A Literary Analysis: How Our World Lies Everyone is always happy in the ‘50’s. With the picket fence, perfect family, fresh cut grass, it is no wonder why everyone wished they lived in the ‘50’s. In Ginsberg’s poem, Howl, pages cut through the fantasy to deliver us the background of this media-portrayed lifestyle. The communism, failed education system, and corruption of the government – a century filled with enough injustice to drive one into madness. Sharing the same perspective as Ginsberg, Howl illustrates the corruption in education and government that remains indifferent to the present time. Ginsberg and education could be compared to mixing blood with ketchup – completely and utterly horrid. The best minds, in the perspective of Ginsberg, are entrapped by education …show more content…
Ginsberg’s words seemed to drag itself without the use of periods, giving his poem the effect of aggravation. His poetic expression using repetition maintained a rhythm throughout the poem, allowing him to keep that constant tone for the audience. With his illustrations, readers are capable of vividly capturing the image by using relatable and realistic examples. For instance, Moloch, being a nonrealistic object could be clearly seen as a machine that is powered by blood, money, and corruption. Considering the complexity of this piece, it gave me reason to believe that it was Ginsberg’s intention to allow us to seek our own meaning of the text. Ginsberg wanted us to bring out our “best minds” and comprehend the piece with our own thoughts rather than just getting the big picture. Richard Eberhart describes the poem as, “a howl against everything in our mechanistic civilization which kills the spirit… Its positive force and energy come from redemptive quality of love” (Poetry Foundation, par. 2). Ginsberg’s style of writing produced a strong argument in his case, with the use of emotion, imagery, and
Rosenthal, M.L. "Poet of the New Violence". On the Poetry of Allen Ginsberg. Ed. Lewis Hyde. Ann Arbor: University of Michigan Press, 1984. 29-31.
From the outside, the 1950’s was a great time for America. Society revolved around the idea of America being a middle-class nation. Americans worshipped conformity, and materialism satisfied the need to conform. However, the prosperity of materialistic America hid the growing, numerous problems. Dissent in any way was not tolerated; all injustice was stifled by a fear of difference. In “Fifties Society,” Alan Brinkley discusses the truth of the era; that the fear of nonconformity was hidden by the seemingly prosperous middle-class nation. Brinkley argues the Beat movement and “feminine mystique” show that the people who did not fit in reveal the true colors of 1950’s society.
The Sixties, by Terry H. Anderson, takes the reader on a journey through one of the most turbulent decades in American life. Beginning with the crew-cut conformity of 1950s Cold War culture and ending with the transition into the uneasy '70s, Anderson notes the rise of an idealistic generation of baby boomers, widespread social activism, and revolutionary counterculture. Anderson explores the rapidly shifting mood of the country with the optimism during the Kennedy years, the liberal advances of Johnson's "Great Society," and the growing conflict over Vietnam that nearly tore America apart. The book also navigates through different themes regarding the decade's different currents of social change; including the anti-war movement, the civil rights struggle, and the liberation movements. From the lunch counter sit-in of Greensboro, N.C. in 1960 and the rise of Martin Luther King, Jr. to the Black Power movement at the decade's end, Anderson illustrates the brutality involved in the reaction against civil rights, the radicalization of some of the movement's youth, and the eventual triumphs that would change America forever. He also discusses women's liberation and the feminist movement, as well as the students' rights, gay rights, and environmental movements.
Throughout the words and the lives of the Beat Generation, one theme is apparent: America, everywhere from Allen Ginsberg’s “America,” to Jack Kerouac’s love for Thomas Wolfe. Although the views of America differ, they all find some reason to focus in on this land. Ginsberg, in his poem “America,” makes a point that not many of us can see as obvious: “It occurs to me that I am America. I am talking to myself again.” Each and every one of us make up America, and when we complain about something that is wrong, we are complaining about ourselves. Being raised by his mother as a Communist, and being homosexual, Ginsberg found many things wrong with America, and he does his fare share of complaining, but at the end he decides, “America I’m putting my queer shoulder to the wheel.” Ginsberg didn’t want to sit and watch everything go wrong. He was going to do something, despite the fact that he was not the ideal American.
