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Depiction of women in literature
Gender roles throughout literature
Depiction of women in literature
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Gender in many ways is a defining factor in the communities of both real life and the literature that real life inspire. As an often politically charged identity category, it contributes heavily in defining how community. Three works of literature that show the effects of Gender in defining a community are Life In The Iron Mills by Rebecca Harden Davis, Sula by Toni Morrison and The Brief Wondrous Life of Oscar Wao by Junot Diaz. These books explore the themes of gender identities defining a community in different settings and succeed in showing it all of them. Life In The Iron Mills is a dark tale of oppression in the beginnings of the Industrial Era and through its dual protagonists, Hugh and Deborah Wolfe shows how dominated by masculinity …show more content…
This gives him a sense of not belonging to this hyper-masculine and lower class life style. The dreams of raising himself up results in his downfall. Deborah, Hugh’s cousin role in society is that of a working woman who like the rest of her class of women are marginalized and considered more masculine due to her crippled appearance and lack of …show more content…
For example, When Sula comes home and sees Eva for the first time they clash with Eva asking why Sula isn’t married yet. Eva says “Selfish. Ain't no woman got no business floatin' around without no man.” (Morrison 91) This reinforces society's perception of a woman’s role of the community. Saying she should settle down and get married as in the community you need to at least be married and tied down to a man at some point. The way the community vilifies her due to this and doesn’t vilify men who do the same thing also shows how heavily male-favoured this community is. While the character of Sula shows what happens if you don’t conform to the gender roles of the community the character of Nel shows what happens if you conform to the marriage in a male dominated community where her husband can leave her with nothing and he’d be considered fine still. The communities in Sula are defined by maleness due to how the community judges women and males in different
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
As much as men are working, so are women, but ultimately they do not face the same obstacles. For example, “Even if one subscribes to a solely economic theory of oppression, how can one ignore that over half of the world's workers are female who suffer discrimination not only in the workplace, but also at home and in all the areas sex-related abuse” (Moraga 98). This gives readers a point of view in which women are marginalized in the work place, at home, and other areas alike. Here Moraga gives historical accounts of Chicana feminists and how they used their experiences to give speeches and create theories that would be of relevance. More so, Moraga states how the U.S. passes new bills that secretly oppress the poor and people of color, which their community falls under, and more specifically, women. For instance, “The form their misogyny takes is the dissolution of government-assisted abortions for the poor, bills to limit teenage girls’ right to birth control ... These backward political moves hurt all women, but most especially the poor and "colored." (Moraga 101). This creates women to feel powerless when it comes to control one’s body and leads them to be oppressed politically. This places the government to act as a protagonist, and the style of writing Moraga places them in, shines more light to the bad they can do, especially to women of color. Moraga uses the words, “backward moves”
The story of “Life in the Iron Mills” enters around Hugh Wolfe, a mill hand whose difference from his faceless, machine-like colleagues is established even before Hugh himself makes an appearance. The main narrative begins, not with Hugh, but with his cousin Deborah; the third-person point of view allows the reader to see Deborah in an apparently objective light as she stumbles tiredly home from work in the cotton mills at eleven at night. The description of this woman reveals that she does not drink as her fellow cotton pickers do, and conjectures that “perhaps the weak, flaccid wretch had some stimulant in her pale life to keep her up, some love or hope, it might be, or urgent need” (5). Deborah is described as “flaccid,” a word that connotes both limpness and impotence, suggesting that she is not only worn out, but also powerless to change her situation; meanwhile, her life is “pale” and without the vivid moments we all desire. Yet even this “wretch” has something to sti...
With the gradual advancements of society in the 1800’s came new conflicts to face. England, the leading country of technology at the time, seemed to be in good economic standing as it profited from such products the industrial revolution brought. This meant the need for workers increased which produced jobs but often resulted in the mistreatment of its laborers. Unfortunately the victims targeted were kids that were deprived of a happy childhood. A testimony by a sub-commissioner of mines in 1842 titled Women Miners in the English Coal Pits and The Sadler Report (1832), an interview of various kids, shows the deplorable conditions these kids were forced to face.
In the age of industrialization when rural life gradually was destroyed, the author as a girl who spent most of her life in countryside could not help writing about it and what she focuses on in her story - femininity and masculinity, which themselves contain the symbolic meanings - come as no surprise.
The role of strong female roles in literature is both frightening to some and enlightening to others. Although times have changed, Sandra Cisneros’ stories about Mexican-American women provide a cultural division within itself that reflects in a recent time. The cultural themes in Cisneros’s stories highlight the struggle of women who identify with Mexican-American heritage and the struggle in terms of living up to Mexican culture – as a separate ethnic body. The women in Sandra Cisneros’ stories are struggling with living up to identities assigned to them, while trying to create their own as women without an ethnic landscape. In Sandra Cisneros’ stories “Woman Hollering Creek: and “Never Marry a Mexican” the role of female identities that are conflicted are highlighted, in that they have to straddle two worlds at once as Mexican-American women.
