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Symbolism in the glass menagerie
Symbolism in the glass menagerie
Symbolism in the glass menagerie
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Laura Wingfield, a physically and emotionally crippled character, is also the lone character in the production that never does anything to upset someone else. Notwithstanding the encumbrance of her own complications, she exhibits an untainted kindness that stands in plain contrast to the arrogance and resentful sacrifices that characterize the Wingfield family. Laura also has the least amount of lines in the production, which in turn confirms her quality of selflessness. However, she is the axis around which the storyline changes, and the blatant symbols—blue roses, the glass unicorn, and her full glass menagerie—all in some degree characterize her. Laura, like the blue rose or the unicorn, is rare and unconventional, and her disposition is as tender as the glass figurine which she is known so prominently for throughout the production. Other characters appear to adopt the belief that, like a piece of transparent glass, which is monochromatic until light gleams upon it, Laura can assume the role of any color they seem fit. Consequently, Amanda together takes advantage of the juxtaposi...
During the early 1920s the Great Depression took place. The Great Depression affected many people's lives. The immigrants caught the worst of it. They had just come from another country and were trying to start their new lives when the depression hit. They had to struggle once more with poverty and desperation in taking care of their families, the main reason they had left their old countries was to escape the same epidemic that was now overtaking ?the land of the free?. Immigrants, such as the Jewish immigrants, had to live in poverty-stricken ghettos without the necessities they needed to live healthy lives. The 1920s was the time of rapid change, it was the time of risque fashion, it was the time of which that if you were rich and had all the latest fashions then you were ?in? but if you did not then you were an outcast.
Demonstrated, by her praying when her mother asks her and attending church as well. Furthermore, in combination with references to slavery from Amanda and a few derogatory terms from Tom one can assume Laura and her family are Caucasian American. Moreover, it can be assumed that the play was written for a time period before it was published in 1944. Shown by the play also making references to the Second World War, and the Spanish civil War, presumably meaning the play took place some time in the late 1930’s. In the play the super-objective of Laura is to protect the alternate reality she has created where she feels far less crippled, and far more accepted. However, Laura faces the obstacle of real life, and her issues with her mother and her brother. The importance of protecting this alternate reality is extremely high to Laura because it is the only thing that has protected her from feeling confusion, pain, and anger towards the problems she faces. Meaning, it’s her only defence against something she has no control over (her illness, her families problems, feeling accepted).
Another symbol of Laura not belonging to the world is the nickname “Blue Roses” given to her by Jim. When she was young, she suffered from pleurosis, meaning she had to have a brace around her leg. Her leg never returned to normal, so she has a small limp. Jim misheard her saying pleurosis for “Blue Roses,” so he always called her by that phrase in high school. The nickname, “signifies her affinity for the natural—flowers—together with the transcendent—blue flowers, which do not occur naturally and this come to symbolize her yearning for both ideal or mystical beauty” (Cardullo, 161). Like blue roses, Laura is naturally beautifully but also mystical, meaning she seems not from this
The Glass Menagerie is a play written by Tennessee Williams. It involves a mother, Amanda, and her two children, Tom and Laura. They are faced with many problems throughout the play. Some of these problems involve: Amanda, the mother, only wants to see her kids succeed and do well for themselves. How does her drive for success lead the book?
Amanda is also well characterized by the glass menagerie. The glass sits in a case, open for display and inspection for all. Amanda try’s to portray herself as a loving mother, doing everything she can for her children, and caring nothing for herself, when in fact, she is quite selfish and demanding. Amanda claims that she devotes her life to her children, and that she would do anything for them, but is very suspicious of Tom’s activities, and continually pressures Tom, trying to force him in finding a gentleman caller for Laura, believing that Laura is lonely and needs a companion, perhaps to get married. Like the glass, her schemes are very transparent, and people can see straight through them to the other side, where ...
Laura's mother and brother shared some of her fragile tendencies. Amanda, Laura's mother, continually lives in the past. Her reflection of her teenage years continually haunts Laura. To the point where she forces her to see a "Gentleman Caller" it is then that Tom reminds his mother not to "expect to much of Laura" she is unlike other girls. But Laura's mother has not allowed herself nor the rest of the family to see Laura as different from other girls. Amanda continually lives in the past when she was young a pretty and lived on the plantation. Laura must feel she can never live up to her mothers expectations. Her mother continually reminds her of her differences throughout the play.