The 1960s formed one of the most culturally complex periods in America’s history, and the analysis of this era is just as problematic. During this time, American society experienced an outpouring of filmic, literary and musical texts that challenged traditional institutions such as the Christian church, the government and the family unit. It would be naïve to argue that this period witnessed the first or the last instance of subversive propaganda targeted at young people, for the many dissenting voices herein did not emerge by random chance. The formulation of a more politically aware youth culture in America and, to a lesser but still important extent, Great Britain, was a gradual process that had been taking hold for considerable time, not one that exploded into being when Bob Dylan or John Lennon began writing protest songs.
The 1950’s was a time in history when America began to flourish, through its advancements in music, technology, and its emphasis on the individual. The emergence of Rock and Roll contributed to the birth of the ‘rebel’ by giving teenagers an excuse to disobey their parents through the expression of music. Adults of the 1950’s insisted that Rock and Roll corrupted the minds of the youth. This revolution in music not only affected the decade from an entertainment standpoint, but also from a fashion perspective. Teenagers wore leather jackets, poodle skirts, slicked back hair, and beehive hairdos. Through sports and the civil rights act, blacks began to be more accepted into the 1950’s society. Although segregation was still alive, many blacks swore they could see freedom in the near future. Black athletes, like Jackie Robinson, proved that talent outweighed skin color. Existentialism became a popular philosophy during the 1950’s, which emphasized the individual. The true meaning of this movement was vague, but followers believed that society was trying to control their every action. Many authors and philosophers of this decade wrote on the subject of existentialism, including Flannery O’Connor. Flannery O’Connor’s short story, “Good Country People,” was published in 1955 and demonstrates the 1950’s view of existentialism through the use of symbolism and irony.
Kurt Vonnegut, born on November 11, 1922, was an American writer. He was best known for his use of humor, science fiction, and satire in works such as Cat's Cradle, Slaughterhouse-Five, and Breakfast of Champions. Vonnegut was born into a family of three and enlisted in the United States Army while in college at Cornell. A while later, on Mother’s Day, in 1944, Vonnegut discovered that his mother had committed suicide. That same year Vonnegut was assigned to a new combat unit and captured during the Battle of the Bulge while serving as a private with the 423rd Infantry Regiment (Bio). Throughout his stay as a prisoner of war he was able to take up a position as a leader but was soon revoked when he spoke out to the German guard. In February of 1945, Vonnegut witnessed the Allied firebombing of Dresden, which destroyed the city. Along with other American survivors, Vonnegut was one of the few that survived the bombing in an underground slaughterhouse meat locker. The German guards called the meat locker “Schlachthof Fünf” which translated to “Slaughterhouse Five" (Wiki). After the unforgettable experience of the bombing the name stuck with the building and was soon his inspiration for his famous novel, Slaughterhouse-Five. Slaughterhouse-Five was Vonnegut’s novel written about the journey and experience of a young solider named Billy Pilgrim. Vonnegut makes the biggest event in his novel the bombing of Dresden to make the novel a semi-autobiography because like Billy, Vonnegut experienced the horrible bombing personally. The main character, Billy Pilgrim portrays the experiences that Vonnegut went through while he was a suffering POW. It is clear after reading the novel and essay written by Vonnegut over a forty y...
Freedom Rides, Vietnam, and Social activism among the youths of America have left the 60’s with a very profound effect on our society. Without question, the decade of the 1960’s was one of the most controversial in American History. Throughout this period of social unrest, anti-war attitudes were gaining prevalence in a peace-loving subculture, and individuals began to question certain aspects of governmental policy and authority. This was the decade of peace and war, optimism and despair, cultural turbulence and frustration.
