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The importance of masculinity in macbeth
The importance of masculinity in macbeth
Macbeth's character development
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From the start of the play the reader may find out that there are various viewpoints of the notion of manliness in this play. Lady Macbeth and her husband, Macbeth both have a perverted understanding about what it means to be a man, whereas Macduff, a nobleman of Scotland who remains loyal to his country, stands in contrast to their understanding. For example, in Act I Scene 5 Lady Macbeth calls upon evil spirits to help her be cruel and unsex her from her womanly kindness in order to carry out a criminal deed. From this moment, the reader may comprehend that according to Lady Macbeth’s perception, to be more of a man then one has to be more aggressive and violent. Consequently, this same attitude towards manliness …show more content…
In this scene Macbeth, like his wife, exhibits the same attitude towards the notion of manliness and uses the same way of manipulation as his wife previously used with him. For instance, when one of the murderers expresses his reluctance and vacillation in killing Banquo by saying “We are men, my liege" (91), implying that “they are as capable of moral indignation and of violent response to wrongs as the next man” (Ramsey, 2014, p. 291), King Macbeth seizes this opportunity to change their perspective towards manliness by replying to them as in the following: “Aye, in the catalogue ye go for men, as hounds and greyhounds, mongrels, spaniels, curs, shoughs, water rugs, and demiwolves are clept all by the name of dogs” (Shakespeare, Act III, Scene I, 92-95). Here Macbeth is being against their attitude – not to kill Banquo - and just “like his wife before him, undermines this position by declaring that this hardly qualifies them as men or even as humans, except in the merely zoological sense” (Ramsey, 2014, p. 291). Furthermore, Macbeth in this quotation is using an analogy to mock their ability of manliness expressing that just as there are various breeds of dogs there are also different categories of men – some are more daring and some are less. So Macbeth is encouraging them to be more brutal and fierce. He continues saying
Lady Macduff as a Foil for Lady Macbeth. In many of Shakespeare’s plays, there is a major character, and a lesser character whose character traits directly contrast those of the major character. This literary device is called foil. One example of this exists in the play Romeo and Juliet, in which Mercutrio foils Romeo’s character with his disdain for love and belief in man making his own destiny.
In Shakespeare’s Macbeth, he uses the theme of manhood to create motives for characters to act like a man. This is seen in many occurrences in Macbeth where characters try to act like men for certain reasons. Characters that apply this action are Macbeth, the first murderer, Macduff, and Young Siward. These actions are seen throughout the play, and play a key role in the development of the performance.
... many degrading insults himself, Macbeth dishes one out while trying to persuade the murderers to kill Banquo. Macbeth asked the murderers if they were simply going to forgive Banquo for treating them badly, and they responded, “we are men, my liege.” (III,i,93) In response to this, Macbeth explained to them how men are like dogs: some are slow and some are strong, etc. He then challenges them to prove they are the right kind of men. (III,I,94-105) This challenge is what convinces the murderers to kill Banquo. Throughout Macbeth, Shakespeare shows that questioning whether or not someone is a man is highly effective in getting them to do what you want.
Macduff displays different aspects of what a man is, by feeling grief as a man and mourning the loss of his loved ones. The lack of traditional gender roles in the play affect the male characters and their manhood. Macbeth is constantly emasculated by Lady Macbeth to be the stereotypical traits of a man, strong and not-emotional, which leads him to his eventual downward spiral. Whereas Macduff dismisses the stereotypes of a man, and realizes for him to be effective in battle, he needs time to grieve the loss of his family. Despite his unknown motives for leaving, Macduff’s honest and respectable character proves the loyalty and love he feels to his family.
A prominent theme in William Shakespeare’s novel Macbeth is the idea of universal masculinity. Throughout the play, Shakespeare utilizes male gender stereotypes to present conflicting views on the definition of manhood. Macbeth tells the reader about a man who allows both societal pressures inflicted upon him by his wife and his intense ambition to drag Macbeth into a spiral of committing obscene acts of violence. Characters often associate being a man with courage, cruelty and power. This pervading caricature of a “man” is evident to the reader throughout the play. Lady Macbeth, for instance, goads Macbeth about his masculinity to the point of murder. Additionally, Malcolm and Macduff’s rigid discussion on revenge reveals a defined notion of “true” masculinity. Perhaps the culmination of rigid gender stereotypes is evident in Macbeth's pondering of the legitimacy of the hired murderers' manhood. Clearly, Shakespeare upholds male gender stereotypes throughout Macbeth.
