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Analysis for i too by langston hughes
Analysis for i too by langston hughes
Racism in current literature
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The poems, “I, Too” by Langston Hughes and “Incident” by Countee Cullen employ visual imagery, tone, literary devices such as hyperboles, symbolism, and foreshadowing in different ways to illustrate the public life interaction between two different races, and the private life of an African American’s internal struggle of not being able to fight against the prejudice towards them. Both poets share racism as their piece of life, and although dealing with racism is the central tension engaged in the poems, Cullen suggests that experiences can affect your view on life and change your attitude. Hughes on the other hand, proposes that with an optimistic attitude you can change the outcome of your future, and that your attitude is independent from past experiences.
“I, Too” and “Incident” are both are lyric poems. The “Incident” is more of a narrative that drifts on the past, while the speaker in “I, Too” instead thinks about the plausible future. Hughes wrote a free verse poem, which is ideal for envisioning the future because it leaves more flexibility for imagination. Cullen wrote a metrical verse poem – alternating between iambic tetrameter and iambic trimester – that consists of ballad stanzas to form an orderly structure with patterns just as a storyline does. An abrupt contact of irrational abhorrence was what inspired the “Incident”, while “I, Too” was inspired by racial segregation. The purpose of these poems was to see racism through an optimistic point of view, which Hughes successfully conveyed, and through the perspective of an innocent child, which Cullen had portrayed through his work. The poems are very typical, which is how the poets are able to gain empathy from readers. The poets were able to construct a self for th...
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..., which was demonstrated when the black child wanted the approval of the white child. However, Hughes’ speaker validates that we do not need admiration from others to feed to so-called appetite; which refers to self-satisfaction. These experiences affected the speakers in different ways; it impacted the speaker in “Incident” in a deconstructive way, whereas it impacted the speaker in “I, Too” in a constructive way.
Work Cited
Hughes, Langston “I, Too.” Poems, Poets, Poetry: An Introduction and Anthology. 3rd ed. Ed. Helen Vendler.
Boston: Bedford/St. Martin’s, 2010. 501-502. Print.
Cullen, Countee “Incident.” Poems, Poets, Poetry: An Introduction and Anthology. 3rd ed. Ed. Helen Vendler.
Boston: Bedford/St. Martin’s, 2010. 450. Print.
Poems, Poets, Poetry: An Introduction and Anthology. 3rd ed. Ed. Helen Vendler. Boston: Bedford/St. Martin’s, 2010. 183. Print.
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
Allison, Barrows, Blake, et al. eds. The Norton Anthology Of Poetry . 3rd Shorter ed. New York: Norton, 1983. 211.
During this era African Americans were facing the challenges of accepting their heritage or ignoring outright to claim a different lifestyle for their day to day lives. Hughes and Cullen wrote poems that seemed to describe themselves, or African Americans, who had accepted their African Heritage and who also wanted to be a part of American heritage as well. These are some of the things they have in common, as well as what is different about them based on appearance, now I shall focus on each author individually and talk about how they are different afterwards.
Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and differences of the voice and themes used with the works “How it Feels to be Colored Me” by Hurston and Hughes’ “The Negro Mother”. The importance of these factors directly correlate to how each author came to find their literary inspiration and voice that attributed to their works.
Looking at the historical context of each poem shows that the political movements of the time had a large effect on Hughes’s two poems. The timeline between the two poems is an interesting one to analyze. “I, Too” was written in nineteen twenty-six and “Theme for English B” was written in nineteen fifty-one (Rampersad). Many events relating to the civil rights movement happened during the years between the two poems. The nineteen twenties were filled with racism, intolerance, and
The writing of Langston Hughes in “I too” is significantly dependant on his point of view. The actions that occur in the poem are as realistic as they can get because Langston Hughes is speaking from the heart. He passed through the Harlem Renaissance and faced constant struggles with racism. Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American the poem’s struggles and future changes seem to be of greater importance than they ordinarily would.
Meinke, Peter. “Untitled” Poetry: An Introduction. Ed. Michael Meyer. 6th ed. Boston: Bedford/ St. Martin’s 2010. 89. Print
This chapter attempts to focus upon the problem of identity that confronted the African-Americans in America. Thus it investigates the African-American’s identity dilemma as shown in the poetry of Claude McKay and Langston Hughes. At the same time, it provides a solution for the African-American’s problem of estrangement and identity crisis. But while McKay’s self-rejection of his blackness urges him to trace the quest for identity in exile, Hughes’ self acceptance of his blackness enables him to reconcile with the white oppressors who stripped the black race from its identity. Moreover, it sheds light upon the psychological consequences that resulted from the violation of the African-American’s identity. Furthermore, this chapter shows the African-American’s self debasement, helplessness, and double consciousness that emanate from the sense of uprootedness.
“America the melting pot.” An expression used by many and often said in a prideful manner. We Americans like to think of ourselves as all accepting and welcoming to everyone, and while that may be true in general, discrimination still exist throughout the country. Fortunately, racism has significantly lowered thanks to the Civil rights movement. Each American can now express who they are without a major fear of contempt or prejudice. Prior to the Civil rights movement, racism ran rampant, particularly in the south. The Harlem renaissance, which took place throughout the 1920’s, helped spur the Civil Rights movement. It was around this time African Americans really started to push themselves forward in society. One successful poet of that time is Langston Hughes. Two of his well-known poems, “Theme for English B”, and “I, too America,” should be recognized for expression of the common thoughts and ideals of African Americans of the time who faced racial segregation. In “Theme for English B”, Hughes shows the reader that despite the lines drawn by society, he is an American and a part of his fellow man although there may be physical differences. “Yet a part of me, as I am a part of you. That’s American.” Hughes does a wonderful job in both his pieces depicting the racism of the time. He shows that no matter your background you are equal to those around you.
A situation can be interpreted into several different meanings when observed through the world of poetry. A poet can make a person think of several different meanings to a poem when he or she is reading it. Langston Hughes wrote a poem titled "I, Too." In this poem he reveals the Negro heritage and the pride that he has in his heritage and in who he is. Also, Hughes uses very simple terms that allow juvenile interpretations and reading.
It was once said that we all bleed the same color. Cultural differences play a big part in affecting a person's path in life just as in the novel “Night” by Elie Wiesel and the poem “I Too” by Langston Hughes. Both authors experienced painful dark times during segregation and World War ll. Through the use of imagery and tone we will explore to compare both of the author's attitude towards their experience was shaped by the historical hardships in our world.
In the inspiring poem- I, too, sing America- Langston Hughes, states real life situations of the constant battle of racism in the world. A servant to the white family, waiting on their every move, making sure they are taken care of before himself. This poem can have a wide range of racial statements or actions, the black male does not seem to have fear, through his courageous actions, putting the consequences he may face aside to prove a point. A small act of bravery through this world wide sickness some people have, can make an enormous impact of many lives, regardless of race.
Magill, Frank, ed. Critical Survey of Poetry: Revised Edition. Vol. 6. Pasadena: Salem Press, 1992. 2632-2635.
Works Cited Norton Anthology of Poetry, ed. Margaret Ferguson, Mary Jo Salter, Jon Stallworthy, 5th edn (London: W. W. Norton & Company, 2005).