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Effects of Religion in Society
Langston Hughes as a Modern poet
Effects of Religion in Society
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“Salvation”, by Langston Hughes, is an essay Hughes wrote about a time when he was thirteen where he went to church to become saved, only to end up not believing in Jesus. The essay brings up interesting points on religion, respect, and our culture. It’s a story of how adult and almost cult-like behavior can affect children and how it can teach children to falsely follow something they don’t believe in. The story within this essay takes place in his Auntie Reed’s church, where one night there was a big revival. According to Auntie Reed, “when you were saved you saw a light, and something happened to you inside” (Hughes 9). Except this would never truly be the case with young Langston. The story goes on tell that all the young children were …show more content…
After he stood up to become saved, the entire church exploded in joy, but for Hughes nothing had truly happened inside. Hughes, not wanting to hurt his aunt, never told her that he lied, and so he cried in bed that night. His aunt believed “the Holy Ghost had come into my [his] life” (Hughes 58). Although, Hughes knew that was not the case, and it tore him up. Langston Hughes was thirty-eight when he wrote this essay. It was twenty-five years after this had occurred. He did not want to deny his aunt’s culture but wanted to respect her and by doing so blindly went along with something he did not believe in. After all these years, he still vividly remembers this occasion and chose bravely to write about it and address how it made him feel, because of the impact if left on him. This goes to show that the influence of religion and culture from those that we love or care about cannot always be a good thing for our lives. It can lead us to lie and act as though we believe in things we do not. After experiencing what he did that night, and never having Jesus come to him, “[he] didn’t believe there was a Jesus anymore, since he didn’t come to help me.” (Hughes
On the other hand we have a story that is also humorous; however, his literary devices achieve a more childlike tone and his story concludes with a sympathetic effect on the reader . In “Salvation”, by Langston Hughes he takes us back to his inner thirteen year old self and his experience with being “saved” in a church. He explains the internal struggle he faces when he is pressured by a whole congregation to “see jesus” and the ironic effect it has on his perspective towards Jesus.
For a moment, imagine being in young Hughes’ place, and hearing, “Langston, why don’t you come? Why don’t you come and be saved? Oh, lamb of God! Why don’t you come?” (Hughes, 112), being whispered into your ear by your aunt as tears rush down her face. Would you not take the easy way out? How could someone at the age of twelve understand the torment that follows such an event? Hughes learned that night just what he had done, and what it meant, as he mentions in his essay when he says, “That night, for the last time but one- for I was a big boy twelve years old- I cried. I cried, in bed alone, and couldn’t stop. I buried my head under the quilts, but my aunt heard me….I was really crying because I couldn’t bear to tell her that I had lied, that I had deceived everybody in the church, and that I hadn’t seen Jesus, and that now I didn’t believe there was a Jesus anymore, since he didn’t come to help me” (Hughes, 112). At the first moment he was alone in silence, he understood what he had learned, and what it meant. That not only did he lie to his aunt, and to the church, but in his time of need, no one was there to help. There was no God by his side as he knelt on the church
Like most, the stories we hear as children leave lasting impacts in our heads and stay with us for lifetimes. Hughes was greatly influenced by the stories told by his grandmother as they instilled a sense of racial pride that would become a recurring theme in his works as well as become a staple in the Harlem Renaissance movement. During Hughes’ prominence in the 20’s, America was as prejudiced as ever and the African-American sense of pride and identity throughout the U.S. was at an all time low. Hughes took note of this and made it a common theme to put “the everyday black man” in most of his stories as well as using traditional “negro dialect” to better represent his African-American brethren. Also, at this time Hughes had major disagreements with members of the black middle class, such as W.E.B. DuBois for trying to assimilate and promote more european values and culture, whereas Hughes believed in holding fast to the traditions of the African-American people and avoid having their heritage be whitewashed by black intellectuals.
Langston Hughes paint a picture of himself, as he goes on to thirteen in church but finds himself directly reflecting on mans own instinctive behavior for obedience. A congregation who wants him to go up and get saved, gives into obedience and goes to the altar as if he has seen the light of the Holy Spirit itself. "won't you come? Wont you come to jesus? Young lambs, wont you come?" As the preacher stilling there with open arms, girls crying, kids standing that they have felt the power force of the holy spirit through there body. There, Langston, sits not feeling anything but himself sitting in a hot church waiting for this unknown pheumona to come and touch his inner soul only to find out that the Holy Spirit isn't coming for him at all.
Writer and member of the 1920’s literary movement, Langston Hughes, in his autobiographical essay, Salvation, elucidates the loss of innocence and faith due to the pressure of accepting a concept that he has yet to acknowledge. Hughes’ purpose is to describe his childhood experience of the burden to be saved by Jesus, resulting in his loss of faith. He adopts a solemn, yet disappointing tone to convey his childhood event and argues the unqualified religious pressure.