Shakespeare portrayed his “Manly Men” as tough and ruthless, sometimes sensitive to their woman, or at least protective. In Macbeth Act IV scene ii, lines 14-17 from Ross “my dearest coz/I pray you, school (educate) yourself. But, for your husband, /he is noble, wise, judicious, and best knows/ the fits o’ the seasons.” Here Shakespeare explains the more sensitive man, that Macduff is, and we learn Macbeth is not. Man hood is described in many similar ways by Shakespeare, kind gentle, loving and sensitive, but also brutal in war and not sensitive or kind (Humphrey). Later Macduff yearns to cry for his loss, but is enraged and only seeks blood for blood. Act I Scene IV lines 22-27 “the service and loyalty I owe/ in doing it, pays itself. Your highness part/ is to receive our duties, and our duties
After receiving prophecies from the witches about his future to come, he is forced into an ambition-fuelled madness. As previously mentioned, Macbeth was persuaded to kill King Duncan by his wife due to his debatable manliness. This presented Macbeth’s need to prove to his wife he was manly by being valiant and strong and partaking in violent acts. He responds to his wife’s forceful directives by telling her, “Please stop! I dare do all that may become a man;/ Who dares do more is none” (1.7.46-47). This quote indicates how Macbeth believes a “real” man would not murder, and only due to Lady Macbeth explicitly attempting to manipulate him into action, does he succumb to do so. Macbeth endeavours the heinous crime of murdering the King, all owing to Lady Macbeth’s commands. On more than one occasion Macbeth is seen becoming mad, being overtaken by guilt and concern, highlighting that his manhood does not in fact give him any power, but only draws attention to his lack thereof. The inferiority he has within his relationship, also makes evident that Lady Macbeth’s pressure causes the transpiration of Macbeth’s powerful future. It is clear that Macbeth’s power was affected by his gender, as seen through his desperate need to prove his masculinity. Without the questioning of his manhood, Macbeth would have still been the
Gender roles in Macbeths society automatically expect men to be physically and emotionally stronger than women, however, lady Macbeth plays as a juxtaposition to Macbeth; encapsulating the emasculating woman prototype. She wants to abandon all her feminine qualities as she recognises that the characteristics she wants are not acceptable for females. She asks the spirits to "unsex" (1.5 46) her and to fill her "from the crown to the toe, top-full/ Of direst cruelty" (1.5 46). It is in gaining these ‘masculine’ characteristics in Lady Macbeth ultimately attacks Macbeths biggest insecurity- his masculinity. Lady Macbeth is more ambitious and power hungry than Macbeth, and uses him as a vice for her own power conquests. It is at times when he doubts what is right and wrong for his own ambition, that Lady Macbeth uses her power of manipulation to call his manhood into question. At first, Macbeth suggests that killing the King would make him less a man and would cause him too loose his humanity, however, he changes his mind as Lady Macbeth proposes that a real man keeps promises and acts on his ambitions: "When you durst do it, then you were a man;/ And, to be more than what you were, you would/ Be so much more the man" (1.7 54-56). Macbeth therefore murders Duncan to prove that he would be defeated neither by his fear
...hout the play, he continually worries about his own portrayal of masculinity, something that Lady Macbeth is quick to jump upon to make him do what she wants. When Macbeth says is challenged by lady Macbeth he says that he will do anything to be a man. ’when you durst do it, then you were a man’. Lady Macbeth is tormenting Macbeth by getting inside his head. This symbolises how he is being controlled by evil and corruption. Lady Macbeth and her desires on one side and the witches on the other. This shows how the two control is entangled and entwined. The word ’man’ is used to great effect here, it shows the true desires of the heart. Macbeth wants the recognition of his achievements. Lady Macbeth’s attitude explains how this is not enough. She wants Macbeth to be king, maybe more than he does. She is pushing him forwards.
