“The Cloak of Anarchy”; Larry Niven’s science fiction short story involves a futuristic, dystopian world, where one man’s social experiment goes very wrong. In “the Cloak of Anarchy”, Niven has developed a short story into a vehicle which is an effective commentary, on a variety of social and political topics. When many writers avoid controversial subjects; Larry Niven remains imaginative and thought provoking, by including potentially controversial societal situations and includes political views.
Some writers would tend to avoid controversy in their writing, to avoid offending or limiting their audience. Many choose to write brilliantly designed worlds, times or characters, that simply take a reader on a journey. They can use traits of realistic, non-realistic, and semi-realistic fiction. An effective storyteller can create plots, characters and settings which involve themes based on historical events, or mythology to present their tale. Classic themes within the science fiction genre; is this classic blending of scientific and technological facts. Then it is their job to take you to a place or time that shows their finely crafted potential situation and events.
In stories such as “The Cloak of Anarchy”, and “Footfall”(with Jerry Pournelle), he adeptly uses his writing skill and imagination to allow you to see into another place; he also shows no trepidation in including societal situations and political opinions which are even more thought provoking. The story begins with a description of the setting, which is a futuristic California . To be precise the San Diego, and Los Angeles areas. Long known for its expansive freeways, and exorbitant smog and pollution. The area is transformed to lush greenery: “Square in the middle of ...
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...er gets more expensive, immediately. There’s no reason why private enterprise can’t do anything a government--”(410). This is a viewpoint I have heard many times in our world; however, as the story goes on to show many premises behind anarchy would be doomed for failure.
So as these examples show Larry Niven, effectively uses the science fiction genre to present an interesting look at a dystopian world. He also is not intimidated to present social and political situations and viewpoints , for people to ponder and base their own opinions on. He efficaciously presents ideas that seem important to him, and should be addressed, while he also paints a picture of potential problems that could occur if not taken seriously.
Works Cited
Shippey, T. A. ""The Cloak of Anarchy"" The Oxford Book of Science Fiction Stories. Oxford [England: Oxford UP, 1992. 400-19. Print
In “1984,” Orwell portrays Winston’s secret struggle to undermine the totalitarian rule of Big Brother and the Party in Oceania. The different government agencies, such as the Thought Police and Ministry of Love, exercise unrestricted totalitarian rule over people. Winston actively seeks to join the rebellion and acquire the freedoms undermined by the Party. On the other hand, Heinlein’s brief narrative, “The Long Watch,” depicts a contrasting struggle championed by Dahlquist against the power hungry Colonel Towers and the Patrol. In his struggle to prevent the total domination of the world by the Patrol, Dahlquist chooses to sacrifice his life. Le Guin’s “The Ones who walk away from Omelas,” illustrates a communal form of injustice tolerated for the benefit of the entire city but necessitating the inhumane imprisonment of a child. He portrays the ambiguity of human morality and the individual struggle to determine right from wrong. The authors address social change and power in different ways, reflective of their individual perceptions. Hence, in each narrative, the author illustrates the individual’s role in effecting social change and the conditions under which such change becomes possible.
Destruction of individuality is an idea both authors explore to expose the broad social wrong of an oppressive society. Both Orwell and Niccol use their protagonists to demonstrate how dictatorial governments that destroy any semblance of individuality are inherently wrong. Orwell uses third person narration, which directly follows his protagonist as he fights to maintain his individuality in a society driven to eliminate the capability of “love, or friendship, or joy of living” by making him “hollow”. By employing the use third person narration Orwell portrays to the reader that even an individual with powerful intent to remain different can be broken down and made to believe that “2+2 = 5”. Similarly, Niccol uses extreme close up shots focusing on Vincent’s cleaning process and the motif of constant DNA checks to reinforce how authoritarian societies can demolish all sense of individuality. Vincent, an “in-valid” must take extreme measures to overcome the prejudices of soc...
Perhaps no other event in modern history has left us so perplexed and dumbfounded than the atrocities committed by Nazi Germany, an entire population was simply robbed of their existence. In “Our Secret,” Susan Griffin tries to explain what could possibly lead an individual to execute such inhumane acts to a large group of people. She delves into Heinrich Himmler’s life and investigates all the events leading up to him joining the Nazi party. In“Panopticism,” Michel Foucault argues that modern society has been shaped by disciplinary mechanisms deriving from the plague as well as Jeremy Bentham’s Panopticon, a structure with a tower in the middle meant for surveillance. Susan Griffin tries to explain what happened in Germany through Himmler’s childhood while Foucault better explains these events by describing how society as a whole operates.
