Kurt Vonnegut's Slaughterhouse Five

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“And what do the birds say? All there is to say about a massacre, things like “Poo-tee-weet?” (Vonnegut 19). In Slaughterhouse Five, Kurt Vonnegut compares the mass firebombing of Dresden to the illogical song of birds. By doing so, he highlights the absurdity of the Dresden monstrosity, a costly event, yet in the end proved to be meaningless. Bombs were dropped on civilians with the intention of mass destruction. The bombing left over 25,000 dead and the city of Dresden in a state of ruins. No less significantly, it had a profound personal impact on Vonnegut, helping to explain the intent of creating the anti war novel. Some key defining characteristics of Slaughterhouse Five, it's lack of a clear plot and the distortion of time, serve as …show more content…

The idea of a novel with a traditional climax, plot, character, and all the other elements seems ridiculous next to the reality of the massacre: “there is nothing intelligent to say about a massacre” (Vonnegut 19). Vonnegut’s narrative conception is intricate, as evidenced by his description of the wallpaper roll in which he outlines it “the best outline I ever made, was on the back of a roll of wallpaper” (Vonnegut 5) and the story does not fully come to light until he can sacrifice the organized outline for the true confusion entrenched in the war story. The outline forms a neat layout of the structure that he will use to support his message of war’s tragic, pointless irony, it is exactly this sort of structuring that has prevented Vonnegut from accurately representing his subject matter through all his years of hard work: “I don’t think this book of mine is ever going to be finished. I must have written five thousand pages by now, and thrown them all away.” (Vonnegut 15). In an attempt to convey the true horror of his war experience, he adopts a writing method that mirrors the circularity and confusion of his own feelings about the war. This fragmented structure persists throughout the novel, as protagonist Billy Pilgrim drifts back and forth in time throughout moments in his life. Billy …show more content…

This, in combination with the absurd image of the Tralfamadorian aliens ‘making the electric clocks in the dome go fast, then slow, then fast again’ (Vonnegut 171) in order to entertain themselves further narrow our sense of Vonnegut’s critique of the senselessness of humans tendency to define time. Even at the very end of the novel, Vonnegut refuses to chronologize the events of the Dresden bombing, purposefully choosing to substitute ambiguous time indicators instead: “Somewhere in there the poor old high school teacher was tried and shot… And somewhere in there was springtime” (Vonnegut 177). Vonnegut likewise stresses the inadequacy of simple models of experience and reference through his critical portrayal of historians and official war accounts. The Harvard historian character named Rumfoord is shown to rely on official documents such as the testimonies of major war generals to obtain an “objective” understanding of the war; documents filed with dates, death tolls and hard facts to justify courses of action. Despite Rumford's expertise, Vonnegut casts the figure in a highly critical light. He is characterized as arrogant and intolerant, undermining the impression of his credibility. Rumfoord won’t believe that Billy was present at

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