowly changed him from a trustworthy, brave and loyal soldier to a merciless tyrant. Lady Macbeth and the three witches are responsible for Macbeth’s downfall. The prophecies changed Macbeth for the worst and is willing to remove any threats that stand in his way. Macbeth, although a loyal warrior, had always possessed ambitious motives that finally turned him into a murderer.
Macbeth’s hamartia and hubris prompt him to commit horrible crimes to satisfy his ambition, and this ultimately leads to his downfall. Macbeth’s hamartia, or “tragic flaw” is that he is so ambitious that he will do anything to satisfy himself; even commit murder. His hubris or “excessive pride and disrespect for the natural
When he is later given the news that the king has made him Thane of Cawdor, he naturally believes that the witches know the future and that he can trust them. His thoughts then move to the other prediction the witches made: that he will be king. Macbeth seeks out the witches for more information and assurance. Then, once coming across the Three Witches, Macbeth then asks them to give him some clarification on his future to hold. The Witches then show Macbeth three apparitions.
Macbeth’s heroic deeds at the beginning of the play soon seem insignificant next to the primary event in the Act: the revelation of the witches’ prophecy. Their insightful proclamation that he will be king someday is both shocking and pleasing to Macbeth. Without this occurrence, this play might not have traveled a road of ambition and death, but instead one of calm acceptance and enjoyment of an already-elegant lifestyle. The seeds of desire were here planted, however, eliciting what became a bloody ordeal. The spark ignited, and a plan began to take shape.
In the beginning of the play, Macbeth is portrayed as a courageous and well-respected soldier who is loyal to his King and country. He is described by one of King Duncan's men as “brave Macbeth.” As a result of his bravery on the battlefield, Duncan decides to reward Macbeth with a new title – the Thane of Cawdor – as the last Thane was proven to be disloyal; however, Macbeth is unaware of this, and this creates tension in the audience. The opening scenes show that Macbeth is a powerful and courageous man who is not naturally inclined to do wrong, but is capable of being brutal when he needs to be. The meeting with the witches also reveal that Macbeth is a very ambitious man who craves an even greater power. There is contrast between Macbeth’s and Banquo’s attitudes towards the witches’ prophecies. Whilst Banquo dismissed the witches’ prophecies, Macbeth was “rapt withal.” This shows that Macbeth has thought about being “king hereafter.” Macbeth's first soliloquy reveals his deep desire to be king. His soliloquy also reveals that he would do anything to achieve it.
In the beginning of Act I, Macbeth is regarded by King Duncan and many others as a noble man, more specifically a “valiant cousin” and a “worthy gentlemen” due to his loyalty to the crown and courage in battle. As a reward for his courage and allegiance, Macbeth is to become the Thane of Cawdor in addition to his position as the Thane of Glamis. However, before notified of this “promotion,” Macbeth and Banquo meet with three witches who greet the men with prophecies regarding their futures. At this time, Macbeth is told he is to become Thane of Cawdor and the king of Scotland in the future, but the witches also give Banquo a prophecy that his descendants are also to become kings. In line 78 of scene iii, Macbeth questions their strange knowledge and commands, “Speak, I charge you,” in order to learn more about his future. Catching his attention with news of such value, his natural reaction is to inquire for more information. This can be considered a spark of Macbeth’s tragic flaw because selfishness begins to arise when he demands t...
Macbeth’s ambition to obtain power convinces him that it is his destiny to become King of Scotland, and that he should do anything to fulfill that destiny, even if it involves him committing tremendously immoral acts such as murder. After Macbeth realizes that the witches may actually speak the truth due to the second prophecy (Thane of Cawdor) becoming true, he begins to have an eerie and frightening thought of him killing his king and friend, Duncan, in order to ac...
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
Macbeth longs to stand as the King of Cawdor, and gain power over the city in which he lives. He listens to the prophecy, presented to him by three witches, and the prophecy says there is a way to gain power over the king, and that is if the King were dead. This sparks an internal struggle in Macbeth, for he wants the power of being king so greatly, but he does not want to cause the King’s death in order
In William Shakespeare's Macbeth, Macbeth was a well-respected man of noble birth, but his fortune was reversed after he turned to darkness. He plummeted endlessly into a chasm of evil until his corrupt life was ended on the edge of Macduff's blade. Whose actions opened up the path of darkness to Macbeth? Whose actions led to Macbeth's demise? The answer is threefold. The weird sisters set Macbeth's fate into motion. Lady Macbeth goaded her husband towards the acts of evil that doomed him. Macbeth himself made the choices that cemented his dreadful end. The weird sisters, Lady Macbeth, and Macbeth himself all served to bring about Macbeth's downfall.
The most prophetic statement in the work is given by none other than the witches. As Macbeth approaches the hags, they great him by saying, “All hail, Macbeth! hail to thee, thane of Glamis! / All hail, Macbeth, hail to thee, thane of Cawdor! / All hail, Macbeth, thou shalt be king hereafter!” (I.iii. 47-50). The wicked women state the first two correctly; he is the thane of Glamis and the newly appointed thane of Cawdor. The third is correctly stated, yet the audience is unsure of this truth. Macbeth is not the current King, but fittingly all will “Hail him King”. This profound prediction lays the bedrock for the argument of fate. Once again, the witches have a control over Macbeth and merely suggest the possibility and leave the rest up to Macbeth.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
Macbeth takes his first step toward becoming evil when he is confronted with the knowledge that he will be king. When the witches tell him "All hail, Macbeth! that shalt be king thereafter!" he makes the mistake of letting his ambition overrule his judgment. If his judgment had remained intact in the face of the witches' powerful prophecy, he certainly would have decided not to let his actions be dictated by a prophecy given to him by three strange witches who evade most of the questions he asks. With great trepidation and considerable pressure from Lady Macbeth, he commits his second mistake by proceeding to murder King Duncan. Driven by a persecution complex that starts with the knowledge that Banquo is meant to be the f...
All hail, MacBeth, that shalt be king hereafter! (Line 47-50) These prophecies throw into his mind the possibility of further advancement to the highest level of the nobility. If the witches had not told MacBeth of their prophecies, there is little chance he would have thought about them himself, and even less chance he would have murdered king Duncan. In Act Three, Scene Five, the witches talk to Hectate, the goddess of demons, about MacBeth.