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Debate on cultural appropriation
Cultural appropriation effect in society
Debate on cultural appropriation
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Life as Dee Dee, also known as Wangero, is very self-centered in the story “Everyday Use,” by Alice Walker. Before being able to warm up to Dee, her arrogant, inconsiderate, and selfish ways were repeatedly introduced throughout the story. Dee was an archaeologist, and if it did not benefit her job, nothing or anyone matters. Mama mentions Dee’s arrogant ways in the beginning of the story by saying “And Dee. I see her standing off under the sweet gum tree she used to dig gum out of; a look of concentration on her face as she watched the last dingy gray board of the house fall in towards the red-hot brick chimney. Why don’t you do a dance around the ashes? I’d wanted to ask her. She hated the house that much (316).” Dee had no interest in trying to help her sister Maggie, she just was so glad that she did not have to live in that old house anymore. Mama also says, “This house is in a pasture, too, like the other. No doubt when Dee sees it she will want to tear it down (317).” This only shows more evidence of Dee’s materialistic and egolistic ways. Dee was the type of person who always wanted the best of things. Her mother mentions that “Dee wanted nice things. A yellow organdy dress to wear to her graduation from high school (316).” Dee always wanted to be that styling girl. Dee was named after her aunt Dicie and before that it was her grandma and her grandmother’s mother. The name was a name that stuck to their families heritage. Dee did not understand the value of having that name. when her mother approached her and said “Dee (313).” Dee quickly corrected her mother and said “No mama, not Dee, Wangero Leewanika Kemanjo (313)!” Dee told her mother “I couldn’t bear it any longer being named after the people who oppress me(313).” D... ... middle of paper ... ... mind, it was hers accoriding to her. Mama says that, “Dee looked at me with hatred (321).” The one time that Dee does not get what she wants she flips out. She argued her mother down, “You just will not understand. The point is these quilts, these quilts (321)!” Her self-centered ways would not let her give up. When she realizes that her mother was standing her ground and snatched the quilts away, she just left without saying a word. Throughout her life, Dee never was told “no (315)”, and to finally be told no from her mother who always told her yes to everything, it just brought her selfish, inconsiderate ways out of her. Dee is a flat character who never changes. Dee showed her arrogant, inconsiderate, and selfish ways, throughout the story repeatedly towards her family. At the end her Mama stood up and told her no. Now that she needs her family the most, she r
Susan Farrell in her, “Fight vs. Flight: A Re-evaluation of Dee in Alice Walker’s ‘Everyday Use’” writes in response to Alice Walker’s short story Everyday Use. Farrell’s article is published by Newbury College in spring of 1998 in Studies in Short Fiction (179). Farrell in her article writes to argue that although Dee is inconsiderate and egotistical—supporting what she is arguing against— to a certain degree, she offers a way for a modern African American to manage with the harsh society that is, in a few ways more substantial than that described by Mother and Maggie— which is her thesis (179). Most people who have read Walker’s short story Everyday Use are prone to agree that the character Dee is ‘shallow,’ ‘condescending,’ and ‘manipulative,’;
In the short story “Everyday Use” by Alice Walker, Dee becomes angry with her mother because she won’t allow Dee to take quilts that she had already promised she would give to Maggie. I do not believe this feeling is justified one bit. The mother sent Dee to a school in Augusta for her to be happy since their house burnt to the ground, that must have been expensive; when Dee comes to visit is seems as if she has changed. Dee seems to be very unappreciative. Mama tells Dee that she has already promised Maggie they could be hers then asks “Why don’t you take one or two of the others?”(Walker160). Dee blows up on the narrator. She could have just told Dee that she could not have any quilts at all and also, Dee did not give a good enough reason for her to have the quilts instead of
Right from the beginning of my readings you are introduced to a character named Dee, before you ever get the opportunity to warm up to her character, she shows a very selfish characteristic and that trait is repeatedly brought out in the story. From the start, shortly after the introduction to her new boyfriend, Dee begins to ask for things. For instance, the desk and the chair, Dee wants to take them to help spice up her and Hakim the Barber's house when those objects are still in "everyday use" in their own home. Another instance is when she asks her mother for the quilts her grandmother had quilted, her mother said they were for Maggie (Dee's sister), Dee's reply was that Maggie wouldn't appreciate the quilts and Maggie, being the beautiful person she is, says her older sister can have them.
