Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Exploring the theme of guilt in macbeth
Exploring the theme of guilt in macbeth
Exploring the theme of guilt in macbeth
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Exploring the theme of guilt in macbeth
The guilt of doing something we know we shouldn’t can pick apart our minds. We either go confess or go mad thinking about it. This theme of secrets piled upon one another until they bubble over, is evident in William Shakespeare’s, Macbeth. While it is easy for Lady Macbeth and Macbeth to physically wash away the evidence of their actions, it is very difficult to wash it from their memories and consciences. Lady Macbeth cannot forget and move on from killing King Duncan, and others. The filth of her actions begin to control her mind. Lady Macbeth sleepwalks, trying to wash away these actions. She washes her hands, even though they are no longer covered in blood, she fears that “these hands [will] ne’er be clean” (5.1.40). Lady Macbeth’s guilt takes over her mind. She wants to undo what she has done, or at the very least, move past it. It is not as easy as it was to wash her hands of …show more content…
Duncan’s blood. Lady Macbeth is finally feeling the effect of what she has done, much later after she had done it. This complete mental breakdown is evidence that deeds have a lasting effect. Lady Macbeth once thought that “a little water clears us of this deed” (2.2.85), but clearly it clearly did not. Macbeth lets his guilt and past actions get the best of him as well. He lets the remorse he feels make him go crazy. When Macbeth sees Banquo, at the banquet he organized, even though Banquo’s “bones are marrowless,” and his “blood is cold” (3.4.115), it is clear that something is going on with Macbeth. He feels guilty for organizing the murder of Banquo, but will not confess. He does not want to be caught, but he makes it quite difficult for himself when he yells at who he believes is the ghost of Banquo in front of his guests. Macbeth easily planned the murder without making a mess, but he is having a tough time cleaning up the one he created in his mind. Banquo is dead, but his spirit continues to shake up Macbeth. Not only are Lady Macbeth and Macbeth affected by the guilt they carry in small ways like sleepwalking or seeing things, but Lady Macbeth takes her own life to try and escape the cage of guilt she has been trapped in.
Macbeth finds this out by Seyton telling him that the sound they heard was “the cry of women… the queen, my lord, is dead” (5.5.9, 18). The fact that Lady Macbeth was so overcome with self-reproach that she killed herself really demonstrates how difficult it is to be rid of the stains and spots we create in our lives. Lady Macbeth’s conscience got the best of her and she could not forget about the lives destroyed and the secrets kept by her. She could not hide all of her emotions anymore, so she let them out in one horrifying gesture. Lady Macbeth convinced herself that she could be free of her secrets if she kept them to herself, but her guilt kept her trapped. Lady Macbeth and Macbeth faced many obstacles due to the secrets they allowed to pile up inside them. It is not easy to move past one’s wrong-doings, which can destroy a person from the
inside-out.
He no longer is the innocent soldier he once way, he now has “unclean hands”. Lady Macbeth however, assumes his innocence. She claims she cannot murder Duncan herself because Duncan looks to much like her sleeping father. She is all words and no actions. Macbeth is devoid of any human emotions as the play goes on, and Lady Macbeth assumes the emotional role. Lady Macbeth begins to have dreams in which she cannot get the blood off her hands, and ultimately commits suicide from guilt of her actions. This breakdown of Lady Macbeth really highlights how inhuman the murder of Duncan has made Macbeth.
Lady Macbeth once thought that she would be able to wash herself clean of the horrors she once committed. This is not possible for she is so full of guilt that now her hands are completely covered in blood. Lady Macbeth feels as if she cannot escape the evils of her past, she is trapped in the evils of the present. Lady Macbeth is trapped even in her sleep of the evils she and her husband have committed.
Has any reader ever experienced the likes of such guilt as is found in the pages of Shakeare's tragic play Macbeth? I think not. This paper is an exploration of the many instances of guilt in the drama.
Impact of Guilt on MacBeth What is guilt and what major impact does it have in the play Macbeth by William Shakespeare? Guilt is defined as the fact or state of having offended someone or something. Guilt may cause a person to have trouble sleeping and difficulty in relationships with others. The effects of guilt tie into Macbeth with the theme of night and darkness.
She achieved the highest level of political power and was still not content; she is seen suffering the wrath of her convictions and is unable to attain true happiness. When she is no longer able to contain her sanity, Lady Macbeth begins sleepwalking and speaking of her past crimes: “Here 's the smell of the blood still: / all the perfumes of Arabia will not sweeten this little / hand.” 5.1.52-54. It can be surmised that the guilt is consuming Lady Macbeth to the point of her longer being able to contain it. Within her dream she is attempting to cleanse her hands of the blood with foreign perfumes, which is symbolic for her attempts to purge herself of the crimes she has remorsefully perpetrated. Near the end of the play, Seyton announces, “The queen, my lord, is dead.” 5.5.16. Lady Macbeth committed suicide in response to her dissolving mental state and her mingled fear of both past and future. She fears that what she has done can never be reversed nor repented, as she stated earlier in the play: “...What’s done, is done.” 3.2.12. However, it can be assumed that she also is in fear of her afterlife and the unsalvageable state of her grief-wracked soul. In conclusion, Lady Macbeth sincerely rued her iniquitous acts and was unable to reach a resolutionary
Guilt is an emotion that is felt by all people after they have done something that they know is morally wrong. This emotion can come in various levels and, depending on the intensity of the feeling, can change a person’s character. The theme of Guilt in Macbeth is described and portrayed through the two main characters Macbeth and Lady Macbeth. The feeling of guilt effects the way that these characters act in response to certain situations and problems and will ultimately lead to their death. Shakespeare writes this play as if to show how the effects of guilt change Macbeth from a war hero to a hated tyrant, and consequently Lady Macbeth’s down ward spiral to madness. In the play “Macbeth” the characters are examples of how Guilt may affect the average human being. Both Macbeth and Lady Macbeth handle the guilt of killing Duncan in different ways so a person who may want to understand more about the mentality of suicide victims or those who are struggling with guilt may use these characters as a reference source. Understanding the effects of guilt on the characters in “Macbeth” can illuminate how people today deal with guilt in their lives.
