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Essays on death in literature
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There is so much more to life than what you see alone. Many people live their time on Earth without ever grasping the ability to envision a deeper level of meaning. To live solely on physical vision alone is to live no life at all because human beings are much more complex than people like to believe. We possess the capability of knowing the difference between visualization and interpretation. Within this story, we discover a notion that is spoken of too often but rarely ever practiced. We follow the turning points of a man’s life when he steps into the shoes of someone less fortunate than him and learns the true meaning of being able to see. In “Cathedral”, Raymond Carver uses characterization, irony and symbolism to show the realization of a world beyond what the human eye can perceive. Carver uses characterization to display the contrasting state of mind between the main characters, the narrator and Robert. “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to” (Carver 88). With the narrators dialogue and thoughts, we begin to see his envious, overcritical and ignorant persona arise. It seems that the narrator is oblivious to the close minded concepts he has about both relationships and life. “They’d married, lived and worked together, slept together - had sex, sure - and then the blind man had to bury her. All this without his having ever seen what the goddamned woman looked like”(Carver 90). The narrator’s description of Robert’s marriage exhibits his superficial idea of what a true relationship is. Although the narrator believes he has an intuitive understanding of life and... ... middle of paper ... ...Carver uses characterization, irony and symbolism to build a connection between seeing and understanding. Life was not meant to be in black in white, nor was it meant for people to live it with no percipience. We hold the potential to embody this bond between what we see and what the real connotation of it is. But it is up to us to decide whether we use this knowledge and open our mind to new possibilities. We watched as the narrator blindly sailed through life not looking at underlying issues or discovering what something really looks like. To truly live a full life, you have to be able to see past the two-dimensional life most people lead. Carver shows how the negative traits of mankind can be expressed without even knowing it, but it is never too late to break free from our own “cathedral” and lead a life worth living. Works Cited Raymond Carver, " Cathedral"
I don’t know if I connected the experiential dots with any dexterity regarding John Milton’s Paradise Lost until I visited Disney World recently. It wasn’t until Mickey Mouse, Cinderella, Cruella De Vil, Jafar the evil sorcerer, the Beauty, and the Beast came down Main Street, U.S.A. that I was more able to appreciate the prodigiousness of the procreative masque within Paradise Lost. Panorama grabs the viewer; and, with a mere touch of the remote control, it thrusts him/her into Eden, Main Street, or Pleasantville. Panorama doesn’t settle for facile spectatorship; it invites the viewer into the action and synchronizes the viewer’s pulse with the pulse of its [panorama’s] own creative slide show. To ignore that invite is to not only avoid the tree of knowledge, but to refuse its existence. That tree was not put in the garden to be ignored but to be avoided – a challenge of our obedience towards a sovereign, a tempter of our curiosity, a pulse quickener.
The narrator's insensitivity reveals itself early in the story when his wife's blind friend, Robert, comes for a visit after the death of his wife. Almost immediately in the beginning of the story the narrator admits "A blind man in my house was not something I looked forward to." [Carver 2368] He even goes so far as to suggest to his wife that he take the man bowling. He hears the story of Robert's dead wife and can not even imagine " what a pitiful life this woman must have led." [Carver 2370] The narrator is superficial, only recognizing the external part of people and not recognizing the value of a person on the inside.
Upon reading Raymond Carver's short story of the Cathedral one will notice the literary devices used in the short story. When analyzing the story completely, one then understands the themes, motifs, metaphors, and the overall point of the piece. This leaves the reader with an appreciation of the story and a feeling of complete satisfaction.
In Raymond Carver's "Cathedral," the husband's view of blind men is changed when he encounters his wife's long time friend, Robert. His narrow minded views and prejudice thoughts of one stereotype are altered by a single experience he has with Robert. The husband is changed when he thinks he personally sees the blind man's world. Somehow, the blind man breaks through all of the husband's jealousy, incompetence for discernment, and prejudgments in a single moment of understanding.
By becoming close with Robert, the man in this story experienced what was necessary to gain an understanding of what life is like for the blind. The man began to draw the cathedral to try and help Robert visualize what one looked like. What he didn't realize at the time was that Robert was helping him to visualize what blindness felt like. Bibliography: Carver, Raymond. "Cathedral".
In the short story, Cathedral, by Raymond Carver, the author uses imagery, symbolism and narrates the story in first person point of view. The Cathedral’s main theme is being able to identify the difference between being able to look and/or see and it is portrayed through the main characters role in the story. Carver uses a unique style of writing which gives the short story a simple way for the reader to understand the story’s theme.
In Raymond Carver’s story “Cathedral” the narrator learns what it means to “see” through someone who cannot. To see is to be able to view the things around us while putting aside preconceived notions or fear about these objects or people. In order for this to occur once must overcome what they feel is out of the ordinary and learn to accept things as they are. At first the narrator is doesn’t accept the man and uncomfortable around Robert. The narrator soon comes to understand this when he puts aside his fears, and judgments that he can see more than what meets the eye, and the freedom that comes along with this seeing.