So much so, that she had gone home from college to try to get some old family belongings to put on “display” to try to keep the history alive. Unlike Maggie, Dee didn’t care much of the future, she just cared about the past and taking all sentimental family heirlooms. Dee being so caught up in the past, even changes her name to Wangero Leewanika Kemanjo. When Dee first mentions the name change Mama is caught off guard. Mama was confused by this statement and asked, "What happened to ‘Dee’ "(Walker 5). Dee was trying to be polite but she came off extremely blunt by saying "She's dead, I couldn't bear it any longer, being named after the people who oppress me" (Walker 5). Dee’s Name had been passed down from generation to generation, if that doesn’t scream family heritage I don’t know what would. Maggie wasn’t the smartest but she sure knew what she had to do to keep the family tradition going. Maggie was in love and had her whole life ahead of her. Therefore, thinking about the future, she knew having kids one day, would keep the tradition alive. After Mama figured out which child really did value the family heritage, everything started to change for the
In the beginning of the story, Dee (Wangero) is introduced as someone that needs to be impressed. The narrator has a fantasy about being reunited with Dee (Wangero) (393). She is described as being beautiful and a wonderful daughter with many good qualities. Besides being beautiful, she is confident. Instead of feeling suppressed because of the color of her skin, she is able to look people in the eye (394). Dee (Wangero) is also educated and the way she talks shows it. She is also opinionated and her family is intimidated by it. Dee’s (Wangero’s) qualities are overall good qualities to have, but I feel like she uses them to act better than her family. The fact that she had changed her name to Wangero (397) and demanded the quilts while she was visiting made me feel that she was superficial. She did not even want the quilts when they were first offered to her before she went to college (400). I do not think it is right to change your family name and then come home and request family heirlooms. Dee (Wangero) always seems to get wha...
Dee is the prodigal daughter; she left home to taste the world only to be given a new appreciation of her backwoods home. She is the favored daughter, possibly because her mother was always trying to get into her favor. And she is the daughter who received all the genetic blessings: fair skin, soft hair, and a full body which gives her confidence and dominance over others, particularly her family. Her confidence radiates in the fact that she can look anyone in the eye, including “strange white men” who terrify both her mother and her sister Maggie. That same stare was the only form of emotion given when their house burned down, a tragedy that may have been perpetrated by Dee in the first place. Her hatred for that house and their lifestyle was what gave Dee a film over her eyelids, a picture of grey and filth, and eventually sent her away. She desperately wanted a life more suitable for a woman of her class, a class that she felt was better than even her own family. And as time goes by, she returns to the house that she criticized for years, never completely running her back on her family, but only for a visit and never with company, for fear of the tint it would bring to her name. Her last visit however finds her as a completely different person, with a man and a mission.
...y're just collecting dust in the bottom of this old trunk." Momma had other quilts to use. She would not begrudge Dee. However, Momma did promise them to Maggie and so Momma had to keep that promise because Momma knew that regardless of how much more "successful and smart" one daughter was could not be allowed to diminish the love she had for Maggie. For Momma, a promise was a promise and barring her own death, it would be kept.
Alice Walker's "Everyday Use," explores Dee and Maggie's opposing views about their heritage by conveying symbolism through their actions. Maggie is reminded of her heritage throughout everyday life. Her daily chores consist of churning milk, helping mama skin hogs on the bench which is the same table her ancestors built, and working in the pasture. On the other hand, Dee moved to the city where she attends college. It is obvious throughout the story; Dee does not appreciate her heritage. When Dee comes back to visit Mama and Maggie she announces that she has changed her name to Wangero. Dee states "I couldn't bear it any longer, being named after the people who oppress me" (89). Her stopping the tradition of the name Dee, which goes back as far as mama can remember, tells the reader that Dee does not value her heritage. Another symbolism of her lack of appreciation for her heritage demonstrated through her actions is when Dee asks Mama if she can have the churn top to use it as a ce...
