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The development of the character of Lear
King lear play characters analysis
Character development of king lear
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Recommended: The development of the character of Lear
“...the error of age is to believe that experience is a substitute for intelligence.” (Lyman Bryson) In the play King Lear by William Shakespeare, such an idea is explored. Lear is a King who is physically aged but as the play progresses, it becomes clear that he lacks the intelligence which usually accompanies it. The play is set in a time where the King was equal to God himself, he was set apart from the common man as somewhat of a transcended being. Shakespeare breaks this unspoken relationship through the events of his play. Lear’s rash decision to banish his loving daughter Cordelia and hand total power of his kingdom over to two his uncaring daughters, Goneril and Regan sets of a chain of events which send him on a downward spiral to become the basest of human beings. Shakespeare uses the characters of the Fool, Cordelia, Kent and Goneril as well as irony, foreshadowing, and diction to portray Lear as nothing more than an unseeing old human being. The Fool is a character in the play who is the embodiment of Lear’s conscience and through him, the audience is able to witness the folly of the King. His name bears quite a significant irony as throughout the play it is made apparent that it is the Fool who is the wiser. He states that, “this fellow banished two on’s daughters, and did the third a blessing against his will” (1,4,101-103) The Fool lays bare the folly Lear in not recognising the worth of a true daughter yet through his foolish act, he has done Cordelia good. In a way this irony of the Fool foreshows the future judgement of this judgemental monarch. In the play it is Cordelia who is banished and the other two who have blessings poured on them, but the Fool provides the audience with a different perspective on this matter; one, which is increasingly unapparent to the ailing King who is quick to continue his living in denial, stating that, “[All] This is nothing, Fool” (1,4 127) Shakespeare’s placement of the Fools as Lear’s conscience allows the audience to feel the emotions which the king should be experiencing. In the event of Cordelia’s banishing “the Fool hath much pinned away” (1,4,71-72) Shakespeare shows the Fool’s sadness to contrast with the apparent lack of some in the King. This also evokes audience empathy. Through the Fool Shakespeare is able to convey to the reader the apparent folly of a vain King and the enormity of his folly.
With Cordelia declared as banished, Lear states, “With my two daughters’ dowers digest the third...Only we shall retain The name and all th’ addition to a king. The sway, revenue, execution of the rest, Beloved sons, be yours” (Shakespeare 17). Lear’s fault here is that he believes that he can divide up his kingdom to his daughters and still retain the title as king; he wants to retire his position and responsibilities as a king but still remain respected and treated as one. His flaw in wanting to be superior leads to his downfall, as he is so blinded by his greed that he decides to divide up his kingdom to his two daughters who are as hungry for power as he is. They only want to strip him of his position and respect to gain more influence. Lear, not realizing the impact of such an impulsive decision, descends into madness when his daughters force him out of his home. After being locked out of his only shelter by his daughters, he states, “Filial ingratitude!...In such a night To shut me out?...O Regan, Goneril, Your old kind father whose frank heart gave all! O that way madness lies. Let me shun that; No more of that” (Shakespeare 137). Lear becomes fully aware of the consequences of his actions. He realizes how ungrateful his daughters are and how they have treated him unfairly even though he has given them everything; much to his dismay, he is left with
Lear’s character is constantly and dramatically changing throughout the play both by growing as a character but also through many downfalls. Lear becomes emotionally stronger and gains much more rationale near the end of the play, but only after a great downfall in each of these sectors. This was a result of the self-entitlement that Lear had placed on himself. King Lear’s vanity and excessive sense of entitlement was his tragic flaw throughout the play. He was a King, and needed to be served on time. Furthermore, when he is referred to as “my lady’s father,” this also hurts his ego for he is a King and that is what he wishes to be addressed
Although the Fool and Cordelia are similarly candid towards their King, they never interact in Shakespeare’s King Lear, because the Fool is a chaotic influence while Cordelia is a stabilizing force. While the Fool and Cordelia both act in the Lear’s best interest, it is not always evident to Lear. The Fool’s actions often anger the King, and lead to an increase in his madness. On the other hand, Cordelia’s actions more often soothe Lear, and coax him back into sanity. Another commonality between the Fool and Cordelia is their honesty. Both the Fool and Cordelia are frank with Lear, though he may not always appreciate that they do so for his own good.
