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Symbolism in Harry Potter
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In J.K Rowling’s novel Harry Potter and the Deathly Hallows and Mark Zusak’s novel The Book Thief, memories are a determining factor in the actions and choices of characters, specifically in ethical and moral situations. Moreover, the grief associated with the loss of loved ones are significant in character’s choices. Harry Potter and the Deathly Hallows and The Book Thief, both offer examples of main characters whose ethical and moral decisions are at some point determined by the memories and beliefs of their loved ones. In Harry Potter and the Deathly Hallows, Harry’s actions are solely determined by the memories and beliefs of his lost loves ones, specifically Albus Dumbledore. Subsequently, in The Book Thief, Liesel Meminger’s actions in …show more content…
the beginning of the novel are influenced by her loved ones, explicitly, her deceased brother. However, in the later part of the novel, Liesel begins to dismiss the memories of her loved ones and starts to act of her own accord. Thus, in both novels, main characters at one point do not act of his or her own accord in ethical or moral situations, but act according to the memories of the actions and beliefs of others. However, while Liesel begins to accept the grief of losing her brother, she begins to act individualistically, whereas Harry’s grief, which has largely impacted his life, makes him unable to reach acceptance and make individualistic choices. At the beginning of both The Book Thief and Harry Potter and the Deathly Hallows, readers come across protagonists who recently suffered the loss of loved ones.
In The Book Thief, readers first come across Liesel Meminger on the train to Molching. Already in this scene Liesel is in an upsetting circumstance. She is being taken away from her family and being sent to a foster home in a new town. On top of this already displeasing circumstance, Liesel is distraught with the loss of her younger brother, Werner. After this incident, the novel depicts Liesel after the unfortunate burial of her brother. “Perhaps ten meters to my left, the pale, empty-stomached girl was standing, frost stricken. Her mouth jittered. Her cold arms were folded. Tears were frozen to the book thief’s face” (Zusak, 8). Already at the young age of ten, Liesel Meminger has experienced the death of a loved one which consequently affects her decision making process. Similarly, Harry Potter in Harry Potter and the Deathly Hallows also suffers the loss of another loved one at the beginning of the novel. Harry has already lost so many significant individuals in his life; however, the loss of Albus Dumbledore is incredibly painful to Harry as Albus Dumbledore was one of the last father figures in Harry’s life. At the beginning of the novel, the reader is introduced to Harry packing for the arrival of his friends to number 4 Privet Drive. “In a front pocket [of his rucksack] were the Marauder’s Map and the locket with the note signed ‘R.A.B.’ inside it. The locked was accorded this place of honour not because it was valuable- in all usual senses it was worthless- but of what it had cost to attain it” (Rowling, 21). This exert tells the reader that the excursion needed to retrieve this locket cost more than Harry could bear: the loss of his mentor Albus Dumbledore. Correspondingly to Liesel, Harry had witnessed the death of his loved one, which ultimately affects the choices he makes. As such, the reader
first meets the protagonists in vulnerable situations. They both have recently witnessed the loss of loved ones; and thus, in an attempt to preserve the memories of their loved ones, act according to either the beliefs of their loved ones, or irrationally to grieve. In The Book Thief, the first moral or ethical choice Liesel encounters is determined by the occurrence she just witnessed. Being a ten-year-old girl, the reader assumes that Liesel has not acted unethically or without morals. It is assumed that her mother has taught her right from wrong. However, immediately following the burial of her brother, Liesel acts without morals the reader assume she has. “When the dragging was done, the mother and the girl stood and breathed. There was something black and rectangular lodged in the snow. Only the girl saw it. She bent down and picked it up and held it firmly in her fingers. The book had silver writing on it” (Zusak, 24). The reader begins to question why Liesel steals this book as the narrator does not give any indication that she has a specific reason for obtaining the book. Later in the novel, the reader discovers something about Liesel that contradicts the decision to steal a book. We take the sheets off, Papa said, and when he reached under and pulled at the fabric, something loosened and landed with a thud. A black book with silver writing came