Everyone deals with guilt at least one time throughout their life, and several authors use guilt to help build up suspense in their story. Guilt in Macbeth not only affects his mental state of mind, but it also destroys him physically, along with a few other characters such as Lady Macbeth. The characters are affected by guilt so much, that it actually leads to their death essentially, just because they were not able to handle the consequences for the events that occurred. Despite being destroyed by guilt, they were still forced to carry on with their lives and they did have to try to hide it, even though Macbeth was not doing so well with that. His hallucinations were giving him up and eventually everyone knew the he had murdered Duncan so he could become the next king.
Murder after murder, ambitious plot after plot, Macbeth surrenders his mental state. After Duncan’s annihilation, Macbeth has already lost his appetite, ability to sleep, and social graces. Speaking with his dearest chuck after the death, Macbeth explains that he cannot slumber due to the guilt of the bloodshed. He even shares with Lady Macbeth,
While in Hamlet and others of Shakespeare's plays we feel that Shakespeare refined upon and brooded over his thoughts, Macbeth seems as if struck out at a heat and imagined from first to last with rapidity and power, and a subtlety of workmanship which has become instructive. The theme of the drama is the gradual ruin through yielding to evil within and evil without, of a man, who, though from the first tainted by base and ambitious thoughts, yet possessed elements in his nature of possible honor and loyalty. (792)
Her choices triggered the rise of her status, but also began the recession of her mental health. For a majority of the play, Lady Macbeth constantly reminds for Macbeth to ‘be a man’ and to overcome his emotions. Soon after the murder of King Duncan, Macbeth comes to her, full of guilt and trauma. She mocks him, stating that “tis the eye of childhood /that fears a painted devil,” (II, II, 70-71) in an attempt to belittle him, reducing him from a man to a child. Lady Macbeth tries to minimize the guilt of herself and Macbeth’s murderous deed by belittling his emotions, forcing him to repress his guilt in the name of manhood. A common trait of hypermasculinity is the suppression of emotions, and both Macbeth and Lady Macbeth soon express this. As Lady Macbeth settles into the role of queenship, she soon expresses discontent, lamenting that “nought’s had, all’s spent. / Where our desire is got without content” (III, II, 6-7). But when Macbeth enters, she quickly hides her unhappiness and reclaims the role of the sensible advisor, immediately ridiculing his “sorriest fancies” born of guilt (III, II, 11). But, unable to quiet her emotions no matter how deeply she hid them, Lady Macbeth was overwhelmed with guilt, and soon loses control over her behaviour in her sleep. Unable to talk about her guilt and feelings while awake, she laments over her, and Macbeth’s, choices while unconscious. Lady Macbeth, unable to personalize a trait of manhood she so strongly pressed on Macbeth, she soon becomes unable to live with her emotions, and ultimately prompts the ultimate consequence, suicide. As an after-effect of renouncing her femininity earlier in the play, and learning to internalize her emotions, Lady Macbeth personalizes a harmful effect of exaggerated hypermasculinity that deeply affects her mental health and does nothing but cause her
In Shakespeare’s Macbeth the theme of guilt and conscience is one of the most prominent in the play. It gives life to the play and gives depth to the characters, it makes Macbeth a much more realistic character because we are shown that he is not perfect and still responds to temptation. The results of committing evil acts have such a powerful effect on the human mind, that it is eventually destroyed by it. Macbeth’s destroyed mind is evident when he states, “O full of scorpions is my mind dear wife!”. Macbeth and his wife, like all of us must live with our own actions; unfortunately his choices make this impossible and light the way to a tragic and dusty death for the Macbeths.
You can control guilt or guilt will drive you into madness. In the novel, Macbeth, guilt has taken over two of the main characters, Macbeth and Lady Macbeth, but each one responds to it in a different way. Their similarities and differences are quite obvious and both are driven to their actions by this feeling. It will eventually cause both of them a breakdown, affecting their behaviors and resulting them into going through a psychological incapacity.
William Shakespeare’s Macbeth, first published in 1606, is an endearing tale outlining the dangers of unchecked ambition and moral betrayal. In the subsequent centuries after first being performed, Macbeth's critics have been divided upon whether Macbeth himself was irrevocably evil, or if he was guided by the manipulation and actions of the women in the play to his ultimate demise. Although Lady Macbeth and the witches were influential with their provocations in the opening acts, it is ultimately Macbeth’s inherent immorality and his vaulting ambition, that resulted in the tragic downfall. It was Macbeth’s desire for power that abolished his loyalty and trustworthiness and led him down a path of murder. It is evident through his actions and words throughout the play as to how he led himself through a path of betrayal leading to his inescapable demise.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
This specific action consequently resulted in Macbeth’s level of morality to continually decline as he is acutely aware of his own tyranny. Therefore Macbeth attempts to forget the horrific deed he has committed and be the figure that orders and disorders. Our perception of Macbeth being a wise and loyal soldier is now eroded, as we start to view Macbeth constantly questioning his own actions, and is also impelled to perpetrate further atrocities with the intention of covering up his previous wrong-doings.