First of all i would like to start with what this letter made me feel, i dont like reading much but this letter didnt have a single sentence which doesnt make me laugh, a beautiful way of insulting someone without using harsh words. which is showing someone his/her true face. the satire way of writing made it perfect to convey the message without showing any insolence. What appears to be an innocent letter is, in reality, one laden with sarcasm to disguise Jourdon Anderson’s disgust with his former master. In the opening paragraph, for example, he declares, “I have often felt uneasy about you.” The use of the word “uneasy” is not only a euphemism but also meiosis at its finest. Although Jourdon remains polite in his derision, he explicitly contrasts his time in the Confederate South to his …show more content…
life in the liberated North. He explains he is compensated for his work, attends church freely, sends his daughters to school daily, and rejoices at hearing his wife called “Mrs.
Anderson.” By detailing these first-time experiences, which the Colonel takes for granted as his birthright, the reader sees that Jourdon embraces and values his freedom. Clearly, his contempt is not only with Colonel Anderson, but with the institution of slavery itself. In the third paragraph, no longer does Jourdon beat around the bush with niceties; here, he hits his former master where it counts: his wallet. Through the use of numbers and names, Jourdon demands restitution for his labor while a slave. His calculations reveal that he will not be manipulated any longer by his once-master. Furthermore, Jourdon’s reference to his attorney, Mr. Winters, reinforces his purpose and what Colonel Anderson must realize by now—Jourdon is no fool and refuses to be treated as such. Jourdon’s flexing of his metaphorical muscles also illustrates the unwavering spirit of a freed slave, which the whiteys need to grasp. Also present in the third paragraph is allusion in the form of metonymy. Here, Jourdon drops the most omnipotent name of all:
God. In alluding to the “Maker” and the hell there is to pay for the slave owners and their fathers, his once courteous demeanor transforms to that of quiet admonition and silent spunk. Jourdon will not judge Colonel; rather, he will leave it to God to do the flogging. In this way, Jourdon asserts he will not stand for the biased, injudicious, and inhumane game-playing of the past; he means business. Lastly, it’s especially interesting that in the salutation and the closing of his letter, he uses the same word twice: “old.” This affirms the distance that’s grown between them. Time, status, pride, and power now divide the despot and the vassal. While Jourdon now seems to be on a level playing field with Colonel Anderson, morally, he has the upper hand. Jourdon is now the king and overseer of his life, and the colonel is a mere pawn, for he has revealed his once-superior’s integrity as inferior. Ultimately, in Jourdon Anderson’s satirical letter to his former owner, he exercises his intellectual and rhetorical prowess to mock his once-master and shatter the shackles of slavery.
Sentence #2:Curzon, is an American slave in an American family. In the middle of the book, he becomes an American soldier because, “Master Bellingham promised me freedom for enlisting in his place” (pg.166).
He uses contrast to show his disturbance, “the eye glasses.were forgotten. My eyes were on Mr. Olin’s face.” A certain dramatic irony exists when Richard asks, “Who was my friend, the white man or the black boy?” The reader knows it is the black boy. Wright uses details such as Mr. Olin’s “low, confidential,” voice to create an apocryphally amiable tone.
I felt emotional while on page 100, paragraph 7 where he stated: “I guess I should have told someone, but I was too humiliated”. The fact that his father had abandoned the family and his brother who is his No 1 confidant was down with leukemia didn’t give him the courage to speak out, he was scared to the point of losing his mind, he became depressed, irritable, hypervigilant and ashamed thereby hating
Hammond’s voice was very loud when it came to the issue of slavery. He was not ashamed to let everyone know how much he supported it. In 1831, Hammond became the owner of a cotton plantation called Silver Bluff. There were 147 slaves at Silver Bluff when Hammond arrived to take possession of it. They were eager to meet their new master. “Hammond had acquired seventy-four females and seventy-three males, a population with a median age of twenty-five. He would certainly have noted that forty-six, nearly a third of these slaves, were not yet fifteen, too young to be much use in the fields but a good foundation for a vigorous future labor force. Undoubtedly, too, he observed that sixty-four of the slaves were between fifteen and forty-five, the prime work years. These were the individuals upon whom Hammond would rely to plant, cultivate, and harvest the cotton and corn that would generate most of his yearly income” (Faust, 71). The rest were older slaves that couldn’t really do a lot of hard labor in the field, but they could do chores that didn’t require such demanding work ethics like watching over the children whose parents are out working in the fields.
During a period of time, the world lost its values due to ambition. Blacks were enslaved for being different. Races became a huge part of people’s everyday talk and to succeed, farmers and business owners had to make African Americans do their dirty work for them. During this period of time, people like Joe Starks from “The Eyes Were Watching God” and people like Frederick Douglass’s slavemasters became abundant in the world. The belief that they were superior to everyone else lead them to impose power in a way that even themselves could not tolerate. Even though “The Eyes Were Watching God” was written after slave abolition, Joe Starks and Douglass’s slavemasters have many characteristics in common and differences which are worthy to be noticed.
