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An occurrence at owl creek bridge based on ambrose bierce short essay
An occurrence at owl creek bridge based on ambrose bierce short essay
An occurrence at owl creek bridge based on ambrose bierce short essay
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The way an author writes a work can mean the difference between interest or the lack of interest. When first reading “An Occurrence at Owl Creek Bridge” a reader may find the ending quite a shock. However, if another author would write the same plot, the shock may not exist, but, because of the many techniques displayed by Ambrose Bierce throughout his work, readers remain interested and shocked upon first reading the last line. Techniques Bierce display in his work, such as use of point of view, literary devices, and plot developments, prove useful throughout “An Occurrence at Owl Creek Bridge” by peaking the reader’s interest and keeping him or her trying to guess what exactly happened. Bierce employs two forms of point of view throughout his work, third-person omniscient and third-person limited. Throughout “An Occurrence at Owl Creek Bridge” he switched back and forth between the two. Third-person omniscient occurs when the …show more content…
Falling action, one of the five plot elements (exposition, rising action, climax, falling action, and resolution), comes just before the end of the story. The order of events that the story lays itself out does not match up with the order at which they actually happened. Bierce did this for a good reason. He laid out each event not chronologically, but in the order that creates the most suspense. In the exposition we know soldiers busy readying themselves for a hanging. The reader will not know why the man received this sentence of hanging or who this man identifies as until the rising action begins. When the reader reaches the climax, the point at which Peyton hung and the rope snaps, the reader feels confident they know the person and feels properly introduced into Peyton’s mind. The falling action begins as Peyton works to escape and make it back home to his wife and children. However, not until the conclusion, does the reader learns Peyton has actually
While W. D. Howell gets rid of the romantic ending, Ambrose Bierce’s story, An Occurence at Owl Creek Bridge eliminates the unrealistic endings in adventure war style stories. The first few pages of the story starts out like today’s Mission Impossible movie. However, the ending of Mission Impossible always has the main character live. Bierce’s story starts out with an intense moment in the character’s, Peyton Farquhar, life. Leading up to Peyton’s amazing and miraculous escape, or so the reader is lead to
Hopkins, Ernest Jerome. The complete Short Stories of Ambrose Bierce. Nebraska: University of Nebraska, 1970. 305-319. Print.
During the period of realism, authors carefully treaded the line between fiction and reality. Bierce is successful in doing this, and at times pushes that boundary. His use of literary devices and his previous experiences at war both add to the authenticity of the story. His excessive use of detail provides a sense of security that lures the reader in and later keeps them reading. Overall, Bierce brought his readers into a world that was not real but also not fictional.
When inditing, authors incline to tell their own personal story through their literature work, sometimes done unknowingly or deliberately. Albeit some components of the author’s work are fabricated and do not connect with their own personal lives whatsoever, this is sometimes what causes a reader to do their own research about the author and their background of the story. Upon researching Wallace Stegner’s novel Crossing to Safety, one may discover that he did indeed, reveal bits and pieces of his own experiences in his novel. “You break experience up into pieces and you put them together in different amalgamations, incipient cumulations, and some are authentic and some are not… It takes a pedestrian and literal mind to be apprehensive about
At the start of the story Bierce uses a distant third person omniscient, allowing peers to know everybody’s action. He describes the setting, situation, where everyone is located on the bridge, who the commander is, and the conversation among the soldiers. Within the first few paragraphs the reader has basically came up with their idea of
Updike, John. “A&P”. The Norton Anthology of Short Fiction. Eds. R.V. Cassill and Richard Bausch. Shorter Sixth Edition. New York: W.W. Norton and Company, 2000. 864 - 869.
In "An Occurrence at Owl Creek Bridge" and "The Story of an Hour," the authors use similar techniques to create different tones, which in turn illicit very distinct reactions from the reader. Both use a third person narrator with a limited omniscient point of view to tell of a brief, yet significant period of time. In "An Occurrence at Owl Creek Bridge," Bierce uses this method to create an analytical tone to tell the story of Farquhar's experience just before death. In "The Story of an Hour," Chopin uses this method to create an involved, sympathetic tone to relay the story of Mrs. Mallard's experience just before death. These stories can be compared on the basis of their similar points of view and conclusions as well as their different tones.
Lucy Bednar explains in her criticism that Bierce uses three different voices throughout his story. In the first part of the story Bierce set up the scene. There is a man, Peyton, with a noose around his neck about to be hanged by the Northern soldiers during the civil war. Peyton is barely standing on a plank of the bridge and there are soldiers all over the place ready to
The authors, Ambrose Bierce of 'An Occurrence at Owl Creek Bridge' and Edger Allan Poe of 'The Tell Tale Heart' have unique styles to pull the reader into the story. Both authors use unreliable narrator and imagery to allow the reader to picture and follow the narrator's way of thinking. In the Tell Tale Heart, the man is very repetitious and his psychotic behavior is what intrigues the overall dark madness of The Tell Tale Heart. In Occurrence at Owl Creek Bridge Bierce uses illusions to allow the reader to follow wherever his ideas lead which also intrigues the overall dark madness effect.
Updike, John. "A&P." Thinking and Writing About Literature. Ed. Michael Meyer. Boston: Bedford/St. Martin's, 2001. 981-86. Print.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Wilson, M. & Clark, R. (n.d.). Analyzing the Short Story. [online] Retrieved from: https://www.limcollege.edu/Analyzing_the_Short_Story.pdf [Accessed: 12 Apr 2014].
In the fictional short story of “An Occurrence at Owl Creek Bridge,” the author Ambrose Bierce does a superior job of making the mind of a reader wonder. Throughout the story, the reader is able to watch and experience the hanging of a local plantation owner Peyton Farquhar. The story contains three parts that show the present, a flash back to the past, and into an altered reality of Farquhar’s “getaway.” The story of “An Occurrence at Owl Creek Bridge” demonstrates the theme of how the nature of time is free-flowing. Bierce uses three elements of fiction to successfully support the story in its free flow of time. Ambrose Bierce uses the setting, point of view, and plot structure to help organize the theme and the story’s unique elements.
Narratology divides a ‘narrative into story and narration’. (Cohan et al., 1988, p. 53) The three main figures that contribute a considerable amount of research to this theory are Gerard Genette, Aristotle and Vladimir Propp. This essay will focus on how Emily Bronte’s novel Wuthering Heights can be fully appreciated and understood when the theory is applied to the text. Firstly, I will focus on the components of narration Genette identifies that enhance a reader’s experience of the text. Secondly, I will discuss the three key elements in a plot that Aristotle recognises and apply these to Heathcliff’s character. In the final section I will apply part of the seven ‘spheres of action’, Propp categorises, to Heathcliff’s character. However, not all of Narratology can be applied to a text. This raises the question; does this hinder a readers understanding and/or appreciation of the text? This paper will also address this issue.