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Gender roles in present
Gender roles in present
Gender roles in present
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Reaching back to the earliest recorded history known to man, human beings have been exploring and creating the boundaries of what it means to be human. Since the ancient times we have had stories passed down from generations to generations to help spread these boundaries to others all around the world. One common boundary that you will see in literature is the power that men and women have over each other and there are three distinct writers who help explore and create this boundary: Sophocles, Marie de France, and Geoffrey Chaucer.
Marie de France’s “Lanval” is an entertaining lai that challenged society’s rules for women during the 12th century. At the time, women were viewed as objects to men. They were obedient, doing whatever their man
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They both share a common element in a sense that both the men of the stories get punished for not listening to their mistresses. However, while the knight and fairy queen in “Lanval” rode off and lived together happily ever after in the end, Oedipus and his lover are not as fortunate. Oedipus the king ends up becoming fate’s puppet and was doomed for misfortune before he could ever realize it.
Clearly the main theme of the story is the power of fate. From this story, I get a sense that Sophocles is suggesting that we cannot be fully responsible for our actions. Oedipus is helpless in the fact that he has no control over his predestined fate. Oedipus tries his best to change his fate but fails because fate simply does not allow him to do so, which makes it difficult to blame Oedipus for what happens to him.
Jocasta, Oedipus’s mother and lovely wife, tries to use her power over Oedipus to persuade him to give up on finding out the unavoidable truth. She tries to tell him that the truth cannot be possible. She says that not every prophecy comes true, that she and the former king Laius had a son that was prophesized to kill the king and sleep with her, that they had the son sent to be killed, and that her previous husband was murdered by a group of thieves, so there was no way that he can be the killer. However, Oedipus’s stubbornness and determination causes him not to
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Both stories have a centralized theme of love and the female characters in both of the stories use love and sexual desires for their own personal gain. However, between the two stories, Alison in “The Wife of Bath” is by far more cynical. Alison of Bath is a strong-willed and dominant woman who uses her power over men to get whatever she wants whenever she wants it. She often challenges the typical roles of gender, much like the Fairy Queen did in Marie de France’s “Lanval”. It is revealed in the story that she was the dominant figure in four out her five marriages and she did not mind it at all. She wanted power and wanted to be in control and if she did not have that power she used sex as her weapon. She was not ashamed of her sexual prowess as she even uses the bible to justify her actions, “That God bade us to wax and
Facing felony charges of misdeed, Lanval’s entire fate lies solely in the hands of his lady. When King Arthur agrees that: “if he [Lanval] can produce proof; / if his love would come forward, / if what he said, / what upset the queen, is true, / then he will be acquitted” (451-455), Marie places incredible power in the presence of a woman. In a time when being male was the prime prerequisite for holding authority—and women were openly seen as senseless and insignificant—Lanval’s lover’s ability to determine a knight’s fate makes a mockery of the current societal
The Wife of Bath was a plump, florid, jolly, bold, lusty, and voluptuous woman. She was the most valuable of women. The wife of bath cannot resist telling her companions about all of her sexual experiences. She has had five husbands. Her husbands fell into two categories. The first category of husbands was: rich, but also old and unable to fulfill her demands, sexually that is. The other husbands were sexually vigorous, but harder to control. The first three were rich, old, and jealous. She tamed them by accusing them of promiscuous behavior, that she herself practiced. Her fourth husband had a mistress, so she "gave him a real cause for jealousy" (Halliday 119). At the funeral of her first husband she fell in love with the legs of an Oxford clerk. Although he was half her age, he became her fifth husband. This marriage was unhappy because he beat her. To anger her fifth husband, the wife of Bath tore three pages from his book. After this he beat her again. She pretended to be dead and he felt so guilty that he threw his whole book in the fire. This gave her the upper hand for the rest of his life. She presently is looking for a sixth husband when her character is introduced (Halliday 119).
In Sophocles ' Oedipus the King, the themes of fate and free will are very strong throughout the play. Only one, however, brought about Oedipus ' downfall and death. Both points could be argued to great effect. In ancient Greece, fate was considered to be a rudimentary part of daily life. Every aspect of life depended and was based upon fate (Nagle 100). It is common belief to assume that mankind does indeed have free will and each individual can decide the outcome of his or her life. Fate and free will both decide the fate of Oedipus the King.
Jocasta’s blindness to the truth ruins her relationship with Oedipus unlike Gertrude’s blindness which merely taints her relationship with Hamlet. Primarily, as Oedipus comes closer to discovering the truth, Jocasta begs him to stop searching. She pleads with him yelling “No! In God’s name – if you want to live, this/ must not go on. Have I not suffered enough?/... I know I am right. I’m warning you for your own good.” (Sophocles 55). It is clear that Jocasta knows the truth and all along yet she refuses to tell Oedipus .She tries very hard to ignore the fact that Oedipus is her son because she knows once he discovers the truth, he will not even be able to look her in the eyes. It terrifies Jocasta to know that once Oedipus realizes that she is aware of the truth all along he will loathe her. Nothing hurts her more than knowing that the one she loves despises her. Jocasta can evade these unfortunate events if she did not ignore the obvious truth before her. Moreover, Jocasta desperately hopes that Oedipus dies before he u...
