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Essay analysing economic inequality
Essay analysing economic inequality
How is class explored in a&p by john updike
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In the short story “A&P” by John Updike, the narrator Sammy characterizes his boss, Lengel, as an oppressive figure that represents the Bourgeoisie class in order to exploit the conditions of the working class. By characterizing Lengel as a strict yet lazy manager, Updike emphasizes how those in a position of power control the lower classes who are dependent upon them. His characterization as a manipulative figure also contributes to the use of religion and colonizing the conscious as a way of controlling his employees and customers into following his policies. Through Lengel’s function as the antagonist, Updike uses classism, religious ideologies, and colonizing the consciousness in order to criticize the oppressive nature of the class system. …show more content…
For example, when the three girls dressed in bathing suits walk into the store, Lengel confronts them because they are breaking the social norms that he has established. Sammy mentions, “He had been thinking all these years the A&P was a great big dune and he was the head lifeguard. He didn’t like my smiling – as I say he doesn’t miss much – but he concentrates on giving the girls that sad Sunday-school-superintendent stare” (Updike 455). The religious connotation in the phrase “Sunday-school-superintendent stare” is used to establish that Lengel holds a position of power over the girls. While the girls are of higher class than Lengel, his power as a male and the manager prevails over anyone else’s status and he is able to condemn those who go against his policies. The embarrassment of the girls contributes to the ideology of religion because it enforces the idea that society must follow the rules of those in power because everything happens according to God’s plan (Tyson 57). None of the other customers come to the girls’ defense because they trust Lengel as an authority figure and believe that his rules are justifiable. Sammy also compares Lengel to a lifeguard which further emphasizes the idea that Lengel’s job is to help others in need. Both of these metaphors imply that the customers and the employees of the store are dependent on Lengel because he has …show more content…
By manipulating Sammy, Lengel tries to convince him that he is financially inferior and that he would benefit from the protection and guidance of someone from a higher status (Tyson). For example, Lengel attempts to make Sammy feel guilty over quitting the store. Lengel says, “Sammy, you don’t want to do this to your Mom and Dad” (Updike 457). Since it is mentioned that Lengel is friends with Sammy’s parents, it is assumed that his parents got him the job at A&P. However, it is also implied that Sammy is in the lower or middle class and it is evident that Sammy’s family needs as many paychecks as they can get. Therefore, quitting his job at the A&P store would cause a financial burden on Sammy’s entire family. Lengel also threatens, “You’ll feel this for the rest of your life” (Updike 457). Yet again, Lengel tries to make Sammy feel guilty by making it seem as though quitting the store could affect his future chances of getting a job. Through colonizing his consciousness, Lengel attempts to make Sammy feel emotionally and financially dependent on the potential benefits of working at A&P. Updike uses the colonization of the conscious in order to emphasize Lengel’s control and manipulation over
In his short story "A & P" John Updike utilizes a 19-year-old adolescent to show us how a boy gets one step closer to adulthood. Sammy, an A & P checkout clerk, talks to the reader with blunt first person observations setting the tone of the story from the outset. The setting of the story shows us Sammy's position in life and where he really wants to be. Through the characterization of Sammy, Updike employs a simple heroic gesture to teach us that actions have consequences and we are responsible for our own actions.
But life is not a fairytale. Standing there lonely, having no job is our Sammy. This is when Sam realizes his path, the true way to become mature. The moment when “Lengel sighs and begins to look very patient:” Sammy, you don’t want to do this to your mom and dad” (Updike) hold him back a little bit, we can feel the regret in his heart. But he cannot go back anymore, decision has been made. He gives up his last chance; from now on, he’s on his own. Sammy finally understands that it is responsible behavior but not playing “adult-like” game that will make him a true
...s that Sammy is taking a stand and that Lengel cannot change his mind about quitting. When Sammy left the store, the girls where long gone. "His face was dark gray and his back stiff, as if he's just had an injection of iron, and my stomach kind of felt how hard the world was going to be to me hereafter." This quote illustrates that Sammy knows that his parents will not like the fact that he quit, but he realizes that he has to take charge with his life, and make his own chooses without being afraid of what his parents would think. He is very happy that he had taken a stand, and he let no one change it.
The plot of the story deals with three girls who come into the store dressed only in bathing suits. They make their entrance in the very first sentence, and they complicate Sammy's life. At first, Sammy, his older friend Stokesie, and McMahon the butcher all look at the girls lustfully. But of them all, only Sammy enjoys the entertainment the girls bring. The other shoppers crash their carts, look stunned, and are suddenly jarred out of their everyday routine. Sammy, who seems bored with his job, finds the change amusing. He even begins to feel sorry for the girls when everyone else stares at them lustfully. The plot's major conflict occurs late in the story when Lengel, the manager, comes in and scolds the girls. Sammy knows that they are on their way out of the store, but Lengel has to yell at them and make them feel bad.
At first glance, Sammy, the first-person narrator of John Updike's "A & P," would seem to present us with a simple and plausible explanation as to why he quits his job at the grocery store mentioned in the title: he is standing up for the girls that his boss, Lengel, has insulted. He even tries to sell us on this explanation by mentioning how the girls' embarrassment at the hands of the manager makes him feel "scrunchy" inside and by referring to himself as their "unsuspected hero" after he goes through with his "gesture." Upon closer examination, though, it does not seem plausible that Sammy would have quit in defense of girls whom he quite evidently despises, despite the lustful desires they invoke, and that more likely explanations of his action lie in his boredom with his menial job and his desire to rebel against his parents.