Shakespeare’s tragedy, King Lear, portrays many important misconceptions which result in a long sequence of tragic events. The foundation of the story revolves around two characters, King Lear and Gloucester, and concentrates on their common flaw, the inability to read truth in other characters. For example, the king condemns his own daughter after he clearly misreads the truth behind her “dower,”(1.1.107) or honesty. Later, Gloucester passes judgment on his son Edgar based on a letter in which he “shall not need spectacles”(1.2.35) to read. While these two characters continue to misread people’s words, advisors around them repeatedly give hints to their misinterpretations, which pave the road for possible reconciliation. The realization of their mistakes, however, occurs after tragedy is inevitable.
Shakespeare's good characters, in the play King Lear, are considered good because they are loyal even when they are disguised from or unrecognizable by those to whom they owe loyalty. In addition, their loyalty does not waver even when they are banished or mistreated by those to whom they are loyal. Cordelia, Edgar and Kent are all characters that exemplify this goodness and unwavering loyalty.
King Lear is at once the most highly praised and intensely criticized of all Shakespeare's works. Samuel Johnson said it is "deservedly celebrated among the dramas of Shakespeare" yet at the same time he supported the changes made in the text by Tate in which Cordelia is allowed to retire with victory and felicity. "Shakespeare has suffered the virtue of Cordelia to perish in a just cause, contrary to the natural ideas of justice, to the hope of the reader, and, what is yet more strange, to the faith of chronicles."1 A.C. Bradley's judgement is that King Lear is "Shakespare's greatest work, but it is not...the best of his plays."2 He would wish that "the deaths of Edmund, Goneril, Regan and Gloucester should be followed by the escape of Lear and Cordelia from death," and even goes so far as to say: "I believe Shakespeare would have ended his play thus had he taken the subject in hand a few years later...."3
The human condition can ultimately be defined as the positive and negative traits and characteristics that frame the complexity of human nature. This concept has been widely incorporated into many pieces of English literature throughout time, especially in William Shakespeare’s Jacobean tragedy, King Lear (hereafter Lear). More specifically, Shakespeare’s portrayal of the human condition in Lear depicts the suppression of one’s morality and/or rationality, triggering one’s downfall, as being due to unrestrained pride, gullibility and strong ambitions. Moreover, through studying the extract from the love scene/ Edmund’s soliloquy, I have gained a deepened understanding of Shakespeare’s representation of the human condition.
Lear character completely because of their inability to see people, both physically and mentally. This ignorance makes you think irrationally and make erroneous judgments. Although Lear is not really blind, his vision is something that is outside does not understand the identity and that of those around him. Early in the game, asks his three daughters, he loves the most, to share his inheritance. However, the opinions and the results of the blind Lear in his perception deceived by false words of love, and insensitive to Cordelia tells the truth, forcing him to ban his beloved daughter Cordelia and divided his inheritance of his unworthy girls. When Lear rejects Cordelia said: " We have no such daughter, nor shall never see / her face again (I , I , 1211 ) . Ironically, Lear Cordelia watched the face before, but I could not see banished. Moreover, Lear Shakespeare is taken to describe the idea that the form does not guarantee future.
Human nature is a concept that has interested scholars throughout history. Many have debated over what human nature is – that is, the distinguishing characteristics that are unique to humans by nature – while others have mulled over the fact that the answer to the question “what is human nature?” may be unattainable or simply not worth pursuing. Shakespeare explores the issue of human nature in his tragedy King Lear. In his play, he attempts to portray that human nature is either entirely good or entirely evil. He seems to suggest, however, that it is not impossible for one to move from one end of the spectrum of human nature to the other, as multiple characters go through somewhat of a metamorphosis where their nature is changed. In this paper I analyze and present Shakespeare’s account of human nature in King Lear in comparison with other authors that we have read throughout our year in the Aquinas program.
