Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Character development introduction
Character development introduction
Common themes in literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In the short story, Lamb to the Slaughter, by Roald Dahl, Mary Maloney changes as the story progresses. Initially she is excited to spend time with her husband, she then becomes uneasy and begins to hate him for his rejection of her. Finally, she does what she has to do to take care of herself and her unborn child. In the beginning of the story, Mary Maloney is looking forward to her husband returning home. She waits for him without anxiety and has his drink ready for when he returns from work. “For her, this was always a blissful time of day.” “She loved to luxuriate in the presence of this man, and to feel--almost as a sunbather feels the sun--that warm male glow that came out of him to her when they were alone together.” After her husband …show more content…
rejects her offers of another drink or some cheese and crackers, he tells her to sit down. “It wasn’t till then that she began to get frightened.” She listened to him with horror and then wondered if she had imagined that he had told her he wanted to leave her.
She felt like she was in a daze and went downstairs and found the first thing in the freezer, a leg of lamb. She hit her husband over the head with it, and it wasn’t until he fell that the shock wore off and she realized what she had done. She was very practical about the whole thing. “All right, she told herself. So I’ve killed him.” Her mind then became very clear. Mary decided that although she did not care about herself, she did care about her unborn child and, as a result, wanted to protect it. At the grocer, she created her alibi and convinced herself that she had not done anything to her husband, but that she was just going to cook him dinner. She decided that the best way to protect herself and her child was to act natural. “That’s the way, she told herself. Do everything right and natural. Keep things absolutely natural and there’ll be no need for any acting at all.” When she saw her husband, Patrick, was dead, she found herself crying; she did not need to act at all. Eventually, she fed the lamb to the investigators and in the end, she is a bit hysterical about how she got away with
murder. “And in the other room, Mary Maloney began to giggle.” In the story Mary Maloney changes how she feels about herself and her husband. At the beginning of the story, she waits patiently for him with excitement. When he comes home and starts talking to her she gets uneasy by his tone. Then she starts to hate him during the middle of the story because he rejects her. Finally, she transitions into caring only about herself and her child.
In the story Lamb to the Slaughter written by Roald Dahl, the writer emphasizes the woman's loyalty to her husbands will, despite the constraint in her social life. Mary Maloney obeyed her husband's commands forgetting her own, making sure he had everything he needed. Offering to grab her husband whiskey, he commanded her to sit down insisting that he get it himself. (Dahl 1) Although she could have taken time to do stuff for herself she did as her husband told her to without question. Another scenario of Mary's loyalty to her husband was proved to him as she selflessly asked him about his day rather than putting the spotlight on herself. For instance, she asked him if he was tired forgetting her own concerns. (Dahl 1) In place of telling him
In Lamb to the Slaughter, Mary Maloney, doting housewife pregnant with her first child, commits a heinous crime against her husband. After he tells her that he is leaving, she become distraught and strikes him in the head with a leg of lamb. Afterwards, Mary...
In “Lamb to the Slaughter”, Roald Dahl uses diction, details, and syntax to emphasize the matter-of-fact tone that is consistent throughout the entire story. Diction is a key element of tone that conveys this matter-of-fact tone. For example, Mary Maloney says to herself after killing her husband, “All right… So I’ve killed him” (Dahl 320). This sentence is lacking emotion. It states a pure fact, without going into further detail and captures a turning point in Mary Maloney’s way of thinking. By telling herself “all right,” Mary distances herself from the murder. She is detached from her own story and does not reveal any qualms about murdering her own husband. Similarly, Dahl uses the next sentence to describe Mary’s thoughts by explaining,
The impulsivity of her action shows that Mary’s Id response is responsible for her accidental murdering of her husband. In a childlike state, Mary feels hurt by her husband, so in turn she hurts him back. Following the murder of her husband, Mary comes to terms with her actions, and goes into her Superego and Ego response. Mary builds an alibi by going to the grocery store, where in a Superego state, she pretends her husband is still
Mary commits cold blooded murder with a big, frozen, leg of lamb in the back of the head. This is a very dark side to her, especially when previously it stated she waited happily for her husband to come home. This shows how people can have a secret about them that you might never know. Mary is a prime example of this because she murdered her husband and future father of her child. This shows how people can reveal a dark side to them that you may have never knew
We see with Mary that being pregnant can alter your emotions and cause someone to act much different that who they really are. Her husband being ready to divorce, makes her in denial that he no longer wants to be with her and hopeless because she will be left to raise her baby alone. Mary, not being about to think straight, kills her husband, going to show that she was evidently suffering from mental instability during and even after the killing. As evident, this was no murder committed in cold blood. Mary is innocent in the murder of Patrick Maloney by plea of temporary
“For God’s sake,” he said, not turning round. “Don’t make supper for me. I’m going out.”
