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Latino women in American films
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Latino Gangs in Movies
American filmmakers of the late twentieth century portrayed Latinos as merciless pursuers of the "American Dream". The Latino immigrants were characterized as "Urban Bandidos", seeking the path to ultimate wealth and power in a society dominated by Anglo authority. West Side Story, Fort Apache, and Scarface each portrayed the Latino character differently, but commonly depicted the "Urban Bandido" as a man in search of money and power in America. Not only do these immigrants fight for the warped American dream, but they often fight without fear, willing to risk almost anything to reach the top.
In West Side Story, the Puerto Rican gang known as the Sharks always gets blamed for the conflicts that arise between the two groups. The Latino males are depicted as violent and angry, while the senoritas are portrayed as submissive and willing to assimilate into the anglo-governed society. The popular musical presents American audiences with the idea of interracial relationships in a society that looks down upon the mixing of cultures. Tony and Maria refuse to ignore their undying love for each other, and put that devotion before all other beliefs and concerns about their opposing social groups. As the two gangs fight for territory, Tony and Maria fight to make their friends understand that it doesn't have to be a "space…impregnated with cultural symbols and political significations for the relations, interactions, and social actions according to the "American Way of Life" (Sandoval, 167).
Fort Apache conveys the image of a society where Anglos are the strong, heroic force and the Latinos take a submissive, incompetent role in the urban life. Paul Newman plays the white cop, displaying his hero...
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...es to gaining the most material wealth possible. The Anglo characters of these late 20th century films play the role of the "good guy", always appearing when the need for a hero or savior arises. Overall, American audiences do not see a great change in the presentation of Latino characters in the storyline. They are portrayed negatively through time, although in the more recent films, the Latino is more of a violent, greedy druglord in place of the typical greaser or bandit that we are accustomed to seeing. The stereotypes remain present through the second half of the century, identifying Latinos as dark, violent, inferior bandits, and the Latinas as weak, unintelligible, sexual objects. It seems as though the American cinema has no intention of introducing the world to a more accurate representation of Latinos and Latinas even as we approach the end of the century.
Harvest of the Empire is a valuable tool to gaining a better understanding of Latinos. This book helps people understand how varied Latino’s in the United States are. The author also helped give insight as to how Americans reacts to differences within itself. It does this by giving a description of the struggles that every Latino immigrant faced entering the United States. These points of emphasis of the book were explained thoroughly in the identification of the key points, the explanation of the intersection of race, ethnicity, and class, in addition to the overall evaluation of the book.
In “The Thematic Paradigm,” University of Florida professor of film studies, Robert Ray, defines two types of heroes pervading American films, the outlaw hero and the official hero. Often the two types are merged in a reconciliatory pattern, he argues. In fact, this
First, both books have two opposing gangs. In West Side Story, the Puerto Ricans make up the Sharks, and the Americans make up the Jets. In The Outsiders, the wealthy teenagers make up the Socs, and the low class youths make up the Greasers. Both gangs are rivals, constantly fighting to try and prove themselves superior to one another. One gang from each book, the Greasers and the Sharks, are typically the ones that are looked down upon by others. They are poor and usually cannot afford many things. On the other side, the Socs and the Jets are the superior gangs. They control most of the town, and normally beat up other gangs.
In the film Quinceañera (2006), it shows controversial issues that Latinos are known to displease including teen pregnancy, being gay, and not conforming to the family’s religion. Carlos, one of the movie’s main characters, has been dishonored and kicked out
Latin lovers, banditos, and gangbangers are the negative roles that have been filmed in Hollywood production have diminished over a long period. Bandito is dirty with unshaven face and they are dishonest, irrational and emotional to violence. Media had portrayed racist imagery on Banditos featured inability in English speaking and their accents is a racial marker.
The first social issue portrayed through the film is racial inequality. The audience witnesses the inequality in the film when justice is not properly served to the police officer who executed Oscar Grant. As shown through the film, the ind...
