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An essay on character development
An essay on character development
An essay on character development
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Life in the underworld
Back at home in the underworld ,Pluto is calmly and sweetly comforting Proserpina but, she shuns him away screaming at the top of her lungs. Overtime Proserpina glances out the window there are meteorites falling, bones laying on scorched grass, and wilted plants. Little by little, Proserpina turns hot-tempered. Pluto turns to Her "Don't look out there are does nothing but, make you miserable".
Proserpina's face reddened as she stared at Pluto in disgust.
"Your the one keeping me here." Pluto sighed, "I'm only protecting you."
Pluto is full of sorrow he feels blameworthy for Proserpina's misery after all he did tell Proserpina never to step a foot outside the house. In time he decides to tell her "The atmosphere will rotten and darken your soul only the strongest survive it alone. If you want to explore I'll go with you because there is a villain she similes innocently ear to ear and hypo notices your mind. I am the only one who call tell whether
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They arrived at the cottage it sat on a hill in the distance the cottage was painted a radiant yellow. The grass was so rich it bounced back in place after every step they toke. Beautiful marigolds, poppies, and roses surrounded the white picket fence. Inside was the table piled high of food fit for the gods. Frosted pastries oozing with sweet-smelling filling, mouthwatering glistering chicken, and freshly plucked fruits. Proserpina was temped to change but, the evilness over powered her heart. Proserpina offered to serve the woman her food the women was grateful, and kindly accepted. The villain thinks Proserpina is just trying to be a nice guess, but Proserpina has turned evil. Proserpina just wants to hurt people or make them suffer. When the elderly woman turned her back Proserpina poisoned her meal. Soon after the lady devours her food before Proserpina has even taken one bite. Proserpina turned to her
Montresor, fifty years after it happened, confesses to the murder of his foe, Fortunato. He justifies his actions by saying that Fortunato caused him a thousand injuries and therefore is seeking revenge.... ... middle of paper ... ... He tempts her by offering to give her independence from them, saying he is her lover, playing into her weakness of men.
cold, harsh, wintry days, when my brothers and sister and I trudged home from school burdened down by the silence and frigidity of our long trek from the main road, down the hill to our shabby-looking house. More rundown than any of our classmates’ houses. In winter my mother’s riotous flowers would be absent, and the shack stood revealed for what it was. A gray, decaying...
...rgil creates within these passages. Because of the parallels with Christianity within the Underworld passages, and the notion of Aeneas as an anti-hero with false dreams, Virgil’s work connects itself with future works, inspiring Dante and future authors. As illustrated, the Underworld images Virgil leaves the audience with greatly questions the overall integrity of the epic itself, while not completely alienating his audience through the combination of the new and traditional within the book. In the end, the afterlife is a matter of personal opinion, mixed with tradition, and a dash of doubt and ambiguity.
of the Odyssey and Book 6 of the Aeneid, since that is when both of
...tory, allowing those familiar with the older works to see where the alterations were made and how important these differences are to his characters. To really drive his point home, Virgil writes his underworld in such way to allow his reader to see what horrors await those who fail to adhere to these specific traits. During these scenes he at times speaks directly to the reader, warning them of the dangers of ignoring his lessons. This had such a profound impact that Virgil's version of the underworld has been used as the basis of many works and is the source of a vision of hell that many people adhere to even to this day.
It was a village on a hill, all joyous and fun where there was a meadow full of blossomed flowers. The folks there walked with humble smiles and greeted everyone they passed. The smell of baked bread and ginger took over the market. At the playing grounds the children ran around, flipped and did tricks. Mama would sing and Alice would hum. Papa went to work but was always home just in time to grab John for dinner. But Alice’s friend by the port soon fell ill, almost like weeds of a garden that takes over, all around her went unwell. Grave yards soon became over populated and overwhelmed with corpse.
Zeus was the well known king of the gods, Hades is the king of the underworld. They are both similar but different in many ways some people would say that Zeus is right and good while Hades is evil and bad. They are similar because they are the most feared greek gods in history. This war took place in Athens, Greece.