All of Roald Dahl’s stories seem to be brimfull of irony and wry humor, and “Lamb to the Slaughter” is no different. Mary Maloney, a pregnant, but cheerful woman is very much in love with her husband and we certainly don’t expect her to be of any trouble. It’s shocking enough to learn that her husband, who seems such a nice guy, is cheating on her and plans to move out. This changes the expectation of the story right off the bat, and we feel a compassion for the poor woman. We’re not sure how she’s going to cope with this news, especially since she’s six months pregnant with his child. So when she acts rather compulsively and strikes him over the head with the leg of lamb that was going to be his supper, we really are shocked. She’s acted
Mary played the role of a very caring wife at the beginning of the story, since she was always there for her husband and tried to do anything to serve and satisfy him. Firstly, as soon as her husband came home “She took his coat and hung it in the closet. Then she walked over and made the drinks”(Dahl 2). Later on when she notices that her husband seemed depressed, she asked him, “Would you like me to get you some cheese” (Dahl 2). When he says no, she replies “But you must eat! I’ll fix it anyway” (Dahl 2). This shows the care she had toward her husband at the beginning of the stroy and how her life used to revolve him. Furthermore, it shows how she used to do anything to please him. Therefore this proves how she knew her duties and responsibilities toward her husband really well. Although, in this story, Mary Maloney was not only a very a dutiful and caring wife, but during the story she transitioned into becoming an even more dutiful mother who was well aware of her responsibilities. After she killed her husband she thought of her child and wondered, “What were the laws about murderers with unborn children? Did they kill the both- mother and child? Or did they wait until the tenth month? What did they do? Mary Maloney didn’t know. And she certainly wasn’t prepared to take a chance” (Dahl 3). This shows how Mary Maloney had created this entire plan just to save her child and didn’t care what harm came to her. Therefore this definitely makes her a very caring mom, because it takes a lot of love to do such a thing. So this definitely makes her the perfect mother. In conclusion, Mary Maloney is strongly aware of her duties and responsibilities. Therefore, she was able to carry out the entire plan because people knew how much she loved her husband and so people trusted her. Also, she created this plan because
Near the middle of the story we see Mary exhibit her bad sinister character; her personality and feelings suddenly change when she murders her own husband by hitting him at the back of the head with a frozen lamb leg. After denying all of Mary’s helpful deeds, Patrick told her to sit down so that he can tell her something serious; the story doesn’t tell us what he says to her but Mary suddenly changes after he tells her something, her “instinct was not to believe any of it” (Dahl 2). She just responded with “I’ll get the supper” (Dahl 2) and felt nothing of her body except for nausea and a desire to vomit. She went down the cellar, opened the freezer, grabbed a frozen leg of lamb, went back upstairs, came behind Patrick, and swung the big leg of lamb as hard as she could to the back of his head killing him. This act of sudden violence shows how much she has gone ...
Mary Maloney in “Lamb to the Slaughter” is a sympathetic character, unlike Montresor in “The Cask of Amontillado”. A sympathetic character is one that you can identify with, and is likable. Mary Maloney from the very start is someone you can sympathize with. She is a calm, demure woman. “Her skin-for this was her sixth month with child- had acquired a wonderful translucent quality, the mouth was soft, and the eyes, with their new placid look, seemed larger, darker than before” (Dahl 87). Mrs. Maloney is six months pregnant, so we immediately begin to sympathize with her. Her household is neat and organized, “The room was warm and clean, the curtains drawn, the two table lamps alight-hers and the one by the empty chair opposite” (Dahl
An additional view point of the story could be from a woman. A female reading Lamb to the Slaughter would most likely side with Mary Maloney. Dahl starts the story describing Mary’s behavior before her husbands’ arrival. She sits ...
Although, in the next event, when Patrick reveals his shocking want for a divorce, Mary’s attitude and feelings towards Patrick change as she becomes a cold and vengeful woman. When Patrick drains his drink in one swallow, Mary knows something is wrong, but she didn’t expect the want for a divorce to be what was bothering him. After Patrick asks for a divorce, Mary’s first instinct is “not to believe any of it, to reject it all,” (Dahl 88). She pretends nothing happens and goes to the garage to get the lamb for dinner. Then Patrick says one last time he doesn’t want her to make dinner, that he is going out, and, “At that point, Mary Maloney simply walked up behind him and without any pause she swung the big frozen leg of lamb high in the air and brought it down as hard as hard as she could on the back of his head… She came out [of shock] slowly, feeling cold and surprised, and she stood for a while blinking at the body, still holding that ridiculous piece of meat tight with both
She did everything without thinking. She went downstairs to the freezer and took hold of the first object she found. She lifted it out, and looked at it.” Mary’s subjective moral overview shifts as she comes to believe that it is morally righteous to murder her husband and still uphold her status as his wife, rather than letting him leave and forfeiting her position. Mary had been fully committed to being moral until her husband’s immoral acts.
Once Patrick had broken the news to Mary, she didn’t immediately react. In the rising action she continued to move on with her routine, cooking dinner. After, the bewilderment wore off; she snapped. “Without any pause she