hurtling out and landed on the floor, between the tall man’s feet. He looked down at it. He looked at the girl, who timidly shrugged. Then he read the title, with concentration, aloud: “The Grave Digger’s Handbook.” So that’s what it’s called, Liesel thought. (64) The reader learns that Liesel does not know how to read. This leads the reader to question why she would want to steal a book to begin with. However, the irrational decision to steal a book comes from the context in which Liesel found the book. Liesel discovered the book instantly after the death of her brother; thus, the book acts as a memorial of her brother. The narrator does not give any indication that Liesel had any other items of her brother to remember him by, so stealing a book the very moment of his burial represents the last time she saw him. Because this thievery occurs immediately after Werner’s death, it can be determined Liesel is in a state of grief that disallows her to think for herself; and thus, acts irrational and unethically. However, in Liesel’s mind, this unethical choice is a preservation of her brother’s memory so she can deal with the significant loss. Following this first immoral choice, Liesel’s actions continue to be determined by the loss of her loved ones, and often, many of these decisions appear to be unethical or morally wrong. For example, on Liesel’s birthday she did not receive a present from the Huberman’s due to a lack of money. Consequently, she acts irrationally, and makes a decision that is immoral. After retrieving the washing for the day, Rosa Huberman confronts Liesel. “Some of it’s missing.” Mama counted the money a fourth time, with Liesel over at the stove. It was warm there and it cooked the fast flow of her blood. “What happened, Liesel?” She lied. “They must have given me less than usual.” “Did you count it?” She broke. “I spent it, Mama.” […] Her eyes blinked. “I mailed my letters.” (99) As Hans Huberman was teaching Liesel to read, she was writing letters to her mother, and made the decision to steal some of the money from the washing to mail her letters. This unethical decision of stealing money from her foster mother is determined by Liesel’s grief of being separated from her mother. During this occurrence, only a year has passed since Liesel’s family was torn apart; thus, Liesel has not reached acceptance of the grieving processes. As such, her decisions in ethical and moral situations are still
After Liesel steals her second book she pulls it out and her father sees The Shoulder Shrug (Zusak 126). However, he tells her it will be their secret and he will not tell her mother (Zusak 126). Although her father will keep the secret, she is worried about the mayor's wife who saw her take the book (Zusak 132). Much to Liesel’s surprise, when she delivers the laundry to the major's wife doesn't scold her; instead the she allows Liesel to use her library (Zusak 134). Later Liesel finds out the mayor and his wife lost their son, probably, in World War I and she sees their grief (Zusak 145).
Due to his brother’s death while fighting alongside him in the war, Michael becomes emotionally devastated, and as a result, experiences survivor’s guilt, leading to his suicide. Although this letter is not from Death’s perspective, it still highlights an example of how physical destruction caused by humans can lead to emotional devastation for other humans. Death himself becomes emotionally devastated when Rudy Steiner, Liesel’s best friend, dies from the bomb on Himmel Street. He confesses, “Oh crucified Christ, Rudy … He lay in bed with one of his sisters. She must have kicked him or muscled her way into the majority of the bed space because he was on the very edge with his arm around her … Where was Rudy’s comfort? Where was someone to alleviate this robbery of his life? … He does something to me, that boy. Every time. It’s his only detriment. He steps on my heart. He makes me cry.” (531) This quote shows that Death is emotionally affected by the aftermath of the bomb, because he loses someone that he admires. As a result, Death feels like crying, and leads readers to believe that humanity is destructive. As a result, numerous examples from the book, including Death’s own experience, demonstrate that humanity has the capability to harm the physical world, as well as other
Suffering can be found on three different levels, mental, physical and emotional. In an everyday life the three levels can be found at school, at work or even on the streets, for example people who are living on the street generally suffer mentally. In The Book Thief by Markus Zusak the topic that suffering exists on three different levels is shown throughout the book. In The Book Thief the author shows that the three levels of suffering exist and impacts multiple characters throughout the book . The three levels of suffering impacts many characters such as, the Jews, Liesel and Max.
