As a human, everyone has their own failures. Therefore, the big failures in life are inevitable. Understanding that, Aristotle created a model of tragic hero, who could attract the empathies of his audiences on the stage. Specifically, Aristotle characterized a tragic hero with five elements, which are tragic flaws as known as hamartia, reversal of fortunes as known as peripeteia, post-failure self-realization which is anagnorisis, pride which is called hubris, and over-deserving sufferings. When crafting his play, William Shakespeare employed these characteristics very well. One typical example is Macbeth because he fits within the tragic hero. Through falling to doom from an honorable, brave, and loyal Noble because of his reckless ambitions …show more content…
As every human has made mistakes, either minor or serious in their lives, Macbeth is not an exception because the character was built on a realistic image of a person. Therefore, he has Aristotle’s first element--Hamartia, or the significant mistake that marks the beginning of a hero’s downfall. Prior to the meeting with the witches, it can be inferred that Macbeth was an honorable and loyal warrior as King Duncan praises Macbeth, “O valiant cousin! Worthy gentlemen!”(1.1.26) Most people, when hearing about the word “gentlemen,” will dismiss Duncan’s praise as incense. Nevertheless, in the medieval ages, the word “gentleman” does not only refer to a polite man, but also a polite man with high social status. Furthermore, being praised by a King, who was at the top of the social ranking, is another privilege which the rest of the population did not have. Therefore, with Duncan’s exhortation, Macbeth has been a great Noble--the status which grants him the “pre-eligibility” for Aristotle’s tragic hero archetype. To prove the claim that Macbeth fits within Hamartia, his mindset after hearing the witches’ prophecy should be taken into account. Whereas he was in a state of confusion and scare when the witches acclaimed him as Glamis, Cawdor, and King of Scotland, he began to have an evil thought in his mind upon receiving news of being promoted to Thane of …show more content…
Eventually, he and his wife faced a different consequence than a heavenly life in their imaginations. It is this moment which marks Peripeteia, or the reversal of fortune, of the tragic hero. While Lady Macbeth thought that killing Duncan would provide “which thou esteem'st the ornament of life” (1.7.42), the reality turns out to be Macbeth shouting, “Thou canst not say I did it. Never shake/ Thy gory locks at me.” (3.4.61-62). Instead of having happiness, Macbeth “is blanched with fears” as he constantly hallucinates the ghost of Banquo and falls into a chronic state of paranoia and mental troubles (3.4.141). In the end, Macbeth was killed by “Macduff was from his mother's womb / Untimely ripped.” (5.8.20-21). In addition, it is also this stage of reversal of fortune that Macbeth labors under mental sufferings and receives his final treatment--being killed by
In order to keep our two characters separate, the Shakespearian character will be referred to as Macbeth and the actual historical character as MacBeth or King MacBeth, depending on the time. The following areas will be examined to find the “real” MacBeth: heritage and title, personality, deeds and death. The heritage will determine the legitimacy as heir to the throne and title to reflect rank and class; their personality, deeds and death to illustrate their worthiness of being king. In 1005 MacBeth MacFindlaech was born to Findlaech MacRuaridh and Doada, daughter of Malcolm I, making him in line to be King. It was around this same time that his grandfather (Malcolm II) became king. As was required for the children of important chieftains, M...
‘Brave Macbeth,’ (1.2.18.) as he is first introduced, possesses a valiant temperament, is adored by his generous king and all those who have viewed his prowess on the battlefield. Noble and righteous, Macbeth is portrayed as a respectable man who – although it being prophesied by the three witches before he obtains knowledge of his good fortune – gains his title of Thane of Cawdor solely through his loyalty to his kingdom. At first glance, the play’s protagonist ostensibly has a near perfect balance of both ambition and pride. However, as the plot progresses and the Weyard Sisters equivocate the future in their familiar groups of three, the reader may discern an imbalance that contradicts early perceptions of the protagonist’s personality. ‘[Yielding] to that suggestion whose horrid image doth … make [his] heart knock against [his] ribs against the use of nature,’ (1.3.144–47) Macbeth has already succumbed, albeit only in thought, to his overwhelming ambition, adding more weight to his formerly balanced internal scale, thus raising pride raising slightly higher, as ambition takes precedence. Yet this change is relatively minute, and balance is retained, as he has no desire to act upon these thoughts, wishing to gain power only ‘if chance will have [him] king … without [his] stir.’ (1.3.154–55) It is not until his wife asks him, ‘If thou are afeard
Macbeth’s heroic deeds at the beginning of the play soon seem insignificant next to the primary event in the Act: the revelation of the witches’ prophecy. Their insightful proclamation that he will be king someday is both shocking and pleasing to Macbeth. Without this occurrence, this play might not have traveled a road of ambition and death, but instead one of calm acceptance and enjoyment of an already-elegant lifestyle. The seeds of desire were here planted, however, eliciting what became a bloody ordeal. The spark ignited, and a plan began to take shape.
