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Mass shooting and media essay
Mass shooting and media essay
Essay media and mass shootings
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Anna Sergi wrote an opinion piece regarding the London Bridge attack; recalling her encounter and how she survived the attack. Other than being a survivor and witness, her article - ‘I survived London Bridge and feel lucky. And angry. I cannot unsee what I saw’, was also from the perspective of a victim. Even though Sergi felt lucky to have been unscathed from the attack, she was affected and considered herself a victim as well. The article was well-structured and relatable for readers. Its content was simple and direct. Sergi was personal and honest in her writing, similar to how one would write in a diary therefore having its appeal. The whole article was written in a conversational, informal style which included contractions and short sentences. Furthermore, her choice of language allowed the article to be easily comprehended and engaging for readers. The article eventually proved to be a successful piece to explain to readers about her experience and emotions. This essay aims to analyse and demonstrate how Sergi’s article effectively persuaded readers through its narrative content. It would focus on her use of second person narrative, present tense, short sentences, contractions and emotive language. …show more content…
There was evidence of emotive language in Sergi’s article to arouse reactions from readers and eventually contributed to the credibility of her experience. Certain words are more persuasive because of their emotive content (Macagno & Walton 2010). Positive emotive language was used at the beginning of the article; including ‘It’s so pretty that you stop for a photo’ and ‘a cute place with tables outdoors just underneath the bridge’, to generate a sense of peacefulness. If Sergi wrote ‘you stop for a photo’ and ‘a place with tables outside’, the narrative would be regarded as generic and systematic
... methods that all rely on pathos. Nikiforuk’s article successfully grabs the reader’s attention and emotion from the beginning and maintains it throughout the text by his skillful use of rhetorical strategies.
However, the author’s persuasive style of writing was clear and precise. She was able to convey her message in a simple way for any reader to follow. The author used personal stories from her friends to help understand how delicate this situation to families. For example, in the chapter Saake shared how the church was sensitive to their
Often times the message of an article gets muddled to the reader depending on the stylistic manner of the author’s writing. The style in which the author uses to write, Am I Still Here?, takes away from the actual message of the article. The author, Anthony Doerr(‘)s, uses very descriptive language which is distracting to the reader. Also, the use of metaphors can deem challenging for the reader to understand the true meaning behind the article. Finally, the use of complicated diction makes it arduous to understand what the article is attempting to get across. The stylistic choices that the author uses takes away from the message of the article.
Such appeal can be presented by either figurative language or pathos. Furthermore, Mike Rose presented various appeals in his article by including personal narratives of his hard working relatives. He begins his argument by introducing his mother and proceeds by describing his childhood (272). This valuable information intrigues the audience and conveys some form of connection to the author and the article. In addition, Rose speaks on behalf of his uncle by providing details about his uncle’s experience while working in a paint factory. Mike Rose recalls a tour of the factory “The floor was loud---in some cases deafening---and when I turned a corner or opened a door, the smell of chemicals knocked my head back” This vivid imagery not only describes a setting, it also persuades readers to feel sorrow but most of all respect towards hard workers such as those who work in
By using a lot of exceptional and moving metaphors like “Words are blades of grass pushing past the obstacles, sprouting on the page” (93), underline her impressing skills in turning images into words. The tone of the essay is enthusiastic and compelling, Anzaldua asks the readers to believe in themselves. Anzaldua even connects her native language with her adopted one, in her current essays.
Over the years, writing has been used as an art form, allowing people to write their thoughts. Though, the most torrential puzzle of writing is the reasoning behind the words on a page. The logic behind any piece of literature falls into categories of wants and needs. There are three essays to which these categories are explained in further detail with more depth. Firstly, “Not So Deadly Sin” which focuses on the act of lying and exaggeration.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
Riis demonstrates and shows his audience that a writer can make simple changes to their text to change the impact of what he or she is talking about and continue to always have their readers’ attention.
