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Recommended: Essay telling lies
Lies in Heart of Darkness
After declaring his passionate hate of lying it is odd to see the complete reversal of character in Marlow by the end of the book. Then perhaps it is not a change but merely an unexpected extension of his character that gives a different dimension to his personality.
His statement "You know I hate, detest, and can't bear a lie...it appalls me. It makes me miserable and sick, like biting something rotten would do" (Longman 2210) gives what one may rightly consider a very straightforward clean cut description of the man's moral view and character traits. Yet by the end of the book one may feel he has not only betrayed their trust but himself and all the values he seemed to embody during the course of the story.
Marlow's interview with Kurtz's Intended was less than the honesty one might have expected given his vehement stand on the issue of lying. When he went to speak to her I fully expected him to be completely honest and tell her the truth. My logic was that if she knew what Kurtz was like in reality her suffering would be eased and she would be able to gain an honest semi-objective view of the man she loved. That shows my modern thinking! It soon became clear that she was not going to accept any version of the truth and I found myself hoping that Marlow would lie to her to spare he the torture of knowing the truth. Her constant interrupting of Marlow's dialogue in order to fill in wonderful, glowing details about the man was a complete revelation as to what she could hear and survive. Marlow says, "It was impossible not to" "Love him" she finished eagerly..."How true! How true!" (Longman 2244) . Once Marlow has decided to sugar coat the truth he begins to utter non-committal phrases in regards to Kurtz which the Intended finishes; "His words will remain," I said. "And his example," she whispered to herself. "Men look up to him, -- his goodness shone in every act. His example" (Longman 2245). I think Marlow begins to see that he cannot be honest with her when they begin to speak of Kurtz's death. He says, "My anger subsided before a feeling of infinite pity" (Longman 2245). She was a woman, she was weak, she was alone, and every male tendency within Marlow rose up and prevented him from crushing what was left of her fragile spirit.
What cannot be ignored about the ending of his story, however, is what Marlow ended up doing. When it came down to Marlow telling Kurtz’s Intended about her deceased husband, he continued on to let her believe he lived and died a moral, good-natured man. What strikes deepest is when she asked for his last words, Marlow lied completely and said, “The last word he pronounced was- your name”. He went on to justify himself because it would have been “... too dark altogether” to tell her the truth. Not only did Conrad intend Marlow’s quest for his own self-knowledge, but for that of the reader as well, leaving them to see how in order to keep society functioning, it will never be aware of its true darkness at
Holden is like most teenagers: he’s trying to find his place in society without having any sort of direction. One of the main reasons this is hard for Holden is because he doesn’t have any role models and is misguided. His brother D.B. lives all the way in Hollywood “being a prostitute” (Salinger 2) and he resents his parents. Everyone around him seems to be “phonies “and Holden is continuously trying to be different but notices that the lifestyle he wants just doesn’t fit in the world he lives in . He constantly rejects certain ways of living but can’t seem to find the purpose for his own and because of this he criticizes the life of the...
The statement easily recognized as a lie, and that falls into Webster's definition 1), is Marlow's deliberate falsification of Kurtz's last words - "The last word he pronounced was - your name" (Longman p. 2246), when we all know that Kurtz's last words were, "The horror! The horror!"(Longman p. 2240). Marlow's intentions - however noble in this one instance - are questionable, in regards to the lesser lies he tells the Intended. This lie, in Marlow's mind, was justified as a means of protecting the Intended. Marlow saw Kurtz's death as "...a moment of triumph for the wildernes, an invading and vengeful rush, it seemed to me, I would have to keep back alone for the salvation of another soul"(Longman p. 2243). Now the lie is not only justified but honorable.
Salinger portrays Holden Caulfield as immature, and as a result, he does not accept and is unaccepted by his general surroundings. The depiction of Holden’s irresponsible character demonstrates the disadvantage of immaturity when trying to function in society. Holden recalls an instance when he leaves the whole fencing team’s equipment on the subway and how they then “ostracized” him for it (Salinger
Some critics have argued that Holden’s character is erratic and unreliable, as he has many of the middle-class values that he claims to reject. Later on critics began to have praised the twisted humor of the main character. These critics have commented that the structure of the novel helps you understand Holden’s unstable state of mind. Alastair best remarked: "There is a hard, almost classical structure underneath Holden’s rambling narrativ. The style, too, appears effortless; yet one wonders how much labor went into those artfully rough-hewn sentences" (qtd. in Davis 318)
Within the text of Heart of Darkness, the reader is presented with many metaphors. Those that recur, and are most arresting and notable, are light and dark, nature and Kurtz and Marlow. The repeated use of light and dark imagery represents civilization and primitiveness, and of course the eternal meaning of good and evil. However, the more in depth the reader goes the more complex it becomes. Complex also are the meanings behind the metaphors of nature included within the text. It represents a challenge for the colonists, often also signifying decay and degeneration. Finally Kurtz and Marlow represent imperialism and the colonists. All these metaphors come together and contribute not only to the effect for the reader, but also to the overall meaning.