When one examines the words “pride” and “self-respect”, it is possible one may assume that the two are identical in meaning. That the words go hand in hand like butter and bread. For quite some time I was pondering on the meaning of the two words “pride” and “self-respect”. The more consideration I put into the two the deeper I was in a maze of confusion. After a long thought on the subject I had come to my own conclusion.
There are billions of people in the entire world, however, chances such as certain individual shares the same personality, height, or hobbies of other people who live in the opposite extreme of the globe is ultimately bizarre. In a similar idea, a William Shakespeare’s play, entitled King Lear demonstrates the similarities of people, particularly through the work of relativeness that runs in blood. The play revolves around King Lear and his three daughters, along with a parallel sub-plot of Gloucester and his two sons. Mainly, Lear banishes and disowns Cordelia, one of his daughters, and grants the other two, Goneril and Regan with his inheritance and power. But unfortunately, Goneril and Regan eventually betrays Lear, whereas Cordelia comes back to save him. Also, the play corresponds to a well-known phrase, “like father, like daughter”, which genuinely refers to Lear and his daughters. Altogether, King Lear’s existence as a father projects distinguishable affinities between his and the lives of his daughters. The father and daughters’ similarities vary solely depending on how the characters exhibit their actions through their own will.
Whether or not the role of the Fool is an important one within King Lear is arguable. Although he seems to have great insight into much of the plays main events, he seems not to have any real influence on both the plot as well as the outcome of the play. He remains the sole character who does not have any direct link with the events of the plot, coupled with an unusually early exit; this raises the question of his significance. However at the very least he does certainly serve as entertainment not only for Lear but the audience as well, with his honesty, wittiness, and clever speeches that not only adds to the light humour but also to show us that the Fool could indeed be perceived as being one of the wisest characters in the play.
This new Lear is certainly a far cry from the arrogant king we saw at the beginning of the play. Shakespeare has transformed Lear from an ignorant old king into some sort of god, using a seven stage process: resentment, regret, recognition, acceptance and admittance, guilt, redemption, and optimism. Lear’s transformation can be simply described as a transition from blindness into sight, he did not see the value in listening to others, but in the end he gained a sense of optimism and idealism. There is no doubting that Shakespeare has portrayed Lear as a flawed figure, who, through his misfortune and suffering, goes from a contemptuous human being to one who has been purified into an omniscient, godly type character, proving that ignorant people can truly change to become caring individuals.
In Elizabethan times, the role of a fool, or court jester, was to professionally entertain others, specifically the king. In essence, fools were hired to make mistakes. Fools may have been mentally retarded youths kept for the court’s amusement, or more often they were singing, dancing stand up comedians. In William Shakespeare’s King Lear the fool plays many important roles. When Cordelia, Lear’s only well-intentioned daughter, is banished from the kingdom Fool immediately assumes her role as Lear’s protector. The fool is the king’s advocate, honest and loyal and through his use of irony sarcasm and humour he is able to point out Lear’s faults. Functioning much as a chorus would in a Greek tragedy, the fool comments on events in the play, the king’s actions and acts as Lear’s conscience. As he is the only character who is able to confront Lear directly without risk of punishment, he is able to moderate the king’s behaviour.
The first flaw in King Lear is his arrogance, which results in the loss of Cordelia and Kent. It is his arrogance in the first scene of the play that causes him to make bad decisions. He expects his favorite, youngest daughter to be the most worthy of his love. His pride makes him expect that Cordelia’s speech to be the one filled with the most love. Unfortunately for King Lear’s pride, Cordelia replies to his inquisition by saying, “I love your majesty/According to my bond and nothing less';(1.1.100-101). Out of pride and anger, Lear banishes Cordelia and splits the kingdom in half to the two evil sisters, Goneril and Regan. This tragic flaw prevents King Lear from seeing the truth because his arrogance overrides his judgement. Lear’s arrogance also causes him to lose his most faithful servan...