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Losing someone you love
Losing someone you love
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The sky is grey; it is a cold November day. I look out at the sea; it
also is grey. Bold, breakers, batter, the sandstone cliffs. The
normally fearless, swooping, seagulls, have taken sanctuary high in
their nests. Not me though. I'm here just as I always was, waiting,
looking out over miles, and miles, of churning grey water. I sit and I
think, wondering when you might come back, wondering if you thought of us.
I'm getting wet now. Cold, fine, drizzle is falling, soaking me to the
skin. Do you remember that type? The sort you only get near the sea.
What is it they call it? Oh yes, I remember a sea fret. We bought
those nice red jackets, so it wouldn't get us wet on days like these,
do you remember? The children miss you. Anna is always asking. Ben
tries not to think.
Do you remember when we first came here before we had the children?
Just you and me; we were so in love. No money, no job, just a battered
mini, a desire to succeed, and each other: we were invincible. We were
alive, buzzing with the anticipation of our future. We set up the
business; the bank thought your ideas were sound, so did I then.
Within five years we had it all: lovely house, new car, holiday abroad
every year; not that we needed to leave this place, it was beautiful.
Then I got pregnant; do you remember? You were like a dog with two
tails; I had to bribe you not to tell everybody until I had gone past
three months. I loved you more then, than ever before, we were going
to be a family: complete. When Anna was born you were so proud, in
fact you were fantastic. Then, two years later, along came Ben a son;
our lives were blessed.
Our love for each other...
... middle of paper ...
...trong: like I used to be. I've really
come to say goodbye; we're moving. There was just enough money left
after everything was sold to buy a small, rundown cottage. It's not by
the sea, in fact quite the opposite; it's right at the heart of the
Midlands, about ten miles from Birmingham. You would have hated it;
I'm sure I'll love it.
Any way time to go, the children will be wondering where I am. You see
they can't come near the beach. You stole that joy from them too. They
can't come near the beach for fear of the memories invading their
young, sensitive minds. Therefore, when you selfishly ran away you
took more than yourself. They loved that boat. They remember, you see,
sailing just off the coast looking for those translucent, pink
jellyfish. Do you remember? We had such good times. Wasted: suicides
like that.
poem compares the fear of the sea to everyday hardships of every human being. The key to this
only paid for five They worked They worked They worked and they died They died broke They
The ocean is mysterious to mankind. The unfathomable vastness of the ocean intrigues humanity into exploring it. In life, the immense possibilities that lie in the future compel us to reach for the stars. In the poem “The Story” by Karen Connelly, an individual willingly swims into deep waters even though they are fearful of what may exist in the waters. The swimmer later finds out that their fears were foolish, which illustrates the human tendency to venture into the unknown. The theme conveyed in this poem is that life is like a rough, uncertain, uncontrollable ocean that we must find get through with experience.
The winter winds blew cold, like snow. The game was up. The man and the boy talked for hours about absolutely nothing. Unheard, I cried. The woman looked into his eyes. Her eyes were blue like sapphires. (Shakespeare 120)
The opening paragraph of the story emphasizes the limitations of the individual’s vision of nature. From the beginning, the four characters in the dingy do not know “the colors of the sky,” but all of them know “the colors of the sea.” This opening strongly suggests the symbolic situations in which average peo...
The water was calm, like the morning; both were starting to get ready for the day ahead. The silent water signals that although rough times occurred previously, the new day was a new start for the world. As I went closer to the water, I heard the subtle lapping of the water against the small rocks on the shore. Every sign of nature signals a change in life; no matter how slight, a change is significant. We can learn a lot from nature: whatever happens in the natural world, change comes and starts a new occurrence. I gazed over the water to where the sky met the sea. The body of water seemed to be endless under the clear blue sky. The scope of nature shows endless possibilities. Nature impresses us with the brilliant colors of the sky, the leaves, the water. She keeps us all in our places and warns us when we are careless with her. After all the leaves have fallen from the trees, she will offer us the first snows of the year to coat the earth with a tranquil covering. That will only be after we have recognized the lessons of autumn, the gradual change from warm to cold, rain to snow, summer to winter.
