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Portrayal of women in literature
Portrayal of women in literature
Portrayal of women in literature
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The Russian attitude toward love during Chekhov’s time is very patriarchal and is considered normal to marry for practical reasons, parental pressures or other considerations rather than for love. The feelings that accompany love, such as passion and spirituality, are not a societal consideration and this institutional attitude toward human emotion is the catalyst for Chekhov’s story. When a person is deprived of love, he or she builds up a futility of life which consumes the human soul. In Anton Chekhov’s “The Lady with the Dog”, the readers are placed in a setting where the main character Gurov, and his love interest Anna, are given the emotional freedom to feel love toward one another. This freedom is the driving force in the story which represents an escape from their unhappy lives. Chekhov tells the readers about the forbidden love between two people during vacation through evaluation of the point of view, the setting, and the characters of “The Lady with the Pet Dog.” The definition of point of view is the vantage point from which the story is told. The narrator of “The Lady with the Pet Dog” uses many third person pronouns by using man’s point of view on an affair and also demonstrates “Chekhov’s disembodied narrating persona” (76). The usage of many third person pronouns refers to the readers that the story is told by the main character, Dmitri Gurov, who begins the narrative by describing a new arrival on the sea-front. That person happens to be a lady with a dog who captures his attention and makes him wonder if he can “make her acquaintance” (6). Then, the narrator shifts the readers’ attention away from this woman with the dog and provides detailed information about Gurov’s past and his social status. Besides... ... middle of paper ... ...ation to emotions which Chekhov wanted to change. Works Cited Eewkman, Thomas A. “The Lady with the Dog.” Critical Essay on Anton Chekhov. Boston, Massachusetts: G.K. Hall & Co, 1989. 118-123. Print. Huber, Erik. “An overview of “The Lady with the Pet Dog”.” Gale Online Encyclopedia: 1-3. Literature Resource Center. Web. 8 Mar. 2011. Johnson, Ronald L. “The Master, 1895-1903: Stories of Love and the Authentic Life.” Anton Chekhov: A Study of the Short Fiction.” New York: Twayne Publishers, 1993. 76-78. Print. Loeb, Monica. “Useless as Moths’ Wings’ Oates’s Revision of Chekhov’s: “The Lady with the Pet Dog”.” Contemporary Literary Criticism Select: 1-9. Literature Resource Center. Web. 8 Mar. 2011. Newton, K.M. “The Lady with the Little Dog: Overview.” Reference Guide to Short Fiction: 1-2. Literature Resource Center. Web. 8 Mar. 2011.
"Unit 2: Reading & Writing About Short Fiction." ENGL200: Composition and Literature. New York: McGraw-Hill, 2011. 49-219. Web. 19 Apr. 2014.
Charters, A. (2011). The Story and Its Writer: An Introduction to Short Fiction (8th ed.). Boston: Bedfor/St. Martin's.
Studies In Short Fiction 18.1 (1981): 65. Literary Reference Center. Web. The Web. The Web.
“Short Stories." Short Story Criticism. Ed. Jelena Krstovic. Vol. 127. Detroit: Gale, Cengage Learning, 2010. 125-388. Literature Criticism Online. Gale. VALE - Mercer County Community College. 28 February 2014
Baym, Nina, and Robert S. Levine. The Norton Anthology of American Literature. 7th ed. New York: W. W. Norton & Company, 2007. 348-350. Print.
Before the Beckettian "waiting" there was the continuous "waiting" of the three sisters who never lived in Moscow. Chekhov developed an aesthetic principle, according to which tragic and comic are not separated by an impassable wall but represent two sides of the same phenomenon of life, which can be viewed both in terms of tragedy and in terms of comedy. Thesis statement Gurov embodies the power of change that true love can have even on the most cynical characters. He is an island of hope in an ocean of turmoil represented by revolutionary Russia at the beginning of the 20th century. The following paper will focus on one of the most characteristic types of work for Chekhov: “The Lady and the Pet Dog”.
...simov. Ed. Joseph D. Olander and Martin Harry Greenberg. N.p.: Taplinger, 1977. 32-58. Rpt. in Contemporary Literary Criticism. Ed. Jean C. Stine. Vol. 26. Detroit: Gale, 1983. 41-45. Print.
price of shame" (Tolstoy, 135). Anna is struck by guilt and sobs in surprise when Vronsky describes what has happened between the two of them as bliss. She is disgusted and horrified by the word and requests Vronsky not to say any other word (Tolstoy, 136).
Pike, Gerald. “Excerpts from Criticism of the Works of Short Fiction Writers.” Short Story Criticism. Ed. Thomas Votteler. Vol. 6. Detroit: Gale Research International Limited, 1990. 90. Print.
Anton Chekhov and Ernest Hemingway both convey their ideas of love in their respective stories The Lady with the Pet Dog and Hills like White Elephants in different ways. However, their ideas are quite varying, and may be interpreted differently by each individual reader. In their own, unique way, both Chekhov and Hemingway evince what is; and what is not love. Upon proper contemplation, one may observe that Hemingway, although not stating explicitly what love is; the genius found in his story is that he gives a very robust example of what may be mistaken as love, although not being true love. On the other hand, Chekhov exposes love as a frame of mind that may only be achieved upon making the acquaintance of the “right person,” and not as an ideal that one may palpate at one instance, and at the another instance one may cease to feel; upon simple and conscious command of the brain. I agree with Hemingway’s view on love because it goes straight to the point of revealing some misconceptions of love.
“The Lady with the Pet Dog” exhibits Anton Chekhov’s to convey such a powerful message in a minimal amount of words. He uses the element of color to show the emotions as well as changing feelings of the main characters, Dmitri Gurov and Anna Sergeyevna, and the contrast of them being apart to them being together. For example, when Anna leaves and they are apart, Dmitri seems to live in a world of grey. As he begins to age, his hair begins to turn grey, and he is usually sporting a grey suit. Yalta is where they met, and it is described as a romantic spot filled with color and vibrancy and freedom, like when Chekhov writes “the water was of a soft warm lilac hue, and there was a golden streak from the moon upon it.”
Mays, Kelly J. ""Puppy"" The Norton Introduction to Literature. New York: W.W. Norton &, 2013. N. pag. Print.
Tucker, Martin. Moulton’s Library of Literary Criticism. Volume 4. Frederick Ungar Publishing Company. New York. 1967.
The brief ending in Anton Chekhov’s “The Lady with the Lapdog” depicts the future of Gurov and Anna’s relationship beyond the story’s pages and ultimately sparks more questions, rather than answering them. When true love is finally fortified with an embrace between the two characters in the ending, “…it seemed as though in a little while the solution would be found, and then a new and splendid life would begin” (Chekhov, 420). This scene for these two lovers represents a pivotal moment, not only for their relationship, but also for themselves as individuals. Up until this point in his unhappy life, Gurov attempts to quench his desire for passion through womanizing and superficial festivities with officials,
"The Bear," which is a classic one-act play written 1900, is one of the great works of Anton Chekhov, which is very much about a widowed woman. The Bear can be regarded as a comedy since it is to give the audience entertainment and amusement. This comedy reveals the fine line between anger and passion. The theme is about a strange beginning of love between Mrs. Popov and Smirnov. It demonstrated that love changes all things it touches. Dialogue of the characters, the action of the characters, and the characters themselves shape the theme. Unbelievable actions and change in mood on the part of the characters show that love can sometimes come from an odd turn of events.