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King James story of Cain and Abel
Historical essay of Cain and abel story
Summarize the story of cain and abel
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Lessons in Leadership in Demian
In Demian, Hesse uses a comparison to the Biblical story of Cain and Abel to convey his ideas about those who are different. The idea arises again and again, causing the reader to look at it from a very unique perspective. Through this comparison, the reader begins to see the mark of Cain as a positive symbol -- as the mark of those who would lead the world into the future of mankind, without fear.
When Emil Sinclair first meets Max Demian, he sees that Demian is not like anyone he has ever known. Unconsciously, he views Demian as having a mark -- something that sets him apart from the others. Sinclair isn't sure if it is the adult-like manner in which Demian carries himself, or the vast store of wisdom and truth behind his eyes. Whatever this difference was, it was something that could not be denied. Demian -- almost immediately, upon meeting up with Sinclair -- tells the story of Cain and Abel with an entirely new perspective. This greatly upsets Sinclair's small world, in which the pious are always in the right, and the "sinners" are in the wrong. Sinclair finds himself both repulsed by and obsessed with this story.
In Demian's version of the story of Cain and Abel, Cain was actually the better man of the two. Abel was described as being weaker, and therefore less necessary than Cain to mankind. Demian didn't doubt that this part of the story was true, but he put much less stock in the notion that Cain was then marked by God. Rather, in Demian's version, Cain was labeled by the society he was in. They were afraid of the "faintly sinister look" that ...
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...is apparent, in everyday life, that people such as these exist.
Throughout Demian, Hesse proves that those who bear the mark of Cain in Demian's Biblical interpretation are superior in nearly every way. They are innovative, brilliant, and strong enough to follow their own paths. Hesse provides a spark of something else, however, something that not every reader may pick up on. This spark is the inspiration to look into one's own soul, and to examine oneself in all honesty. The questions to be answered are these: "Who am I? Do I bear the mark of Cain?" Each answer will be different, but the point is not to be the same as others. The point is to see that one is different from all others, and to find the strength to walk forward, into the light of our future... As a leader, and not as a follower.
Hermann Hesse’s novel “Siddhartha” is one of spiritual renewal and self discovery. The novel revolves around the life of one man named Siddhartha, who leaves his home and all earthly possessions in an attempt to find spiritual enlightenment. The novel contains many themes, including the relationship between wisdom and knowledge, spirituality, man’s relationship to the natural world, time, love, and satisfaction. To portray these themes, Hesse employs many different rhetorical devices, particularly diction, symbolism, and point of view. These devices allow us, as a reader, to reevaluate our lives and seek fulfillment in the same way that Siddhartha did.
Throughout the chapters of John Knowles novel “A Separate Peace” there are many biblical allusions. In particular, the story of Cain and Abel. Phineas and Gene are based on story of Cain and Able. Cain and Abel are brothers such as Genes and Phineas’ friendship. In the story one is filled with jealousy like Gene and one brother kills the other also like Gene.
The “Cain” Allusion as a Unifying Theme in Jean Toomer’s CANE. Boca Raton: Taylor and Frances Group, LLC, 2011. Golding, Alan. A. Jean Toomer. Nokomis: Beacham Group, LLC, 1985.
The novel East of Eden by John Steinbeck is an allegory to the biblical story of Cain and Abel, and many of its characters become embodiments of both good and evil. As they struggle to overcome what has been decided for them they are taught they hold the power to overcome and rise above their destiny’s. When the Hebrew idea of “timshel” is introduced to the allegory of Cain and Abel, it become apparent that whether life is predestined or not; mankind holds the ultimate ability of deciding what will become of himself. Adam’s choice to move on from Cathy, Cal’s decision to forgive himself, and Cathy’s decision to let evil overcome her prove that overcoming what is predestined for one lies in the hands of the individual.
Steinbeck uses the biblical story of Cain and Abel in East of Eden to show us that we do not have set fate. Steinbeck uses the Hebrew word “timshel”, which means “thou mayest”, to suggest that man has the ability to choose good or evil. “Timshel” affects the characters in East of Eden such as Cal and Aron and their choice of overcoming good or evil. Steinbeck sees this novel as his most important work, and he uses it as a way to state his personal ideas concerning mankind:“The free, exploring mind of the individual human is the most valuable thing in the world. And this I would fight for: the freedom of the mind to take any direction it wishes, undirected. And this I must fight against: any idea, religion, or government which limits or destroys the individual.”(Steinbeck,132). Steinbeck shows God has given humans free will and their ability to choose good or evil, if they so decide. He portrays the “C” characters to be connected to Cain, such as Charles and Cal and the “A” characters to be connected to Abel, such as Aron and Adam.
Shakespeare, William, and Kim F. Hall. Othello, the Moor of Venice: Texts and Contexts. Boston: Bedford/St. Martin's, 2007. Print.
Othello and Iago are diverse in their characters and in their colors. It could be said additionally, notwithstanding, that they are comparative because of their untrustworthiness. Iago is overcome with his longing for vengeance to such a degree that he places it vigorously. Othello 's adoration and possessiveness of Desdemona assume control him until he in the long run would rather murder her than permit any other person to have her. In this way, despite their differentiations, Iago and Othello both speak to the furthest point of the same thing - human emotion.
The lust for power which rushes through Iago, and the fact of him believing he is superior to others, is the main drive for Iago’s ambition to dismay others; however, these reason are not realistic
This shows that for Cain's sin of killing Abel, he receives a just punishment not only to him but also to his "offspring."
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
...ention given to words when Abel only speaks to his Grandfather when his life has come full circle, even though Abel has wanted to since he came home the first time after the war. The significance of Abel’s silence shows just how much weight he puts on whatever he does say, reflecting the Native American view of the importance of words.
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
What internal factors influenced Cain’s ability to successfully create his arcade? Consider his world view, values, and funds of knowledge as internal factors.
Cain writes how these sorts of events tend to make us think of Hobbes’s idea of how humans are born evil. However, Cain then says that “Events such as this, or rather men responsible for events such as this, do not define us” (Cain). Cain is saying that horrific events or people who cause them do not define who we are on the inside and that humans are naturally virtuous, but influenced by things that make them good or villainous. All humans are born exemplary and respectable, but in the end, it is people’s experiences that make them who they are. Another article, “Are Humans Good or Bad?” By Richard Beck, explains the ideas of Thomas Hobbes and Jean-Jacques Rousseau. A quote from Rousseau tells us that “Man is born free and everywhere he is in chains” (Rousseau). This quote shows how people
Leadership is found not just at work but all around us. In any situation, leaders take a step forward and take charge of the situation. It can be at home, at work or at any other place. Leaders are never born, they become leaders because they have the credibility and people would love to follow them.