In The Wife of Bath Prologue, Dame Alison discusses how a successful relationship between a man and woman is one where the woman is in control. She uses her experiences to defend her views. A woman who has been married five times, Alison clearly endorses herself as being a woman of sexual desires, and in doing this she also makes a defense for women like herself. She disputes the notion that marriage is inferior to chastity by giving examples from the Bible. She cites King Solomon who had numerous wives and was not condemned for his behavior so why should she. She also quotes St. Paul’s statement that it is better to have passion while married, “It’s no sin to be married, he said, / For if you’re burning, better to be wed” (50-51). She does not throw out virginity, but rather argues, “A woman may be counseled to be pure, / But to counsel and commandment aren’...
... The Miller portrays Alison as a "wild and young" (205) woman throughout the entire tale, making it clear that she does not respect the relationship with her husband at all. It can also suggest that she is not an angel or the “good wife” that she likes to pretend to be. It is obvious that Alison likes to use her beauty and body in ways to make it easier to obtain the things that she desire just like The Wife of Bath indirectly hints in her tale.
If Oedipus had not been so determined to escape and prevent the prophecy, he would not have fulfilled it. Possibly, he was doomed to fulfill the prophecy because he believed he could avoid it. Nevertheless, his fate was sealed by his actions of pride and determination. His pride of conquering the Sphinx led him to the marriage of Jocasta, his mother. When avenging Jocasta’s previous husband, and his true father, King Laius’ death, he was blinded by his pride to the concept that perhaps he was the murderer. Not knowing the truth, he cursed himself to an “evil death-in-life of misery”. Of course at that time, Oedipus failed to realize his connections to Jocasta and Laius, but recognition of the truth would bring him to his eventual suffrage.
Oedipus is doomed to his fate so he uses his freewill to purge the truth (WowEssays). He uses this illusion to control his life so he doesn’t feel so scared of the prophecy ever coming true. He goes to his hometown Thebes to get away from the prophecy, and while he was on the road he murders his father not knowing that it was his real father, fulfilling one part of the prophecy. When he arrived in Thebes he married his own mother, Jocasta, and believed he was the king of Thebes. Jocasta believed her son, Oedipus, was dead, but as pieces of information began to fit she realized she had married her son and that the prophecy was coming true. Nevertheless, Jocasta’s blindness lead her to commit suicide.
The Wife of Bath, also named Alison, begins her tale by establishing her credibility through outlining her five marriages. She says, “If there were no authority on earth / Except experience, mine, for what it’s worth, / And that’s enough for me, all goes to show / That marriage is a misery and a woe” (276). Already, she slanders the role of marriage in the interest of being a woman. Through her marriages, she finds the union to be a misery. She further goes on to establish the idea of a “knowing woman.” By painting the picture that there is this ideal and intelligent woman who gets her wa...
No one can be held fully responsible for actions committed under some kind of external constraint, and for the case of Oedipus, such constraint might be exerted by god. But it does not mean that Oedipus suffers not because of his guilt, but of his goodness, because Oedipus is responsible for those actions which are not performed under constraint. Oedipus has choices, but every time he chooses the wrong one even he knew that the one he chose will turn out to be bad. He still chooses this road to certain extend, is because of his arrogant pride. I think the events of the play are Oedipus fault. Oedipus makes important mistakes or errors in judgment that lead to this ending. His pride, blindness, and foolishness all play a part in the tragedy that befalls him.
In the play Oedipus the King, by Sophocles, two themes appear; one that humans have little control of their lives because fate always catches up with them and the theme that when someone makes a mistake, they will have to pay for it.
In the story Oedipus the King by Sophocles’, Fate and Justice are both determined by a higher force rather than by random prospects. Throughout Oedipus Rex, several characters are involved in situations where fate and justice play a vital role. Every character in the story speculates the idea of fate and justice, however later on begins to believe it at last. Fate is important especially in relation to Oedipus because it involves itself into what resolution occurs to a character. Oedipus projects the role of a tragic hero and consequently connects to this theme perfectly because at first, he was the strong and respected Greek king of Thebes who accidentally fulfilled a prophecy with no intention of happening in the first place that resulted
Many critics throughout the years have given the Wife of Bath a title of that of a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it, by manipulating her husbands into feeling bad for things that they didn’t do, or by saying things that put them to utter shame. No man has ever been able to give an exact answer when she asks to know how many husbands a woman may have in her life...
Towards the beginning of Chaucer’s Canterbury Tales, the narrator introduces the reader to the loud and licentious Wife of Bath, Alison. In her prologue, she describes her five marriages—all ending with her widowed. While her marriages are not particularly healthy and harmonious, Alison managed to temporarily find love. The experiences of her marriages weave their way throughout her tale.
Women have the ability to get what they want, when they want it. Chaucer portrays the Wife of bath as the dominant person in her marriages. She looks at men as her trinkets to be used and played with. She moves from one man to another, always looking for more. The Wife of Bath is a control freak, wanting to have sex when she desires it and with whom she desires.