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Macbeth compare and contrast
Short summary of symbolic meaning of blood in macbeth
Short summary of symbolic meaning of blood in macbeth
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Recommended: Macbeth compare and contrast
William Shakespeare once said “Suspicion always haunts the guilty mind.¬” In both Shakespeare’s Macbeth and Edgar Allan Poe`s The Tell-Tale Heart the main characters have an inevitable drive--a compulsion--to murder. The elements of the stories suggest that Poe had Shakespeare`s era of writing in mind when he was writing The Tell-Tale Heart. There are many similarities in these stories, from the lack of passion in the murders to the use of crickets to mask the sound. Where there are similarities there are differences, in this case in the resemblance of blood, one murder sees imaginary stains, while the other sees no evidence of his crime. Both men try to rationalize what they did with kindness, but in the end guilt and hallucinations get the best of them.
A motive is a reason for doing something, one that is usually hidden or not obvious. Both Macbeth and the main character of The Tell-Tale Heart have different motives for committing similar crimes. Macbeth is driven by supernatural beings (the witches,) and even though he is reluctant to participate in his own fate, Lady Macbeth pressures him to do what “needs to be done.” The narrator in The Tell-Tale Heart has no motive for his intended crime--not hatred, not money. He states that his motive is "his eye," of all silly and mad things, and ultimately it is the narrator himself who propels himself towards the conclusion. Once the goal of murder is established in each, the story then unfolds around the predicted murder.
Both stories are a dramatic exploration into moral and psychological problems of people during that period. Both Poe and Shakespeare use foreshadowing to inform the reader that something is about to take place. In The Tell-Tale Heart the narrator says “there cam...
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...The narrator makes a remark about the lack of blood anywhere in the house even though a body was dismembered; Macbeth says there is enough blood on his hands to make an ocean red. One murder sees imaginary stains, while the other sees no evidence of his crime.
It’s obvious that there are more similarities than differences in Macbeth and The Tell-Tale Heart. Some might even say that Edgar Allan Poe incorporated the elements of fiction that Shakespeare utilized in the Elizabethan Age of writing. The concepts of these stories are very similar; but guilt ultimately gets the best of them in the end. They both try to rationalize what they did, but it doesn’t seem to work. When it gets down to the message the writers were trying to get across, it’s the same. No matter how hard you try to rationalize something, if it’s wrong the guilt will eventually get the best of you.
The two stories, “The Tell Tale Heart” by Edgar Allan Poe and “A&P” by John Updike have some similar attributes and differences in the narration of their stories. The Tell-Tale Heart is narrated by an unnamed character while A&P has a narrator and character named Sammy. Both the people talking in the stories have difference and similarities in how they talk to the reader often skewing their perspective. The main characters of both the stories are not convincing in telling their stories
Edgar Allen Poe’s structural choices in “The Tell-Tale Heart” affect our understanding of the narrator and his actions. An example of this is the way he presents the main character. The main character appears to be unstable, and he killed an old man because of one of his eyes, which the main character refers to as “the vulture eye”. In the story, the character is talking about the murder of the old man after it happened; he is not narrating the story at the exact moment that it happened. You can tell that he is talking about it after it happened because the narrator says “you”, meaning that he is talking to someone, and is telling them the story. For example, in the story he said, “You should have seen how wisely I proceeded—with what caution—with
The Tell-Tale Heart and The Cask of Amontillado are two stories written by Edgar Allen Poe in the 18th century. Both of these stories are primarily focused on the mysterious and dark ways of the narrator. Since these stories were written by the same author, they tend to have several similarities such as the mood and narrative, but they also have a few differences. For instance, the characteristics of both narrators are different, but both stories portray the same idea of the narrator being obsessive over a certain thing.
No, this my hand will rather the multitudinous seas incarnadine, making the green one red.’ Here Shakespeare uses the language technique of allusion in conjunction with symbolism to express how much Macbeth is overwhelmed with guilt from murdering King Duncan. The first question Macbeth asks to himself is him wondering if the guilt inside him will ever leave, and the second part is him realising that the murder was so bad - that guilt will never be rid from his conscious. We see this again later in the play after Macbeth is responsible for more murders: “… I am in blood Stepp’d in so far that, should I wade no more. Returning were as tedious as go o’er” The blood spoken about is used in both a literal and symbolic sense.
The authors, Ambrose Bierce of 'An Occurrence at Owl Creek Bridge' and Edger Allan Poe of 'The Tell Tale Heart' have unique styles to pull the reader into the story. Both authors use unreliable narrator and imagery to allow the reader to picture and follow the narrator's way of thinking. In the Tell Tale Heart, the man is very repetitious and his psychotic behavior is what intrigues the overall dark madness of The Tell Tale Heart. In Occurrence at Owl Creek Bridge Bierce uses illusions to allow the reader to follow wherever his ideas lead which also intrigues the overall dark madness effect.
