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How suspense is created in horror films
How horror films build suspense
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The first filming technique I encountered was long shot. Long Shot is, “a shot that includes an area within the image that roughly corresponds to the audience’s view of the area within the proscenium arch in the live theater” (Giannetti 523). We start off with the scene where Cole is giving a gift to Kyra’s father. We could see in the long shot that Dr. Malcolm Crowe was in the background watching the conversation between the two characters. The director of the movie did a great job installing low lighting in the film. The scene has low lighting which tells the audience it is dark and there is suspense that is occurring. This long shot, helped transitioned the next aspect of the film which is are focusing on Krya’s father. The next shot that occurred is a medium close shot. The definition of ,medium close shot is, “A relatively close shot, revealing the human figure from the knees or waist up” (Giannetti). This medium close-up is not a normal one you see in films, you are able to witness half of his body from the head to the middle of the body. As you could see from his medium close up you see tension building up which includes questionable sounds and which persuaded Krya’s father to watch what is in the video tape. …show more content…
Our textbook stated that it is a minutely detailed view of an object or person and an extreme close-up of an actor generally includes only his or her eyes and mouth. This extreme close-up is focused on the video tape of Kyra’s death. This death scene is the symbolism of the three minute part that unlocks the murder mystery of the Kyra. They did a high angle shot showing the tape which in our book it says, “a style of lighting emphasizing harsh shafts and dramatic streaks of lights and darks. Often used in thrillers and
Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.
I was raised on the movie The Sandlot. My my dad played baseball through college and my brother has played since he could hold a bat. My mom, sister, and I also played softball when we were little. One could say that we are a “baseball family.” My dad first introduced this movie to me, and I was attracted to it not only because it is a fun film about baseball, but also because it has an entertaining soundtrack. The music fits well with the storyline and makes you feel like you are playing baseball and hanging out with the boys in the sixties. I also was raised listening to this genre of music and more songs from some of these bands. Throughout this paper, I will critique the main songs in The Sandlot that make it popular, as well as give a short biography of each band.
One way the filmmakers did this is with the on location shots of rubble in many scenes. The characters in these shots are carefully placed to make the rubble stand out behind them. Lighting is carefully placed to illuminate the rubble and make it stand out. However, the carefully planned cinematography also plays into the overall meaning of the film and not just how it looks. The lighting, for example, influences our feelings for certain characters. Susan Wallner is always filmed in light. This is a drastic difference from how we see Hans Mertens. Hans is usually filmed with low light and is very dim. This helps show that Susan is optimistic, while Hans is pessimistic. Another way lighting is used in this film is to create shadows. Shadows are very prevalent in the last sequence of the film. Hans has confronted Bruckner and as the camera cuts back and forth to each of them we see Hans shadow keeps growing bigger and bigger behind Bruckner. We can interpret that as the shadowing is growing bigger so his Bruckner’s fear, because the dialogue coming from Bruckner is getting faster and we can also hear the fear. There are many times in the film where close ups are used to make the storyline more dramatic. One scene that comes to mind that makes use of quick cuts and close ups is in the end of the film: Susan ran in, stopping Hans from killing Bruckner. At this point we
followed by close. The film is mostly shot with a closed frame, but there ar...
In the film Strictly Ballroom, the director Baz Luhrman uses many different film techniques to influence the portrayal and development of characters. Costume and makeup is used as a vital technique to show the audience the characters’ personalities and also the development of some characters. Camera angles and lighting is another technique that is used to exaggerate the characters’ personalities and the scenes they are in. Luhrman also uses character behaviors as an effective technique in portraying each characters’ personality.
There are many techniques used in films that help to strengthn the plot and rmphasize a certain theme. Usually, to most viewers, these camera techniques go seemingly unnoticed. Yet, this ability to fly under the radar ensures the success of the style, as smooth transitions and clear storytelling are hallmarks of the editing process known as continuity editing. One approach of continuity editing is known as point of view editing. Basically, the viewer is able to see a scene from a character’s perspective. Notably, point of view editing plays a significant role in the film Notorious. With the repetition of point of view throughout the film, Notorious utilizes point of view as a vital aspect of the film, as it provides clues to the viewer, heightens
In conclusion the film techniques that Tom Tykwer used are all used for a reason and are very unique compared to other typical american films. The techniques that stood out to me are the ones that are listed above and they make the film more interesting and eye catching . Making me want to watch it more and sitting on the edge of my seat.Techniques such as flash forward, flashback , medium shot , birds eye view , animation and cross cutting made this film the best it could be.
In the film ‘Into the Wild’ directed by Sean Penn, there are some scenes in the movie and enable us to understand how it was developed. I found one important scene in the movie, this is the scene in which Chris’ feels that his journey was almost end, the director uses some camera shots, dialogues and some soundtracks for us to see and understand the scene in this movie.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
During the Liquidation of the Ghetto, a man in the sewers is attempting escape from the soldiers. Tension is created with the savaged barking dogs and gunshots can be heard as diegetic sounds, generating fear for the audience. In the hospital, a doctor is euthanising terminally-ill patients so the soldiers could not unleash their bullets and let the patients die in a horrific way. The bed sheets and the patients are in white contrasting the blood symbolising death because the blood is the colour black. Low angles are used when the soldiers are going upstairs in the apartment to clear it; tension is created because the low angle shots demonstrate the Germans gaining power and control as the Jewish have lost all of their personal possessions. When a Jewish man tried to save the life of a life young Jewish boy that attempted escape, Spielberg filmed this scene as a handheld shot to generate a sense of panic. After the Jews are cleared of their apartments, women and men are separated to highlight fear and widespread terror for the audience.
For example, in the beginning of the film, the director used editing to include a scene from later on the movie to add confusion. The scene was when Paula was standing alone in the hallways of her school, when suddenly a herd of students come rushing down the halls being beaten by police officers. This scene was an example of foreshadowing and appeared later in the film. However, it immediately caught my attention and I began asking myself questions concerning what was occurring. The film’s cinematography was also unique and stood out to me. As Paula and the other leaders of the movement were protesting outside the school, I noticed that the scenes were filmed from a variety of perspectives. For example, when Paula was standing on top of a car shouting, the camera shot the scene at a low angle which made Paula seem larger and suggested a feeling of
This can be taken from as much as a quarter of a mile away, and is generally used as a scene-setting, establishing shot. It normally shows an EXTERIOR, eg the outside of a building, or a landscape, and is often used to show scenes of thrilling action eg in a war film or disaster movie. There will be very little detail visible in the shot, it's meant to give a general impression rather than specific information.
“The only verdict is vengeance; a vendetta, held as a votive not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.”
The scene starts off with a medium shot at eye level of a hospital’s waiting room, the camera pans from left to right across the lobby. The scene uses ambient lighting. It is filled with green seats in rows, all vacant but one. There is classical piano Chopin’s (nocturne op. 27 No. 2, etude op10 no3) playing in the background. There is one person sitting down with her hands in her laps, fingers intertwined twiddling her thumbs back and forth. Her clothes appear to be tighter, and her belly is swollen. The sound of sirens echo throughout the lobby breaking the calmness of the piano, the lady stands and looks outside the window to see flashing red lights. From a medium shot two men dressed in scrubs pull a man from a stretcher
Camera motion is slow, and image is dreamy and blurry, which helps to create the right mood, and not get distracted from the narrative.