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Literary interpretation macbeth
Macbeth interpretation
Literary interpretation macbeth
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William Shakespeare utilizes ambiguous language throughout act one of Macbeth to create an air of confusion and contradiction. By employing the use of an equivocation fallacy in accordance with contronyms, the witches are able to conceal the truth and deceive Macbeth, thus adding to the dramatic irony of the play. Shakespeare’s use of equivocation in the play was most likely influenced by the notorious interrogations of the Jesuits that occurred in England in 1605. The notion of equivocation became infamous in England when Jesuits were interrogated by Protestant authorities and were forced to choose between denying their faith and eradicating their souls or affirming their faith and saving their souls. To escape death whilst still keeping …show more content…
The witches predict that Macbeth will become Thane of Cawdor and King of Scotland while Banqou’s child will become king: “All hail, Macbeth! hail to thee, thane of Glamis! All hail, Macbeth, hail to thee, thane of Cawdor! All hail, Macbeth, thou shalt be king hereafter! (1.3.50–52).” The witches continue to deceive Macbeth with their equivocal language which in turn creates a dark, suspenseful and ominous mood. For instance, the witches speak in riddles which establishes the moral confusion portrayed throughout the play: “Lesser than Macbeth, and greater. Not so happy, yet much happier. Thou shalt get kings, though thou be none” (1.3.67–69). The tone of the witches is intentionally unclear and evokes a duality of meaning. Moreover, “lesser than Macbeth, and greater” could mean that Banqou will be ranked lower in terms of aristocracy or could mean that he would be of less importance than Macbeth but would still be “greater” (1.3.67). Shakespeare incorporates this equivocal fallacy in the witches’ dialogue to add to the suspenseful mood that permeates the play. The reader is able to witness the mistranslation on Macbeth’s part and the deceitful intentions of the witches that consequently leads to dramatic
The three weird sisters “witches” predicted that Macbeth would become the King of Cawdor. “All hail, Macbeth! Hail to thee, Thane of Cawdor!”(Shakespeare, Macbeth 1...
Macbeth begins to defer from his original character when he learns of the witches’ prophecies, which leads him to believe he is fated to be king and to pursue that “destiny.” After the witches make the prophecies, he merely views the thought of himself becoming king as something that “Stands not within the prospect of belief” (I. iii. 77). Macbeth’s disbelief of their claim of him obtaining the crown reveals how Macbeth does not trust the witches’ words and has no true ambition to become king. However soon after Banquo’s and Macbeth’s encounter with the witches, a messenger of the King greets him with the title of Thane of Cawdor as well as the title of Thane of Glamis as the witches had also done. These two titles are seen from Macbeth as “Two truths [that] are told/ As happy prologues to the swelling act/ Of the imperial theme” (I. iii. 140-142). Having one of the two prophecies become reality validates the witches’ words and makes Macbeth take their words seriously to be the truth, sparking his desire for power to fulfill the last prophecy. He now believes that what the witches have made it his destiny to become king, and it is his duty to fulfill it. Through Duncan and Macbeth’s dialogue, Macbeth hears about Malcolm b...
After telling Macbeth that he will be king, they tell Banquo that his sons will be king. Macbeth remembers that fact, and acts upon it later. The witches vanish after giving their news of the future. The king's lords, Ross and Angus, come to tell Macbeth some great news. He will receive the title, Thane of Cawdor.
As Banquo and Macbeth joke about the predictions, Duncan’s messengers interrupt them and tell Macbeth that he is now the Thane of Cawdor, he is no longer laughing about the witches and their predictions. Duncan also announces that his son, Malcolm, will inherit the throne, but his reaction was unexpected. At the same time, Lady Macbeth is at the castle reading a leader from her husband telling her about the witches, she’s willing to do anything to make Macbeth King.
“All hail, Macbeth! Hail to you, thane of Glamis. All hail, Macbeth! Hail to you, thane of Cawdor. All hail, Macbeth, that shalt be king hereafter!”(1.3.51-53) and also goes on to tell Banquo that his descendents will be kings even though he won’t become one. At first Macbeth dismisses these claims, and Banquo suggest that they were just hallucinating, but the idea of becoming Thane of Cawdor and king of Scotland has been implanted in Macbeths head. Coincidentally just before Macbeth and Banquo meet the witches Duncan announces to Ross that Macbeth will be the new thane of Cawdor “No more that thane of Cawdor shall deceive our bosom interest: go pronounce his present death, and with his former title greet Macbeth.”(1.3.76-76) When Macbeth finds out that he will become thane of Cawdor from Ross and Angus he starts to truly believe that he can and will become the new king. The witches use this previously announced fact “Hail to you, thane of Cawdor” as a catalyst, to trick him into believing that he will become king which makes him take action towards the prophecy, but which was really his free will maki...
