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Shelley's work in romantic age
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Frankenstein Essay
Everyday, people are judged and tormented for their looks and appearances. Those who are deformed or disabled are most often the victims of these cruel judgements. In this case, the victim of mankind's cruelty and rejection is a Creature that was animated from lifeless matter in a thoughtless attempt at a legendary scientific achievement. Mary Shelley uses her novel, Frankenstein, to criticise society’s obsession with beauty. In this Gothic novel, the Creature is continuously rejected by mankind because of its deformities and large stature, leading to tragic outcomes.
As soon as the Creature experiences its first days of life, it is wrongfully rejected by its creator and other humans for its distorted, repulsive image. Victor,
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in Bok 8). The critic herself refers to the Creature as a monster, revealing that she has prejudices against it. As soon as the Creature is given life, it is unfairly rejected by its creator for its deformities. Unfortunately, this reason for rejection is very common in society, and looked down upon by Shelley because of the negative tone that she employs by incorporating disapproving words. Victor conveys his instant thoughts about his creation when he says “...I beheld the wretch--the miserable monster whom I had created,” (Shelley 44). Along with Bok, Victor immediately calls it a monster, giving it this despairing name before he even understands its motifs. The creator has a duty to his or her creation, and that is to watch over it, make sure it is not a threat to society, and provide it with the proper necessities in order to be content. Victor does none of these duties, and instead abandons the Creature and attempts to forget about the entire experience of creating the miserable being that he has infused with life. …show more content…
The man ran away as soon as he laid eyes on the Creature, giving it no chance to show that it means no harm. The Creature understands that the man's distress has something to do with the way it looks, but it is not fully aware that all humans will acknowledge it as a threat. Also, the man is older and disabled, relating that he too is a victim of alienation from society because he is alone and nobody is there to care for him. Another confrontation with humans reveals to it that they can be extremely violent and brutal. It says that “The whole village was roused; some fled, some attacked me, until, grievously bruised by stones and many other kinds of missile weapons…” (Shelley 94). These cruel acts were done to it because of its appearance alone, allowing no room for it to prove its innocence. These events convey a major theme in the novel, which is discrimination towards those who are not ‘normal.’ Eventually, the Creature notices that humans look much different than it. It sees itself as a repulsive, deformed beast, heightening its misery and its desire to look like the beautiful humans it spies on. It states, “I had admired the perfect forms of my cottagers--their grace, beauty, and delicate complexions: but how was I
First, Before the monster is created Victor says that he hopes this creation would bless him as his creator, and that the creature would be excellent nature and would be beautiful. After the creature is created Shelley creates sympathy for him by Victor’s description of him in a unique yet horrific way, “he’s ‘gigantic,” “deformed,” “yellow skin scarcely covered the work of muscles and arteries beneath” this makes the creature abhorrent to typical humans. When thinking of the descriptions together, Shelley has created a vivid, unnatural image of the monster in the mind’s eyes. The language Shelley uses is powerful and emotive “shall I create another like yourself, whose joints wickedness
As human nature, we tend to judge too much. We judge others by the color of their skin, their weight, if they have acne or not, and how they dress The Creature, from Mary Shelley's novel, Frankenstein, is judged throughout the entire novel. He looks different,
When the monster dwells on the fact that he has no friends, money, and property because of the way he looks he claims, “I was besides, endued with a figure hideously deformed and loathsome; I was not even of the same nature as man”(Shelley 102). With the monster’s emotion toward his first encounters, he struggles with accepting who he is because he feels the hatred from others. The words “deformed and loathsome” express the disgusted and discomfort that clouds the thoughts of each human during their first encounter. He recognizes his differences in comparison to others and begins to become self-conscious when he attempts to come out into the community. In the same aspect, humans today feel the same way when they look different than the ones around them.
The repercussions of treating sentient life as monsters or miscreation’s is disastrous. When non-human conscious life is created it is easier to treat these creations as outsiders rather than accepting them. There are two stories that show this clearly. The novel Frankenstein or, The Modern Prometheus by Mary Shelly and the film Ex Machina by Alex Garland. When self-conscious life is created it must be treated as such.
creature does not want to be alive any more, as he does not love the world he lives in any more, and this is the world we live in. I think this is how Mary Shelley wanted to achieve ‘thrilling horror’, she created a monster that was so different to us on the outside but on the inside was very much alike, and it is frightening that we never really notice what he is like on the inside until the end. We now realise that from judging someone, it can have long lasting and damaging effects on them, and this is something that we can learn from Mary Shelley.
