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Langston Hughes
People always listen to music, watch movies or plays, and even read poetry without once even thinking what is could be that helps and artist eventually create a masterpiece. Often times, it is assumed that artists just have a “gift”, and people just do not consider the circumstances and situations that gradually mold a dormant idea into a polished reality. This seems to be the case with nearly every famous actor, writer, painter, or musician; including the ever-famous Langston Hughes.
In order for a person to really understand how Mr. Hughes’s life shaped his poetry, one must know all about his background. In this paper, I will write a short biography of Hughes’s life and tell how this helped accent his literary genius.
Langston Hughes was born in Joplin, Missouri, but lived with his grandmother in Lawrence, Kansas until he was thirteen. This arrangement was necessary because for some reason or another, his mother and father either did not or could not take care of Langston Hughes. Hughes felt hurt and rejected by both his mother and his father, and was unable to understand why he was not allowed to live with either of them. These feelings of rejection caused him to grow up very insecure and unsure of himself.
Although growing up without his parents was difficult and confusing for Hughes, it was during this time that his fire for literature was sparked by his grandmother, who always told Hughes stories of independent and strong forbears (Mullane 499). Hughes's grandmother, Mary Sampson Patterson Leary Langston, was prominent in the African American community in Lawrence. Her first husband had died at Harper’s Ferry fighting with John Brown; her second husband, Hughes's grandfather, was a prominent Kansas politician during Reconstruction. Hughes has been quoted as saying, “Through my grandmother’s stories, always life moved heroically to an end. Nobody ever cried in my grandmother’s stories. They worked, or schemed, or fought. But no crying. When my grandmother died, I did not cry either. Something about my grandmother’s stories(without her having said so) taught me the uselessness of crying.
Even though his grandmother had a great past and was highly respected in her community, she was very old and poor, and could not give Hughes the attention that he needed growing up. Hughes went to live with his mother in Lin...
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... several books.
Money was a nagging concern for Hughes throughout his life. While he managed to support himself as a writer, no small task, he was never financially secure. In 1947, however, through his work writing the lyrics for the Broadway musical "Street Scene," Hughes was finally able to earn enough money to purchase a house in Harlem, which had been his dream. He continued to write: "Montage of a Dream Deferred," one of his best known volumes of poetry, was published in 1951; and from that time until his death sixteen years later he wrote more than twenty additional works.
Langston Hughes was, in his later years, deemed the "Poet Laureate of the Negro Race," a title he encouraged. Hughes meant to represent the race in his writing and he was, perhaps, the most original of all African American poets. On May 22, 1967 Hughes died after having had abdominal surgery. His funeral, like his poetry, was all blues and jazz: the jazz pianist Randy Weston was called and asked to play for Hughes's funeral. Very little was said by way of eulogy, but the jazz and the blues were hot, and the final tribute to this writer so influenced by African American musical forms was fitting.
When reading the literature of Langston Hughes, I cant help but feeling energetically charged and inspired. Equality, freedom, empowerment, renaissance, justice and perseverance, are just a taste of the subject matter Hughes offers. He amplifies his voice and beliefs through his works which are firmly rooted in race pride and race feeling. Hughes committed himself both to writing and to writing mainly about African Americans. His early love for the “wonderful world of books” was sparked by loneliness and parental neglect. He would soon lose himself in the works of Walt Whitman, Paul Laurence, Carl Sandburg and other literary greats which would lead to enhancing his ever so growing style and grace of oeuvre. Such talent, character, and willpower could only come from one’s life experiences. Hughes had allot to owe to influences such as his grandmother and great uncle John Mercer Langston - a famous African American abolitionist. These influential individuals helped mold Hughes, and their affect shines brightly through his literary works of art.
James Mercer Langston Hughes was born in Joplin, Missouri, on February 1, 1902, to James Nathaniel Hughes, a lawyer and businessman, and Carrie Mercer (Langston) Hughes, a teacher. The couple separated shortly thereafter. James Hughes was, by his son’s account, a cold man who hated blacks (and hated himself for being one), feeling that most of them deserved their ill fortune because of what he considered their ignorance and laziness. Langston’s youthful visits to him there, although sometimes for extended periods, were strained and painful. He attended Columbia University in 1921-22, and when he died he, left everything to three elderly women who had cared for him in his last illness, and Langston was not even mentioned in his will.
Although many poets share similarities with one another, Hughes creatively crafted his poetry in a way that was unique to him during the 1920’s. He implemented different techniques and styles in his poetry that not only helped him excel during the 1920’s, but has also kept him relevant in modern times. Famous poems such as “Dream Deferred,” and “I, Too, Sing America” are still being studied and discussed today. Due to the cultural and historical events occurring during the 1920’s, Langston Hughes was able to implement unique writing characteristics such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues that is demonstrative of his writing style. Langston Hughes use of distinct characteristics such as irregular use of form, cultural and historical referenced themes and musical influences such as Jazz and the blues helped highlight the plights of African-Americans during the Harlem Renaissance Era.