The short story “The Storm” by Kate Chopin, deals with the subject of adultery. The story takes place in the early 1900’s. There are two main characters, Calixta (the wife) and Alcee (the former lover). Alcee must take refuge from a passing storm in Calixta’s house, while he is there the two end up making love while Calixta’s husband and son have to wait out the storm at the local store. By doing this Chopin implies the theme that is, adultery is natural and does not necessarily have negative consequences. Through out the story the constant changing of imagery plays a great role in the development of characters and their ability to demonstrate the theme.
Both La Ciudad (1998) and El Norte (1983) show the lives of immigrants in the United States and how they face poverty and destitution. While La Ciudad shows the perspective of various different immigrants already in the United States through vignettes, El Norte follows a brother and sister on their journey to the United States and shows what their life is like once they arrive. Both films, however, have common themes of poverty and destitution for immigrants. For instance, both films show the disappointing reality they face once they actually make it o the US. In addition, both films explore how immigrants are pressured to only looking out for themselves and how they stand up to that pressure.
Judith Ortiz Cofer, a professor of english and creative writing, tackles gender roles as well as cultural stereotypes in “ The Myth of the Latin Woman” and challenges them by attempting to replace the stereotypes with the realities. In “The Myth of the Latin Woman” Cofer discusses her life in America as a Puerto Rican woman. She also shares her stories of when she was stereotyped and how gender roles play a role in how Latinos are viewed. Stereotypes will follow you around because of your appearance and how the media portrays Latinas.
... and wrong. While Descartes believes that all bad things that happen were actually good if we could just see the bigger picture, Hume says this does not matter. The human and animal mind is not created to think of the bigger picture, it is only able to think about what is right in front of it. So in this aspect, humans and animals are both able to perceive what is right and wrong, therefore supporting Hume’s idea that humans and animals aren’t so different.
This paper will cover issues that young minorities encounter in the movies; Crips and Bloods: Made in America (2008), Gran Torino (2008), A Better Life (2011). Movies will be summarize, and compare and contrast youths experienced. Criminological theories shall be utilized to further elaborate issues. Finally steps and theories will be utilized towards solving issues, also possible methods to correct the issues will be addressed in the end.
In the 1930's Native Americans and women were viewed as inferior races. The films produced during the early part of the 20th century, particularly those starring John Wayne reflected these societal attitudes. The portrayal of minorities in Stagecoach and Fort Apache clearly reflect the views of society at that time. The depiction of the West is similar to that which is found in old history textbooks, em...
...r own personal identity and how others view them. They are caught between to very different cultures and consequently often don't know how to find a way to balance the two. As Latino-Americans move farther away from their roots and struggle to find some common ground between the two cultures the polar duality in their identity will continue to be an extremely common theme in Latino writing.
Much of the dramatic action of Shakespeare’s tragedy, Hamlet is within the head of the main character, Hamlet. His wordplay represents the amazing, contradictory, unsettled, mocking, nature of his mind, as it is torn by disappointment and positive love, as Hamlet seeks both acceptance and punishment, action and stillness, and wishes for consummation and annihilation. He can be abruptly silent or vicious; he is capable of wild laughter and tears, and also polite badinage.
“Mockingbirds don't do one thing but make music for us to enjoy. They don't eat up people’s gardens, don't nest in corncribs, they don't do one thing but sing their hearts out for us. Thats why it’s a sin to kill a mockingbird” (119). In the novel, To Kill a Mockingbird, by Harper Lee, the first mention of a mockingbird appears when Jem and Scout are learning how to use their new air rifles. Atticus doesn’t want to teach them how to shoot the air rifles, but he gives them one rule to follow: do not kill mockingbirds. Later Scout, the main character, is told by Miss Maudie about how it is a sin to kill a mockingbird because they are innocent and they don't do anything to anyone. Throughout this story, there are several characters who are portrayed as mockingbird figures. Jem, Scout, Tom Robinson, and Boo Radley all fit the symbol of a mockingbird because they all start off innocent but are later changed dramatically by the brokenness of the world.