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Ludwig van beethoven history easy
Ludwig van beethoven history easy
Ludwig van beethoven history easy
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Ludwig Van Beethoven was born on December 16, 1770 in Bonn, Germany and he died on March 26, 1827 in Vienna Austria. Beethoven’s music is mostly associated with the classical era because that is when he crafted most of his greatest works. Beethoven’s father and grandfather were both musicians that played at Court of Elector of Cologne. Beethoven’s main instrument that he played was the piano. He was taught by his father how to play the piano. His father was very strict on him, and sometimes he made Beethoven, “stand at the keyboard, was often in tears.” He had other teachers that taught him how to play the violin, and how to play the piano. In 1779, Beethoven began to learn how to write compositions under the teachings of Christian Gottlob Neefe. In March 1783, Beethoven had written and published his first composition, with the help of Neefe. Beethoven also studied under Joseph Hayden in Vienna, after Hayden came back from London. When Beethoven had written his first and second symphonies, “Beethoven became regarded as one of the most important of a generation of young composers following Hayden and Mozart. He taught students how to play music, one student in particular; he fell in love with, Josephine Brunsvik. He had one student that became a composer, and one that became a renowned music teacher. By the 1800’s, Beethoven’s started to lose much of his hearing. “He suffered from a severe form of tinnitus, a "ringing" in his ears that made it hard for him to hear music; he also tried to avoid conversations.” His loss of hearing was very detrimental to his musical career because musicians needed to hear the music they had written to know if was outstanding to them. It also affected his social life, causing him to attend less soc...
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... reasons why Beethoven’s ninth symphony is my favorite symphony of all time. He had so many struggles in his life, but he never let them keep him down. He kept on going and writing these outstanding and beautiful musical pieces.
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• Yudkin, Jeremy. "Chapter 8-Beethoven." Understanding Music. Upper Saddle River, NJ: Pearson Education, 2013. N. pag. Print.
Grove, George. The Musical Times Volume 47. United Kingdom: Musical Times Publications Ltd. 1906, Print.
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Beethoven’s early life was one out of a sad story book. For being one of the most well-known musicians one would think that sometime during Beethovens childhood he was influenced and inspired to play music; This was not the case. His father was indeed a musician but he was more interested in drinking than he was playing music. When his father saw the smallest sliver of music interest in Beethoven he immediately put him into vigorous musical training in hopes he would be the next Mozart; his training included organ, viola, and piano. This tainted how young Beethoven saw music and the memories that music brought. Nevertheless Beethoven continued to do what he knew and by thirteen he was composing his own music and assisting his teacher, Christian Neefe. Connections began to form during this time with different aristocrats and families who stuck with him and became lifelong friends. At 17 Beethoven, with the help of his friends, traveled to Vienna, the music capitol of the world, to further his knowledge and connection...
A great influential composer is Ludwig Van Beethoven, born in Bonn, who lived from 1770-1826. Beethoven among the masters of classical music such as Mozart and Haydn, set the stage for the creation of the musical canon, which focused on the most famous compositions created. This musical canon set a tradition in the way music was composed, which in turn created the “musical museum”. This “museum” is filled with compositions that followed the musical canon which is what created the
Willoughby, David. "Chapter 11." The World of Music. 7th ed. New York: McGraw-Hill, 2012. 249-53. Print.
This is the second volume of Richard Taruskin's historical work, and it highlights composers of the seventeenth and eighteenth centuries. He examines the progression of different styles and eras of music.
Beethoven was born in Bonn, Germany in 1770 to Johann van Beethoven and his wife, Maria Magdalena. He took his first music lessons from his father, who was tenor in the choir of the archbishop-elector of Cologne. His father was an unstable, yet ambitious man whose excessive drinking, rough temper and anxiety surprisingly did not diminish Beethoven's love for music. He studied and performed with great success, despite becoming the breadwinner of his household by the time he was 18 years old. His father's increasingly serious alcohol problem and the earlier death of his grandfather in 1773 sent his family into deepening poverty. At first, Beethoven made little impact on the musical society, despite his father's hopes. When he turned 11, he left school and became an assistant organist to Christian Gottlob Neefe at the court of Bonn, learning from him and other musicians. In 1783 he became the continuo player for the Bonn opera and accompanied their rehearsals on keyboard. In 1787, he was sent to Vienna to take further lessons from Mozart. Two months later, however, he was called back to Bonn by the death of his mother. He started to play the viola in the Opera Orchestra in 1789, while also teaching in composing. He met Haydn in 1790, who agreed to teach him in Vienna, and Beethoven then moved to Vienna permanently. He received financial support from Prince Karl Lichnowsky, to whom he dedicated his Piano Sonata in C minor, better known as The Pathétique .
