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Religion in society
Religion in our society
Religion in our society
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In the novel Light in August, Joe Christmas and Joanna Burden are extremely damaged individuals. Both characters were raised in turbulent environments with an emphasis on religion. The sins they committed had a profound impact on them. They knew that their behavior was wrong but they were compelled to continue. Religion became a mental prison for them. A prison that they created but that they would never escape alive. Although Joe and Joanna viewed religion in completely different ways, they both lacked the capacity to forgive themselves because of their upbringing.
For Joanna, religion was a source of comfort that was pushed on her by her father. Joanna was raised by puritans and she lives her life with a constant subconscious fear of hell. She also lacked a mother figure. Joanna never learned what it meant to be a woman because she needed a proper teacher. When she was introduced to Joe Christmas she experienced her first sexual encounter. The pleasure she felt was a shock to her and Joanna became a nymphomaniac. “Within six months she was completely corrupted. It could not be said that he corrupted her”. (Faulkner 260) Joe Christmas was simply a catalyst for Joanna’s descent into sin. She knew that her actions were sinful but she could see no other alternative. “Don’t make me have to pray yet. Dear God, let me be damned a little longer, a little while.” She was blinded by a lust that eventually blossomed into love. Joe released her from her life of isolation and loneliness and she fell for him despite his obvious flaws. She was isolated from the town because of her northern heritage.
For Christmas, religion was a source of shame and suffering. Under the cruel reign of Mr. McEachern, Christmas was subjected to constant beatin...
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...into Joe’s arms and to her death. Both characters yearned for peace and freedom but they could not escape the prisons of their pasts.
Works Cited
Faulkner, William. Light in August. New York: Vintage International, 1991.
Lackey, Michael. "The Ideological Function Of The God-Concept In Faulkner's Light In August." Faulkner Journal 21.1/2 (2005): 66-90.
Littleton, Heather, and Carmen Radecki Breitkopf. "Coping With The Experience Of Rape." Psychology Of Women Quarterly 30.1 (2006): 106-116.
Shapero, Benjamin G., et al. "Stressful Life Events And Depression Symptoms: The Effect Of Childhood Emotional Abuse On Stress Reactivity." Journal Of Clinical Psychology 70.3 (2014): 209-223.
Stayton, Jeffrey. "Southern Expressionism: Apocalyptic Hillscapes, Racial Panoramas, And "Lustmord" In William Faulkner's "Light In August.." Southern Literary Journal 42.1 (2009): 32-56.
The way the sisters go about living their spiritual life has a touch of Peter Berger’s idea of masochism to it as well. In Mariette’s talks with Père Marriott, she says, “as I began to meditate on the crucifixion and Christ’s own trials in this world, I became rapt in thought and I found myself again before Jesus, who was suffering such terrible pain…An unquench...
Edwards, Jonathan. "Sinners in the Hands of an Angry God." The Heath Anthology of American Literature. Ed. Paul Lauter. Canada: DC Heath and Company, 1990. 584-595.
Faulkner, William. "Barn Burning." The Heath Anthology of American Literature. Ed. Paul Lauter. 3th ed. Boston: Houghton Mifflin, 1998. 1554-66.
Padgett, John B. "MWP: William Faulkner (1897-1962)." The University of Mississippi. 11 Nov. 2008. Web. 1 Apr. 2011. .
Hubbs, Jolene (2008, July 01). William Faulkner's Rural Modernism. Mississippi Quarterly, (3), 461, Retrieved from http://elibrary.bigchalk.com.prx-keiser.lirn.net
Christmas has consumed itself. At its conception, it was a fine idea, and I imagine that at one point its execution worked very much as it was intended to. These days, however, its meaning has been perverted; its true purpose ignored and replaced with a purpose imagined by those who merely go through the motions, without actually knowing why they do so.
The Image of Fire in Faulkner’s Short Stories, Barn Burning and Shingles for the Lord
Jeanette has lived a sheltered life with no influence on her except for the church. Her mother is a strict Christian with a deep resentment for things and people not within her fold. Being brought up in a society where going against the norm is a sin. A society that shakes its head at acts of individualism and shuns those they can not convert to their way of thinking. In effect, a cult based on a long -standing text, the bible. In this cult though, Jeanette finds a kindred spirit that doesn?t fit the mold set by this religious society.
