Some people will do anything for those they love, no matter what the cost. In literature, this act of sacrifice is often exaggerated and glorified. Almost every novel contains some example of sacrifice, a giving up of something dear and precious without thought of material repayment. Victor Hugo’s novel, Les Misérables, is no exception. It is, in fact, full to overflowing of sacrifice between its different characters. Two such characters are Eponine and Jean Valjean, who each sacrifice an extraordinary amount to other characters.
Eponine gave up just about everything she had, except the clothes on her back. One of Eponine’s major sacrifices was that of her slim chance of being loved by Marius, by giving him Cosette’s address. There was only one time when there was a slight chance that Marius might have turned to Eponine: during the time in which he was pining for Cosette. She ended his pining, though, by presenting him with the location of Cosette’s home, effectively eliminating her chances with Marius. Eponine sacrifices all of the happiness she might have had by having Marius love her back for the happiness that he would gain being in love with Cosette. She knew that he would be happier with Cosette than with her. At the barricade, Eponine saves Marius’ life, though at a very high price. Eponine makes the ultimate sacrifice for Marius: she dies after enduring pain from the wound that ought to have been his. With her death, Eponine ensures that Marius will live on, but forever ends her time with him. She had to choose between dying painfully, and living without him. The answer to her was obvious: save him the suffering. In Eponine’s death, one could see another sacrifice: the sacrifice of Marius. Eponine cared for Marius with e...
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...and Marius together, and saw how happy she was with him. So Jean put his own happiness aside for hers, and let her go to Marius, where she could be happy. He would be unhappy with her gone, but he could not bear making her unhappy by keeping her. For Cosette, the only thing he has ever loved, Jean Valjean was willing to sacrifice anything and everything.
Eponine and Jean Valjean are two of the least self-concerned characters in Les Misérables. They sacrifice their happiness, the person they live for, and life itself. Yet they are happy. They are happy because they are making the person they love happy. They are happy as they are dying because they are dying for that beloved person, with that person at their sides. The loving sacrifices of these characters shape the whole story, and the lives of the people in it. If there were no sacrifice, there would be no story.
The Return of Martin Guerre, written by Natalie Zemon Davis, is the tale of a court case that takes place in sixteenth century France. Martin Guerre is a peasant who deserted his wife and family for many years. While Martin Guerre is gone, a man named Arnaud du Tilh arrives at Martin’s village and claims to be Martin Guerre. Bertrande, who is Guerre’s wife, Guerre’s sisters, and many of the villagers, accepts the imposter. After almost three years of being happily married, Bertrande takes the fraud to court under pressure of Pierre Guerre, her stepfather and Guerre’s brother. Arnaud du Tilh is almost declared innocent, but the real Martin Guerre appears in the courthouse. Throughout this tale, many factors of the peasant life are highlighted. The author gives a very effective and detailed insight to a peasant’s life during the time of Martin Guerre. Davis does a successful job of portraying the peasant lifestyle in sixteenth century France by accentuating the social, cultural, and judicial factors of everyday peasant life.
Throughout the entire memoir, multiple actions of sacrifice can be found, and these instances are frequen...
Hugo, Victor. Les Miserables. Comp. Lee Fahnestock and Norman MacAfee. Trans. Wilbour, C.E. Only Complete and Unabridged Paperback Editon ed. New York, New York: Signet Classics, 1987. Print.
Rife with different themes in every storyline, Les Misérables entices critics to examine the numerous themes and speculate as to their meanings. These themes that they elicit from the text include, but are not limited to, fate dictating the course of one’s life, good works saving every soul, evil being the root of all of the problems of humanity, society weighing a person down, misfortune being the sole cause of faults in a person, love being the meaning of life, and the ability of love to alter a person. Many who read the novel are enamored with the many themes and agree that they are all explicitly explored. First, according to the critic Reeves, one can try to shape his own destiny all that he wants by “[chiseling] the ‘mysterious block’” from which his fate is made. However, no matter...
Dr. Manette is imprisoned in the French Bastille for eighteen years by the cruel French government and unknown to him those many years of pain and suffering serve as a great sacrifice in the eyes of the Revolutionists. He is recalled to life from the time he served when he meets Lu...
The protagonists, The Marquise de Merteuil and the Vicomte de Valmont, consider it their life’s ambition to sadistically control and dominate those around them through sexual intrigue. These two villains are indeed locked in psychological combat to see who can actually ‘out-do’ the other in stalking, capturing and destroying the souls of others. Taking absolute pleasure in ripping any virtue from the hearts of their prey, Merteuil and Valmont wave their accomplishments in front of each other like spoils of war. The less the chance of surrender, the more relentless is the pursuit.