She is a shy, quiet girl who keeps herself at a distance. She loves glass figurines and prides herself on them. To her brother, she is seen as crippled because she cannot walk well and is socially awkward. This results in Laura’s reality being different than the rest of the family’s because she closes herself off into a space where it is only her. Amanda wants the best for Laura, for her to have a husband or finish business school, because she wants Laura to get out of the house and get living. However, Laura does not want to live in that world, and it is shown when she skipped her business classes and through her interaction with Jim, her high school crush. Jim is the only person who is able to take Laura out of her own weird reality, and bring her into the reality of an ordinary girl. Laura breaks through her reality when she talks about the unicorn horn that Jim broke off her glass figurine, she tells Jim that, “It doesn’t matter. . . . [smiling] I’ll just imagine he had an operation. The horn was removed to make him feel less—freakish!” (Williams, 2009). Therefore, Laura being with Jim makes her feel a little less odd. This brings Laura out of her own reality for a bit, but then she retreats back into it when she finds out that Jim is engaged to someone else right after he kisses her. He broke her free of her own reality for a bit, just like how he broke the horn off of the
The characters inhabit their private realities in order to detach themselves from a world that confuses and alienates them. Laura, Amanda, Tom, and Jim prefer to immerse themselves in their narrow view of time rather than embrace the flow of time. Laura remains isolated as she has failed to find love. Amanda judges Laura as she imposes her own narrow expectations on her. Tom believes that he can escape reality and become inseparable from the imaginary worlds of movies. Jim's idealistic view of Laura suggests that he is out of touch with reality. The play demonstrates that the characters desire to escape reality due to their inability to live in the present and embrace the flow of
Furthermore, she keeps a "larger-than- life-size" photograph of her husband over the mantel who left the family when the children were young. When Jim came over for dinner, Amanda wears the "girlish frock of yellowed voile with a blue silk sash" that she wore on the day she met her husband (1222). Amanda obsesses with the past, and at the same time damaging the children psychologically. Constant allusions to the past have psychologically affected Tom and Laura, trapping them into Amanda$BCT(J lost world.
really a place for someone like him and his mind rebelled. Lastly you can see
When he asks what she gives it to him for, she replies, “A—souvenir.” Then she hands it to him, almost as if to show him that he had shattered her unique beauty. This incident changed her in the way that a piece of her innocence that made her so different is now gone. She is still beautiful and fragile like the menagerie, but just as she gives a piece of her collection to Jim, she also gives him a piece of her heart that she would never be able to regain. Laura and her menagerie are both at risk of being crushed when exposed to the uncaring reality of the world.
The Glass Menagerie is a play written by Tennessee Williams in 1945. The play takes place in the Wingfield’s apartment in St. Louis. Tom is the protagonist in the play and he stays at home with his mother Amanda and his sister Laura. Tom’s Father left the family when he was younger leaving him as the man of the house. His mother Amanda expects him to do everything a man would do. This included working, paying bills, and taking care of herself and Laura. Laura is disabled and she doesn’t work therefore Tom is left providing for his whole family. Being abandoned by Mr. Wingfield left the family distraught. No one seemed to be able to cope with the fact that he was gone even though he left many years ago. Amanda is constantly treating Tom like a child. She tells him how to eat, when to eat, and what he should and should not wear. Tom eventually gets fed up with everything. He can’t stand his factory job, the responsibility of being the man or being treated like a child by his mother. Tom decides to follow in his father’s footsteps and leave the family. It seems as if Tom thinks that running away from his problems will make them go away but things didn’t turn out that way. Although the play was written many years ago, young adults in this day and age can relate to Tom and his actions. The main theme in the play is escape. All of the character use escape in some way. Laura runs to her glass menagerie or phonographs when she can’t handle a situation, Amanda seems to live in the past, and Tom constantly runs away when things aren’t going his way. Escape is a short term fix for a bigger problem. Running away may seem like the easiest thing to do, but in the end the problem is still there and it may be unforgettable. As time goes on esc...
How Far She Has Fallen At first glance, Amanda Wingfield from Tennessee Williams’s The Glass Menagerie seems like a selfish woman stuck in her past. In some ways this observation is correct; however, she is much more than that. Her kind and caring nature, and her insatiable love for her children, has been overshadowed by her brash and insensitive dialogue. Her character is extremely complex and each one of her actions reveals more of her overwhelming personality.
Laura has a physical handicap with one leg being shorter than the other. With this handicap Laura was picked on and led to having high anxiety and stress. The anxiety and stress led to her not going to business college as stated when Amanda went to Laura’s class and talked to Laura’s teacher. To escape from the stress, Laura has a collection of glass sculptures. This is stated in the scene information of Scene II with “She [Laura] is washing and polishing her collection of glass” (Williams 1251). In Scene III when Tom and Amanda are fighting Tom through his jacket and broke a sculpture “With an outraged groan he [Tom] tears the coat off again, splitting the shoulders of it and hurls it across the room. It strikes against the shelf of Laura’s glass collection, there is a tinkle of shattering glass. Laura cries out as if wounded” (Williams 1257). Laura has one piece in her collection that wasn’t broken till later and means the most to her and that is the unicorn, Laura states this with “I shouldn’t be partial, but he is my favorite one” (Williams 1282). The unicorn represents her because the unicorn is different from a normal horse just like how she is different from other women, she then allows her gentleman caller Jim O’Connor to hold the unicorn and saying “Go on, I trust you with him”
Every member of WIngfield family described by Tennessee William uses illusion to protect himself/herself from a reality which is oppressive and ultimately destructive. Laura makes the most obvious use of illusions in her creation of a world of glass which becomes more real to her than the “real” world outside the glass menagerie. The world of glass menageries is very beautiful, delicate, and tender for Laura where she finds the most comfort to escape from the chaos of everyday life. At the end of the play, Laura returns to this glass world from which Jim almost took her away during his visit as the gentleman caller. After encounter with “the gentleman caller” and being let down by him, Laura seems to have become a fragile piece of glass, lost forever in the illusionary world that she has created, who would never let the outside world impinge on her or hurt her again. (NOVICK, J. “The Harvard