This comes up with theme of tragic mulatto the playwright expresses over and over in his works. Hughes inters in the tragic mulatto theme may also have been a result of his own inner conflict. Whites and Blacks at that time considered this topic out of discussion or when they discussed it, it was in a comic way. Hughes approached the drama of racial miscegenation from the perspective of its main victims. Hughes's Mulatto presents a unique perspective of the theme of the tragic mulatto. It focuses on a young man comes from mixed heritage. Although Hughes relies on the tragic mulatto theme, it seems unconventional. Robert's tragic end results from his rejection of his black line preferring his White, just like his father's rejection of him. Robert wants to be better than other African Americans with his white heritage: "I'm not black, either…. Don't I look like my father? Ain't I as light as he is?... Ain't this our house?" (I). The tragedy of …show more content…
The masculine majority, probably, comes out of the play's main concern of violence and racism. Five characters are main and the rest are minor. First, Colonel Thomas Norwood, he is the plantation owner, a still vigorous man of about sixty, nervous, refined, quick-tempered, and commanding. He is a widower who is the father of four living mulatto children by his Negro house keeper. Norwood is an ambivalent character who denies the emotions associated with paternity. He is especially troubled by Robert's transformation through education: "just because Bert's your son, and I've been damn fool to send him off to school for five or six years, he thinks he has a right to privileges, acting as if he owned the place since he's been back here this summer." (I). Norwood personality has been distorted by the rules of Southern race relations. Norwood's constant reference to Robert as Cora's son is an evidence of Norwood's deep psychological
Lucy believes that even though she has gone through so much pain throughout her life, it can always be worse; there are people having more difficulties in their lives. For example, she brings up this ideology when she is watching the horrors of Cambodia loomed on TV. She expresses that “she feels lucky to at least have food, clothes, and a home” in comparison to these people that have nothing. In addition, she mentions how great would it be if people stop complaining about their situations and see how much they have already; “how they have health and strength.” Likewise, James expresses a positive view about the African American outcome after the slavery period. He realizes that the acceptance of the black man in society “not only has created a new black man, but also a new white man.” He’s not a stranger anymore in America; he’s part of a new nation. Because of this achievement, he concludes, “this world is no longer white, and it will never be white
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
Berry, Faith. Langston Hughes Before and Beyond Harlem Connecticut: Lawrence Hill and Company Publishers, 1983
Langston Hughes was one of the first black men to express the spirit of blues and jazz
Hughes says, “They hung my black young lover / To a cross roads tree.” (3-4). One can see that the narrator, this young girl has just loss her lover. Her lover got lynched and this causes our reader to have a broken heart. One can see that due to society and racism
James Langston Hughes was born February 1, 1902, in Joplin , Missouri . His parents divorced when he was a small child, and his father moved to Mexico . He was raised by his grandmother until he was thirteen, when he moved to Lincoln , Illinois , to live with his mother and her husband, before the family eventually settled in Cleveland , Ohio . It was in Lincoln , Illinois , that Hughes began writing poetry. Following graduation, he spent a year in Mexico and a year at Columbia University . During these years, he held odd jobs as an assistant cook, launderer, and a busboy, and travelled to Africa and Europe working as a seaman. In November 1924, he moved to Washington , D.C. Hughes's first book of poetry, The Weary Blues, was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, won the Harmon gold medal for literature.
Because of that, his writing seems to manifest a greater meaning. He is part of the African-American race that is expressed in his writing. He writes about how he is currently oppressed, but this does not diminish his hope and will to become the equal man. Because he speaks from the point of view of an oppressed African-American, the poem’s struggles and future changes seem to be of greater importance than they ordinarily would. The point of view of being the oppressed African American is clearly evident in Langston Hughes’s writing.
This image is the author’s perspective on the treatment of “his people” in not only his hometown of Harlem, but also in his own homeland, the country in which he lives. The author’s dream of racial equality is portrayed as a “raisin in the sun,” which “stinks like rotten meat” (Hughes 506). Because Hughes presents such a blatantly honest and dark point of view such as this, it is apparent that the author’s goal is to ensure that the reader is compelled to face the issues and tragedies that are occurring in their country, compelled enough to take action. This method may have been quite effective in exposing the plight of African-Americans to Caucasians. It can be easily seen that Hughes chooses a non-violent and, almost passive method of evoking a change. While Hughes appears to be much less than proud of his homeland, it is apparent that he hopes for a future when he may feel equal to his fellow citizens, which is the basis of the “dream” that has been
James Langston Hughes was born on February 1, 1902, in Joplin, Missouri. He was named after his father, but it was later shortened to just Langston Hughes. He was the only child of James and Carrie Hughes. His family was never happy so he was a lonely youth. The reasons for their unhappiness had as much to do with the color of their skin and the society into which they had been born as they did with their opposite personalities. They were victims of white attitudes and discriminatory laws. They moved to Oklahoma in the late 1890s. Although the institution of slavery was officially abolished racial discrimination and segregation persisted.
