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Recommended: Nabokov lolita analysis
Despite the subtle differences between Lolita and Hamlet, it is inarguable that the two acclaimed pieces of literature are absolutely intriguing, emphasizing several unsettling motifs/themes throughout the novel/play. Although the two remarkable works are quite unlike, there is one unique aspect that they do share: the protagonists in both of the novels have an unusual way of treating their love interest. Both Prince Hamlet and Humbert Humbert initially treat their sweethearts with affection wholeheartedly, later on they are repulsed by their lovers due to their certain traits, and then rebounds back to their loving nature. William Shakespeare and Vladimir Nabokov use this strategy effectively, allowing the story to flow with more eloquence …show more content…
He describes her immaturity:
A combination of naiveté and deception, of charm and vulgarity, of blue sulks and rosy mirth, Lolita, when she chose, could be a most exasperating brat. I was not really quite prepared for her fits of disorganized boredom, intense and vehement griping, her sprawling, droopy, dopey-eyed style, and what is called goofing off – a kind of diffused clowning which she thought was tough in a boyish hoodlum way. Mentally, I found her to be a disgustingly conventional little girl (Nabokov 166).
Although he was thoroughly pleased with her nymphet looks, he is irritated by her constant whining and childishness. As their travel continues, he notes her simplicity, which he is disappointed with, wanting her to become more sophisticated and polished, becoming the proper young adolescent he wants her to become. Humbert is only satisfied with her childish looks, but is deeply disappointed with her lack of delicacy, where he wants her to appreciate art and literature. However, after Ophelia’s burial, Hamlet becomes grieved by her sudden death. After stumbling upon his sweetheart’s funeral, he challenges her brother, Laertes,
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After the over-controlling ‘father’ discovers that another man had abducted his Lolita, he collapses into a stormy rampage in the hospital his ‘daughter’ had stayed, swearing to “destroy [his] brother” (Nabokov 281). Later on, when he reunites with his separated lover after several years, he recognizes that she has grown up, noting her mature features. Despite her lack of nymphet traits, Humbert realizes that he still loves her, and offers her to live with him for the rest of her life, leaving her husband, and they shall “live happily ever after” (Nobokov 317). Through this passage, the readers recognize the shift Humbert undergoes, discarding his preferences of young girls, and still yearns for mature Lolita. After grown-up Lolita gently declines Humbert’s proposition, the heartbroken man reflects the sins he has committed upon innocent Lolita in her youth, and truly regrets his
At the beginning of the play, Laertes spoke to his sweet, loving sister Ophelia about his departure of Denmark to go to England and also his concerns of she and Hamlet’s relationship. He warned her of what he thought Hamlet's true intentions were.
Before Laertes left for France, he gave Ophelia advice on her relationship with hamlet. Laertes tried to warn Ophelia on Hamlet’s real feelings and his true intentions towards her, and tells her to be a little wary of Hamlet and his affections. Hamlet’s feelings towards Ophelia seem to die after she rejects him. Not only his feelings, but his own appearance seems to decay after the rejection. He is described as being “Pale as his shirt, his knees knocking each other” (line 82). To make matters worse, Ophelia dies. Both Hamlet and Laertes are so shocked and distressed over her death, that they both decide to jump into her grave and begin to fight each other. Even though both Hamlet and Laertes hated each other, they both loved Ophelia deeply. Hamlet was obviously very infatuated with Ophelia, as too it hard at her death. Laertes on the other hand seemed to have more of a brotherly connection and bond with her, as was evident when he tried to advise her against
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
Many sources on grief declare it to be something that must be faced or it will never go away. Ophelia never faces her grief, but it does go away when she drowns herself. She resorts to singing to solve her problems, while Laertes takes to violence. He believes he will feel relief once Hamlet is dead. Hamlet, on the otherhand, grieves for his father and does not take action for some time. He also has strong feelings on how his mother should take a longer time to grieve for her former husband. These three characters endure the same sort of grief at times, but choose toreact differently. There is no right or wrong way to grieve, but as many of the characters in Hamlet discover, grief can overtake one’s life and lead to downfall.
He allows his true feelings and emotions to pour out at her grave for the last time before she is buried and gone forever: “I loved Ophelia. Forty thousand brothers / Could not with all their quantity of love / Make up my sum,” (V.i.285-87). Regardless to the amount of love Ophelia’s brother had for her, Hamlet claims that he loves her more than Laertes ever could. Similar to the symbolism in his letters, he expresses his abundant love for Ophelia and how she is the girl he truly cares about. The prince comes straight out with his feelings and does not act insane during the funeral, he is simply being honest straight from his heart. Now that she is gone, Hamlet cannot protect her and has no reason to hid his true emotions towards
Hamlet and Laertes share a different but deep love and concern for Ophelia. Laertes advises her to retain from seeing and being involved with Hamlet because of his social status. He didn’t want her to get her heart broken by Hamlet, since he believed that his marriage would be arranged to someone of his social status, and that he would only use and hurt Ophelia. Hamlet on the other hand, was madly in love with Ophelia but it languishes after she rejects him. Ophelia’s death caused distress in both Hamlet and Laertes and it also made Laertes more hostile towards Hamlet.