While reading this there were some animosity toward Dee because of what type of character she was. The animosity was caused by the numerous comments and actions that occurred in the story. She was very selfish, uneducated, and very unappreciative of where she came from. Dee carried herself in a very ridiculous way. Among Dee’s family she is the object of jealousy, awe, and agitation, meanwhile she searches for her purpose and sense of self. Dee and her judgmental nature has an effect on Mama and Maggie, her younger sister. Although she across as being arrogant and insensitive, Mama sees he strive to know more and do more. Dee also portray as being a condensing type person because no matter where Mama and Maggie lived she still kept her commitment to come and visit. When Dee comes to visit she tells Maggie and Mama that she has changed her because Dee had died when she left for college. Dee changed her name to Wangoero, which come across as being an attention seeking ploy who still keeps the selfishness of Dee. With Dee changing her name to Wangoero she wants to reclaim her heritage and honor
One situation in particular that Mama brings up is the time when she offers to Dee to bring some of the ancestral quilts with her to college. She claims, “I had offered Dee a quilt whe...
In “Everyday Use” symbolism is use a lot times. Dee is one of the main characters. Dee is a symbol of misrepresentation of heritage. As studymode explain to us that “Dee has changed her name to ‘Wangero’ to get closer to her heritages.” Dee changed her name to “Wangero” (718) because she wants to feel closer to her heritage, but her name comes from “Aunt Dicie.”Dee likes to feel better that her mom and her sister. As Voice.Yahoo explains to us “Dee makes the strangers hairdo and tinkling jewelry complete her look.” When Dee was a little girl she likes to feel better the Maggie and Mama Johnson.Dee was symbol of the black power movement. As David white state “walker ...
and younger sister, but the mother was too busy being proud of her. daughter's achievements to note. She says, "At sixteen [Dee] had a style of her own, and she knew what style was. She used to read to us, without pity, to the pity. [We sat] trapped and ignorant underneath her voice.
Dee makes it clear, long before she asked for the quilts, that she has already taken her heritage for granted. Dee makes the bold proclamation that she is not longer going by the name Dee, “‘Not Dee,’ Wangero Leewanika Kemanjo!’” (Walker, 3013). Not only has “Wangero” shocked her mother with her new name, but goes to attack those her family history, “I could not longer bear it any longer, being named after the people who oppressed me.” The author make a substantial point by connecting Dee’s new beliefs to disowning her heritage and her ancestors. Despite the rejection of her family’s humbled life, Dee finds a desire in the quilt of her family’s past. Dee’s request for the quilts is far from nostalgic and she has little consideration for her sister when she asks for both antique quilts. Dee is in love with the idea of displaying her family as a display of her superiority over her ancestors and can not understand why her mother would not agree with her.
After all, she was never told no, so in her mind her options for success were endless. Dee grew up being taught the there was no real issue with society, but once she moved away to college, her perspective on the situation changed dramatically. Dee States “I couldn’t bear it any longer being named after the people who oppress me” (Walker, 318). This indicates a sense of remorse towards her family’s heritage and the way she was raised. Furthermore, linking the reason why she changed her name. This action is a rebellion towards her heritage and her family’s morals, as it is taking the very essence of their history and rewriting it to claim ignorance on the fact that this poverty induced lifestyle never happened. Although agreeing with Dee on certain situations, I’ve come to the conclusion that you should not step out of your heritage. This could cause you to lose your path and ultimately isolate you from your family’s history. Agreeing on the aspect of higher education, this puts Dee in a strange position in the story. She is not liked because of her ignorance towards her heritage, yet she has a way about her that is compelling to the audience. In “My Dungeon Shook” it states that “The details and symbols of your life have been deliberately constructed to make you believe what white people say about you” (Baldwin, 2). This statement supports the idea that Dee/Wangero changed her name because of what white people said about blacks and their lifestyle. Though afflicted by change, Dee wants to keep something to remember her heritage; she wants to be a part of the history without participating in the actions and lifestyle of her
It is what a true mother-daughter bond is supposed to be like. When Dee and the mom were arguing over the quilts the narrator said “like somebody used to never winning anything, or having reserved for her,” which is something that mama has a favorite daughter and she lets Dee have whatever she wants without letting Maggie have anything. It seems like mama wants Dee to be happy when she comes down so she will want to come home. Mama even was going to call her by her new name instead of not going to she tried to because it comes off as Dee is her favorite daughter which is why their mother-daughter relationship is different from Maggie 's and mama’s relationship. Even when Dee took what she wanted like when she just went through mama’s things without asking her. That 's something that only a favorite daughter or someone with a very good mother-daughter relationship would do.