Throughout their fun and crazy adventure, they realize more what the world has to offer, opening their realistic minds. At this part of the poem, he begins to sound frustrated, confused, questioning the status quo. By line 65 and beyond, he begins talking about the time he spent in a psychiatric ward. Ginsberg wants people to know that someone like him, whose mind wandered over life’s truths, ends up at a madhouse. Why? Because he practiced Dadaism, a artistic art movement that opposed social, political, and cultural values, when he threw potato salad at a professor in CCNY. At this psychiatric ward, he was introduced to many therapies such as ping pong, shock therapy, and hydrotherapy. Also, his close friend, Carl Solomon, and Ginsberg’s mother was in a psychiatric ward, blamed for their insanity. For this, Ginsberg grew angry at
Michael Gray’s analysis of Dylan’s lyrics being a contrast between hackneyed expressions and “beautifully done” are exemplified in the song “Just Like a Woman.” Dylan’s lyrics “she aches just like a woman but she breaks just like a little girl” is given the harsh description of “maudlin platitude” and deemed to be a “non-statement.” If Dylan’s lyrics cannot uphold against meaningful music of the same category, how can they be expected to stand against literature written for a different field. John Lennon had his own critiques of Dylan’s works, calling out how the abstract nature of his lyrics, having loose definition, never achieved an actual point. Lennon’s definition of “poetry” referred to “stick[ing] a few images together” and “thread[ing] them” in order to create something meaningful. It once again boils down to the fact that Dylan’s music that was written and intended to be received as a live performance. The acknowledgement that “…you have to hear Dylan doing it” is a recognition of his composition’s failure to come across as a normal literary work. It’s all part of a “good game.” This in itself should disqualify Dylan as a possible candidate for the Nobel Prize.
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix, Angel-headed hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night.” The opening lines of Howl, by Allan Ginsberg, melodiously encapsulates the beat generation. The beats alluded to by the verbatim ,“The best minds”, are a group of idiosyncratic poets whom through the instrument of prose(driven by spontaneity and a primal lifestyle) , orchestrated a rebellion against the conservative beliefs and literary ideals of the 1950s. Howl, utilizing picturesque imagery, expounds holistically upon the instigator of the movement in culmination with personal experiences of beat members. Accordingly “Howl” evokes feelings of raw emotional intensity that reflects the mindset in which the poem was produced. The piece is structured into three stanzas, sacrificing temporal order for emphasis on emotional progression. The first sequence rambles of rampant drug forages and lewd sexual encounters, eliciting intonations of impetuous madness, one ostensibly hinging upon on a interminable need for satiation of hedonistic desires. Concordantly the following stanza elucidates upon the cause of the aforementioned impulsive madness (i.e corruption of the materialistic society motivated by capitalism), conveying an air of hostility coalesced with quizzical exasperation. Yet, the prose concludes by turning away from the previous negative sentiments. Furthermore, Ginsberg embraces the once condemned madness in a voice of jubilation, rhapsodizing about a clinically insane friend while ascertaining the beats are with him concerning this state of der...
Ginsberg, Benjamin, Theodore J Lowi and Margaret Weir. We the people. New York: W.W. Norton, 2005. Print.
I believe that the structure of this poem allows for the speaker to tell a narrative which further allows him to convey his point. The use of enjambment emphasizes this idea as well as provides a sense of flow throughout the entirety of a poem, giving it the look and feel of reading a story. Overall, I believe this piece is very simplistic when it comes to poetic devices, due to the fact that it is written as a prose poem, this piece lacks many of the common poetic devices such as rhyme, repetition, alliteration, and metaphors. However, the tone, symbolism, allusion and imagery presented in the poem, give way to an extremely deep and complicated
...g with many individuals, are alienated and in turn, wish for extreme change and even another life. Ginsberg conveys a vital message that carries through to the year 2010 even more. Materialism does not make a person, it is insignificant. What is imperative is the natural world; beauty, individuality, and real human interactions as these are concepts that make an individual.
Ginsberg says that Moloch is a “sphinx of cement and aluminum”, a “heavy judger of men”, and “whose soul is electricity and banks” (line 79-85). All these can point towards higher powers such as the Government. Such things like government buildings, the law makers, and the banks that control all the money in our cities and states. This means that our government can be the Moloch in our lives just like how they were to Ginsberg. Ginsberg says that it is “Moloch who frightened me out of my natural ecstasy” and that it is Moloch in which he “wakes up in”. The word play used confirms that he is suffering by the hands of “Moloch”, the ridged and unchangeable false god that we sacrifice our very lives