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Coming of age in literature
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In literature, texts often allow the reader to escape from a world of reality. However, as I will explore in this essay, many texts explore actual characters and their conflict with the imagined. It is evident that such themes are strongly present in The Great Gatsby, A Streetcar named Desire, and from selected works of John Keats. One reason why these texts are so effective is due to their cultural and historical context in which they are set. Whether it is Keats’s work in an era of romanticism, or The Great Gatsby set at the height of the Jazz Age and American dream, they share a common theme; ages of high passion, dreams and hopes. And as later on explored, these can be the driving forces to the failure of many. However, there is evidence Blanche Du Bois is the central character in in this Southern Gothic play. She draws attention using her sincere and fragile personality. However, later on in the play this turns out to be an illusionistic image of her own mind. She must live in the world of illusions in order to protect herself against outside threats and against her own fears. Throughout the play Tennessee Williams contrasted Blanche’s delusions with Stanley’s realism. Unfortunately by the end, Stanley and his view of the world is victorious. Blanche hopes to salvage her life in such a world of brutality where the inner anxiety clashes with the outside threats. In order to do this, she uses different coping mechanisms: delusions, alcoholism and illusions. It’s easy to see that Blanche must use such types of mechanism to protect herself from going crazy in the process of changing her environment and living conditions. She must live in a state of imagination in order to keep herself sane. Evidence of this can be seen in scene one. Blanche exclaims how she “was on the verge of--lunacy, almost” [Williams 1951 p21] before meeting Stella. She continues with ‘drinking quickly’ [Williams 1951 p21] her glass of alcohol, which ‘feels so good’ [Williams 1951 p21] for her. This shows that Blanche is clearly lost in her sense of imagination. In order to address this, her only solution is to drown out any worries with alcohol. As Argued by Philip C. Kolin, a professor of English, Blanche indeed strongly possesses such personality. According to Kolin, Blanche is ‘aided by a vivid imagination and a gift for putting into words her colourful and often sordid fancies and facts.’[5] Kolin says Blanche is lost in a world of imagination; a ‘tragedy’ [5] leading to a ‘downward path’ [5]. The characters in A Streetcar Named Desire often have a very erratic and loud personality. This is likely due to Williams and his personal
To conclude, the author portrays Blanche’s deteriorating mental state throughout the play and by the end it has disappeared, she is in such a mental state that doctors take her away. Even at this stage she is still completely un-aware of her surroundings and the state she is in herself.
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
Everyone has experienced a situation in life where it's like a rug has been pulled out from under them. Well, T. Williams’ novel A Streetcar Named Desire portrays a similar situation of three unconventional characters whose reality is not the American Dream that they are striving for. Blanche, Stella, and Stanley approach life hoping for different outcomes in their lives. But what is the American Dream they were striving for? Simply put, by looking at the principles of America, the primary dream for everyone is to have a well-lived life. For some people this includes a family, success, happiness, independence, money, and love. If these are T. Williams’ constructs of the American Dream, then Stella and Stanley Kowalski may never find their
This essay will describe whether or not Blanches’ unfortunate eventual mental collapse was due to her being a victim of the society she went to seek comfort in, or if she was solely or at least partly responsible. The factors and issues that will be discussed include, Blanches’ deceitful behaviour and romantic delusions which may have lead to her eventual downfall, the role Stanley ended up playing with his relentless investigations of her past and the continuous revelations of it, the part society and ‘new America’ played in stifling her desires and throwing her into a world she could not relate to or abide by.
which, as Williams suggests, "was too great for her to contain". As to whether her escape was "madness" can be debatable - although Blanche is clearly unstable at many points, some believe that Blanche is not. actually insane, suggested by Stella's comment in Scene 11 - "I. couldn't believe her story and go on living with Stanley. " From her first appearance on stage, Blanche is presented as being.
Blanche’s immoral and illogical decisions all stem from her husband's suicide. When a tragedy happens in someone’s life, it shows the person’s true colors. Blanche’s true self was an alcoholic and sex addict, which is displayed when “She rushes about frantically, hiding the bottle in a closet, crouching at the mirror and dabbing her face with cologne and powder” (Williams 122). Although Blanche is an alcoholic, she tries to hide it from others. She is aware of her true self and tries to hide it within illusions. Blanche pretends to be proper and young with her fancy clothes and makeup but is only masking her true, broken self.
