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The foreign policy of the USA
The foreign policy of the USA
The foreign policy of the USA
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“Letter to Americans” by E. P. Thompson
Dated back in 1986, “Letter to Americans” is as if it’s written in the last three-four years. In it E. P. Thompson explains why he is anti-American in his beliefs.
First off, he starts with that he is in two minds about this state of his. Even his friends doubt he is anti-American, thinking he is joking. We also read how the author traces American ancestry on his mother’s side- he goes back to his great-great-grandfather who lived in Lincoln times. Most of his ancestors are white Protestants from the upper class.
Second of all, Thompson presents his idea (which he defends throughout almost the whole text) that “military” troubles had started a long time ago. He gives examples with the Middle East, Ireland and even England.
One of the strongest parts is the questions-passage: the sender asks Americans what made them change, why the national-exaltation… He doesn’t look for the answers.
Terrorism is the next problem that is discussed in “Letter to Americans”. Thompson gives an interesting example with the death of an American serviceman which was highly noticed and at the same time the death of sixty-three other lives (non-American) is left almost unmentioned.
E. P. Thompson doubts the moral of war. Or he doubts the moral of anti-terrorist war. In the next lines we read how disappointed he is that he’s half-American. But he also doesn’t like being half-English after the “heroine” is “walking tall”- Margaret Thatcher is accepted as a betrayer of national honour.
The author doesn’t forget to mention the relationship between USA and NATO. He thinks that Americans welcome NATO as a weapon for America’s affairs, not of the world’s. In his final words, it is suggested that either Europe should invite USA to leave NATO or Europe should expel America from it.
It is somehow strange for today’s reader to find out that the situation with America’s foreign affairs hasn’t changed much. As some clever people have said, “The History book on the shelf is always repeating itself.” Even after nineteen years, Americans think of themselves as citizens of the strongest nation in the world. Even after the September the 11th. Even after Iraq. And Afghanistan.
The next worst thing that could happen to the new American history was Bush’s re-election. I doubt so many American people are that dumb… I lived in USA and most of the people I met there don’t like his deeds.
In the text there was a very important quote that would be in the minds of the Americans for the rest of their lives and a compelling
Stevenson and Bridges both begin Eros with a question, indicating the speakers’ desires to reach the god of love. But, the speaker in Bridges’s poem uses an apostrophe in his question, “Why hast thou nothing in thy face?” The question creates a distance between the god and the speaker, and reveals the mysterious nature of Eros. Bridges’ Eros is expressionless and inscrutable. In contrast, Stevenson’s speaker asks “for love” and is surprised by who shows up. She asks, “But help me, who arrives?” This question expresses her surprise and disappointment that Eros is ugly...
In the early stages of American history, life was not all it seemed cut out to be; and under any circumstances, integrating into a new lifestyle is difficult. John Downe, a British immigrant, writes a letter to his wife hoping to persuade her to join him in America. Downe uses heavy logos, pathos, and juxtaposition in his argument.
Michel-Guillaume-Jean de Crevecoeur was a French born citizen who moved to New York and became a naturalized citizen of Great Britain. After living in America as a citizen for a while, Crevecoeur decided to write an essay titled “Letters from an American Farmer”. During this time, tensions in America between the colonists and loyalists were increasing, and because of this the idea of America as a sovereign nation and territory was becoming popular. Crevecoeur wrote this essay in order to discuss what it means to be an American, and why people should be honored to be called an American. Crevecoeur believes that America is a melting pot of the world, and is full of opportunities for anyone who lives there. In order to back up his claim, Crevecoeur uses rhetorical devices, especially pathos, while he does also use ethos and logos as well.
International organizations such as NATO and the UN are essential not only for global peace, but also as a place where middle powers can exert their influence. It is understandable that since the inception of such organizations that many crises have been averted, resolved, or dealt with in some way thro...
A good deal is known about Donatello's life and career, but little is known about his character. Donatello was born in Florence, Italy in 1386 and died in 1466; he was never married and had no children. He was a master of sculpture in bronze and marble and is considered to be one of the greatest Italian Renaissance artists of his time. The first sculpture is of Donatello?s David, 1425-1430. Its material is bronze and stands 5? 2 ¼? and is currently located at Museo Nazionale del Bargello, Florence. The sculpture is a nude and is contrapposto. The scene being depicted is after the clash with Goliath. Donatello?s statue of David was the first large scale, free-standing nude statue of the Renaissance. The sculpture helps to strike a balance between classicism and the realism by presenting a very real image of a boy in the form of a classical nude figure. Although Donatello was inspir...
Americans through the years of existence have adapted well to the radical changes throughout the world. Technology, independence and social equality are some of the diverse concepts the United States have adapted to and developed in order to become a more unified country. Our nation believes that it is exceptional when it comes to other countries worldwide. As can be shown through the popular reference to America as the ‘shining city on a hill’. The term “American exceptionalism” is derived from ideals held by many Americans throughout history. Different people have analyzed American exceptionalism through multiple literary devices. Works such as A Model of Christian Charity, What is an American and Acres of Diamonds illustrate the sentiment that America is incomparable to any other country through different approaches. On the contrary, Democracy in America and How the Other Half Lives are two documents that argue against this theory through harsh yet meaningful remarks.