Already full of self-criticism and self-loathing (Grigg 140), Antoinette begins feeling an “unconscious sense of guilt,” the result of an identification with someone to whom the person has been erotically attached; and it is “often the sole remaining trace of the abandoned love –relation” (Grigg 141). While Rochester is determined not to love her, he cannot help but feel responsible for her, after all part of the exile, and therefore her undoing is attributed to him. Unable to walk away from the marriage, he sets out to make the best of it the only way he knows how, by locking her away, exiling her
It is believed by many that it is human nature to deem themselves to be a tantamount to God. Such is the case when one decides to take revenge against those who wrong him. Though vengeance seems like the perfect way to achieve justice, a sense of equity, in actuality it is merely an unsatisfactory hypocritical action. This is the definitive realization of the protagonist, Edmond Dantès in Alexandre Dumas’ “The Count of Monte Cristo”. The protagonist comes to understand that after a lifetime of searching for justice, he really only yearns justice from himself. Akin to many of Alexandre Dumas’ other masterpieces, “The Count of Monte Cristo” is a dramatic tale of mystery and intrigue that paints a dazzling, dueling, exuberant vision of the Napoleonic era in France. In this thrilling adventure, Edmond Dantès is toiling with the endeavor of attaining ultimate revenge, after being punished by his enemies and thrown into a secret dungeon in the Chateau d’If. He reluctantly learns that his long intolerable years in captivity, miraculous escape and carefully wrought revenge are all merely vital parts in his journey of awakening to the notion that there is no such thing as happiness or unhappiness, there is merely the comparison between the two. Ultimately, the irony that Dumas is presenting through this novel suggests that the inability to attain happiness through the hypocrisy that is revenge is because one is really avenging their own self. This becomes evident through his dramatic transformations from a naïve, young sailor, to a cold, cynical mastermind of vengeance, and finally to a remorseful, humble man who is simply content.
...'s anguishes with obsession, help him to more effectively relate his novel, Les Misérables, to the reader. In the book's ending, Jean Valjean dies knowing he is happy, content and prepared for his death. His adoration for Cosette has left her loving him and satisfied with the life he has helped her create. Before Jean Valjean dies, he says to Cosette and Marius, "I die happy. Let me put my hands upon you dear beloved heads" (399). Like Jean Valjean, Javert's obsessions rule his life, but with negative intentions rather than positive ones. Once Javert realizes his obsessions are nothing but empty promises, he too is empty and chooses to end his life. Three of the main characters of the story, find that their perseverance and obsession to have the life they wish for ends triumphantly.
If you have ever read Shakespeare’s Romeo & Juliet you will have been astounded of how well Shakespeare characterizes the people in his book. The most admirable character in the book is Capulet. The rationale is that he shows affection to family and friends and also worries about the people he cares about. Lastly Capulet can forgive his enemies for what happened in the past.
9. Valjean’s punishment certainly did not fit his crime. Neither did Fantine deserve the treatment she received in his factory. Discuss Hugo’s purpose in using these situations in his social commentary.
The theme of sacrifice is portrayed in A Tale of Two Cities in several ways through the actions of Dr. Manette, Mr. Defarge, and Sydney Carton, but all acts of sacrifice display audacity and show how much love and compassion there must be for that person. Giving up something or risking your life for another person or name is one of the hardest and bravest acts a person can do. Dr. Manette, Mr. Defarge, and Sydney Carton’s actions showed just how much they love Lucie Manette and their acts of sacrifice showed how they would do anything to please her. Sacrificing yourself or your name for someone not only lets you achieve inner happiness, but shows how courageous a person must be to do so.
“It is precisely of him that I wished to speak. Dispose of me as you please; but help me first to carry him home. I only ask that of you.” Upon examination of Les Miserables, it is clearly evident that the elements of Forgiveness, Self – Sacrifice, and Courage are only a few of the main themes Hugo wanted to develop.
Dickens notes that in the midst of a revolution, heavy bloodshed must be made in order to achieve the vengeance that the peasants desire. Though the peasants were originally people of good faith, they were forced by the aristocratic government to take drastic actions. Poverty, the mother of all crimes, along with the aristocrats “crushing humanity out of shape once more” gave the peasants no choice.” Dickens conveys here that because of the negligence of the government, the people were forced to sacrifice their good nature and engage in the violent acts that caused a time of great animosity and dejection. Sacrifices are often made to strengthen bonds, and no other bond in the novel is stronger than the one that Lucie Mannette shares with her father, Dr. Manette.
Rousseau argues excellently for amour-propre’s role in establishing an unjust society and overall inequality. Rousseau explains in depth how amour-propre effects human behavior and how it ultimately leads to the establishment of inequality in civilized society.