In Othello, Act Three the theme is “what goes around, comes around” what this means is that a bad action lead into bad consequences. In Act Three the climax is the handkerchief. The handkerchief is one of the ocular proofs that is a lie. How does lying affect the characters? Lying affects the characters in a way that Iago convinces Othello that Desdemona is unfaithful, Othello thinks that Desdemona gave the handkerchief to Cassio, and Cassio is in a relationship while being married. Lying affects Othello when Iago convinces Othello that Desdemona is unfaithful. Othello is confused by Iago because Iago is playing games with him. Othello believes that his wife, Desdemona is not unfaithful “By the world, I think my wife be honest and think she is not...” (III. iii. 438-439). But, since Iago is always pointing out Cassio and Desdemona, Othello asks Iago to bring him ocular proof. Then Iago makes up a dream about Cassio. Iago says that Cassio thought he was with Desdemona, but it was actually just Iago. Iago continues by saying Cassio tried pulling him in, so he could kiss him thinking it was Desdemona. This proof worked for Othello, but it was a lie and …show more content…
Othello thinks that Desdemona gave the handkerchief to Cassio since he was wiping his beard with one similar to the one he gave to her. Othello believed that the handkerchief he gave Desdemona was associated with superstition, which helps keep their marriage secure. Othello gets angry at Desdemona and takes the missing handkerchief as another source of proof. Desdemona is naive and innocent. She does not really understand the meaning of the handkerchief. When Othello gets angry at Desdemona she decides to start talking about Cassio to change the subject by saying “Pray you, let Cassio be received again” (III. iv. 102). Desdemona is on Cassio side and she is trying her hardest to get Cassio his job back, but she does not realize that her husband is
In the beginning Othello is seen as a calm collected man when put into an awkward situation, such as being ridiculed by his wife’s father in thinking that Othello has used some sort of magic to gain Desdemona 's infection. Othello’s calm collected ways start to deteriorate after he is convinced by Iago, a deceiving evil man that Desdemona has slept with Cassio. Othello’s self control no longer exist once he is fully convinced that it is in fact true that Desdemona has been unfaithful. His sense of what is real and what is not real is thrown out the window. Othello starts to become extremely jealous of his used to be beloved Cassio, and after considering giving back his spot as liternuanat he denies him that. He starts to become cold and distant towards his wife, and starts to call her out of her name. As Othello continues to lose control the people around him start to doubt his abilities of being able to protect Cyprus, and even his wife starts to doubt him, and agree with her father. No one knows who this man is anymore, he has started to act in an insanely matter. He can longer be his true self and take on the responsibilities of being general as he starts to crack. With Othello being faced with evil, him being calm is no longer an option for him because he can’t face the fact that the person he loves so dearly is cheating on him. Going back the they handkerchief, the symbol of his love for her. Othello seeing Cassio with Desdemona’s handkerchief sets him over the edge becoming truly convinced that his wife has betrayed him. Even when Desdemona and her maid Emila, Iago’s wife, has told him countless times that she has not been unfaithful, he is so far gone from reality that he does not believe either one of them. With the state of mind he’s in he cannot bear the thought of another man touching his wife. Othello and Iago plan to kill Cassio and Desdemona. After he
Pray you let Cassio be received again.” (Shakespeare III.IV 81-83) At this point in the story, Othello is demanding that Desdemona present his handkerchief, a gift which he gave to her. In Othello, the manipulation, and whole story, revolves around a select few individuals.
When Iago first sets out to deceive Othello, he tells him, "look at your wife; observe her well with Cassio" (3.3.196). He knows that if he can plant enough doubt and jealousy in Othello's mind, Othello only needs to look at Desdemona being friendly with Cassio to suspect infidelity. After this, when Desdemona asks for Cassio's reinstatement, it looks as though she is trying to get something better for her lover, as opposed to just helping a friend.
This item represented Desdemona’s love for Othello, but also all of the scandal that happened in the play. It was traditional in this time for women to give their handkerchiefs to the one they loved. In this play, however, while Desdemona did give Othello her handkerchief to represent her love, Iago used this item to manipulate Othello so that he could take Cassio’s place. In a way, the handkerchief is the second most important part of the conflict. Iago had a copy of the handkerchief made identical to Desdemona’s, and placed in on Cassio. This ended up causing the main uproar of the
In the play Othello, Shakespeare uses many literary devices to help the reader understand the theme of the story. One of those many literary devices used in the play, is the wide range of irony. Throughout the pages of the book the reader will see the use of dramatic, situational, and verbal irony. Shakespeare does not use irony in an understated way, it is very direct, and can be found on almost every page of the book. The use of irony creates suspense, and adds interest as to what will happen.
Only a truly honorable man can admit that it was a story, and not his personality that truly won the woman’s heart. Othello’s honor is shown by his trust in the people he knows and loves. When Iago tells Othello that he believes Cassio and Desdemona are having an affair, Othello does not believe Iago initially. He tells Iago that he will not believe him unless evidence is found and shown to him. This evidence does come to him.