From the first moment the Williams introduces Blanche, it is evident that she believes herself to be of a higher class, and this is shown with how uncomfortable she is around those of a lower class. When Blanche is shown an act of kindness from Eunice, “Why don’t you set down?” her response to this person of a lower class than herself is dismissive, “…I’d like to be left alone.” She instantly expects too much from a place called ‘Elysian Fields’. Blanche feels uneasy about being around those that are of a lower class, especially of those who she does not know, which is clear when she is reunited with her sister. She immediately becomes ostentatious in her actions, and begins to speak with “feverish vivacity”, “Stella, Oh Stella, Stella! Stella for Star!” Perhaps she is relieved to be with her sister once again, or it could be that she feels she now has someone to be dominant over, since she has little control over her own life. Blanche comes across as being very motherly towards Stella, “You messy child” in spite of the fact that Stella is soon to beco...
Blanche could not accept her past and overcome it. She was passionately in love with Alan; but after discovering that he was gay, she could not stomach the news. When she revealed how disgusted she was, it prompted Alan to commit suicide. She could never quite overcome the guilt and put it behind her. Blanche often encountered flashbacks about him. She could hear the gun shot and polka music in her head. After Alan’s death, she was plagued by the deaths of her relatives. Stella moved away and did not have to deal with the agony Blanche faced each day. Blanche was the one who stuck it out with her family at Belle Reve where she had to watch as each of her remaining family members passed away. “I took the blows in my face and my body! All of those deaths! The long parade to the graveyard! Father, Mother! Margaret, that dreadful way! You just came home in time for the funerals, Stella. And funerals are pretty compared to deaths. Funerals are quiet, but deaths—not always” (Scene 1, page 1546). Blanche lost Belle Reve because of all the funeral expenses. Belle Reve had been in her family for generations, and it slipped through her fingers while she watched helplessly. Blanche’s anguish caused her loneliness. The loneliness fueled her abundance of sexual encounters. Her rendezvous just added to her problems and dirtied her rep...
Blanche also becomes disconnected from reality because of her delusions of music and gunshots from her husband’s death. She seeks relationships with strangers in the hopes of recreating the love she had for her husband. When the relationship fails to satisfy her craving for love, she sinks further into her fantasy. When Mitch rejects her, saying “I don 't think I want to marry you anymore.” (Williams 131) she once again finds comfort in her fantasy. She has sunk so far into her fantasy that she has a response to all of Stanley’s questions. She is no longer up holding the illusion for others. She truly believes her delusions enough to maintain the façade while she is
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
One cant imagine how it must feel to lose the ones they love and hold dear, but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faces pain.
Tennessee Williams explores in his play” A Streetcar Named Desire”, suggests the main protagonist, Blanche, who has ruins her reputation due to her adversity. She is kick out of Laurel. She have no choice, but to move to her sister’s house. This place can allow her to create a new identity and new life. However when Blanche is revealed , it cause her to choose to live in her own fantasy world , because she cannot face the harsh reality. The Play” A Streetcar Named Desire”, by Tennessee Williams illustrates that sensitive people may succumb to fantasy to survive when they faced adversity, ,which forsake their identity to find an acceptable existence.
The writer, Tennesse Williams uses symbolism and imagery to help convey the idea that Blanche is deceptive, egotistical and seductive. We can clearly discover how deceptive Blanche is by the symbolism that Williams uses throughout the play. One can note how Blanche continually wears white dresses or a red kimono when she is being especially flirtatious, so that she makes people think that she is innocent and pure. In Scene Five Blanche's white dress, a symbol of purity is stained which is symbolic of the fact that Blanche if far from being pure. Blanche's world hinges on illusion and deception as can be seen when Blanche pours her heart out to Stella in scene five, "soft people... have got to be seductive... make a little - temporary magic". Blanche feels that she must trick and deceive in order to survive in a world where she is "fading now!" and her looks are leaving her. We are introduced to Blanche as a "delicate beauty" that "must avoid strong light". Williams, portrays Blanche as an uncertain character who hides behind the veneer of outer beauty and who when is placed under the spotlight, fails to live up to the person she would like people to think that she is. Williams also provides strong imagery of her as a moth, as she is dressed in white clothes and is fluttering. This imagery of Blanche as a moth is further emphasised when Blanche herself later states, "put on soft colours, the colours of butterfly wings and glow".
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...