“When you first do it, then you were a man, And to be more than what you were, you would, be so much more the man” (I. VII, 54-56). After struggling with the thought of killing Duncan, Macbeth is reprimanded by Lady Macbeth for his lack of courage. She informs him that killing the king will make him a man, insinuating that he isn’t a man if he doesn’t go through with the murder. This develops Lady Macbeth as a merciless, nasty, and selfish woman. She will say, or do anything to get what she desires, even if it means harming others.
Macbeth rejects conformation to traditional gender roles in its portrayal of Lady Macbeth’s relationship with her husband, her morals and their effect on her actions, and her hunger for power. Her regard for Macbeth is one of low respect and beratement, an uncommon and most likely socially unacceptable attitude for a wife to have towards her spouse at the time. She often ignores morality and acts for the benefit of her husband, and subsequently herself. She is also very power-hungry and lets nothing stand in the way of her success. Lady Macbeth was a character which challenged expectations of women and feminism when it was written in the seventeenth century.
In the play, everyone seems to want power. Usually, men are the ones who are outward and aggressive about it, and women are more subdued about it. Lady Macbeth has a great deal of power over Macbeth the power which she holds over him, is the fact that she possesses more of the "manly" quality than Macbeth himself. Because of this, Macbeth is ashamed of himself. Macbeth constantly tries to disprove Lady Macbeths doubt of his manhood. "When you durst do it, then you were a man, And, to be more than what you were, you would, Be so much more the man." (1.7.22). As you can see in this quote, Lady Macbeth has her doubts.
Although Macbeth's character greatly changes throughout the play, in the beginning, he is seen as a good model of what a man should be like. Known as a "valiant cousin [and a] worthy gentlemen", Macbeth wins the great respect and admiration from his king, Duncan, and his soldiers through his actions on the battlefields. His views on manhood are that one must be loyal to his king, honorable to his friends and honest and loving to his wife. He shows his belief in loyalty to his king by "dar[ing] to do all that may become a man", by fighting seemingly losing battles for the safety of Duncan. Also, the idea of murdering Duncan makes him feel that he would lose his manhood. This is because he feels that if he "dares to be more" that what he is then he is not humble but instead greedy and therefore not a man. Macbeth, as well, shows that although he is cold-hearted on the battlefield, he is not with his wife. Deeply in love with his wife, Macbeth shares everything with her example here. Although this leads him to his eventual doom, his powerful affection towards Lady Macbeth makes him feel complete in his definition of a man.
Shakespeare is known for strong male heroes, but they are not laying around in this play, not that Macbeth is full of strong female heroines, either. The women in the play, Lady Macbeth and the witches have very uncommon gender belief, and act as inhumane as the men. While the men engage in direct violence, the women use manipulation to achieve their desires. As Lady Macbeth impels Macbeth to kill King Duncan, she indicated that she must take on some sort of masculine characteristic in order to process the murder. “Come, you spirits/ that tend on mortal thoughts, unsex me here, / and fill me from the crown to the toe top-full/ of direst cruelty.” (i v 31-34) This speech is made after she reads Macbeth’s letter. Macbeth, she has shown her desire to lose her feminine qualities and gain masculine ones. Lady Macbeth's seizure of the dominant role in the Macbeth's marriage, on many occasions, she rules her husband and dictates his actions. Her speeches in the first part of the book give the readers a clear impression. “You shall put this night’s great business into my dispatch, which shall […] gi...
Lady Macbeth represents all the stereotypical qualities of manhood, such as unrelenting determination, cruelty, and lack of emotions. Her interpretation of masculinity is made clear from the very first scene she appears in. When Lady Macbeth realizes that she must kill Duncan in her own home, she states, "Come, you spirits/ That tend on mortal thoughts, unsex me here" (I. iv. 43-44). Her request shows that she believes a woman is not capable of such cruel and evil acts, and that only a man is. Furthermore, she wants to be filled up from the "crown to the toe, top-full/ Of direst cruelty!" with the "access and passage to remorse", completely blocked off, implying that a man is without remorse and feelings, and full of cruelty (I. iv. 45-47). Lady Macbeth then imposes her idea of Manhood on Macbeth. When Macbeth decides not to kill Duncan, Lady Macbeth quickly challenges his manliness by c...