Ralph, the first character introduced to the audience, is probably the most likable character in the entire story. Although he does not ponder such deeply like Piggy, is not as spiritual like Simon, or as energetic as Jack, there is something in him that attracts the audience. Ralph serves as the protagonist of the story. He is described as being a playful, innocent child in the beginning, but towards the end he matures significantly. In the first chapter where he takes his clothes off and goes swimming like any child would do, he seems to be Adam in the Garden of Eden, a child left to play with the nature.
However, as the plot progresses, Ralph faces both internal and external conflicts; from those conflicts he greatly matures. Ralph always has the strong belief that all the children will be saved from the island sooner or later; he is so sure that he even insists that they should have fire at all times to signal. However, when the boys abandon the fire which is symbolic of Ralph’s hope of getting saved, Ralph faces an internal conflict that makes him fear about their future; perhaps they will not be rescued at all. By insisting that the children should keep the fire going, he creates an external conflict with Jack whose values are different. Jack is enjoying life as a leader of the savages, and he fears that fire will possibly end his authoritarian rule over the savages. Both conflicts are resolved when Ralph finally meets the naval officer.
Ralph is one of the few boys who realize that the only way to survive is through peace and order. Because he summons the boys at the beginning of the novel with the conch he and Piggy find, they look upon him as the most responsible of the boys and elect him as a chief over the humiliated Jack. Ralph creates a stable and peaceful society for the children to live; this significantly bothers Jack because he wants to have fun and do things that he never did back in the civilized society. Jack is eventually successful of pulling nearly all of the children out of Ralph’s control to form savages. Ralph represents the civilization, and Jack represents the primitive society.
Moreover, Ralph is Golding’s symbolic method of democracy. To the audience, Ralph seems like Franklin D. Roosevelt during the World War II—he was certainly capable of stopping the World War II from breaking out, but he could not force anybody thus letting the War break out.
As the climax approaches, Ralph begins to mature slightly as chaos erupts. After Ralph discovers that a ship passed while the fire was out and Jack is culpable, Ralph confronts him and rather than acquiescing to Ralph, Jack takes out his anger, physically on Piggy, the only person at that time intimidated by Jack. Ralph responds by saying Jack's tantrum is a "dirty trick" and tells them to light the fire. All this infers that Ralph is becoming less gregarious and a bit more serious. He shows maturity when he takes up for the underdog and does not go along with the majority.
Jack is the leader of the boys choir group in civilization and he is the complete opposite of Ralph. Jack wants to be leader and won’t let anyone stand in his way he rules through fear and shows signs of militarism and dictatorship. He is cruel, sadistic and preoccupied with hunting and killing pigs to help the rest signal for help. His sadism only gets worse throughout the novel, and eventually turns cruelly on the other boys. Jack pretends to show an interest in the rules of order on the island, but he views the differently because they only allow him to inflict punishment. Jack represents greed, savage and the anarchic aspects of man.
Ralph’s main motivation is to go home. Everything that the boys do on the island is somehow directed at finally going home. They set up a system so that the fire is always burning in case a ship goes by. When the boys let the fire go out and a ship actually does go by Ralph is deeply affected. He vows to keep the fire going through the night from this point on to make sure that next time they will be rescued. When this happens a certain decline happens as well in the book. Jacks rise begins at this point. Jack is beginning to think that they will not be rescued. When Jack begins to break away from the group that Ralph leads. Ralph always optimistic that they will be rescued and Jack sees this as a sign of weakness hence Jack leaves the group. Ralph has many key attributes but optimism and courage are the things that stand out most.
In chapter one of Dusk of Dawn, “The Plot,” is a socio-historical perspective on how the concept of race has evolved. The concept of race has evolved from biological difference in skin pigmentation, to biological superiority and inferiority, and then
Ralph’s power at the beginning is secure but as the group succumbs to their savage instincts, Ralph’s influence declines as Jack’s rises. This is due mainly to the cruelty and violence that goes on in the story. This cruelty reveals that Ralph’s commitment to civilization and being rescued is so strong that he will not allow himself to change his morals and become cruel like the others. The cruelty in this novel also shows that Ralph is a very intelligent character. His intelligence can be proven because there was a point in the novel when he hunts a boar for the first time and he experiences the thrill of bloodlust. He also attends one of Jack’s feast where he is swept away by the frenzy and participates in the killing of Simon. This is a very tragic moment for Ralph because this is when he realizes the evil that lives within himself and every human being. It is the cruel acts that happen in this novel that reveals Ralph’s character of being intelligent and being able to think deeply about human experiences. He even weeps when getting saved because of his knowledge about the human capacity for
After this incident we can see continual conflict between Ralph and Jack. We can see this when Jack proclaims that Ralph, “Isn’t a proper chief.” Golding is trying to show us that this conflict is very similar to the conflict between humanities inner barbarism and the living influence of reason. We can see other evidence of this conflict within ourselves, with the masks that Jack and his hunters put on. We are informed that Jack, “ rubbed the charcoal stick between the patches of red and white on his face” The mask represents the dark line (charcoal) between good (white) and evil (red) within ourselves. These masks also let the boys hide f...
Writers use rhetoric to communicate their specific point of view or argument in a speech or text. A reader analyzes the writer’s use of rhetoric to evaluate the effectiveness of the given argument or point of view. In his “Interfaith Prayer Vigil Address,” President Barack Obama argues the need for more restricted gun control by using emotional appeals to compassion and paternalism, collective diction, and structure, which reflect the influence of a school shooting in Newtown, Connecticut.