The books Brave New World by Aldus Huxley and Anthem by Ayn Rand are both valuable twentieth-century contributions to literature. Both books explore the presence of natural law in man and propose a warning for what could happen when man's sense of right and wrong is taken from him. In this essay, I hope to show how these seemingly unrelated novels both expound upon a single, very profound, idea.
Several conflicting frames of mind have played defining roles in shaping humanity throughout the twentieth century. Philosophical optimism of a bright future held by humanity in general was taken advantage of by the promise of a better life through sacrifice of individuality to the state. In the books Brave New World, 1984, and Fahrenheit 451 clear opposition to these subtle entrapments was voiced in similarly convincing ways. They first all established, to varying degrees of balance, the atmosphere and seductiveness of the “utopia” and the fear of the consequences of acting in the non-prescribed way through character development. A single character is alienated because of their inability to conform – often in protest to the forced conditions of happiness and well being. Their struggle is to hide this fact from the state’s relentless supervision of (supposedly) everything. This leads them to eventually come into conflict with some hand of the state which serves as the authors voice presenting the reader with the ‘absurdity’ of the principles on which the society is based. The similar fear of the state’s abuse of power and technology at the expense of human individuality present within these novels speaks to the relevance of these novels within their historical context and their usefulness for awakening people to the horrendous consequences of their ignorance.
Freedom is one of the many great qualities of life, but when it is taken away, life could turn out to be anything but great. Freedom to think, repent, and refuse should be incorporated in ones daily routine, but under an authoritarian dystopian society, these freedoms are only dreamt of. When society draws such attitudes and lifestyles upon its citizens, one adapts and accepts these requests, but not without a compromise. In Shirley Jackson’s masterpiece ‘The Lottery’ and Kurt Vonnegut’s exceptional story ‘Harrison Bergeron’, human life is so often sacrificed and withdrawn that is becomes a norm in society. Forcing people to agree with someone else’s ideology of harmony and success cannot be achieved without discarding the non-believers. Both dystopian societies possess excessive force on their civilians, with harsh consequences resulting in death. Traditional values and dictatorship laws forcefully overcome the mass population’s beliefs, resulting in obedience and respect to the laws of society. By comparing and contrasting the short story ‘The Lottery’ and ‘Harrison Bergeron’, it can be derived that these societies have strict rules and regulations, citizens of the society have become so adapted that they are afraid of change, and there is a severe lack of freedom.
Kurt Vonnegut’s science fiction, short story, “Harrison Bergeron” satirizes the defective side of an ideal, utopian American society in 2081, where “everyone was finally equal” (Vonnegut 1). When you first begin to read “Harrison Bergeron”, through an objective, nonchalant voice of the narrator, nothing really overly suggests negativity, yet the conclusion and the narrator's subtle description of the events show how comically tragic it really is. Vonnegut’s use of morbid satire elicits a strong response from the readers as it makes you quickly realize that this scenario does not resemble a utopian society at all, but an oppressive, government and technology-controlled society. “A dystopian society is a
Much can happen in a matter of minutes; a man can go from thinking he is happy to thinking his life is falling apart, or can change from hating someone to loving them. These experiences sound outlandish, but they happened to Guy Montag, the main character in Ray Bradbury’s Fahrenheit 451, and Winston Smith, the main character in George Orwell’s 1984. These two dystopian novels are about the characters discovering major problems in their societies, and then trying to fix them. Montag lives in a society where television controls people’s lives and books have become illegal. On the other hand Smith lives in Oceania, a territory led by a totalitarian regime. This regime is headed by Big Brother and is referred to as the Party. By examining Fahrenheit 451 and 1984, it is seen, not only through the dehumanized nature of society, but also through the theme of lies and manipulation that both Orwell and Bradbury wish to warn of a horrifying future society.
