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King James story of Cain and Abel
Historical essay of Cain and abel story
Summarize the story of cain and abel
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Lessons in Leadership in Demian
In Demian, Hesse uses a comparison to the Biblical story of Cain and Abel to convey his ideas about those who are different. The idea arises again and again, causing the reader to look at it from a very unique perspective. Through this comparison, the reader begins to see the mark of Cain as a positive symbol -- as the mark of those who would lead the world into the future of mankind, without fear.
When Emil Sinclair first meets Max Demian, he sees that Demian is not like anyone he has ever known. Unconsciously, he views Demian as having a mark -- something that sets him apart from the others. Sinclair isn't sure if it is the adult-like manner in which Demian carries himself, or the vast store of wisdom and truth behind his eyes. Whatever this difference was, it was something that could not be denied. Demian -- almost immediately, upon meeting up with Sinclair -- tells the story of Cain and Abel with an entirely new perspective. This greatly upsets Sinclair's small world, in which the pious are always in the right, and the "sinners" are in the wrong. Sinclair finds himself both repulsed by and obsessed with this story.
In Demian's version of the story of Cain and Abel, Cain was actually the better man of the two. Abel was described as being weaker, and therefore less necessary than Cain to mankind. Demian didn't doubt that this part of the story was true, but he put much less stock in the notion that Cain was then marked by God. Rather, in Demian's version, Cain was labeled by the society he was in. They were afraid of the "faintly sinister look" that ...
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...is apparent, in everyday life, that people such as these exist.
Throughout Demian, Hesse proves that those who bear the mark of Cain in Demian's Biblical interpretation are superior in nearly every way. They are innovative, brilliant, and strong enough to follow their own paths. Hesse provides a spark of something else, however, something that not every reader may pick up on. This spark is the inspiration to look into one's own soul, and to examine oneself in all honesty. The questions to be answered are these: "Who am I? Do I bear the mark of Cain?" Each answer will be different, but the point is not to be the same as others. The point is to see that one is different from all others, and to find the strength to walk forward, into the light of our future... As a leader, and not as a follower.
The “Cain” Allusion as a Unifying Theme in Jean Toomer’s CANE. Boca Raton: Taylor and Frances Group, LLC, 2011. Golding, Alan. A. Jean Toomer. Nokomis: Beacham Group, LLC, 1985.
(II Corinthians 5: 7) Farming is hard work and all farmers are proud when they are blessed with a good harvest. No doubt, Cain expected that all the hard work, care and time that went into his offering would make it acceptable. This is evident from his reaction to the Lord’s rejection. Cain’s sacrifice was not rejected because he did not worship in earnest. Indications are that Cain was sincere; nonetheless, he did not worship by faith which comes by hearing the word of God. He worshipped according to his feelings by changing, adding and subtracting from God’s Word; however, his feelings were wrong and he violated God’s commandments. (Deuteronomy 4:2)
Othello and Iago are diverse in their characters and in their colors. It could be said additionally, notwithstanding, that they are comparative because of their untrustworthiness. Iago is overcome with his longing for vengeance to such a degree that he places it vigorously. Othello 's adoration and possessiveness of Desdemona assume control him until he in the long run would rather murder her than permit any other person to have her. In this way, despite their differentiations, Iago and Othello both speak to the furthest point of the same thing - human emotion.
The lust for power which rushes through Iago, and the fact of him believing he is superior to others, is the main drive for Iago’s ambition to dismay others; however, these reason are not realistic
"And Cain talked with Abel his brother: and it came to pass, when they were in
What internal factors influenced Cain’s ability to successfully create his arcade? Consider his world view, values, and funds of knowledge as internal factors.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
...ention given to words when Abel only speaks to his Grandfather when his life has come full circle, even though Abel has wanted to since he came home the first time after the war. The significance of Abel’s silence shows just how much weight he puts on whatever he does say, reflecting the Native American view of the importance of words.
Shakespeare's Othello is not simply a play which embodies the conflict between insider and outsider. The paradigm of otherness presented in this play is more complicated than the conclusion, "Othello is different; therefore, he is bad." Othello's character is to be revered. He is a champion among warriors; an advisor among councilmen; a Moor among Venetians. Yes, Othello is a Moor, but within the initial configuration of the play, this fact is almost irrelevant. His difference is not constructed as “otherness.” Othello, by his nature, is not an “otherized” character. Besides being the dark-skinned Moor, Othello varies in no real way from the other characters in the play. Further, Othello and Iago can be seen as two sides of the same destructive coin. With Iago as a foil and subversive adversary, Othello is not faulted for the indiscretions he commits. It is the invention and projection of otherness by various characters in the play, especially Iago, which set the stage for the tragedy of dissimilarity which is to ensue.
The novel East of Eden by John Steinbeck is an allegory to the biblical story of Cain and Abel, and many of its characters become embodiments of both good and evil. As they struggle to overcome what has been decided for them they are taught they hold the power to overcome and rise above their destiny’s. When the Hebrew idea of “timshel” is introduced to the allegory of Cain and Abel, it become apparent that whether life is predestined or not; mankind holds the ultimate ability of deciding what will become of himself. Adam’s choice to move on from Cathy, Cal’s decision to forgive himself, and Cathy’s decision to let evil overcome her prove that overcoming what is predestined for one lies in the hands of the individual.
Shakespeare, William, and Kim F. Hall. Othello, the Moor of Venice: Texts and Contexts. Boston: Bedford/St. Martin's, 2007. Print.
The religious references imbue the novel with greater meaning; Sethe’s story becomes much larger than its beginning or its end. Her story spans the Old and the New Testament, following the struggles of Cain to the sacrifice of the Christ. Sethe emerges as a universal figure, drawing together the disparate parts of the Creator, the Son and the Holy Spirit. At the end of the novel, Morrison claims that “This is not a story to pass on” (324); however, her use of timeless imagery refutes that idea. Her story becomes part of the enduring dialogue about the nature of good and evil as well as redemption and sin. Sethe’s specific experiences put a face on the experience of slavery, and coupled with the biblical allusions which add gravity to her suffering, ensure that this will, indeed, be a story to pass
This shows that for Cain's sin of killing Abel, he receives a just punishment not only to him but also to his "offspring."
Leadership is found not just at work but all around us. In any situation, leaders take a step forward and take charge of the situation. It can be at home, at work or at any other place. Leaders are never born, they become leaders because they have the credibility and people would love to follow them.
Cain writes how these sorts of events tend to make us think of Hobbes’s idea of how humans are born evil. However, Cain then says that “Events such as this, or rather men responsible for events such as this, do not define us” (Cain). Cain is saying that horrific events or people who cause them do not define who we are on the inside and that humans are naturally virtuous, but influenced by things that make them good or villainous. All humans are born exemplary and respectable, but in the end, it is people’s experiences that make them who they are. Another article, “Are Humans Good or Bad?” By Richard Beck, explains the ideas of Thomas Hobbes and Jean-Jacques Rousseau. A quote from Rousseau tells us that “Man is born free and everywhere he is in chains” (Rousseau). This quote shows how people