When he is stricken by the proposition to stand up for the girls as Lengel confronts them about their attire, his entire world
...gives him some insight into his future. As he is walking away from the A & P he sees "Lengel in [his] place in the slot, checking the sheep through. His face was dark gray and his back stiff, as if he'd just had an injection of iron, and my stomach kind of fell as I felt how hard the world was going to be to me hereafter" (p.37). Sammy begins his transition from adolescence into adulthood here. He realizes that if he stays at the A & P he may end up like Lengel or the other sheep. He wants more out of life and his fantasy about being Queenie's "unsuspected hero" (p.36) allows him to escape. Sammy comes to the conclusion that life is not going to be easy and he is going to make decisions for himself that the people around him will not necessarily support.
The story unfolds when, “Lengel, the store’s manager” (2191) confronts the girls because they are dressed inappropriately. To Sammy, it is a moment of embarrassment and in defiance he quits his job. The student suggests that in quitting, “Sammy challenges social inequality and is a person who is trying to
People often take their place in society for granted. They accept that position into which they are born, grow up in it, and pass that position on to their children. This cycle continues until someone is born who has enough vision to step out of his circle and investigate other ways of life in which he might thrive. One such person is embodied in the character of Sammy in A&P, by John Updike. Sammy is the narrator of the story and describes an incident in the store where he encounters a conflict between the members of two completely different worlds the world that he was born into and the world of a girl that captures his mind. Through his thoughts, attitudes, and actions, Sammy shows that he is caught between the two worlds of his customers at the A&P.
Lengel, the manager of the store, spots the girls and gives them a hard time about their dress in the store. He tells them, “Girls, this isn’t the beach.” He says that they are not dressed appropriately to come into this grocery store. Lengel’s words cause Queenie to get embarrassed and start to blush. Sammy cannot believe this and gets frustrated at his boss. He doesn’t believe that it is right to prosecute these innocent girls for the way they are dressed. He also states at this point that the sheep are piling up over in Stokesie line trying to avoid all the commotion the scene has caused. I believe Sammy takes this as the last straw in a long string of aggravations.
Sammy’s decision in the end to break away from the conformity that is in the A&P to establish himself is a raw truthful decision. He has chosen to follow his heart which Updike shows is what every person should do. This story is great for readers of all ages, because Sammy could be any person in modern contemporary society who is struggling to find themselves in a world dominated by conformity, rules, and standards of norms. Updike’s story is a powerful message to seek individualism. Although sometimes the road to self-identity is not known the journey getting there is worth all the while.
The lives we live today encompass many moral aspects that would not have been socially acceptable fifty or more years ago. John Updike’s short story, A&P, addresses these issues of societal changes through a 1960’s teenager point of view. This teenager, Sammy, spends a great deal of his time working at a local supermarket, observing customers, and imagining where his life adventures will take him. Through symbolism and setting, Updike establishes the characters and conflicts; these, in turn, evolve Sammy from an observational, ignorant teenager, promoting opposition to changing social rules, into an adult who must face reality.
By them going against their gender roles and being inappropriately dressed in A & P, they also create the possibility for tragedy to occur. The manager of A & P, Lengel, an old Sunday school teacher embodies what is expected to be the male gender role of that time when he publically chastises the girls for being dressed in that manner in the store. Despite the girls’ attempts to justify their actions of being dressed in this manner by saying that they only came in to buy one thing, Lengel maintains his masculine gender role of keeping women in line. Lengel states quite matter-of-factly, “We want you decently dressed when you come in here.” (Updike 234). It is at this moment that Queenie pushes the envelope even further in going against her gender roles, by answering back Lengel. Queenie’s response of “We are decent,” (Updike 234) shows her somewhat rebellious and disrespectful nature, and her disregard for Lengel’s patriarchal authority. She instead would have been expected in this scenario to possibly apologize to Lengel and leave the store with her friends since he was not only male but senior to her thus demanding her
The short story “A & P” by John Updike is about a young man’s decision to stand up for others or, in the other characters’ opinions, make a foolish decision by abandoning his responsibility. At first he believes his decision is the right thing, quitting his job for how the girls were being treated. Then when he gets outside of the store, he realizes the world he just left behind, regrets his decision, and begins to question his actions. He starts to overthink what the world has to offer him, making his worldview change from underrating to overrating. His “unsure of the world’s dangers” worldview in the beginning changes to overrating the dangers of the future ahead at the end of the story causing Sammy to change throughout “A & P”.
John Updike's A&P provides numerous perspectives for critical interpretation. His descriptive metaphors and underlying sexual tones are just the tip of the iceberg. A gender analysis could be drawn from the initial outline of the story and Sammy's chauvinism towards the female. Further reading opens up a formalist and biographical perspective to the critic. After several readings I began seeing the Marxist perspective on the surreal environment of A&P. The economic and social differences are evident through Sammy's storytelling techniques and even further open up a biographical look at Updike's own view's and opinions. According to an essay posted on the internet Updike was a womanizer in his own era and displayed boyish immaturity into his adulthood. A second analysis of this story roots more from a reader-response/formalist view. Although Sammy centered his dramatization around three young females, more specifically the Queen of the trio, it was a poignant detailed head to toe description of scene. I'll touch on that later.