In his book The Future of Life, Edward O. Wilson uses a satirical approach to exemplify the reasons that extremely bias passages are unproductive and somewhat ridiculous. The two passages given represent two opposing views: one from an extreme environmentalist viewpoint, and the other from an extremely conservative or "people-first" point of view. Wilson's use of satire and mockery creates bias in both passages by including hyperbolic and unacademic justifications in order to illustrate the ineffectiveness of the arguments.
Initially, Mailer used diction through imagery and emotional words to give the reader how the situation felt to him and to describe to the reader the situation. In the passage, emotional words such as “bad maulings”, “three disgusted steps away”, and “referee’s face came a look of woe” pop up. Mailer utilizes these negative emotional words to impose a tone that is solemn towards Paret and a tone that is disdainful towards Griffith. Consequently, the reader’s mood coincides with the tone of the author. For example, the phrase “referee’s face came a look of woe” gives the reader a grievous feeling because of the word “woe”. Another instance where a reader can see this is in the phrase “three disgusted steps away”. Mailer could have just stated “three steps away”, but he wanted to enforce the negative connotation of the story and to show the reader how he had felt. Additionally, imagery is used in...
One of the amazing things about the story is the level of description and imagery that Douglass uses to describe the suffering around him. The excerpt spans a mere three days, but most of the text focuses on his abuse and battle with Mr. Covey. Douglass skips over the common parts of his life to further his case against slavery. By doing this, the Northerners rea...
The book Narrative of the Life of Frederick Douglass, an American Slave by Frederick Douglass can be interpreted in many ways. It is an autobiography that details Douglass’s experiences while he was enslaved. However, it is evident that he has been forced to censor the content of his narrative. Douglass mentions more than once that he is not able to say everything he desires. Moreover, on the surface the book is about the harshness of his life as a slave, but on a deeper level Douglass uses irony to give a compelling criticism of the institution of slavery. In his account he gives sarcastic descriptions of the privileges the slaves receive and what it looks like for slaves to be treated well. Nevertheless, both techniques of writing are effective
In The Narrative Life of Frederick Douglass, emotional violence takes an aggressive toll not only on Douglass, but also his master Mr. Covey, his family, and fellow slaves. During his time with Covey, Douglass was affected deeply by the strain of slavery, especially in spirit and ways of hope. Mr. Covey was infamous for his reputation as a ‘‘nigger-breaker” and induced fear into slaves, emotionally scarring them (Douglass 53).
In, “The Narrative of the life of Frederick Douglass”, readers get a first person perspective on slavery in the South before the Civil War. The author, Frederick Douglass, taught himself how to read and write, and was able to share his story to show the evils of slavery, not only in regard to the slaves, but with regard to masters, as well. Throughout Douglass’ autobiography, he shares his disgust with how slavery would corrupt people and change their whole entire persona. He uses ethos, logos, and pathos to help establish his credibility, and enlighten his readers about what changes needed to be made.
Colonel Ardinburgh belonged to that class of people called Low Dutch. Sojourner can give no account to her first master, because she was a young infant when he died. Sojourner and her parents, along with a number of other slaves, became the property of Charles Ardinburgh, son of the deceased master. She distinctly remembers hearing her father and mother say, that their lot was a fortunate one, because their new master, Charles, was the best of the family, because he was very kind to his slaves.
Narrative of the Life of Frederick Douglass, An American Slave, brings to light many of the social injustices that colored men, women, and children all were forced to endure throughout the nineteenth century under Southern slavery laws. Douglass's life-story is presented in a way that creates a compelling argument against the justification of slavery. His argument is reinforced though a variety of anecdotes, many of which detailed strikingly bloody, horrific scenes and inhumane cruelty on the part of the slaveholders. Yet, while Douglas’s narrative describes in vivid detail his experiences of life as a slave, what Douglass intends for his readers to grasp after reading his narrative is something much more profound. Aside from all the physical burdens of slavery that he faced on a daily basis, it was the psychological effects that caused him the greatest amount of detriment during his twenty-year enslavement. In the same regard, Douglass is able to profess that it was not only the slaves who incurred the damaging effects of slavery, but also the slaveholders. Slavery, in essence, is a destructive force that collectively corrupts the minds of slaveholders and weakens slaves’ intellects.
...details the transformation of a slave to a man. The institution of slavery defined a slave as less than human, and in order to perpetuate that impression, slaveholders forbade slaves the luxury of self definition. Therefore, when Douglass finally rejects the notions about his identity forced on him by slavery, and embraces an identity of his own creation, he has completed his journey from slave to man. He no longer defines himself in terms of the institution of slavery, but by his own thoughts regarding what his identity is. Through the metamorphosis of his identity as “an animal” to an author who fights for the abolitionist movement, Douglass presents his narrative not simply as a search for freedom, but also a search for himself.
Throughout the narrative, Douglas gives numerous examples of the dehumanizing violence towards slaves by their masters and overseers. This violence is explicitly described in Douglass’ depiction of Master Colonel Lloyd and his overseer, Austin Gore.