“I dream a world where… love will bless the earth and peace its paths adorn.” -- Langston Hughes
Langston Hughes was a large influence on the African-American population of America. Some of the ways he did this was how his poetry influenced Martin Luther King Jr. and the Harlem Renaissance. These caused the civil rights movement that resulted in African-Americans getting the rights that they deserved in the United States. Hughes was born in 1902 in Joplin, Missouri. His parents divorced when he was young and his grandmother raised him. She got him into literature and education; she was one of the most important influences on him. He moved around a lot when he was young, due to his parents divorce, but remained a good student and graduated high school. After this he traveled the world and worked in different places, all the things he saw in his travels influenced him. In 1924 he settled down in Harlem where he became one of the important figures in the Harlem Renaissance. He enjoyed listening to blues and jazz in clubs while he wrote his poetry. The music that he enjoyed greatly influenced the style and rhythm of his poetry. The poem “Dream Variations” by Hughes is about an average African-American who dreams of a world where African-Americans are not looked at or treated differently and they can rest peacefully. Yet in real life this was not so, black people and white people were not equal. And the world was not as forgiving and nice as in their dream. This poem is a good example of Hughes writing because it is typical of three things. The first is the common theme of the average life of an African-American and their struggles. Secondly, the style of his writing which is based on the rhythm of jazz and blues- he uses a lot of imagery and similes. Lastly, his influences which are his lonely childhood and growing up as an Afric...
During the 1920's and 30’s, America went through a period of astonishing artistic creativity, the majority of which was concentrated in one neighborhood of New York City, Harlem. The creators of this period of growth in the arts were African-American writers and other artists. Langston Hughes is considered to be one of the most influential writers of the period know as the Harlem Renaissance. With the use of blues and jazz Hughes managed to express a range of different themes all revolving around the Negro. He played a major role in the Harlem Renaissance, helping to create and express black culture. He also wrote of political views and ideas, racial inequality and his opinion on religion. I believe that Langston Hughes’ poetry helps to capture the era know as the Harlem Renaissance.
The poems “Visitors to the Black Belt”, “Note on Commercial Theatre”, “Democracy”, and “Theme for English B” by Hughes all illustrate the theme of staying true to one’s cultural identity and refusing to compromise it despite the constant daily struggle it meant to be black in an Anglo-centric society. In both “Visitors to the Black Belt” and “Note on the Commercial Theatre”, the speaker that Hughes uses combines the use of the first and second person perspectives to show the relationship between how he (Hughes) feels as a black man, towards the white man who doesn’t really seek to understand or help the black community, but instead just appropriates the cultural touchstones. “Visitors to the Black Belt” depicts the romanticism of black culture by whites.... ... middle of paper ...
Langston Hughes is a key figure in the vision of the American dream. In his writings his African-American perspective gives an accurate vision of what the American dream means to a less fortunate minority. His poetry is very loud and emotional in conveying his idea of the African-American dream. Most of his poetry either states how the black man is being surpressed or is a wish, a plea for equality. He does not want the black man to be better than everyone else, but just to be treated equal. Able to meet their dream with the same level of success and failure as everyone else.
The poem “Negro” was written by Langston Hughes in 1958 where it was a time of African American development and the birth of the Civil Rights Movement. Langston Hughes, as a first person narrator tells a story of what he has been through as a Negro, and the life he is proud to have had. He expresses his emotional experiences and makes the reader think about what exactly it was like to live his life during this time. By using specific words, this allows the reader to envision the different situations he has been put through. Starting off the poem with the statement “I am a Negro:” lets people know who he is, Hughes continues by saying, “ Black as the night is black, /Black like the depths of my Africa.” He identifies Africa as being his and is proud to be as dark as night, and as black as the depths of the heart of his country. Being proud of him self, heritage and culture is clearly shown in this first stanza.