Raymond Carver's "Cathedral" depicted the interaction between a narrow minded husband, with a limited understanding of the world around him, and a blind visitor, named Robert, that proved to be the catalyst that dramatically changed the husband's view on the world, while they went from being strangers to becoming friends. In the beginning of the story, the husband disliked the concept of his wife bringing her blind friend over to stay since he never had met a blind person before and did not understand it. However, as the story progresses, the husband, through interaction and observation, begins to dispel his fears and misconceptions of Robert and his blindness. With the help of Robert, the husband gains a revelation that changed his view and opened his eyes to the world.
Overall, the cathedral that the narrator draws with Robert represents true sight, the ability to see beyond the surface to the true meaning that lies within. The husband’s insecurities makes him emotionally blind. His inability to see past Robert’s disability ultimately prevents him from seeing the reality of any relationship or person in the story. The husband becomes more sensitive and accepts the moment of being blind has allowed him to become a better man. Finally, the cathedral drawing ironically reveals blindness to be an important factor. As a result, Carver gives interesting lessons to powerfully assess how we can find beauty and free ourselves from prejudgments and see the real world with our minds, not only our eyes.
The unnamed narrator of Raymond Carver’s “Cathedral” poses as an unreliable narrator for his unaccepting nature towards blind people along with his ignorant perception of many realities in his life that Carver presents for the reader to take into question. The narrator holds prejudice against Robert, a blind man whom the narrator’s wife worked with ten years earlier and eventually befriends. Unperceptive to many of the actualities in his own life, the narrator paints an inaccurate picture of Robert that he will soon find to be far from the truth.
This theme goes hand in hand with the theme portrayed in Hills Like White Elephants. In the story the narrator, whose name is never mentioned, has something against his wife’s blind friend, Robert, due to the fact that he cannot see. Robert visits the narrator and the narrator’s wife for company. It seems that the narrator had a preconceived idea that all blind people are boring, depressed, stupid, and are barely even human at all based on the fact that they cannot see the world. Robert, although he is blind, is a caring and outgoing person who is extremely close with the narrator’s wife. The fact that Robert is extremely close with the narrator’s wife should be reason enough for the narrator to accept him as a person, but he is a cold and shallow person with no friends. His relationship with his wife is lacking good communication and seems very bland. Robert’s wife recently passed away, but their relationship was deep and they were truly in love with each other. The narrator was blind to how a woman could work with, sleep with, be intimate with, and marry Robert as has he talks about how he felt sorry for her. The narrator is superficial and does not understand true love or
The husband in Raymond Carvers “Cathedral” wasn’t enthusiastic about his wife’s old friend, whom was a blind man coming over to spend the night with them. His wife had kept in touch with the blind man since she worked for him in Seattle years ago. He didn’t know the blind man; he only heard tapes and stories about him. The man being blind bothered him, “My idea of blindness came from the movies. In the movies, the blind moved slowly and never laughed. Sometimes they were led by seeing-eye dogs. A blind man in my house was not something I looked forward to. (Carver 137)” The husband doesn’t suspect his ideas of blind people to be anything else. The husband is already judging what the blind man will be like without even getting to actually know him. It seems he has judged too soon as his ideas of the blind man change and he gets a better understanding of not only the blind man, but his self as well.
The tone of Raymond Carver’s “Cathedral” is sincere. The author generates sincerity through the use of imagery, diction and the narrator’s direct address of the reader. The tone allows for a dynamic change in the reader, from revulsion to sympathy. At the beginning, the reader can perceive more than the narrator (Bub) can. This creates a curious response that demands a change in Bub`s awareness. However, the reader then follows a path of compassion when Bub lowers his self-conscious shield, shares an intimate friendship, and goes through an epiphany. The tone of sincerity directs us to an ambiguous ending which leaves a question that readers must answer: What is Bub`s epiphany?
I see a place, a mythical place, it is not a house, it is certainly not a home it is a concoction of all its surroundings, it embodies a mystique of feelings unspoken, locked in ones heart by a key that one wishes that no one will find. Only in Hollywood can such a picture be presented to an audience that would see something that was opulent and gaudy, large but not homey, cold but not warm. You sense that something so beautiful, this mansion, like a person you fall in love with has flaws and yes, those secrets, those secrets. As time goes on the participants in our little tragedy start to see the flaws and those secrets unravel like a fine piece of silk that has snagged on a splinter. We see the secrets start as almost a little ripple on the water that was tickled by the wind. Was Desiree the poor abandoned child of those raucous Texans? Let us forget that for is not the child an angel sent by Providence to bring pleasure to our lives just as Moses brought pleasure to Pharaoh's daughter?
Jonathan Safran Foer’s novel Everything is Illuminated explores the way in which people deal with their own personal reality through three different narratives. Through these narratives the characterization and intentions of these characters are revealed. Within Everything is Illuminated coping mechanisms aid in developing how each of the characters interact as well as how the plot evolves. Yankel, Grandfather, and Alex all have a different conception of reality and cope with each differently.