Not surprisingly, Shakespeare's play reflects these topical Jacobean events through its word choice, plot, and themes in an intriguing blend of Scottish history, contemporary political events, and authorial creativity. The language of the play, for example, includes a litany of references to the Gunpowder Plot that would have been familiar to all the king's loyal subjects in 1605. Such terms as "vault," "mine," "blow," "devils," "fuse," "powder," "confusion," "corpses," "spirits," and "combustion" set up a linguistic landscape through which Macbeth and the witches kill a king and take over his throne in a mirror image of the aborted Popish plot during James's reign. Similarly, the play's riddling prophesies mimic the ease with which Jesuits equivocated between truth and falsehood, good and evil.
As with all great works of literature, William Shakespeare’s Macbeth has spawned countless essays concerning its interpretation. Two such essays, “Shakespearean Tragedy” and “General Macbeth,” produced by two eminent literary critics, A.C. Bradley and Mary McCarthy, find themselves in conflict. The essays’ respective authors diverge on subjective points such as interpretation of character, original intent, and meaning. Bradley’s Macbeth is courageous and encumbered by the dregs of guilt, while McCarthy’s version takes a less orthodox path.
William Shakespeare Macbeth Texts and Contexts. Ed. William C. Carroll. Boston: Bedford/St. Martin's, 1999. ---.
In the first act of Macbeth, Shakespeare clearly distinguishes the theme of morals, choosing whats right vs. choosing whats wrong, when he presents two main characters with a similar choice. The choice is presented by the witches when they tempt Macbeth (with Banquo as a witness), making both characters stand out to readers as a contrast of the other. The results of each of their fates are foreshadowed through the quote, “If you can look into the seeds of time and say which grain will grow and which will not...” (Shakespeare 11), in which Macbeth and Banquo essentially have to choose which way to “grow”, to flourish in goodness as Banquo does, or to die out of evil, which Macbeth does. This quote introduces the two characters and their fates as metaphors of growth (also life or death), and is supported by Shakespeare’s choice to use the repetition of growth imagery to enfor...
Shakespeare uses equivocation not to confuse but to either get across multiple meanings or to leave dialogue and events in the play open ended. Equivocation can be seen with the witches and whenever they talk. The witches are themselves a vague set of characters who talk in a puzzling riddle-like manner. For instance when Macbeth goes to see them for the second time they are very vague about predicting his future, intentionally confusing him and making him overly confident. An example of this riddled dialogue goes like this:
Throughout the play we are able to see the change Macbeth has encountered. He started out as a noble thane, content with his life. But as soon as the Three Sisters' have gotten the notion of Power in his head, we see his thrive for power ultimately corrupting him. By studying the impact power has on relationships in Macbeth, it is obvious that Banquo and Macbeth's relationship best represents the impact which the need for power can have on a relationship. This conclusively demonstrates that lust of power can drive people to doing the cruelest things in order to capture it.
Throughout many forms of literature we, the readers, see an enormous amount of concepts such as the good guy and bad guy. In some forms of literature, we can see dualism, when one concept can be seen as “good” but instead is the opposite. There are many forms of showing a similar concept, equivocation. Equivocation is something that has to meanings, one being bad and another being good. In the play, Macbeth by Shakespeare, the main character, Macbeth, shows dualism in his actions towards the prophecies he was trying to achieve.
Shakespeare, in his play, Macbeth, in his renowned Tomorrow Speech of act five, scene five, displays the pessimistic attitude that Macbeth has developed about time and life. Shakespeare uses this scene to dissipate any positive outlooks Macbeth might have had, simultaneously depicting the illusion of life and dangerous effects of ambition and mistrust on both a country and the people themselves. He enhances a desolate and despondent tone with his use of repetition and metaphors in order to a evoke a wretched, gloomy attitude all the while guiding his Elizabethan audience’s attention towards certain realities of time and mistrust during a time of great chaos and fear. Shakespeare employs a bleak and detached tone through his use of repetition
The theme of equivocation is central to the play Macbeth. Macbeth is first introduced as a noble warrior who
The witches influence Macbeth in his achievements and awake his ambitions. They give him a wrong sense of security with their apportions of truths. The witches are the ones who made the idea of killing Duncan into Macbeth’s mind. They also told him that he would become thane of Cawdor and later would become king of Scotland and Macbeth wants to know more. “Stay you imperfect speakers, tell me more. By Sinel’s death I know I am the thane of Glamis; but how of Cawdor? The Thane of Cawdor lives, a prosperous gentleman; and to be king stands not within the prospect of belief, no more than to be Cawdor” (Shakespeare 312). Banquo is known as the real victim of the witches. After Banquo hears the prophecy of the witches that his sons will become kings he still does not believe them. He believes that he has eaten a root that is making him hallucinate and does not believe anything they tell him. (Shakespeare 313) Banquo says, “Are you sure we are talking about what we have seen here? Or have we eaten some plant root that makes us hallucinate.” Banquo also says to Macbeth: “but ‘tis strange; and oftentimes of darkness tell us truths, win us with honest trifles. To betrays in deepest consequence” (Shakespeare 314). Shortly after they meet with the three witches they meet a messenger who tells Macbeth he is the Thane of Cawdor. When Banquo hears this he realizes the witches are right and