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Analysis on fairy tales
Analysis on fairy tales
Analysis of fairy tales
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In many of the stories we read, we will find cultural hero’s. They come in many different forms depending on the medium, culture, and historical context. When trying to spot the cultural hero, you might be looking for someone who is “a legendary figure variously represented as a beast, bird, man, or demigod to whom a people attributes the factors that appear most essential to its existence and culture” (Webster). In other words, someone who symbolizes the ideals of people or a group. There are two stories we will be strictly focusing on. Those stories will be, Little Briar Rose and Big Fish. In Little Briar Rose, the cultural hero is the prince. He is a hero to Briar Rose. Meanwhile, in Big Fish the cultural hero is Edward Bloom. He is a hero to his culture. Both of these stories use two different mediums. In Little Briar Rose is a fairy tale told through print and Big Fish is a tall tale told through film. While it depends on the genre and how they are presented, the modes of delivery of these stories and the conventions of the story type, shape and reinforce these cultural hero roles.
Let’s begin with Little Briar Rose. In this story we are introduced to our cultural hero, the Prince. In this tale he shows bravery. The Prince willingly goes to the thorn hedge, that covered the castle. The prince showed no fear and was
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By making the other princes fail in their quest to save the princess, it made the princes rescue seem effortless and flawless. The only thing he had to do was kiss the beautiful Briar Rose to break the spell. “As soon as he kissed her, Briar-rose opened her eyes and awoke” (Grimm). One of the genre characteristics at work here is the presence of magic. He was able to break through the magic sleeping curse just by using a simple kiss. Fairy tales let us see the that when the hero fixes the big issue, even by doing the simplest thing, everything will be great
Peter’s heroism is exemplified through his brave deeds. In his pursuit to save the Queen, he overcomes his fears and demonstrates his bravery. For example, Peter retrieves the play from the yellow gentleman’s house
George Washington. Aragorn. Beowulf. Captain America. Martin Luther. Han Solo. Wright Brothers. History, books, and movies are full of these types of characters. Whether they led our country to victory or saved a galaxy far far away, these people can be defined as heroes. A hero could be defined as someone who is cunning, shows justice and mercy, and has the courage to take on many challenges. In J. R. R. Tolkien’s renowned book The Hobbit, he fills the pages with many heroes. There is Thorin, King under the mountain, who has come to reclaim his home. There is Bard, a bowman, who kills the chiefest and greatest dragon Smaug. There are the mighty eagles, who rescue the dwarves, Bilbo, and Gandalf moments before their death. And there is also
Humanity has created this “universal story” of what a hero is, or at least the myth of it, time and again. Different tasks and encounters with a variety of villains all lead the hero to the prize, to a new life (Seger). This person deemed the hero is as ordinary as the next but what makes them different is the drastic test that they must face. Individuals admire this character because the hero stands for something, something bigger than themselves. Whether it be the compassionate act of Katniss Everdeen in The Hunger Games or the death of the oldest brother in Brother Bear, as an outsider, an individual sees the human side of these heroes and relates. Connor Lassiter from Unwind by Neal Shusterman is an ideal example of the myth due to the
The Iliad, the Odyssey, Beowulf, and Hamlet are classical stories that are still relatable and debatable to read and discuss. Though some of the stories are intertwined or continue off one another, the character and stories are distinctive. The stories contain different hero development and progression among them. All the stories contain an idea or concept of a hero that may not necessarily have to do with gaining power or control like modern superheroes. Power and control are referred to having to be the ruler and having the ability to do what you'd like. The modern heroes selflessness of a human on duty or even volunteering, and that person’s willingness to put their own lives on the line for the lives of absolute strangers, is specifically the quality that redefines the modern hero and separates them from heroes in the past.
The three heroes discussed here, Beowulf, Sir Gawain and King Arthur, are heroes for different reasons. Beowulf, our earliest hero, is brave but his motivation is different than then other two. To Sir Gawain personal honor and valor is what is important. King Arthur, Sir Gawain's uncle, is naturally the quintessential king of the medieval period. Though all men to a certain extent share the same qualities, some are more pronounced than in the others. It is important to see how these qualities are central to their respective stories and how it helps (or hinders) them in their journeys.
"Briar Rose," written by Jane Yolen, is a heart wrenching story of Sleeping Beauty intertwined with the evils of World War II. Yolen has taken the story of Briar Rose (Sleeping Beauty) and developed two parallel stories. Becca is the granddaughter of Gemma, soon to be found out as Briar Rose. Becca promises her grandmother, Gemma, to find out the truth about her. Through the help of Stan, and Josef, Becca finds out the truth: her grandmother had survived an extermination camp at Chelmno, and afterwards with the partisans. The enormous amount of deaths and genocides can sometimes be very hard to grasp when it is simply another page in your history textbooks. However, this novel helps give a tangible perspective of such madness and atrocity through a fairytale lens. It also allows us to contemplate and remember an unconscionably dark chapter of human history. Briar Rose is an interesting book that connotes realism, optimism, and a sense of mystery in the timeless fairy tale ending, "and they lived happily ever after."