2) There are many ways that the atmosphere is crafted by Edgar Allen Poe in the short story, “The Cask of Amontillado”. The author crafts an atmosphere of loneliness and eeriness as the book states, “there were no attendants at home; they had absconded to make merry……”
Langston Hughes was one of the first black men to express the spirit of blues and jazz
Hughes, who claimed Paul Lawrence Dunbar, Carl Sandburg, and Walt Whitman as his primary influences, is particularly known for his insightful, colorful portrayals of black life in America from the twenties through the sixties. He wrote novels, short stories and plays, as well as poetry, and is also known for his engagement with the world of jazz and the influence it had on his writing, as in "Montage of a Dream Deferred." His life and work were enormously important in shaping the artistic contributions of the Harlem Renaissance of the 1920s. Unlike other notable black poets of the period—Claude McKay, Jean Toomer, and Countee Cullen—Hughes refused to differentiate between his personal experience and the common experience of black America. He wanted to tell the stories of his people in ways that reflected their actual culture, including both their suffering and their love of music, laughter, and language itself.
His poems established him as a well known poet in Harlem. In two of his poems one titled “Mother to Son” and the other “Harlem” both have some comparison and contrast between the two. The poem “Mother to Son” is more of a free lyric flowing poem. In this poem Langston Hughes gets the message across in a powerful attack. The poem is narrated from a mother’s viewpoint and the wisdom she gives her son as read in the following lines:
Hughes started writing poetry when he was in Lincoln (“Langston Hughes”). After graduating from high school, Hughes spent a year in Mexico followed by a year at Columbia University in New York City. During this time, he acquired menial jobs but, when he moved to Washington D.C. in November 1924, Alfred A. Knopf, published his first book The Weary Blues.... ... middle of paper ... ...
Langston Hughes was a large influence on the African-American population of America. Some of the ways he did this was how his poetry influenced Martin Luther King Jr. and the Harlem Renaissance. These caused the civil rights movement that resulted in African-Americans getting the rights that they deserved in the United States. Hughes was born in 1902 in Joplin, Missouri. His parents divorced when he was young and his grandmother raised him. She got him into literature and education; she was one of the most important influences on him. He moved around a lot when he was young, due to his parents divorce, but remained a good student and graduated high school. After this he traveled the world and worked in different places, all the things he saw in his travels influenced him. In 1924 he settled down in Harlem where he became one of the important figures in the Harlem Renaissance. He enjoyed listening to blues and jazz in clubs while he wrote his poetry. The music that he enjoyed greatly influenced the style and rhythm of his poetry. The poem “Dream Variations” by Hughes is about an average African-American who dreams of a world where African-Americans are not looked at or treated differently and they can rest peacefully. Yet in real life this was not so, black people and white people were not equal. And the world was not as forgiving and nice as in their dream. This poem is a good example of Hughes writing because it is typical of three things. The first is the common theme of the average life of an African-American and their struggles. Secondly, the style of his writing which is based on the rhythm of jazz and blues- he uses a lot of imagery and similes. Lastly, his influences which are his lonely childhood and growing up as an Afric...
During the 1920's and 30’s, America went through a period of astonishing artistic creativity, the majority of which was concentrated in one neighborhood of New York City, Harlem. The creators of this period of growth in the arts were African-American writers and other artists. Langston Hughes is considered to be one of the most influential writers of the period know as the Harlem Renaissance. With the use of blues and jazz Hughes managed to express a range of different themes all revolving around the Negro. He played a major role in the Harlem Renaissance, helping to create and express black culture. He also wrote of political views and ideas, racial inequality and his opinion on religion. I believe that Langston Hughes’ poetry helps to capture the era know as the Harlem Renaissance.
Langston Hughes was probably the most well-known literary force during the Harlem Renaissance. He was one of the first known black artists to stress a need for his contemporaries to embrace the black jazz culture of the 1920s, as well as the cultural roots in Africa and not-so-distant memory of enslavement in the United States. In formal aspects, Hughes was innovative in that other writers of the Harlem Renaissance stuck with existing literary conventions, while Hughes wrote several poems and stories inspired by the improvised, oral traditions of black culture (Baym, 2221). Proud of his cultural identity, but saddened and angry about racial injustice, the content of much of Hughes’ work is filled with conflict between simply doing as one is told as a black member of society and standing up for injustice and being proud of one’s identity. This relates to a common theme in many of Hughes’ poems: that dignity is something that has to be fought for by those who are held back by segregation, poverty, and racial bigotry.
Langston Hughes was deemed the "Poet Laureate of the Negro Race," a fitting title which the man who fueled the Harlem Renaissance deserved. But what if looking at Hughes within the narrow confines of the perspective that he was a "black poet" does not fully give him credit or fully explain his works? What if one actually stereotypes Hughes and his works by these over-general definitions that cause readers to look at his poetry expecting to see "blackness?" Any person's unique experiences in life and the sense of personal identity this forms most definitely affects the way he or she views the world. This molded view of the world can, in turn, be communicated by the person through artistic expression. Taking this logic into account, to more fully comprehend the message and force of Hughes' poetry one must look, not just to his work, but also at the experiences in his life that constructed his ideas about society and his own identity. In looking at Hughes' biography, one studies his struggle to form a self-identity that reflected both his African American and mainstream white cultural influence; consequently, this mixing of black and white identity that occurred throughout Hughes' life is reflected in his poem "The Weary Blues."
Foundation to this, his courage, expression and determination are what makes Hughes such an important black poet. Based on Hughes essay wrote in a 1927 he stated “I am not interested in doing tricks with rhymes. I am interested in reproducing the human soul, if I can”, which he truly did. In addition that he brilliantly combines formal poetry with the oral tradition, which show how he was unique compared to other poets of his
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