From this point on, Othello insecurity manifests into a seemingly irrational fear of being cuckolded, and his self-perceived worth diminishes exponentially. Othello comments on the likelihood of Desdemona cheating, by explaining how it may be “for [he is] black / And have not those soft parts of conversation / That chamberers have…” (3.3.280-282) Othello’s frustration with the threat of being cuckolded puts strain on his relationship with Desdemona, and she quickly becomes a victim of domestic abuse. For example, Othello acts as an interrogator, demanding to see the handkerchief which he gave her that symbolizes faithfulness and commitment towards Othello. (Quotation) When she is unable to produce their symbol of trust, Othello’s anger manifests inside him. The audience is shown a stark contrast to Othello’s typically cool, collected and composted nature. This abrupt and irrational change in behaviour is emphasized when Othello strikes Desdemona in front of Lordovico, (4.1.245) Othello’s
In Act three, Scene three, Desdemona agrees to speak to Othello in Cassio’s behalf) As Desdemona and Cassio discuss Cassio’s loss of rank and trust in Othello’s eyes. Iago brings to Othello’s attention the discussion taking place between Cassio and Desdemona. Iago knowing full well why the discussion is happening. Iago hints the pair seems to be spending a lot of time together. Iago plants the seed of doubt in Othello’s mind Othello begins to ponder the idea of whether Iago suspicions are true.
Lying by omission is incorporated into the theme of appearance versus reality. Othello often falls prey to Iago’s twisted words. Iago plants a seed of doubt in Othello’s mind about Desdemona when the men see her talking to Cassio. Cassio leaves in a hurry and Iago tells Othello that Cassio “would steal away so guilty-like/ Seeing you coming” (3.3.39-40). He is telling Othello that Cassio would only be leaving so quickly if he and Desdemona were involved in something clandestine. Iago is planting seeds of doubt in Othello’s mind. He is making it seem that Cassio is acting suspicious, but in reality, Cassio is leaving quickly because he is “ill at ease” (3.3.30). around Othello given his current situation after the drinking incident in Act II. Another example of Iago twisting Othello’s reality is when Othello says he will only believe that Desdemona is unfaithful to him when he sees “ocular proof” (3.3.360) with his own eyes. When Iago manages to procure the handkerchief and place it in Cassio’s possession, Othello effortlessly takes it as proof and therefore is completely convinced of Desdemona’s infidelity. To Othello, it appears that Desdemona is cheating, because Cassio has her handkerchief, but in reality, Iago had planted it in Cassio’s chambers for him to find. Iago is liar; who makes other character believe what he wants them to believe through twisting his words
From a young age, we are taught that lying is something unacceptable. Although we have this value instilled in us, most of us begin lying from a young age. Whether it be lying about who ate the last cookie or who broke the vase, lying is inevitable. Once we are a bit older, we become more inclined to lie when we face certain situations. One might lie to protect themselves or another’s feelings. All of this points to the inescapable truth; lying is a part of human nature. In William Shakespeare’s Othello, Iago spins a web of lies in order to carry out revenge against Othello. He does this by planting a series of lies amongst characters in the play that lead Othello to kill his wife, Desdemona, and ultimately, himself. A personal agenda based
Deception, which by its definition is a bad thing and has only one level or degree, is truly not this way at all. Deception appears many times in Othello, but in almost every incident the degree of deception is different. There are only a few characters that use deception, and those characters all use different degrees of deception to get what they want in the play. Deception is almost always used through verbal language or body language because it is the easiest way to deceive a person. The reasons, or intentions, a person has for deception determines the goodness (or badness) and (or) severity of the deception. If a person deceives others with good intentions, then, in a way, the deception is partially good. However, if a person has bad reasons or intentions in deceiving others, then the deception is bad. There is also, in contrast to the definition of deception, debate over what is deception because it is always different in the eyes of different people.
When Othello asks Iago for proof of Desdemona’s deceit, Iago describes scenes and events in which Othello has a reason to be jealous. In Act III, Scene I Iago is describing to Othello, Desdemona and Cassio’s imagined relationship, “It is impossible you should see this/ were they as prime as goats, as hot as monkeys, as salt as wolves in pride, and fools as gross as ignorance made drunk.” These images planted themselves inside Othello’s mind and haunted him until he did something about it. These images led to Othello believing Desdemona really did love Cassio.
How can one small piece of fabric manifest so much havoc? In William Shakespeare’s Othello, there is great significance of a powerful symbol that completely alters the fate of the story. “In the case of the handkerchief, it stands for several things, things that cannot be seen” (Hacht 663). This symbol, the handkerchief, is given to Desdemona by Othello, as a token of his love, and to their new beginnings as husband and wife. However, the meaning of the handkerchief is viewed differently in various characters perspectives. Reaching the hands of most of the characters, this item results in a sense of irony. What was anticipated to be the start of a new beginning, ultimately turns that vision into an abrupt end.
Throughout the drama, Othello let Iago control him as if he was a puppet under his master’s hands. When Iago first brought up the idea that Desdemona and Cassio might be having an affair, Othello did not believe him, he had faith in his wife. After many lies that Iago planted in Othello’s ears, Othello started to believe him and he dropped most of the faith that he had in Desdemona. Iago told Othello that in his sleep, Cassio said “Sweet Desdemona, let us be wary, let us hide our love”. Cursed fate that gave thee the Moor” (III.iii.416-417).
The role of the handkerchief is significant in “Othello” as it symbolized the sentimental value that it held, as well as the themes of jealousy, love, and faithfulness.