Dead at the age of thirty nine years young, Flannery O’Conner lost her fight with lupus, but had won her place as one of America’s great short story writers and essayist. Born in Savannah, Georgia, within the borders of America’s “Bible Belt”, she is raised Catholic, making O’Connor a minority in the midst of the conservative Protestant and Baptist faiths observed in the Southern United States. In the midst of losing her father at the age fifteen, followed by her diagnosis and struggle with the same physical illness that took him, as well as her strong unwavering faith in the Catholic Church are crucial components of O’Connor’s literary style which mold and guide her stories of loss, regret, and redemption. Flannery O’Connor’s writings may be difficult to comprehend at times, but the overall theme of finding grace, sometimes in the midst of violence or tragedy, can be recognized in the body of her works. O’Connor’s stories are written about family dysfunction, internal angst towards life or a loved one, and commonly take place on a farm, plantation or a family home in the American South. Her stories of ethical and moral challenge blur the boundaries between her Catholic faith and values, which also include the values of the other religious faiths surrounding her in her youth, simply writing of the pain and struggles which people from all walks of life commonly share.
Palumbo, Donald. "The Concept of God in Faulkner's "Light in August," "The Sound and the Fury," "As I Lay Dying" and "Absalom, Absalom!"" The South Central Bulletin 39.4 (1979): 142-46. JSTOR. Web. 23 Mar. 2014.
Brooks, Cleanth. "William Faulkner: Visions of Good and Evil." Faulkner, New Perspectives. Ed. Richard H. Brodhead. Englewood Cliffs, New Jersey : Prentice-Hall, 1983.
Light in August, a novel written by the well-known author, William Faulkner, can definitely be interpreted in many ways. However, one fairly obvious prospective is through a religious standpoint. It is difficult, nearly impossible, to construe Light in August without noting the Christian parallels. Faulkner gives us proof that a Christian symbolic interpretation is valid. Certain facts of these parallels are inescapable and there are many guideposts to this idea.
Faulkner's style may give you trouble at first because of (1) his use of long, convoluted, and sometimes ungrammatical sentences, such as the one just quoted; (2) his repetitiveness (for example, the word "bleak" in the sentence just quoted); and (3) his use of oxymorons, that is, combinations of contradictory or incongruous words (for example, "frictionsmooth," "slow and ponderous gallop," "cheerful, testy voice"). People who dislike Faulkner see this style as careless. Yet Faulkner rewrote and revised Light in August many times to get the final book exactly the way he wanted it. His style is a product of thoughtful deliberation, not of haste. Editors sometimes misunderstood Faulkner's intentions and made what they thought were minor changes. Recently scholars have prepared an edition of Light in August that restores the author's original text as exactly as possible. This Book Note is based on that Library of America edition (1985), edited by Noel Polk and Joseph Blotner.
Sexual assault is an offense that plagues many U.S. citizens. Although some studies show that rape is on the decline, other studies report that the phenomena actually occuring is that less rape victims are reporting the crime. In fact, approximately 68% of sexual assaults go unreported to the police according to the U.S. Department of Justice in a National Crime Victimization Survey from 2008-2012. It is common knowledge that rape victims are usually severely traumatized after the event, which leaves them susceptible to various emotions such as shame, anxiety, numbness, fear, denial, and guilt. Because of this, many rape victims decide to repress their experience and let it go unheard. However, not only does this prevent them from healing emotionally,
“Rape is a crime that combines sex and violence, that makes sex the weapon in an act of violence.”(Kimmel 257) Because of this, rape is often traumatic for the victim of a rape. Many victims undergo what is known as rape trauma syndrome, “…rape trauma syndrome, consisting of an acute stage, where the primary response is fear, followed by a reorganization stage, characterized by phobias, insomnia, sexual dysfunctions, and major changes in life-style.”(Chandler et al pp. 248) These are some of the psychological side effects that women must endure after the rape. There are also other factors, relating to the individual that effect rape trauma they include, “age, prior sexual experience, ethnicity, and response of significant others to the victim. Factors relating to the sexual assault, such as degree of violence and the relationship between the victim and the assailant also affect trauma.”(Chandler et al pp 249) Overall, is is safe to say that there are many psychological effects of rape that allows women to fear the attack of a rape.