Earlier this year, I became the government. Everyday, for the next few days, I woke up before the sun rose and filled my hotel room with light. In business professional attire, I would walk down the halls of the California State Capitol and into the Assembly Chambers. I experienced firsthand how the administration of our society works. There came a day, a cloudy day with rain falling momentarily, in which a protest was gathered in the streets. A man spoke, asking for the government to remove its mask. I failed to understand. What did this man want? Deep in my gut, I knew a life of terror, a life a darkness, and a life of despair could only be the outcome of the absence of government. This ideal is explained by the classic novel, Lord of the Flies by William Golding, which explores the universal theme that civilization is significant, regarding its role in securing that man does not return to his primitive nature of savagery.
Throughout the world, failures seem to occur all around. Whether it be in the form of losing oneself or losing the people around the individual, many failures commonly occurs with the accumulation of power. In George Orwell’s dystopian novel, 1984, Winston Smith is a low-ranking government official under the oppressive reign of his leaders, Big Brother. He is just one example of the many characters in written works that will eventually be defeated in one way or another. In British literature, it has become evident that characters affected by tyrannies have ultimately experienced loneliness, paranoia, and defeat.
Imagine a society in which its citizens have forfeited all personal liberties for government protection and stability; Aldous Huxley’s Brave New World, explores a civilization in which this hypothetical has become reality. The inevitable trade-off of citizens’ freedoms for government protection traditionally follows periods of war and terror. The voluntary degradation of the citizens’ rights begins with small, benign steps to full, totalitarian control. Major methods for government control and censorship are political, religious, economic, and moral avenues. Huxley’s Brave New World provides a prophetic glimpse of government censorship and control through technology; the citizens of the World State mimic those of the real world by trading their personal liberties for safety and stability, suggesting that a society similar to Huxley’s could exist outside the realm of dystopian science fiction.
A narrative is specified to amuse, to attract, and grasp a reader’s attention. The types of narratives are fictitious, real or unification or both. However, they may consist of folk tale stories, mysteries, science fiction; romances, horror stories, adventure stories, fables, myths and legends, historical narratives, ballads, slice of life, and personal experience (“Narrative,” 2008). Therefore, narrative text has five shared elements. These are setting, characters, plot, theme, and vocabulary (“Narrative and Informational Text,” 2008). Narrative literature is originally written to communicate a story. Therefore, narrative literature that is written in an excellent way will have conflicts and can discuss shared aspects of human occurrence.
Kornbluth, C. M. "The Failure of the Science Fiction Novel As Social Criticism." The Science Fiction Novel: Imagination and Social Criticism. (1969): 64-101.
Despite the state’s glorified rhetoric, Zamyatin reveals the volatile nature of stability when people walk “in twos” (129). This deviation from the norm of four signals a crack in the society’s ability to control its populace. When the government announces the Operation, pandemonium erupts as ciphers run without “[singing] the Hymn” and a couple “shamelessly copulates….without a ticket” (190, 192). The ciphers oppose routine. Before this ultimate requirement to conform, no cipher willingly lends himself to greater society, revealing the human instinct to be free. Even those who passionately embrace society’s standards quickly abandon them. As the expectations of the state clash with the nature of humanity, the plausibility of regulated happiness diminishes and becomes
The outlook to the future is usually one filled with hope. When failures of the past and present problems collide together, the future is often seen as a place of hope. This mindset was no different in Britain during the mid 20th century, especially in the late 1940’s. World War II had finally ended, the days of fighting Nazi Germany was behind everyone but present circumstances were bleak. Britain was still recovering from the effects of World War II and handling the transition of a new socialist democratic government. From the east there loomed Stalin’s Soviet Union with its communism government and Totalitarian ruling mindset. Many were oblivious to the facts surrounding communism and looked hopefully to it. The reason for this was as Mitzi Brunsdale states because of “all kinds of personal and social inadequacies” (139). Many in the west were discouraged with present conditions and looked to Stalinism for hope. Many of the “Western support for Stalin often took the form of neo-religious adulation” (Brunsdale139). On the other hand, George Orwell stood in direct opposition. This resistance against the Totalitarian rule of Stalin was especially expressed in one of his most popular books called 1984, which “brings home to England the experience of countless who suffered in Totalitarian regimes of Eastern Europe” (Meyers 114). George Orwell through his life experiences and through the accounts of others had seen the dangers of Totalitarianism. In 1984, George Orwell exposed three dangerous aspects of Totalitarianism by showing the oppression of the individual's in the story in order to show the true nature of Totalitarianism.