Langston Hughes was twelve when he was “saved.” He was at a revival at his Aunts church when he soon felted pressured to accept Jesus into his heart. He wanted to experience what everyone else was feeling but could not experience what others were. Soon he began thinking of what the other guy was feeling and began to become ashamed of himself, holding everything in for so long. Then Westley was sitting high on the thrown with Christ and Langston wanted that. Soon after Langston’s stood up to be saved, everyone started cheering and celebrating his salvation with him. Whenever he got home from the revival he cried alone in his room. His aunt thought he was crying because the Holy Spirit came into his life. Little did she know he was crying because he lied and said that he seen Jesus when he really didn’t (McMahan, Day, Funk, and Coleman 280).
In most people's lives, there comes a point in time where their perception changes abruptly; a single moment in their life when they come to a sudden realization. In Langston Hughes' 'Salvation', contrary to all expectations, a young Hughes is not saved by Jesus, but is saved from his own innocence.
In Langston Hughes’s narrative essay “Salvation”, Langston talks about how his experience at church caused him to crack under pressure and pretend to be saved from Jesus, which leads him to not believing Jesus is real anymore. I personally felt like he relates to real-world problems when it comes to Salvation. How you're expecting to feel this tidal wave of emotions to flourish and have these signs of repent to show up but doesn't happen. Another thing is, I like how he explains how tense the room felt when it was just him alone on the mourning bench and how the pressure to be “Saved” makes him lie to everyone. Within the essay, Hughes touches on many different types of ideas and feelings that most people can relate too.
Langston Hughes was one of the first black men to express the spirit of blues and jazz
A time comes in everybody's life where they need to be "saved." When this happens a spiritual bond is formed with in that individual. In Langston Hughes' essay, "Salvation," that bond is broken because Langston wasn't saved. It is because Langston turned to Jesus, and in his eyes Jesus wasn't there. This creating a conflict within himself and the members of the church, with the end result being Langston's faith being destroyed.
It was the night of the big revival, and Langston, a young boy going on the age of thirteen, was brought to his Aunt Reed’s church to see Jesus and be saved from sin. His aunt told him, “when you were saved from sin you saw a light, and something happened to you inside” (219). He believed her. When he was brought to church, his aunt directed him to the front row, where he sat calmly and patiently in the heat, waiting for the preacher to begin the service. The Preacher welcomed the “young lambs” (219) and started his sermon. Towards the end of his speech he invited the young children to the altar to be saved. At this point, Langston was confused because he was not seeing Jesus before him. All the young boys and girls sprang to their feet except Langston and another boy named Westley. They were the only two left on, what the parishioners of the church called, the “mourners’ bench” (218). Finally, Westley became very restless and decided that he was not going to sit on this bench anymore. Langston was left there all alone until
Langston Hughes is a key figure in the vision of the American dream. In his writings his African-American perspective gives an accurate vision of what the American dream means to a less fortunate minority. His poetry is very loud and emotional in conveying his idea of the African-American dream. Most of his poetry either states how the black man is being surpressed or is a wish, a plea for equality. He does not want the black man to be better than everyone else, but just to be treated equal. Able to meet their dream with the same level of success and failure as everyone else.
When Hughes was thirteen he attended a revival with his Aunt it was his turn to "see Jesus," his entire community and church all waiting expectantly for the moment when he was finally saved from sin. Unfortunately for Hughes, salvation did not occur. His fellow peers that he would be delivered, to Jesus convinced him. He was so caught up in the idea that when it did not happen, and when it did not, he felt like an outcast amongst his religious community. People crying, and praying for him at his feet, Hughes did not want to be the reason for all the madness happening around him. He stood up and acted as if his salvation had come to him, although deep within he knew it had not. "My aunt came and knelt at my knees and cried, while prayers and songs swirled all around me in the little church. The whole congregation prayed for me alone, in a mighty wail of moans and voices” (Hughes 111-112). Influenced by the wales and the cries, Hughes started to feel as if he was the problem, that something was wrong and it was up to him to fix it. As the congregation prayed for him alone, and his aunt cried and prayed by his feet, a wave of social pressure came to him at once. To stop the crying, and the constant praying there was only one thing to be done, although he knew he was never actually saved, he stood to his feet, and the religious community and church all rejoiced as they
Critical Essays on Langston Hughes.
Hughes wrote two poems that generated a lot of discussion about religion and African-Americans. One was “Drama for Winter Night (Fifth Avenue),” the other was “Goodbye Christ.” Once when Hughes was asked about religion, he responded, “ I grew up in a not very religious family, but I had a foster aunt who saw that I went to church and Sunday school” (qtd. In Emanuel 914). Even though Hughes grew up attending church and Sunday school he could see how religion and churches treated his race. This is evident in “Drama for Winter Night (Fifth Avenue)”. The poem begins: