When Luke Cage premiered on Netflix in 2016 critics and reviews embraced its focus on African-American culture and its authentic representation. Despite the increasing pressure and intention in Hollywood to feature a more diverse list of actors Marvel's Luke Cage still very much distincts itself from other productions. This is why I intend to base my research on the following question: How does Luke Cage represent African-American culture and related issues of race?
In order to answer this research question I will conduct a textual analysis with a focus on narrative of the first episode "Moment of Truth" of the serial. Luke Cage tells the story of black man who through an experiment acquires unbreakable skin and extraordinary strength. Through
…show more content…
Not only does the show include a diverse ensemble of actors, they also portray various different roles in society. The show's protagonist Luke Cage is not a classical superhero as one might expect. On the contrary, as an ex-convict Luke prefers to remain unobtrusive and to stay away from violence (X). Only at the end of the episode he makes use of his superpowers. A close-up in slow-motion shows his indestructibleness (X). Even more relevant in the current times however is the fact that he is also bulletproof (X). Moreover, instead of wearing a superhero suit, Cage prefers to wear a simple, black hoodie (X). This costume was intentionally chosen as a reference to Trayvon Martin, a black teenager who was wrongly shot for seemingly looking like a criminal (HP). Later on in the twelfth episode, the perforated hoodie becomes a motif to signal the unity of African-Americans (10, …show more content…
During an interview Mariah Dillard states, "For black lives to matter, black history and black ownership must also matter." (X). and presents plans for a new Crispus-Attucks-complex. Cripus Attucks was the first (black) American to die during the American Revolution in the Boston Massacre (inverse). In the following episode Luke Cage declares Attucks to be "one of our greatest heroes" (X). One of the most iconic scenes includes Cornell Stokes in a medium shot as he walks slowly towards the camera and talks about the painting of The Notorious B.I.G. behind him (X). The crown of the painting seems to perfectly fit onto Stoke's head as he says, "Everybody wants to be the king." Not only does the shot underline his aspiration for power, but also "Biggie's" meaning for New York. Aside from his music career, he also represents the most influential African-American entrepreneurs in the city (?). As these example show, Luke Cage does not only include the current culture in Harlem, but also emphasizes the importance of the
In the article, “A Letter My Son,” Ta-Nehisi Coates utilizes both ethical and pathetic appeal to address his audience in a personable manner. The purpose of this article is to enlighten the audience, and in particular his son, on what it looks like, feels like, and means to be encompassed in his black body through a series of personal anecdotes and self-reflection on what it means to be black. In comparison, Coates goes a step further and analyzes how a black body moves and is perceived in a world that is centered on whiteness. This is established in the first half of the text when the author states that,“white America’s progress, or rather the progress of those Americans who believe that they are white, was built on looting and violence,”
Ken Hamblin is the author of “The Black Avenger.” He has worked in various media fields and continues to work as a talk radio host and has a talk show of his own. He also refers to himself as a thinking black man (384-385). Hamblin seems to believe that hard work is the only way to be successful. Hamblin writes an effective work that portrays ethos by using his racial credibility, pathos to invoke emotions, and logos by cause and effect.
Over the past decades, Hollywood movies have brought out the representations of racial inequality through out various themes of racism and stereotypical ways. One frequent type of racial inequality is that there is a culture or race that is belittled, under-privilege and inferior while the other is superior and high in order. In “The Offensive Movie Cliché That Won’t Die” by Matt Zoller Seitz, He identifies the term “magical negro” as: “a saintly African American character who acts as a mentor to a questing white hero, who seems to be disconnected from the community that he adores so much, and who often seems to have an uncanny ability to say and do exactly what needs to be said or done in order to keep the story chugging along in the hero’s favor” (408) and in Mitu Sengupta “ Race Relations Light Years from the Earth” the author examines the movie Avatar as a racist film, and focuses on how it resembles the “white messiah” stereotype. The term “white messiah” is known as a white individual who hold superior power, according to David Brooks of the New York Times, “a stereotype that white people are rationalistic and technocratic while colonial victims are spiritual and athletic, and that nonwhites need the White Messiah to lead their crusades” (Sengupta 213). Both articles dwell and explain the two terms and how it portrays the themes of racism and stereotypes through two elements, known as author’s purpose and main idea. These elements effectively convey the theme because it prevents our thoughts from being scattered by a broad spectrum of ideas and instead, it tells you exactly what is going to be discussed throughout the article.
Over past decades, Hollywood movies have brought out the representations of racial inequality through out various themes of racism and stereotypical ways. One frequent type of racial inequality is that there is a culture or race that is belittled, under-privilege and inferior while the other is superior and high in order. In “The Offensive Movie Cliché That Won’t Die” by Matt Zoller Seitz, He identifies the term “magical negro” as: “a saintly African American character who acts as a mentor to a questing white hero, who seems to be disconnected from the community that he adores so much, and who often seems to have an uncanny ability to say and do exactly what needs to be said or done in order to keep the story chugging along in the hero’s favor” (408) and in Mitu Sengupta “ Race Relations Light Years from the Earth” the author examines the movie Avatar as a racist film, and focuses on how it resembles the “white messiah” stereotype. The term “white messiah” is known as a white individual who hold superior power, according to David Brooks of the New York Times, “a stereotype that white people are rationalistic and technocratic while colonial victims are spiritual and athletic, and that nonwhites need the White Messiah to lead their crusades” (Sengupta 213). Both articles dwell and explain the two terms and how it portrays the themes of racism and stereotypes through two elements, known as author’s purpose and main idea. These elements effectively convey the theme because it prevents our thoughts from being scattered by a broad spectrum of ideas and instead, it tells you exactly what is going to be discussed throughout the article.
The book isn't just about the cold working of a criminal empire. Boxer tells his story with unexpected sensitivity and a Chicano brand of optimism. The man is highly charismatic. Yet, there is a dark side shown that is absolutely sobering. It's the part of him that is a frighteningly intelligent and ruthless. He shows us a man who can find dark humor in a jailhouse murder.
By coming into the country, other races are denied of superiority and are exposed to an already “racialized society”. (pp.78) Oppression also comes into place with hierarchy, such as the “Bonds of Sisterhood” by Romero that portrays a difference between African American servants and housewives. It sets up an inequality between both women, showing inferiority over African American woman. One last reading that has emerged and captivated attention is Just Mercy by Bryan Stevenson. Stevenson expresses oppression in one of his own narratives when he was discriminated by two S.W.A.T officers. He describes his experience terrifying yet shocking since he had done nothing wrong. He was accused of a burglary based on the color of his skin because he lived in a white neighborhood. Not only that, but he was also investigated and searched which violated his rights. This unlawful act portrayed the ignorances for complex, multiple, and cross cutting relationships because Stevenson was an educated lawyer; yet, was seen different by the two officers in his own residence. Overall, Stevenson’s book has captured attention since it has given an experience of what he went
Drugs, violence, and crime, the life of the stereotypical criminal black man. People’s perspectives on stereotypes like these can be influenced and changed. Bob Ewell, from To Kill A Mockingbird, greatly affects his community. Lyrics in mainstream hip-hop often seem to promote violence and crime, but often it is the artists’ mouthpiece to reveal how these stereotypes are still in place and have impact on the black community. In both hip-hop and To Kill A Mockingbird, we see how these characters with access to money and power have the ability to influence others’ views based on stereotypes. Those with access to traditional sources power can affect change in society.
Without details, the words on a page would just simply be words, instead of gateways to a different time or place. Details help promote these obstacles, but the use of tone helps pull in personal feelings to the text, further helping develop the point of view. Point of view is developed through the story through descriptive details and tone, giving the reader insight to the lives of each author and personal experiences they work through and overcome. Issa Rae’s “The Struggle” fully emplefies the theme of misplaced expectations placed on African Americans, but includes a far more contemporary analysis than Staples. Rae grapples as a young African-American woman that also struggles to prove her “blackness” and herself to society’s standards, “I feel obligated to write about race...I slip in and out of my black consciousness...sometimes I’m so deep in my anger….I can’t see anything outside of my lens of race” (Rae, 174). The delicate balance between conformity and non-conformity in society is a battle fought daily, yet Rae maintains an upbeat, empowering solution, to find the strength to accept yourself before looking for society’s approval and to be happy in your own skin. With a conversational, authoritative, humorous, confident and self-deprecating tone, Rae explains “For the majority of my life, I cared too much about my blackness was perceived, but now?... I couldn’t care less. Call it maturation or denial or self-hatred- I give no f%^&s.” (Rae 176), and taking the point of view that you need to stand up to racism, and be who you want to be not who others want you to be by accepting yourself for who you are. Rae discusses strength and empowerment in her point of view so the tone is centered around that. Her details all contribute to the perspectives as well as describing specific examples of racism she has encountered and how she has learned from those
Detrimental stereotypes of minorities affect everyone today as they did during the antebellum period. Walker’s subject matter reminds people of this, as does her symbolic use of stark black and white. Her work shocks. It disgusts. The important part is: her work elicits a reaction from the viewer; it reminds them of a dark time in history and represents that time in the most fantastically nightmarish way possible. In her own words, Walker has said, “I didn’t want a completely passive viewer, I wanted to make work where the viewer wouldn’t walk away; he would either giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful”. Certainly, her usage of controversial cultural signifiers serve not only to remind the viewer of the way blacks were viewed, but that they were cast in that image by people like the viewer. Thus, the viewer is implicated in the injustices within her work. In a way, the scenes she creates are a subversive display of the slim power of slave over owner, of woman over man, of viewed over
When handling a controversial subject, it is important to recognize the opinion of everyone, not just of oneself. If an author does not recognize, at least to some degree, the opinion of everyone in their audience, they risk losing the interest of readers whose opinions are different. African American writers must consider how it feels to be an African American to their audience; they must understand that there is no such thing as one identity for an entire race.
Africanisms in America are a highly surveyed topic for the black community. Joseph E. Holloway describes Africanisms as “those elements of culture found in the New World that are traceable to an African origin” (Holloway 2). I believe, that africanisms are the traditions and cultural behaviors of African Americans that resemble the some of the same traditions and cultures in Africa. Which makes you ponder about what current elements does our culture use that ties back to Africa. Which in fact there are several africanisms that still exist. African Americans have retained an essence of Africa in their speech, hair care, clothing, preparation of foods, and music by over centuries of separation from the Dark Continent.
Between 1775 to 1781 there were not any battles without black participants. Black soldiers fought for the colonies at Lexington, Concord, Ticonderoga, White Plains, Benington, Brandywine, Saratoga, Savannah, and Yorktown. There were two blacks, Prince Whipple and Oliver Cromwell, with Washington when he crossed the Delaware River on Christmas day in 1776. Some won recognition and a place in the history of the War of Independence by their outstanding service, although most have remained anonymous. Despite the huge contribution to the war, and among the thousands of dead blacks few had gained their freedom. They did not die in vain for they did gain a huge step towards Liberty for all blacks in America. The Negro in the American Revolution by Benjamin Quarles depicted in detail the struggle for Blacks searching for their right to Liberty. If the Negro race had never rendered their services we might not be living in such a nation that values Life, Liberty, and the pursuit of Happiness above oppression, and tyranny. .
Black culture is the epitome of what defines America’s understanding of cool. It is difficult to define what it means to be cool without stating the influence or impact of the culture. The idea of cool developed as a social attitude implemented by black men during slavery which they used as a defense mechanism in order to cope with exploitation and injustice. It is now spread by hip hop culture which has integrated itself into mainstream society. As a result, black culture continues to play a vital role in America due to its innovative and creature nature.
Hollywood’s diversity problem is well-known; however, the extent might be surprising to most Americans. According to a 2014 report by the Center for the Study of Women in Television, Film & New Media, found that females comprised only 30% of all speaking characters among the top grossing films of 2013. (Lauzen, 2014) However, minority women faired far worse than their Caucasian counterparts. As a matter of fact, if one looks at the numbers even female characters from other world’s were as better represented in film than some minority women; the numbers are as follow for women: Caucasian (73%), African American (14%), Latina (5%), Asian and other world tied (3%). (Lauzen, 2014) If the lack of representation were not enough consider a 2009 study which found that when minority groups are portrayed on television the portrayal tends to be negative. (Alexandrin, 2009) A study by Busselle and Crandall (2009) found that the manner in which African-Americans are portrayed, often as unemployed criminals, tends to have an influence on the way the public perceives African-American’s lack of economic success. Furthermore, the news media does an equally poor job in the ways that African-American’s are presented; according to the same study while 27% of Americans were considered “poor” in 1996 the images of America’s “poor” being presented by news media was heavily Black (63%). (Busselle & Crandall, 2002) Today, this can be seen in the way that African-American victims of police brutality are depicted in the media. Even when African-Americans are murdered at the hands of police for minor and non-violent offenses (e.g. Mike Brown, Eric Gardner, and Tamir Rice) they are often portrayed as thugs, criminals, and vandals. What’s more, seve...
In the Following essay I will explore and develop an analysis of how the movie Twelve Years A Slave produces knowledge about the racial discourse. To support my points, I will use “The Poetics and the Politics of Exhibiting Other Cultures” written by Henrietta Lidchi, a Princeton University text “Introduction: Development and the Anthropology of Modernity” and “Can the Subaltern Speak?” by Gayatri Chakravorty Spivak.