Loss can be a heartbreaking experience or just an inconvenience. It is significant in both books because of what the characters loss or what the characters loose. Whether it is a family member or an object, all the losses have some significance to the war or symbolism. In the novel, the book thief Liesel loses her mother. “ There was a chaos of goodbye”(Zusak 25). “The sudden realization that this would all be for nothing - that her mother would never write back and she would never see her again.” (Zusak 99). These two quotes explain Liesel's loss of her mother. When Liesel joined her new family and she never got a letter back, she realized that her old life is behind her and she can never go back to her mother. Her mother is thought to have
A common theme that’s developed in The Giver, by Lois Lowry, and The Hunger Games, by Suzanne Collins, is that people need their rights and freedoms. In both texts the citizens have no power nor rights. In The Giver, if people make honest mistakes they are released, a nicer term for being killed, not to mention they have no trail, and this is only one right the citizens don’t have. The receiver of memory is the only person in the community that sees what is wrong, because they have the memories of the past. One receiver, Rosemary, kills herself so the memories would go to the citizens, and influence them to rebel. Although she failed because she did not have enough memories to give the people, she influenced the next receiver, Jonas, to give
Tim O'Brien's book, The Things They Carried, he reinforces this idea that memories are powerful and can affect people in many ways.n. His usage of literary devices and other things show the juxtaposition of remembering bad memories and forgetting the good
Memory is everything to the human society. We communicate and build relationships off of our memories through the stories we tell. We are natural story tellers and have been telling stories since the beginning of time. More than half of the human race lives their lives based off of stories told by others such as culture, religion, and our general history. Have you ever asked yourself how real are these stories? Not saying that they are false, but it has been recently revealed that memory is false. So if memories are false then that would mean the stories that are being told are false. You probably looking at me as if I’m crazy but if you pay attention you will understand by the end of this essay. “It has been proven
As an innate experience of being human, characterization of death is an element that often permeates many literary works. However, in The Book Thief, Zusak provides a unique lens through which his personification of Death rejects the traditional Grim Reaper trope. While it may be his job to collect the souls of the deceased, Death is no “scythe” wielding, “black robe” wearing entity with “skull-like facial features” (Zusak 307). He “urge(s)” the reader to “trust [him]” for he is nothing if not “amiable. Agreeable.
In The Book Thief, by Markus Zusak, beauty and brutality is seen in many of the characters. Rudy, Liesel, and Rosa display examples of beauty and brutality often without realizing what exactly they are doing, because it is a part of their human nature. Zusak not only uses his characters, but also the setting of the novel in Nazi Germany to allude to his theme of the beauty and brutality of human nature. The time in which the novel is set, during World War II, displays great examples of beauty and brutality, such as the mistreatment of the Jews. As a result of this time period, the characters have to go through troubling times, which reveals their beautiful and brutal nature in certain circumstances. Zusak uses his characters and their experiences to demonstrate the theme of the beauty and brutality of human nature in the novel.
In the film Eternal Sunshine of the Spotless Mind stresses the importance of memory and how memories shape a person’s identity. Stories such as “In Search of Lost Time” by Proust and a report by the President’s Council on Bioethics called “Beyond Therapy” support the claims made in Eternal Sunshine of the Spotless Mind.
Memories are one of the most important parts of life; there is no true happiness without the reminiscence of pain or love. This concept is portrayed in "The Giver" by Lois Lowry. The story tells of a 12 year old Jonas who lives in a “utopian” society, in which civilization coexist peacefully, and possess ideal lifestyles where all bad memories are destroyed to avoid the feeling of pain. Jonas becomes the receiver, someone who receives good and bad memories, and he is transmitted memories of pain and pleasure from The Giver and is taught to keep the secret to himself. The author shows one should cherish memories, whether it be good or bad, as they are all of what is left of the past, and we should learn from it as to better ourselves in the
The book takes place in WWII, and centers around what Death sees in this time. Death’s job is to collect the souls of many found dead, but he takes an interest in Liesel, who isn’t someone he really needed to pay attention to. However, he followed her because he pitied her, and The Book Thief is the story of her life, narrated by him. Everyone always tells you to find the silver lining in the bad things that happen, but this book doesn’t just tell someone to do that but shows someone how to do that. He makes Liesel’s best friend, Rudy, smile by showing him Liesel kissing his corpse. He follows Liesel because he sees something interesting in her, showing even Death has a heart. He chose to retell signs of good that he saw in the book, specifically
The main character Liesel, known as “the book thief” is who Death is looking over. Liesel, her mother, and brother are on a train to Munich. On the train ride her brother dies. She and her mother get off the train to bury him. The first book Liesel steals is from the gravediggers. They continue the journey to a town called Molching, where Liesel will be raised by foster parents, Hans and Rosa Hubermann. Liesel adjusts to her new home life. Hans teaches Liesel how to read. The war is escalating in Germany. The town holds a book-burning to celebrate Hitler’s birthday. That’s when Liesel steals another book from the flames. Liesel’s job is to deliver laundry to the Hermann family. The Hermanns’ have a library full of books. Liesel is allowed to read them in the study. Meanwhile, a German-Jew named Max needs help, so he seeks out the Hubermanns. Max hides in the basement, so he is safe from the Nazis. Liesel begins stealing books from the Hermanns. The Nazis parade the Jews through the town of Molching on their way to the concentration camp for everyone to see. Liesel is given a blank notebook to write her own story. One night the neighborhood is bombed. Hans, Rosa, and the rest of the neighborhood is killed. Rescue workers find Liesel under the rubble. She leaves behind her finished book, called The Book Thief. Death, who has been watching, rescues the book. Liesel ends up living with the mayor
In movies, novels, and life, people are named as heroes. The heroes we establish and the heroes we recognize, however, may not meet the criteria for a mythic hero. A mythic hero ventures forth on his journey, and comes forth from the hero’s path to greatness. Joseph Campbell, a mythologist who studied many of the great human myths and religious tales, realized, in studying these myths and tales, that there were certain steps that every hero went through. Campbell called this “The Hero’s Journey”; it is based on Carl Jung's idea that all human beings have an archetype. After Campbell studied a lot of the great myths and realized this pattern, he published his findings in his book The Hero with a Thousand Faces. Ever since then, authors have used “The Hero’s Journey” as an outline to tell their stories. “It is important to note that not all of these individual steps are present in every hero’s tale, nor is it important that they be in this exact order” (Vogler 20). The Hero with a Thousand Faces gives a sense of significance as it looks into the inner mind and soul. The author, Joseph Campbell, performs two extraordinary accomplishments: compelling his readers that myth and dream, those are the most effective and everlasting forces in life and a unification of mythology and psychoanalysis with a gripping narrative. One well-known example of “The Hero’s Journey” from popular culture is the Harry Potter and the Philosopher’s Stone, by J.K. Rowling. In the novel, Harry Potter, the main character, is the chosen one and “The Hero’s Journey” applies to his life from the moment he is attacked by He-Who-Must-Not-Be-Named as a baby.
Even though the style of writing is simple and direct, it does a good job conveying the different themes of the story, including the different conflicts between politics and religion, separation of families, death, and etc. The power of words is shown as soon as Liesel learns how to read. Her will for prosperity and curiosity becomes more powerful with every word she learns. She realizes that words, through cruel and wicked manners, can be impact people to force acts of brutality. During the burial of her baby brother, she finds her first book, the grave digger’s manual. Even though liesel couldn’t read at the moment, she knows the memories its words