Hamlet's behavior throughout the play, especially towards Ophelia is inconsistent. He jumps into Ophelia's grave, and fights with Laertes in her grave. He professes I loved Ophelia. Forty thousand brothers/Could not, with all their quantity of love,/ Make up my sum [Act V, scene I, lines 250-253], during the fight with Laertes in Ophelia's grave, but he tells her that he never loved her, when she returns his letters and gifts, while she was still alive. Hamlet subtly hints his awareness of his dissolving sanity as he tells Laertes that he killed Polonius in a fit of madness [Act V, scene II, lines 236-250]
This, of course, causes a landslide of tragedy in the play. Claudius exiles Hamlet to England and sends sealed letters to the King of England telling him to kill Hamlet upon his arrival. Ophelia goes insane. Laertes, Hamlet's brother, returns from France with an army, demanding to know why Polonius was killed. Claudius enlists Laertes to kill Hamlet. Ophelia commits suicide. Hamlet and Laertes duel at her funeral; both of them are mortally wounded, Gertrude kills herself and Hamlet kills Claudius.
...s of Lolita and Humbert to show the isolation and loneliness they feel, and to show just how different and immoral the situation is. By stressing the dissonance between one persona to the next, he portrays a view of his characters that is sad and shocking, for the public seen is also the reader; the unaware, innocent, “moral” group. By letting us into the different faces of Lolita and Humbert, Nabokov reveals the tragedy in the novel, and allows the reader to vividly feel what is morally right and wrong with Humbert, Lolita, and ourselves.
The story of Hamlet, written by William Shakespeare, is considered to be a perplexing play as the many subplots twist, turn, and unfold. The relationship between Hamlet and Ophelia is conceivably the most widely discussed topic as countless theories are developed throughout the story. It is a tragedy, of many sorts, that Hamlet and Ophelia are not able to display their love for each other,
Troubled by royal treason, ruthless scheming, and a ghost, Denmark is on the verge of destruction. Directly following King Hamlet's death, the widowed Queen Gertrude remarried Claudius, the King's brother. Prince Hamlet sees the union of his mother and uncle as a "hasty and incestuous" act (Charles Boyce, 232). He then finds out that Claudius is responsible for his father's treacherous murder. His father's ghost asks Hamlet to avenge his death and Hamlet agrees. He plans very carefully, making sure that he doesn't kill Claudius when in he has already been forgiven for his sins. Hamlet accidentally kills Polonius, the King's advisor, thinking that it was Claudius hiding behind a curtain spying on Hamlet and his mother. This drives Ophelia, Polonius' daughter and Hamlet's love interest, insane. She then drowns in a suspected suicide when she falls from a tree into a river. Laertes, Ophelia's brother, teams up with Claudius and plot revenge on the strained prince.
With his 1955 novel Lolita, Vladimir Nabokov invents a narrator by the name of Humbert Humbert who is both an exquisite wordsmith and an obsessive pedophile. The novel serves as the canvas upon which Humbert Humbert will paint a story of love, lust, and death for the reader. His confession is beautiful and worthy of artistic appreciation, so the fact that it centers on the subject of pedophilia leaves the reader conflicted by the close of the novel. Humbert Humbert frequently identifies himself as an artist and with his confession he hopes “to fix once for all the perilous magic of nymphets” (Nabokov, Lolita 134). Immortalizing the fleeting beauty and enchanting qualities of these preteen girls is Humbert Humbert’s artistic mission
His first redeeming attribute is his real and true love for Lolita. Humbert infact confesses that, “I loved her. It was love at first sight, at last sight and ever sight”(270). If the reader thinks back to the beginning of the novel Humbert refers to Lolita as someone who only brought him lust. Humbert also makes it a point to tell the audience that he only like girls who fall into his nymphetic criteria and anyone who is too old does not appeal to him. When Humbert sees Lolita though after three years of being apart he says that “I insist the world know how much I loved my Lolita, this Lolita, pale and polluted, and big with another’s child, but still gray-eyed, still sooty-lashed, still auburn and almond, still Carmencita, still mine”(278). No matter how she has age and move past her nymphetic stage of life Humbert still loves her. Humbert even goes on to say that, “No matter, even if those eyes of hers world fade to myopic fish, and her nipples swell and crack, and her lovely young velvety delicate delta be tainted and torn-even then I world go mad with tenderness at the mere sight of your dear wan face, at the mere sound of your raucous young voice, my Lolita”(278). This is true love that he is feeling. No matter what happens to her he will still love her. Humbert has
Arriving at Ophelia’s funeral, Hamlet is faced by Laertes' rage. Laertes justly blames Hamlet for the death of Polonius and the subsequent suicide of Ophelia. Again both deaths were due to choices made by Hamlet, Polonius' murder and driving Ophelia insane.
When Ophelia finds out about the death of her father, she goes insane. She begins to sing to herself and hand out special flowers. She decides to float into a body of water and sing, but sadly she drowns upon doing so. Her brother becomes angry and is convinced that it is all Hamlet’s