In this story Proserpina gets abducted by Pluto while she was picking flowers. “While with girlish fondness she filled the folds of her gown, and her basket, trying to outdo her companions in her picking, Dis almost in a moment, saw her, prized her, took her…” (Book 5, 385-424). After Pluto abducted Proserpina, he took her to the Underworld. Ceres, which is Proserpina’s mother was panicking over her daughter going missing. She searched everywhere for her, and no one knew where she was. Ceres came across Cyane’s fountain and also found her daughter’s girdle. Arethusa, which is a water goddess told Ceres that Proserpina had been taken to the underworld by Pluto. Ceres goes to Jove so Jupiter will help find their daughter. Jove would only help Ceres if Proserpina hadn’t eaten any food from the underworld. Jove said, “but if you have such great to separate them, Proserpine shall return to heaven, but only on one condition, that no food has touched her lips, since that is the law, decreed by the Fates.” (Book 5, 487-532). Proserpina had eaten seven pomegranate seeds. Since she had eaten food from the underworld, Jove decided to split the year in half so Proserpina could spend equal time with her mother and her abductor, which was also her husband now. Today, there are people all around the world that get abducted, but they don’t get taken to the
Aeneis's first contact with a soul in the purgatory of the Underworld is Palinurus, who died after falling from one of Aeneis's ships. Aeneis is at the mouth of the river that flows through hell with his guide the goddess Diephobe and Charon the ferryman. Palinurus is waiting to be ferried to his place in the Underworld, so he can begin his thousand-year purge. He pleads with Aeneis's party to take him along, but Deiphobe scolds him: "Shalt thou, unburied, see the Stygian flood, / The Furies stream, or reach the bank unbid?" (107). In Vergil's Underworld one must have had a proper burial to gain a position. This serves as a warning to Romans to give their deceased a proper funeral, less they remain in hell longer.
Inside the nicely decorated room with taupe walls just the perfect hint of beige, lie colorful accessories with incredible stories waiting to be told. A spotless, uninteresting window hangs at the end of the room. Like a silent watchman observing all the mysterious characteristics of the area. The sheer white curtains cascade silently in the dim lethargic room. In the presence of this commotion, a sleepy, dormant, charming room sits waiting to be discovered. Just beyond the slightly pollen and dust laden screens, the sun struggles to peak around the edges of the darkness to cast a bright, enthusiastic beam of light into the world that lies beyond the spotless double panes of glass. Daylight casts a dazzling light on the various trees and flowers in the woods. The leaves of fall, showcasing colors of orange, red, and mustard radiate from the gold inviting sunshine on a cool fall day. A wonderful world comes to life outside the porthole. Colossal colors littered with, abundant number of birds preparing themselves for the long awaited venture south, and an old toad in search of the perfect log to fall asleep in for the winter.
The Underworld, better known as Hades after the god who ruled it, was a dark and dreary place where the shades, or souls, of those who died lived. In the next few minutes, I will tell you about how one came to die, the topography of the Underworld, and the beings whom dwelled there.
This morning I wake early from the light that creeps underneath my blinds and my bed next to the window. I wake floating on the streams of light, heated, like white wax spilled across the floor, dripping, soft. In bare feet I walk down the stairs, cold on the wood, and find my father in the kitchen, also awake early. Together, we leave the house, the house that my parents built with windows like walls, windows that show the water on either side of the island. We close the door quietly so as not to wake the sleepers. We walk down the pine-needle path, through the arch of trees, the steep wooden steps to the dock nestled in the sea-weed covered rocks. We sit silently on the bench, watch as the fog evaporates from the clear water. The trees and water are a painting in muted colors, silver and grays and greenish blue, hazy white above the trees.
I slowly trudged up the road towards the farm. The country road was dusty, and quiet except for the occasional passing vehicle. Only the clear, burbling sound of a wren’s birdsong sporadically broke the boredom. A faded sign flapped lethargically against the gate. On it, a big black and white cow stood over the words “Bent Rail Farm”. The sign needed fresh paint, and one of its hinges was broken. Suddenly, the distant roar of an engine shattered the stillness of that Friday afternoon. Big tires speeding over gravel pelted small stones in all directions. The truck stopped in front of the red-brick farmhouse with the green door and shutters. It was the large milking truck that stopped by every Friday afternoon. I leisurely passed by fields of corn, wheat, barley, and strawberries. The fields stretched from the gradient hills to the snowy mountains. The blasting wind blew like a bellowing blizzard. A river cut through the hilly panorama. The river ubiquitously flowed from tranquil to tempestuous water. Raging river rapids rushed recklessly into rocks ricocheting and rebounding relentlessly through this rigorous river. Leaves danced with the wind as I looked around the valley. The sun was trapped by smoky, and soggy clouds.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.
I awoke to the sun piercing through the screen of my tent while stretching my arms out wide to nudge my friend Alicia to wake up. “Finally!” I said to Alicia, the countdown is over. As I unzip the screen door and we climb out of our tent, I’m embraced with the aroma of campfire burritos that Alicia’s mom Nancy was preparing for us on her humungous skillet. While we wait for our breakfast to be finished, me and Alicia, as we do every morning, head to the front convenient store for our morning french vanilla cappuccino. On our walk back to the campsite we always take a short stroll along the lake shore to admire the incandescent sun as it shines over the gleaming dark blue water. This has become a tradition that we do every