Wood, J. T. (2011). Gendered lives: Communication, gender, and culture. (9th ed ed., pp. 1-227). Boston,MA: Wadsworth Cengage Learning.
Nel is able to express her feelings and emotions when she is with Sula, which is good because she can’t do that at home because she has to be the obedient one. They understand each other completely, they never argue or compete with each other. Their relationship is invaluable; they met each other at the time where they both needed it the most. Their friendship is not dependent on obligation, compassion, or love, but on their conjuction of sameness and autonomy. At this point they are together because they want to, not because they have to or need to be. When Sula and Nel meet it’s the time when they realize that their spot in society is disadvantage, “because each had discovered years before that they were neither white nor male, and that all freedom and triumph was forbidden to them, they had set about creating something else to be” (Morrison, 50). They are best friends mainly because they grew up in the same neighborhood, they are the same race, gender, and age. They understand the needs of each other and each other’s problems. They experience the intimacy they were looking for in each
During the period of antebellum Georgia, the Industrial Revolution began to take place. Meaning, wealth, labor, and top notch crops became important. In result of this, the need for slaves and their distinct skills increased. Understanding that the plantation owners had one goal only, which is to produce efficient crops that will encourage increased profit; one would say gender was set aside during labor that interfered with crop production. Crop production and quality were a main priority, and owners did not care what it took to reach their goal amount, or to have the best crop in the south. It is argued that femininity and gender roles did not exist during this period of labor. Labor was not based on gender,
Sula has a feminist spirit and refuses to melt into the typical mold of a woman. She "discovered years before that [she was] neither white nor male, and that all freedom and triumph was forbidden to [her]" (52). Because of this she decides to lead her life on her own terms. Sula encounters both racism and sexism and is placed in a situation in which she has no release for her wild spirit. She cannot live out in the world with the freedoms of a man, but doesn't want to live as a stereotypically sheltered woman either. In attempting to break these boundaries she is hated by the town and viewed as an "evil" person by the community in which she lives.
In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.
At the end of chapter two in, Steel Town U.S.A., the authors, Sherry Lee Linkon and John Russo, define the importance of steelmaking in Youngstown, Ohio “as an important element of community life, a source of identity and solidarity, an activity that brought pride and fulfillment to individuals and the community (129).” The author’s proclaim, “… steelwork as almost synonymous with Youngstown,” defining itself by organized labor and steelmaking” (68). Linkon and Russo, convey ideas about hard physical labor, with a glimpse of insight into the steelworkers anguish using words like virtue, pride and a sense of belonging, which for a typical situation would convey positive representations. Though most would think of these words, virtue, pride, and belonging as associations of working-class solidarity, clear identity and value, the author’s instead use these words to allow for the reader to better understand the misery that steelworkers faced. Making the connection between the workers lack of control to that of social conflict in their own community, the authors want the readers to understand both sides, allowing to bridge the gap of struggle by mending Youngstow...
...present powerful characters, while females represent unimportant characters. Unaware of the influence of society’s perception of the importance of sexes, literature and culture go unchanged. Although fairytales such as Sleeping Beauty produce charming entertainment for children, their remains a didactic message that lays hidden beneath the surface; teaching future generations to be submissive to the inequalities of their gender. Feminist critic the works of former literature, highlighting sexual discriminations, and broadcasting their own versions of former works, that paints a composite image of women’s oppression (Feminist Theory and Criticism). Women of the twenty-first century serge forward investigating, and highlighting the inequalities of their race in effort to organize a better social life for women of the future (Feminist Theory and Criticism).
Women roles have changed drastically in the last 50 to 80 years, women no longer have to completely conform to society’s gender roles and now enjoy the idea of being individuals. Along with the evolution of women roles in society, women presence and acceptance have drastically grown in modern literature. In early literature it was common to see women roles as simply caretakers, wives or as background; women roles and ideas were nearly non-existent and was rather seen than heard. The belief that women were more involved in the raising of children and taking care of the household was a great theme in many early literatures; women did not get much credit for being apart of the frontier and expansion of many of the nations success until much later.
When we say that we “do gender”, we are referring to accepted role taken by both females and males in a society that comes to play in their everyday lives. West and Zimmerman stated that doing gender involves, “complex socially guided perceptual, interactional, and micro political activities that cast particular pursuits as expressions of masculine and feminine natures,” (West & Zimmerman, 2014, pg. 121). That had lead to individuals conforming to what society deemed as appropriate for their gender and the implications that follow. By characterizing sex, we are doing gender, which creates societal norms that influence both female and male behaviors. By classifying people as either male and female, we are solidifying the culturally agreed upon