Defining the American character is quite difficult because American identity is vaguely founded on shared values and ideologies, more so than a particular creed, race, or culture. In order to describe the American character, we will consider the dominate and distinctive qualities of Americans as interpreted by J. Hector St. Jon De Crèvecoeur and Thomas Paine. First, we will examine how Crèvecoeur illustrates Americans as industrious, prideful, and political in “Letters from an American Farmer.” Then, we will analyze from Thomas Paine's “Common Sense” how he depicts the prevalent qualities of Americans to be driven by justice, liberty, emotions, and individualism. Also, because both authors consider the American character and culture different
Donatello's David is a bronze sculpture made between 1430 and 1432, and is remarkable for the fact that it is the first sculpture cast in bronze. The statue depicts David after his victory over Goliath. First, the life-size statue is on a round hump since ancient times. Donatello had already realized an amber David for the cathedral of France. The statue only wears legg...
The second period (1425-43) is generally characterized by a reliance on the models and principles of the sculpture of antiquity. From 1425 to 1435 Donatello worked with the Florentine sculptor and architect Michelozzo on a number of projects, including the monument to Bartolomeo Aragazzi (Cathedral of Montepulciano). In their joint work Michelozzo executed the architectural designs and also helped in the making of the bronze castings; Donatello executed most of the statues. From 1430 to 1433 Donatello spent periods in Rome, where he created a number of works, notably the ciborium in the sacristy of the Basilica of Saint Peter, decorated with the reliefs Worshiping Angels and Burial of Christ. It was in Florence, however, that he created the most noted work of this period-the bronze David (circa 1430-35, Bargello), the first nude statue of the Renaissance.
The one absolutely certain way of bringing this nation to ruin, of preventing all possibility of its continuing to be a nation at all, would be to permit it to become a tangle of squabbling nationalities, an intricate knot of German-Americans, Irish-Americans, English-Americans, French-Americans, Scandinavian-Americans or Italian-Americans, each preserving its separate nationality, each at heart feeling more sympathy with Europeans of that nationality, than with the other citizens of the American Republic. The men who do not become Americans and nothing else are hyphenated Americans; and there ought to be no room for them in this country. The man who calls himself an American citizen and who yet shows by his actions that he is primarily the citizen of a foreign land, plays a thoroughly mischievous part in the life of our body politic. He has no place here; and the sooner he returns to the land to which he feels his real heart-allegiance, the better it will be for every good American. There is no such thing as a hyphenated American who is a good American. The only man who is a good American is the man who is an American and nothing else.
Goliath, a giant, had armor and a javelin whereas David only brought his sling and five rocks to battle. David triumphed and Goliath fell. People wanted to honor the biblical hero and had asked Michelangelo to make this sculpture in remembrance. While viewing the sculpture of David, you might not know exactly what era this was from. David was a part of a story in the Bible. In this era and region the people believed that this story was to be true. In the Renaissance era, they seem to have admired and appreciated the Bible a lot and were very religious
Donatello created the nude statue of David around the 1440s and it is believed to be a perfected version of the artist’s earlier representation of the hero. The fact that David wears a straw hat on his head is probably meant to stand as a reference to the hot weather that the hero was accustomed to. While most individuals associate this garment with lower classes, the laurel standing on the hat stands as a hallmark for victorious Roman Generals. Donatello’s David shows a young and feminized individual holding the head of Goliath at his feet, as the artist wanted people to acknowledge the hero’s victorious character through observing his...
The Statue of David clearly shows how the Italian Renaissance had evolved their concept of beauty from the Middle Ages. The Middle Ages would have likely dubbed the Statue of David as being ethically or morally incorrect and perhaps stripping away some of the sanctity of the biblical story by placing the emphasis on the man David and his personal experience and physical form, rather than on God and more spiritual matters. Unlike the Middle Ages, the Italian Renaissance did not find the human body offensive at all; rather, during that time, the general consensus was for people to celebrate the body in its naked form for expressing the beauty of the individual and enhancing the religious text to a more personal, experiential level. Indeed, people could sense and relate to the emotions David must have felt during those moments before he went to battle. For instance, the fact that the Statue of David is absolutely naked elicits a feeling of vulnerability before going to battle. Also, a close-up look at David’s face reveals a furrowed brow and tightly pursed lips, and a close-up look at his hands shows large veins indicative of high blood pressure. These tighter focus observations are exemplary of the magnitude of tension and high levels of stress that David had to have felt
“In barely twenty-five years, from shortly before 1500 to about 1520, some of the most celebrated works of Western art were produced" (Getlin 372). Two well-known artists were from this period; Leonardo da Vinci and Michelangelo. Leonardo is often known as a “Renaissance man” as he was good at many things. Study of Human Proportions is a well-known investigation of his, in which he related the human body to a square and circle to establish ideal proportions of the body. (Getlin 372) In Living With Art it states “Leonardo’s interest in mathematics is also evident from his careful rendering of perspective.” Michelangelo first had a reputation of being a sculptor. He was commissioned to sculpt the biblical hero David in which it shows his debt to classical sculptures, but it was not a simple restatement of Greek art, for it shows Renaissance characteristics. (Getlin 373) “The Greeks knew how bodies looked on the outside. Michelangelo knew how they looked on the inside, how they worked, because he had studied human anatomy and had dissected corpses. He translated this knowledge into a figure that seems made of muscle and flesh and bone, through all in marble” (Getlin 373). Another characteristic is the sculpture has tension and energy; David is not so much standing in repose as standing in readiness. (Getlin 373) “Classical Greek statues tended to have calm and even vacant expressions. But David is young and vibrant- and angry,