While in Hamlet and others of Shakespeare's plays we feel that Shakespeare refined upon and brooded over his thoughts, Macbeth seems as if struck out at a heat and imagined from first to last with rapidity and power, and a subtlety of workmanship which has become instructive. The theme of the drama is the gradual ruin through yielding to evil within and evil without, of a man, who, though from the first tainted by base and ambitious thoughts, yet possessed elements in his nature of possible honor and loyalty. (792)
Typical of Shakespeare’s works, the play Macbeth has a protagonist who ultimately experiences a downfall that lead to his demise. The protagonist or tragic hero of this play is Macbeth, once brave and honorable, who eventually becomes tyrannical and feared by many due to what Abrams describes as his “hamartia” or “error of judgment or, as it is often…translated, his tragic flaw.” In this case, Macbeth’s tragic flaw proves to be ambition; however, he cannot be held solely responsible for his downfall. As a result of many outside influential factors, including the witches’ prophecies and a rather coaxing and persuasive wife, one should not hold Macbeth entirely culpable for his actions and tragic end.
The character of Macbeth is the battlefield on which we witness one of the most intense struggles in the whole play, forming our tragic hero. In the beginning of the play, Macbeth is called honorable and brave because his fearless fighting in the opening battle. Indeed, Macbeth seems to be a worthy man. Yet, when faced with the opportunity to seize more power for himself through the use of wicked tactics, a war is kindled within him. Although he is pulled strongly towards the evil inside by his personal ambition and by the influence of his wife, Lady Macbeth, Macbeth's conscience and human kindness does not let him give in easily. In the heat of the battle, Macbeth's ambition is victorious when he chooses to commit the murder of Duncan. Though the first murder leads to others, Macbeth does not tur...
The play Romeo and Juliet best models the Shakespearean tragic hero. For instance, nobility is characterized by being
Macbeth is a brave general who fights for his country Scotland, defeating the King of Norway. He is loyal to his king Duncan, but Macbeth has ambition to take over the kingdom for himself. He has lots of doubts of if he is doing the right thing, but still murders Duncan and then Banquo who is another general who fought with Macbeth. These murders and guilt about his treason are leading Macbeth to become insane. This essay shows that although Macbeth’s strong desire for power is influenced by the three witches in the play and also the planning and ambition of his wife Lady Macbeth, in the end he is responsible for his self-destruction.
(II, ii, 35) His innocence was killed and he knows that he has to live with this guilt for the rest of his life, hence Macbeth will never sleep peacefully ever again. After each successive murder, Macbeth becomes more and more inhumane. “I am in blood Stepped in so far that, should I wade no more, Returning were as tedious as go o 'er.” (III, iv, 143-145)
Within Macbeth the tragedy and demise of Macbeth is an important factor in determining his character as a tragic hero. However in order to elucidate on this point we need to define what is a tragedy. Aristotle within ‘Poetics’ highlighted what characteristics he believed to define tragedy these being;
William Shakespeare’s Macbeth, first published in 1606, is an endearing tale outlining the dangers of unchecked ambition and moral betrayal. In the subsequent centuries after first being performed, Macbeths critics have been divided upon whether Macbeth himself was irrevocably evil, or if he was guided by the manipulation and actions of the women in the play to his ultimate demise. Although Lady Macbeth and the witches were influential with their provocations in the opening acts, it is ultimately Macbeth’s inherent immorality and his vaulting ambition, that result in the tragic downfall. It was Macbeth’s desire for power that abolished his loyalty and trustworthiness and led him down a path of murder. It is evident through his actions and words
Macbeth’s story highlights the inherent goodness found in all of us, but also the evil that lurks within us, unnourished. Although there is no redemption for Macbeth’s evil sins, he finally comes to acknowledge his crimes and thus can provoke pity in the eyes of the audience. Macbeth’s psychological journey from a courageous general to a “ dead butcher” (5.9.41) is one that truly merits to be called a tragedy.
“Macbeth becomes King. But the “settled” is deeply ironic, for he will be more driven restless ecstasy to seek final security. This will require endless crime, but the killing of Banquo is most important, for in resolving upon it, he expresses his own great loss:” (5.2) Macbeth is losing mental stability as he commits murder after murder. He kills King Duncan to become Thane of Cawdor ,then becomes more and more intrigued with the act of murder to gain power. Macbeth begins to lose his sanity ,emotional feeling, and valubility of life. “I am blood Stepped in so far that should I wade no more. Returning were as tedious as go o’er.” Macbeth feels that there is no turning back after he has committed the act of murder. Macbeth’s inability to remain self-conscious leads up to his corruption and physical
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
This specific action consequently resulted in Macbeth’s level of morality to continually decline as he is acutely aware of his own tyranny. Therefore Macbeth attempts to forget the horrific deed he has committed and be the figure that orders and disorders. Our perception of Macbeth being a wise and loyal soldier is now eroded, as we start to view Macbeth constantly questioning his own actions, and is also impelled to perpetrate further atrocities with the intention of covering up his previous wrong-doings.