The dominant factor in an epic is the heroic main character. This character often is the son of a god or goddess and is favored by the gods. Heroic characters are also always hounded by constant tragedy which drives them to fulfill their fates. Most heroic characters are high in social status and share close contacts with the gods. All of these qualities of heroic characters show up in the characters of Aeneas from The Aeneid and Gilgamesh from the Epic of Gilgamesh.
Beowulf by far endures more than the average person as the poem progresses. He is faced with daunting challenges of defeating three monsters that would kill any other man. Beowulf exemplifies bravery by never backing down no matter what the threat was. He was loyal by honoring his promises of keeping those around him safe and alive. And finally, his unwavering confidence helped him push through the toughest confrontations. These traits and the fights with the three different monsters are what genuinely make Beowulf a hero.
Beowulf is a good example of a courageous and strong hero. He shows all of
What is a hero? The Webster dictionary describes it as, “a person...who is admired or idealized for courage, outstanding achievements, or noble qualities.” But how can mere words on a page create icons that change the course of a culture? Lost in the midst of time, two stories emerge from the medieval era, telling of two great kings who clash in various ways.
Societies construct heroes that represent and embody the ideals of those who create them and read about them. Their is a stark contrast between the hero in the time of Beowulf and Hamlet’s creation and heroes created in modern times. Current literature, movies, and television portray a different kind of hero from those created in 1000 AD to 1600 AD. A hero is defined as someone who is "admired for achievements and noble qualities"," shows great courage", and in historical texts such as Beowulf and Hamlet is a "legendary figure often of divine descent endowed with great strength or ability" or an "illustrious warrior" (Merriam-Webster). Despite the popular belief that the time for heroes has passed away, based on the needs of society, today's
Even though fairy tales don’t always end the way we want them to, we usually expect them to end with prince charming saving a princess. However, according to the Grimms Brothers version, “The Frog King,” the princess actually saves the prince. An innocent naive princess comes across a frog that once was a prince. Therefore, the only way he can overcome this curse is to ask a princess to fully have her assurance into becoming his companion. The moral of this fairy tale is express how appearances are deceiving. We don’t fully have an understanding what true beauty looks like until it is standing in front of us. The three main symbols that emphasize the true beauty in this fairytale is the frog, the fountain, and the golden ball.
Similar to the above conversation, one must take these tales with a grain of salt, and keep in mind the time period in which they were written. For the purpose of this paper, the focus will only be on what the tale is striving to teach those who read it. Similar to Lurie’s opinion on “The Light Princess,” readers of “Sleeping Beauty” may come away from the story thinking the best was to grow up or be helped is to fall in love; let the man (prince) solve the problem (Lurie 360). This thought is further echoed by Martin Hallett and Barbara Karasek, the authors of “Folk and Fairy Tales,” as they describe the story “as a metaphor for growing up: the heroine falls asleep as a naïve girl and awakens as a mature young woman on the threshold of marriage”
According to Joseph Campbell’s The Power of Myth, one archetypal mythic hero appears in diverse cultures in different forms. Two protagonists in Paulo Coelho’s The Alchemist and Thor Heyerdahl’s Kon-Tiki share similar heroic characteristics despite their different backgrounds and cultures.
An epic hero is a main character who embodies the ideals of a certain culture. The character is named Beowulf and he represents the ideals of the Anglo-Saxon culture which were bravery, skillfulness, and generosity. Beowulf showed his braveness multiple times throughout the story. After he heard of a monster named Grendel who, for twelve years had been attacking King Hrothgar's mead hall Heorot, Beowulf traveled to the Danish islands to defeat him. Even though Beowulf didn't know anything about Grendel he went on a long voyage to reach the islands so that the Hrothgar's people need not live in fear. Then, after Beowulf Grendel, Grendel's mother came after the people of Heorot to avenge her son's death. To reach her, Beowulf had to dive into dark dangerous waters, facing unknown peril. He swam down through the shadowy lake by himself fighting off monsters the whole way. Once he did arrive at her lair a vicious fight ensued, but the courageous Beowulf came out victorious once again. Later in Beowulf's life, a dragon destroys his village and the large mead hall he had built for his men. Even though he knew he was no longer as agile and strong, Beowulf went straight to the dragon and gave a defiant shout of challenge.