Contrast intensifies the sense of gloom. The windy, bleak, December night is contrasted to a room full of books, ric...
The title of the story “The Sky is Gray” by Ernest Gaines is ironic. It suggests at first the bleak mood of the story but also hints at hope in the future. Just as the clouds clear after a storm, James finds out on his trip to Bayonne that the stormy clouds that are his life are parting to let some sunshine through.
From the beginning, the four characters in the aftermath of a shipwreck do not know "the colour of the sky" but all of them know "the colours of the sea." This opening strongly suggests the symbolic situations in which human beings are located in the universe. The sky personifies the mysterious, inconceivable cause of reality , which humans cannot understand, and the sea symbolizes the earthy, mundane phenomenon, which humans are supposed to perceive. The symbolic picture generated by the above conflict implies the overall relationship between the individual and nature. In fact, the daily life of human beings is at the mercy of the uncontrollable waves of the sea; while, at the same time, the essential part of reality remains unknown to feeble, helpless humans.
3 years old; ripped from my home. Stolen from my family. Yes, it’s not your typical situation and it sucks, but it’s what I could have grown up with. If it was just that then maybe, just maybe, I would have a chance at recovery.
Red tides have made many people sick such as residents and tourists of Florida’s Gulf Coast. The tides also have affected many business owners because many tourists don’t want to come to beach resorts because of Red tides. Red tides are caused by two ways. One of the ways are the algae reproducing and giving an effect of toxic air. Many outbreaks have also occurred because of red tides. Such of these things include poising form fish and shellfish. To stop Red tides, many researchers have done numerous experiments to try to find a way a way to stop Red tides! There are three main solutions to stopping Red tides. If we try to do these solutions red tides will decrease in the amount of times they occur.
The consistent pattern of metrical stresses in this stanza, along with the orderly rhyme scheme, and standard verse structure, reflect the mood of serenity, of humankind in harmony with Nature. It is a fine, hot day, `clear as fire', when the speaker comes to drink at the creek. Birdsong punctuates the still air, like the tinkling of broken glass. However, the term `frail' also suggests vulnerability in the presence of danger, and there are other intimations in this stanza of the drama that is about to unfold. Slithery sibilants, as in the words `glass', `grass' and `moss', hint at the existence of a Serpent in the Garden of Eden. As in a Greek tragedy, the intensity of expression in the poem invokes a proleptic tenseness, as yet unexplained.
This morning I wake early from the light that creeps underneath my blinds and my bed next to the window. I wake floating on the streams of light, heated, like white wax spilled across the floor, dripping, soft. In bare feet I walk down the stairs, cold on the wood, and find my father in the kitchen, also awake early. Together, we leave the house, the house that my parents built with windows like walls, windows that show the water on either side of the island. We close the door quietly so as not to wake the sleepers. We walk down the pine-needle path, through the arch of trees, the steep wooden steps to the dock nestled in the sea-weed covered rocks. We sit silently on the bench, watch as the fog evaporates from the clear water. The trees and water are a painting in muted colors, silver and grays and greenish blue, hazy white above the trees.
Stevens’ message reveals itself as the poem unravels: there is never one true understanding of a reality outside of one’s interpretation. The author suggests that one can’t help but transfer their own beliefs and ideas onto what they see; in this case, the “listener” is projecting an impression of misery onto the scenery that lies before him. For example, the first two stanzas are filled with decorative language that serves to describe the visual image of a winter landscape. Using phrases such as “crusted with snow” (3) instead of “covered” with snow provides an evocative illustration of the snow’s roughness. Other phrases such as “shagged with ice” (5) and “rough in the distant glitter/Of the January sun” (6-7) force the reader to experience the miserable portrayal of winter. These are not the descriptions of an observer who “beholds nothing that is not there” (14-15), but rather the objective, poetic appreciation for the snowy
“Winter sleep” is the next image that is presented. The speaker is describing two concepts with this line; the deep hibernation that certain animals will fall into during the winter, as well as his own upcoming death. Traces of this “winter sleep” are supposedly being detected during the night that is depicted in this poem. He thinks about his life’s accomplishments as h...