As people age they will often still recall a good childhood story. A well told, meaningful story can go a long way when attempting to argue a point or convey information. In the essays, ''The Myth of The Latin Women: I Just Met a Girl Named Maria" by Judith Ortiz Cofer, "Gains and Losses" by Richard Rodriquez, and "Piecing It All Together" by bell hooks, the authors connect to the reader and create a better audience through their writing. Through the portrayal of a story the authors help the reader understand their point of view, they transfer information to the reader with better ease, and keep the reader engaged the authors argue a point or convey information more efficiently.
The two essays, Splintered Literacies and Writing in Sacred Spaces, both revolve around the inherent “why” of storytelling. Each addresses a different facet, with the former delving into how the types and varieties of writing we experience affect our identities. Meanwhile, the latter explores the idea of thought concretization. Humanity developed writing as a tool to capture the otherwise intangible. Whether belief or abstract concept, the act of putting something in writing creates a concreteness, trapping the thought in a jar like a firefly. The thoughts and ideas we manifest onto the page or into the air give life to our knowledge, perpetuating its’ existence.
Although the greater picture is that reading is fundamental, the two authors have a few different messages that they seek to communicate to their audiences. “The Joy of Reading and Writing” depicts how reading serves as a mechanism to escape the preconceived notions that constrain several groups of people from establishing themselves and achieving success in their lifetimes. “Reading to Write,” on the other hand, offers a valuable advice to aspiring writers. The author suggests that one has to read, read, and read before he or she can become a writer. Moreover, he holds an interesting opinion concerning mediocre writing. He says, “Every book you pick has its own lesson or lessons, and quite often the bad books have more to teach than the good ones” (p.221). Although these two essays differ in their contents and messages, the authors use the same rhetorical mode to write their essays. Both are process analyses, meaning that they develop their main argument and provide justification for it step by step. By employing this technique, the two authors create essays that are thoughtful, well supported, and easy to understand. In addition, Alexie and King both add a little personal touch to their writings as they include personal anecdotes. This has the effect of providing support for their arguments. Although the two essays have fairly different messages, the authors make use of anecdotes and structure their writing in a somewhat similar
Owens and Sawhill use pathos to evoke the feelings of their readers. This method establishes
In the story “Two Kinds”, the author, Amy Tan, intends to make reader think of the meaning behind the story. She doesn’t speak out as an analyzer to illustrate what is the real problem between her and her mother. Instead, she uses her own point of view as a narrator to state what she has experienced and what she feels in her mind all along the story. She has not judged what is right or wrong based on her opinion. Instead of giving instruction of how to solve a family issue, the author chooses to write a narrative diary containing her true feeling toward events during her childhood, which offers reader not only a clear account, but insight on how the narrator feels frustrated due to failing her mother’s expectations which leads to a large conflict between the narrator and her mother.
A narrative is constructed to elicit a particular response from its audience. In the form of a written story, authors use specific narrative strategies to position the ‘ideal reader’ to attain the intended understanding of the meanings in the text. Oliver Sacks’ short story The Man Who Mistook His Wife for a Hat is an unusual short story because it does not display conventional plot development; the story does not contain conflict or resolution of conflict. The genre of the story is also difficult to define because it reads as an autobiographical account of an experience Sacks had with a patient while working as a neurologist. Although it is arguable that the narrative is a work of non-fiction, it is nevertheless a representation, distinct from a reflection of the real events. It is a construction, Sacks chose the elements that were included and omitted in the narrative and used narrative strategies to position readers to process the signs in the text and produce reach the dominant understanding. This blurring of truth and fiction is similar to that in the genre of ‘new journalism’. Although, rather than being a journalist writing a fictional piece of journalism, Sacks is a doctor writing a fictional medical analysis. To influence readers’ comprehension of the narrative, Sacks utilised the point of view strategy of subjective narration, atypical in this short story in that a characterisation or representation of Oliver Sacks is the narrator and Oliver Sacks the person is the real author. The story is character-driven rather than plot-driven and regardless of how accurate a depiction of the real people the characters are, they are constructions. Sacks gave the characters of Doctor P. and his namesake admirable and sympathetic trait...
First given as a speech, this article is written as an attack on human emotion.