The ninth symphony is my favorite symphony just because the music is so heavenly. It seems in the beginning of the piece brings a person from darkness to light. Beethoven, I believe, was ahead of his time. To me, he is the greatest composer of all time. His music is not just sounds of music played together in harmony, but a way of life. The music he created for the world is not just to listen to it, but grabs onto the emotion he was setting up. Beethoven's unordinary style cannot ever be copied by any composer or music artist. Today, when we hear music of any kind, we can only thank a certain person, and that person should be Ludwig van Beethoven.
I attended Beethoven’s Ninth Symphony on October 14, at the Bass Performance Hall in Fort Worth. The Fort Worth Symphony Orchestra, conducted by Miguel Harth-Bedoya and Southwestern Seminary Oratorio Chorus, directed by C. David Keith, performed it. Ludwig Van Beethoven composed the work. He composed it between 1811-1824. Beethoven composed the work in D minor, Op. 125 (“Choral”). His Ninth Symphony was his last symphony to compose. It was preceded by eight other symphonies. I was attracted to this work because it was the first symphony to include a choral. I found it astonishing that Beethoven was completely deaf when he finished this work.
...actually composed his best works during this time. In 1824, he debuted a mass “Missa Solemnis” which is now considered one of his great achievements and also a strong quartet number 14 which was composed of seven linked moments played without a break. His 9th and last symphony was competed later that year becoming one of the most famous pieces written in the history of music.
The string quartets of Ludwig Van Beethoven were written over a long period of his life, stretching from 1799 to 1826. The tragedies that occurred throughout Beethoven’s life did not stop him from writing these seventeen masterpieces. The string quartets can be divided into three periods; early middle and late with the first six quartets of Op. 18 marking his ‘early’ works. As Beethoven’s writing began to flourish with creativity and imagination, he wrote the ‘Rasumovsky’ quartets that mark the ‘middle’ period in his career. Finally, the late quartets (also last works that Beethoven ever wrote) mark a cornerstone for various composers writing string quartets through the Romantic era and into the 20th century with use of counterpoint and harmony, especially. This essay will show how these works display great importance in developing the string quartet through Beethoven’s career, and also how their influences can be found in string quartets of other composers.
Ludwig Van Beethoven was regarded as one of the greatest musical composers of the 19th century. Beethoven’s compositions are considered to be a watershed moment in western musical history. According to scholar Scott G. Burnham, “The overmastering coherence felt in Beethoven’s music became an imposing measure of the greatness of musical artworks.” Part of Beethoven’s greatness can be linked to the inner turmoil he dealt with throughout his life. Part of this turmoil was caused from his hearing disability which ultimately resulted in his deafness. Beethoven felt isolated due to his illness, but this isolation greatly affected the music he composed. The Fifth Symphony was a testament to that. Out of Beethoven’s nine different symphonies, the Fifth symphony is regarded as one of his greatest compositions. The Fifth Symphony is a total of 4 movements, and has a four-note opening motif in C- minor which is considered to be fate knocking at the door.
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
Ludwig van Beethoven was born in Bonn, Germany in 1770. His works are traditionally divided into three periods. In his early period, he focused on imitating classical style, although his personal characteristics of darker pieces, motivic development, and larger forms are already evident or foreshadowed. In his middle period, he is beginning to go deaf, and has realized that he cannot reverse the trend. His works express struggle and triumph. He stretches forms, with development sections becoming the bulk of his works. He is breaking from tradition and laying the groundwork for the romantic style period. In his late period, he breaks almost completely with classical forms, but ironically starts to study and use baroque forms and counterpoint. He is almost completely deaf, and his works become much more introspective with massive amounts of contrast between sections, ideas, and movements. He dies in Vienna in 1827.
Beethoven was born in Bonn Germany. At 14, he held the occupation of a court organist. Sadly, his father was a drunken singer, and barely supported his family. Consequently, the money Beethoven earned assisted his family. In 1778, he traveled to Vienna and met Wolfgang A. Mozart who instantly acknowledged his brilliance. However, on account of his mother’s illness, he returned to his home town, and had to support his brothers after her death. He gave music lessons in Bonn, in addition to playing the viola in the theater orchestra. Settling in Vienna in 1792, he studied with masters such as Joseph Haydn. He appeared as a pianist and gaine...