Lion King Psychology

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A Psychological look into Disney’s The Lion King “Look at the stars. The great kings of the past look down on us from those stars. So whenever you feel alone just remember those kings will always be there to guide you. And so will I” -Mufasa; The Lion King. Walt Disney’s Animation musical film The Lion King debuted in June 1994, where a story influenced by William Shakespeare’s Hamlet takes place in a kingdom of lions in Africa. Children watch and the young Simba rises up against his evil uncle to save their home land, but a psychologist will see the fundamentals psychological themes such as brother rivalry as seen in family dynamics and the psychology of death and redemption. They will also see how these themes contribute to the psychodynamic …show more content…

Simba then runs away from the pride lands in shame exile until he meets his confidants Timon and Pumbaa who teach him to have no worries. Simba is then set right by his childhood friend Nala and journeys back to the pride lands to avenge his father by challenging his uncle. The Lion King has achieved tremendous popularity at the box office and in merchandising. As of 28 March 1995, The Lion King had grossed $312.8 million, making it the fifth-highest "domestic grossing film in history" (Honeycurt 13).Psychodynamic psychology is the psychology of mental or emotional forces or processes developing especially in early childhood and their effects on behavior and mental states, explanation or interpretation (as of behavior or mental states) in terms of mental or emotional forces or processes motivational forces acting especially at the unconscious levels (Merriam) Psychoanalyst Sigmund Freud believed that behavior and personality derives from the constant and unique interaction of conflicting psychological forces that operate at three different levels of awareness: the preconscious, the conscious, and the unconscious. (Hulusi, H. M., & Maggs, P.) He believed motivation derived from childhood …show more content…

He says, “I laugh in the face of danger!”. This demonstrates his lack of feeling toward death. He only becomes vulnerable when the reality hit of Mufasa’s death. His world is sucker-punched, and it becomes crippling and in his state of vulnerability scar convinces Simba is responsible for his father’s death. Through shame and guilt Simba was able to take the accountability and even later in the movie Scar taunts him with his guilt. It has also been theorized Simba’s son “I just can’t wait to be king!” is not just a child wishing for adulthood but he is unconsciously aware of his wish to supersede him. (Freud’s (1897)) This thought of pushing his father out the way to become king even if he does not realize that means Mufasa’s death. And when Mufasa dies he may realize what he really was wishing for. This demonstrates the Oedipus

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