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
...ributed to Kurtz loosing track of his life emotionally, and later physically. Kurtz loved her, and his heart went cold as she was separated from his life. This can be seen in the story at the conclusion in a dialogue between the intended and Marlow, where she asks Marlow what Kurtz's final words were. Marlow lies, not because of his friendship with Kurtz, but because he recognizes the importance of him to her (and visa versa.)
Literature is never interpreted in exactly the same way by two different readers. A prime example of a work of literature that is very ambiguous is Joseph Conrad's, "Heart of Darkness". The Ambiguities that exist in this book are Marlow's relationship to colonialism, Marlow's changing feelings toward Kurtz, and Marlow's lie to the Intended at the end of the story.
Throughout the duration of the book, Holden seems to make little progress in his personal growth, although for brief periods of time it appears he is closer to adulthood than what the reader is lead to believe. When visiting Phoebe’s school he discovers crude language written on the wall. Holden immediately thinks of ‘Phoebe and all the other little kids’ and how he would hate them to see the foul words. This proves that Holden has a natural protective instinct and symbolically takes on the persona of ‘catcher in the rye’ as he wipes the words off the wall. Holden wants to shield the children from seeing the obscenities of adulthood prematurely, just as the catcher wants to protect children from falling off the ‘cliff’. At the end of the novel Holden appears to have more acceptance of the idea of growing up. As he watches Phoebe on the carousel he deduces that sometimes you ‘have to let them fall’ (referring to the children on the carousel.). Holden now understands that growing up is inevitable and fighting it is useless. However, regardless of this new found clarity, he still obsesses about living in an uncomplicated world. He delights in the fact that the carousel goes ‘round and round’ because it continues to fuel his fantasies of staying in one place forever. It would seem that even though he has made progress, Holden still struggles with
The perception of Holden Caulfield in The Catcher in the Rye has two extremes; many find him likable, others find him irritable. Given Holden’s age and experiences, readers often relate to his thoughts and views of the world around him. On the opposite side of the spectrum, readers also find him to be repetitive and hypocritical of the world around him. This interpretation of Holden is derived from the lack of a climax in the book, but in reality, life is often anti-climatic. The majority of the story is not told by Holden’s actions, rather by Holden’s thoughts. Human minds are complex in nature; in order to understand the human mind, it is important to not only consider one’s actions, but their possible thoughts as well. Holden’s mindset of a teenager born into a privileged life that, due to his traumatic experiences, lead him to act and think a certain way that may not seem realistic; when most teenagers minds are constantly conflicted. Holden Caulfield exemplifies qualities of an ideal teenage rebel given his extreme cynicism and unrealistic perception of the world.
... Marlow doesn’t believe she is worthy of the truth, so he lies to her. "I could not tell her. It would have been too dark" (124).
Modernism began as a movement in that late 19th, early 20th centuries. Artists started to feel restricted by the styles and conventions of the Renaissance period. Thusly came the dawn of Modernism in many different forms, ranging from Impressionism to Cubism.
...s to look at Kurtz as a hero for all that he had accomplished, no matter how evil. Marlow?s obstacles as the hero are not the overcoming of a dragon or evil villain. It is the eternal battle of the story of a Hero versus Antihero. Marlow?s blindness to Kurtz?s impurities are both his strength and weakness. His ignorance to the greatness of his own qualities can best be stated one way: ?The Horror.?
...il of desire, temptation, and surrender during that supreme moment of complete knowledge? He cried in a whisper at some image, at some vision,-he cried out twice, a cry that was no more that a breath- 'The horror! The horror!' "(Longman, 2000, p. 2240). This is what distinguishes the two men; Kurtz abandoned himself and went over the edge, but Marlow is aware of just how close he was to becoming what Kurtz was.