When he first awakens with a smile towards his creator, the creature is abandoned and learns by himself about how the world works. Despite his rough start in his new life, the creature experiences nature with no harsh emotions. “[The creature]... could distinguish, nothing; but feeling pain... Soon a gentle light and gave [the creature] a sensation of pleasure. [He] started and beheld a radiant form rise from among the trees. [He] gazed with a kind wonder” (Shelley 100). When the creature was a sobbing mess, he could have taken the chance to only let in anger and hate for the life he has been thrown into. But the creatures is distracted and in awe of the sunrise, a symbol of new hope and new start. Because of his hideous appearance, the creature receives negative reactions. “[The creature] entered... the children shrieked and... the women fainted. The whole village was roused: some fled, some attacked [him], until, grievously bruised by stones and many other kinds of missile weapons [the creature] escaped... [the creature]... miserable from the inclemency of the season, and still more from the barbarity of man” (Shelley 103). If the creature was a true monster, he would have fought back against the villagers. Because a true evil being would attack without hesitation. Because of his deformity, people automatical...
The quote shows the creature’s feelings towards humanity. He believes that it is not his fault for acting like a monster but humans' fault for they refused to accept him. By isolating the creature they turned him into a monster who wanted revenge against the person who brought him into existence only to suffer. The creature only wanted to belong but when he was continuously treated terribly he saw that it would never happen and became the monster everyone expected him to be.
Shelley presents two characteristics of mankind in order to prove her case. The first example is Frankenstein’s creation. Upon first being introduced to his creation, the reader initially labels him as a monster because of his physical appearance. He is portrayed as a man with “.yellow skin scarcely cover[ing] the work of muscles and arteries beneath.watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set.shrivelled complexion and straight black lips” (Shelley 58). Not only does the reader view him as a sort of horrifying being, but his deformed exterior also causes society to reject him; they brand him the title of a monster.... ...
...ess of meaning generated to compensate for the lack of completeness in relationships constructed by language. The excess of meaningless signification, seeking resolution for false desire (such as creating a female mate) drives the Monster to irrational actions as he cannot fathom how language, which he sees as superior to the imaginary, cannot fulfill his requests as he witnessed them fulfilled during his time watching the De Lacys.
The definition of ‘monstrosity’ and what it means to be ‘monstrous’ can be understood to mean something that is visually unattractive, malformed and/or terrifying. However, monstrosity is not exclusively about something aesthetically ugly, it can also apply to what differs from what is considered ‘normality’. What is ‘normal’ versus what is ‘monstrous’ is closely linked when exploring ideas about the human condition. The representations of monstrosity in Frankenstein and in The Tempest reveal how what is monstrous and what is normal are often found side by side, challenging the idea that it is limited to outcasts who do not ‘fit-in’, and that deep down, a desire to be understood, accepted and included and to live life with meaning are central to the human condition and that monsters in society often reveal our deep seated fears and anxieties about our own existence.
Have you ever heard of the phrase, “Don’t judge a book by its cover”? In society, people are often judged based solely on their physical appearance. In Mary Shelley’s Frankenstein, Victor Frankenstein creates a living creature, however, he then abandons it and becomes a “deadbeat father”. Due to Victor Frankenstein’s absence from the monster’s life, the monster had to learn how to be a productive member of society by observing, stalking others, and reading books. He becomes a nice, benevolent person and has a tender heart, however, he was still eschewed by society simply because of how physically unappealing he was. Although the monster was kind at heart and true in spirit, his pariah from society poses the underlying question; Why should we
Mary Shelley’s novel Frankenstein expresses human nature specifically through the character of the “Creature” and his development. The Creature has an opportunity to explore his surroundings, and in doing so he learns that human nature is to run away from something so catastrophic in looks. The Creature discovers that he must limit himself in what he does due to the response of humans because of his deformities. I feel that Mary Shelley tries to depict human nature to running away from the abnormal, which results in alienation of the “abnormal.” Even today, people have a prejudice against someone or something that is abnormal, and these people will act differently towards this abnormality that is put in front of them. In the novel, Shelley seems to suggest a conception of humanity that is deeply influe...
The creature’s embodiment of the non-European, the outcast, the alien and the other stems from the incompleteness of the monster ability to engage in cretin perceptions of the world he was brought in. Unlike the Europeans, the monster was brought to life with no concept of value, or cultural norms. T...
Within Frankenstein, the level at which a female is portrayed is quite low. Like we have heard in class, women were not necessarily respected as much as men were when the novel was written. Published in 1818 by Mary Shelley, her story tells of the adventure of young Victor Frankenstein and the creation of his creature. Though deep within this narration of Frankenstein’s life, there seems to be an underlying theme seeping through Shelley’s writing. Shelley seems to venture into the idea of feminism and grotesquely show how men are treated much better than women. Her novel includes various concrete examples to support this hypothesis.
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).