When reading any of Edgar Allen Poe’s works, the reader can almost expect a reoccurring theme that focuses on the questionable sanity of the narrator and the overwhelming presence of death that drives the story to its resolve. The two stories being compared are no exception to this theme as both are built upon the thought driven narrative of a seemingly mad man with a fervor for revenge. In both stories the reader is told of the main character, “The Cask of Amontillado” gives us Montresor and “The Tell-Tale Heart” is simply the narrator of the story, who seek out a character to murder for vague reasons not fully explained to the reader in a way that builds a picture of the way their mind works. As both dictate how and why they plan to commit their crimes, the inner monologue that is provided by a first person narrative paints a picture of the unstable emotional state and irrational thought process that gives the reader insight to how unreliable their account of the story actually is. This unreliable narrative leaves the story open to interpretation on whether or not the act of murder was committed righteously, or simply just the misguided actions of two insane characters.
Like many of Poe's other works, the Tell-Tale Heart is a dark story. This particular one focuses on the events leading the death of an old man, and the events afterwards. That's the basics of it, but there are many deep meanings hidden in the three page short story. Poe uses techniques such as first person narrative, irony and style to pull off a believable sense of paranoia.
E. Arthur Robinson feels that by using this irony the narrator creates a feeling of hysteria, and the turmoil resulting from this hysteria is what places "The Tell-Tale Heart" in the list of the greatest horror stories of all time (94). Julian Symons suggests that the murder of the old man is motiveless, and unconnected with passion or profit (212). But in a deeper sense, the murder does have a purpose: to ensure that the narrator does not have to endure the haunting of the Evil Eye any longer. To a madman, this is as good of a reason as any; in the mind of a madman, reason does not always win out over emotion. Edward H. Davidson insists that emotion had a large part to play in the crime, suggesting that the narrator suffers and commits a crime because of an excess of emotion over intelligence (203).
..., but her “crisis” still arrives “ever more terrible” (Garber 712). At the time of Duncan’s death, Lady Macbeth guided her husband to clean his hands of blood. Towards the Tragedy’s end, she begins to see visions – visions that will lead to her death – of blood on her hands while she sleeps. She becomes terribly distraught, much like Macbeth had previously displayed, and by this time Macbeth has been hardened from merciless killings and obsession with “lifeless materiality” (Arthos). They each experience both sides of the sword – the sense of power that springs from greed, and the terrible guilt that results from injustice – and, regardless of its timing, they both are unable to sustain themselves at the hand of evil. They lose far more than they ever could have hoped to gain, their lives empty and fruitless, and so they die; of madness, of insanity, of selfishness.
Macbeth: Shakespeare's Comparisons and Contrasts. Throughout Macbeth Shakespeare uses comparison and contrast to bring out characteristics of his main character, Macbeth. Shakespeare uses comparisons with Duncan, Lady Macbeth, and Banquo to bring out aspects of Macbeth's character. After hearing of Macbeth's courageousness on the battlefield, Duncan, a good and honest king, bestows the title of Cawdor on Macbeth.
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
In “The Tell Tale Heart” Edgar Allan Poe builds up suspense by guiding us through the darkness that dwells inside his character’s heart and mind. Poe masterfully demonstrates the theme of guilt and its relationship to the narrator’s madness. In this classic gothic tale, guilt is not simply present in the insistently beating heart. It insinuates itself earlier in the story through the old man’s eye and slowly takes over the theme without remorse. Through his writing, Poe directly attributes the narrator’s guilt to his inability to admit his illness and offers his obsession with imaginary events - The eye’s ability to see inside his soul and the sound of a beating heart- as plausible causes for the madness that plagues him. After reading the story, the audience is left wondering whether the guilt created the madness, or vice versa.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
In both stories, the chief characters plan in great detail the actions they will take to rid themselves of that which haunts them. The narrator of "The Telltale Heart" is the killer, and he explains in the telling of his story how he felt no ill will toward the old man, but how it was the old man's pale eye that caused his "blood (to) run cold; and so by degrees - very gradually - (he) made up (his) mind to take the life of the old man, and thus rid (himself) of the eye forever."[382] Later, he reflects on how meticulously he goes about entering the old man's room, planning the murder. "For seven nights - every night at midnight" he enters the sleeping chamber.[383] Prince Prospero, in Poe's "The Masque of the Red Death," decides to take with him many friendly "knights and dames"[386] from his court and hide away in secl...
Three elements of literary work that truly sum up the theme of The Tell Tale Heart are setting, character, and language. Through these elements we can easily see how guilt, an emotion, can be more powerful than insanity. Even the most demented criminal has feelings of guilt, if not remorse, for what he has done. This is shown exquisitely in Poe's writing. All three elements were used to their extreme to convey the theme. The balance of the elements is such that some flow into others. It is sometimes hard to distinguish one from another. Poe's usage of these elements shows his mastery not only over the pen, but over the mind as well.