Langston Hughes Tragic Mulatto

709 Words2 Pages

This comes up with theme of tragic mulatto the playwright expresses over and over in his works. Hughes inters in the tragic mulatto theme may also have been a result of his own inner conflict. Whites and Blacks at that time considered this topic out of discussion or when they discussed it, it was in a comic way. Hughes approached the drama of racial miscegenation from the perspective of its main victims. Hughes's Mulatto presents a unique perspective of the theme of the tragic mulatto. It focuses on a young man comes from mixed heritage. Although Hughes relies on the tragic mulatto theme, it seems unconventional. Robert's tragic end results from his rejection of his black line preferring his White, just like his father's rejection of him. Robert wants to be better than other African Americans with his white heritage: "I'm not black, either…. Don't I look like my father? Ain't I as light as he is?... Ain't this our house?" (I). The tragedy of …show more content…

The masculine majority, probably, comes out of the play's main concern of violence and racism. Five characters are main and the rest are minor. First, Colonel Thomas Norwood, he is the plantation owner, a still vigorous man of about sixty, nervous, refined, quick-tempered, and commanding. He is a widower who is the father of four living mulatto children by his Negro house keeper. Norwood is an ambivalent character who denies the emotions associated with paternity. He is especially troubled by Robert's transformation through education: "just because Bert's your son, and I've been damn fool to send him off to school for five or six years, he thinks he has a right to privileges, acting as if he owned the place since he's been back here this summer." (I). Norwood personality has been distorted by the rules of Southern race relations. Norwood's constant reference to Robert as Cora's son is an evidence of Norwood's deep psychological

More about Langston Hughes Tragic Mulatto

Open Document