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Langston hughes poem themes
Langston Hughes themes in his writing
Langston Hughes encounters racism
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Langston Hughes
Throughout many of Langston Hughes' poetry, there seems to be a very strong theme of racism. Poems such as "Ballad of the Landlord", "I, Too", and "Dinner Guest: Me" are some good examples of that theme.
The "Ballad of the Landlord" addresses the issue of prejudice in the sense of race as well as class. The lines "My roof has sprung a leak. / Don't you 'member I told you about it/ Way last week?" (Hughes 2/4) show the reader that the speaker, the tenant, is of a much lower class than his landlord. It also shows that the landlord could care less of what condition his building is in as long as the money is still coming in. "Well, that's Ten Bucks more'n I'll pay you / Till you fix this house up new." (Hughes 11/12) shows that the speaker may be cleverer than originally thought because he is hitting the landlord right where it hurts: his wallet. At this point it seems that the speaker may actually win and get his home fixed up, until he threatens the landlord in fifth stanza. That’s when it all turns around. The landlord uses that threat to get the speaker, who we now find out, is black, thrown in jail.
Richard K. Barksdale wrote "in 1940, ['Ballad of the Landlord'] was a rather innocuous rendering of an imaginary dialogue between a disgruntled tenant and a tight-fisted landlord." He then goes on to comment about the literature having once again pitted the haves against the have-nots. According to him, the landlord / tenant confrontation was "just another i...
In his poems, Langston Hughes treats racism not just a historical fact but a “fact” that is both personal and real. Hughes often wrote poems that reflect the aspirations of black poets, their desire to free themselves from the shackles of street life, poverty, and hopelessness. He also deliberately pushes for artistic independence and race pride that embody the values and aspirations of the common man. Racism is real, and the fact that many African-Americans are suffering from a feeling of extreme rejection and loneliness demonstrate this claim. The tone is optimistic but irritated. The same case can be said about Wright’s short stories. Wright’s tone is overtly irritated and miserable. But this is on the literary level. In his short stories, he portrays the African-American as a suffering individual, devoid of hope and optimism. He equates racism to oppression, arguing that the African-American experience was and is characterized by oppression, prejudice, and injustice. To a certain degree, both authors are keen to presenting the African-American experience as a painful and excruciating experience – an experience that is historically, culturally, and politically rooted. The desire to be free again, the call for redemption, and the path toward true racial justice are some of the themes in their
James Langston Hughes was born February 1, 1902, in Joplin , Missouri . His parents divorced when he was a small child, and his father moved to Mexico . He was raised by his grandmother until he was thirteen, when he moved to Lincoln , Illinois , to live with his mother and her husband, before the family eventually settled in Cleveland , Ohio . It was in Lincoln , Illinois , that Hughes began writing poetry. Following graduation, he spent a year in Mexico and a year at Columbia University . During these years, he held odd jobs as an assistant cook, launderer, and a busboy, and travelled to Africa and Europe working as a seaman. In November 1924, he moved to Washington , D.C. Hughes's first book of poetry, The Weary Blues, was published by Alfred A. Knopf in 1926. He finished his college education at Lincoln University in Pennsylvania three years later. In 1930 his first novel, Not Without Laughter, won the Harmon gold medal for literature.
Another example of Hughes’s constant struggles with racism and his inner and thoughtful response to that is clearly seen when he recalls being denied the right to sit at the same table. His point of view identifies that he was not able to sit at the table because he was an African-American. Yet, he remains very optimistic in not letting his misfortune please what is considered the “white-man” in the poem. Langston Hughes’s states,
Racism and discrimination are problems many African Americans had to face in the 1940s; Hughes uses this aspect as the major theme in his poem “Ballad of the Landlord.” It is apparent that the tenant is discriminated against by the landlord, the police and the newspaper. For example, the newspaper shows only one side of the issue especially in the headline: “MAN THREATENS LANDLORD” (31). The tenant’s reasons for threatening the landlord were valid, although not legal, because the landlord treated the tenant unfairly by not fixing the house the tenant was renting. The tenant was angry, as expected, because the landlord was being prejudice against the tenant and refusing to fix his living conditions. The landlord would possibly have fixed the house if the tenant were white, and all problems could have been avoided had race issues not be...
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