Othello is noble, tender, and confiding; but he has blood of the most inflammable kind. Unfortunately, Othello was naïve enough to be swayed by Iagos misplaced trustworthiness and the accusations cause the entire play to unfold. Once someone brings up a sense of all his wrong doings, he cannot be stopped by considerations of remorse of pity until Othello has extinguished all that fuels his rage and despair. Othello is described as a “Moor” by his critics (Brabantio, Iago). A “Moor” is a slang word used for the dark skinned appearance of the Muslim people from the northwest part of Africa.
Ralph is the boy’s elected leader, and one of the most affected by civilization’s unwritten and written rules. Ralph, throughout the story, is focused solely on the boys’ rescue from the island. This comes to a climax when Ralph calls Jack out for not keeping the signal fire lit, saying, “Hasn’t anyone got any sense? We’ve got to relight that fire. You never thought of that, Jack, did you? Or don’t any of you want to be rescued?” (102). Although Ralph is affected by the civilization’s laws the most, he can also succumb to the natural element of fear. One example is when Ralph helps murder Simon, joining the rushing mob out of fear and ignorance. “At once, the crowd surged after it, poured down the rock, leapt onto the beast, screamed, struck, bit, tore.” (153). When Simon arrives on the beach after his conversation with the Lord of the Flies, and is mistaken for the Beast, the boys attack him. Ralph helps them kill the “beast” and thus help end the symbol of innocence and kindness. Although Ralph tries his hardest to remain civil, even he is a slave to his natural instincts. This is how Golding demonstrates that all of the boys, even the one’s who are the most civil of them, are actually evil deep
O’Brien didn’t believe in war. He felt like he was too good for it, too smart, too compassionate, too everything (page 39). Tim O’Brien even thought that the draft notice could have been a mistake because he had just graduated college and he is getting a full ride scholarship at Harvard. He wanted to escape the war because he hated the war and he thought that the American war in Vietnam was wrong (page 38). O’Brien saw no unity of purpose to fight this war he saw no consensus on matters of law so that’s why he decides to flee. Tim O’Brien starts by listing things he hates that soldiers would face. He says that “he hates camping out, he hates dirt, tents and mosquitoes and the sight of blood makes him queasy” (page 39). Another reason why Tim O’Brien wants to escape the draft and go to Canada is that he doesn’t want to die, he doesn’t want to die in a wrong war. In mid-July Tim began to think about Canada it was just a few hundred miles away. He thought about fleeing the draft because he couldn’t resist anymore. Tim O’Brien states that “both his conscience and his instincts were telling him to make a break for it, just take off and run like hell and never stop (page 42). As O’Brien thinks of fleeing to Canada he thinks about his family and the shame he would bring to his family as well as how he would lose the respect of his family and community. As Tim O’Brien was working he felt this feeling on his chest he
People are privileged to live in an advanced stage of development known as civilization. In a civilization, one’s life is bound by rules that are meant to tame its savage natures. A humans possesses better qualities because the laws that we must follow instill order and stability within society. This observation, made by William Golding, dictates itself as one of the most important themes of Lord of the Flies. The novel demonstrates the great need for civilization ion in life because without it, people revert back to animalistic natures.
Ralph shows that he has a better understanding of the boys than Jack. He knows that the boys need some sort of order on the island in order for them to survive. He starts a simple form of government and sets a few rules for them. Even though they don’t last very long, the fact that he tried to help the group is what makes him a better leader. Ralph’s wisdom and ability to look toward the future also has an advantage over Jack. He has a sense to keep his focus on getting off the island. When the fire goes out, Ralph gets upset because the chance to be rescued was gone as well. Ralph enforces his role of leadership as he gives the boys a sense of stability of an authority figure. He keeps the boys in pretty good order at the meeting by making a rule that they can only speak if they have the conch. Ralph knows that the littleuns are afraid and they need shelter to feel more secure. They work together for a while, but as the time goes on the smaller boys want to go play. They slowly lose all their help until Simon and Ralph are the only ones left to work on them. Ralph knows that this is a necessity and keeps bringing it up at the meetings. Jack, on the other hand, is doing nothing but causing chaos.
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
In William Shakespeare’s Othello, unspoken fears of being an outsider and concerns about his public image contribute to the downfall of a tragic hero named Othello. Othello, a general in the Venetian army’s, final monologue reflects the importance of reputation and the conformity needed to fit his surroundings. He is seen as an outsider of the Venetian culture; he is frequently referred to as “the Moor” and is called an abundance of racial slurs by the Venice born natives. Although Othello never voices his internal struggle to feel accepted by the people around him, his image and physical appearance are some of major issues he faces. Even in the moments before he stabs himself, Othello is more concerned with the legacy he is leaving behind than with the death of his wife, Desdemona. Shakespeare uses Othello’s transformation from a heroic military soldier to a tragic figure to warn of the dangers of obsessing over one’s reputation and the need to feel accepted by society.
In Act I, Othello expresses that he is a man of honor, a hero who’s held in high prestige by the upper class. What Othello expresses here is nothing that an archetypal hero would express; he expresses nothing towards Cassio (to the point where Othello has imagined killing him) and Desdemona but hatred and vengeance, and he has become poisoned by Iago’s ruse. Additionally, Othello has grown to only trust Iago, which will only make him grow worse. This is the beginning of Othello’s transformation to a tragic hero, with his naivety and jealousy being his