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Recommended: Claudius as deceitful
Since the act of masking demands persistent, onerous efforts to prolong its effects, it often leads to emotional exhaustion and causes psychological distresses. To provide a justifiable reason for claiming the Danish throne, Claudius forges sorrows and invents a lugubrious mask. For example, by publicly expressing his griefs in the Danish court, Claudius presents a heartbroken image and establishes himself as a figure who is both emotionally attached to his brother and excessively concerned about family members. Although he internally possesses vicious thoughts and adopts an indifferent attitude towards brotherhood, Claudius’ realistic actings convey the profound love felt towards his brother, which effectively eradicate suspicions of him causing King Hamlet’s death. In this example, the mask conceals his wicked murder and provides a …show more content…
As a result, he is forced to maintain the deception and is terrified of exposing the truth of King Hamlet’s murder. Therefore, Claudius lives in a state of heightening fears and insecurities. During the play Gonzago, he questions “is there no offence in’t”; he also abruptly rises and orders “give me some light, away!” when Lucianus pours poison into Player King’s ear. Claudius’ intense reaction to a fictional, farcical play demonstrates that his mind is overpowered by fears and anxieties. It reveals that he suffers tremendous emotional exhaustion caused by deception. Therefore, although wearing a mask enables Claudius to obtain power, in exchange it heightens his sensitivity and makes him exceedingly vulnerable to subtle changes in the surrounding. Besides creating emotional burdens, mask also prevents Claudius from seeking redemption and leads to psychological
An Exploration of the Ways Shakespeare Presents the Character Claudius From Claudius’s first speech the audience gains the impression the character is political and educated. Shakespeare uses metaphorical language to emphasis this. Claudius’s first speech in the script is full of metaphorical language, and it shows a manipulating, persuasive character who can convince a kingdom that it was perfectly acceptable for him to marry his brother’s wife just a few weeks after his death. It is the language Shakespeare has chosen to give Claudius that can convince others that he is morally correct. He uses imagery of facial features to represent the kingdom as one body.
In other words, he displays the natural rise and fall of a deceiver. As the illusionist and criminal, Claudius is the owner of secrets he wishes would never be discovered since the throne isn’t the only thing at risk for him. To understand Claudius, one must understand that the severity of his crime comes at the price of his own head. In effect, this is Shakespeare hinting at the idea that the illusionist will eventually hurt himself through his own illusions. In the beginning, Claudius acts like a true noble king. To most characters he was of strong character and perhaps he only took the throne because he was told to since nothing was out of nature. However, as he quickly realizes that Hamlet knows of his faults, Claudius’ character makes a sharp turn in personality. This is shown through the way he addresses Hamlet. Before the meta-theatre occurs, Claudius is shown to be comfortable in addressing Hamlet, the son of the man he murdered, as his own; “But now, my cousin Hamlet, and my son—" (1.2.64). In comparison, as his fear begins to further develop into paranoia, he begins to address Hamlet as not his own child, but Gertrude’s child as he asks, “Where is your son?” (4.1.3). By doing this Claudius attempts to end relations with Hamlet physically and mentally. In spite of that, that didn’t seem to be enough for Claudius. In addition to considering Hamlet an enemy,
Claudius feels much guilt about the death of his brother he also faces the desires of power. The guilt of his brother death drives Claudius to be on his toes around the kingdom. He remains very scared that someone like Hamlet Jr. might avenge his father’s death. Hamlet Jr. chooses to use a play to test Claudius’s guilt. He rewrites parts of the play to replicate the story voiced by the ghost. Hamlet Jr. watches Claudius carefully during the performance, and the king leaves during it (Gale). Claudius gets up and leaves because he cannot bear to see the reenactment of how he killed his own brother. The internal conflict of the guilt about his brother eats Claudius up and he goes to repent for the corrupt act he has done: “My stronger guilt defeats my strong intent,/ And like a man to double business bound,/ I stand in pause where I shall first begin,/ And neglect; what if this cursed hand,/Were thicker than itself with brothers blood” (3.3.40-45). Claudius repents but knows his words will mean nothing to the heavens because Claudius is an insincere being whom
... of treachery and, luckily, Hamlet realizes the king’s subterfuge, crushing the plot and flipping it back on him. Claudius remains steadfast in his efforts to remove Hamlet, going so far as to set up a false fencing competition and foolishly pushing the poisoned wine without considering the suspiciousness of the action. In his short-sighted and rash decision making, Claudius shows that he allows his inflated sense of regality and self-worth to cloud his judgment.
As well as Hamlet is giving clues to Claudius, that Hamlet knows who killed his father. Hamlet asks for a play that gives the same story line to scare his uncle. This is a tactic to send not only Hamlet into insanity but also Claudius. The tactic of the play works Claudius is fearful of what Hamlet knows about the murder of King Hamlet. Prince Hamlet is now fearful of everyone that is proximate to him. Hamlet cerebrates that everyone is out to get him. Hamlet even endeavors to verbalize to his mother to convince her that Claudius killed King Hamlet. Even when Hamlet tells Gertrude, it is as though she thinks Hamlet is making it up. Claudius is victualing into Hamlet 's suspicion by sending people to Hamlet and ascertain what he knows. This makes Hamlet not trust anyone that he knows.
Claudius begins his speech with an acknowledgement of Hamlet’s death and his own marriage to Gertrude. Claudius claims that the “green” memory of his “dear brother’s death” “befitted” Denmark to contract into “one brow of woe” (1.2). Despite Claudius’ affectionate reference to Hamlet, his hypocrisy is transparent. The colour imagery reveals the freshness of Hamlet’s death. The metaphor used suggests the kingdom is expected to unite and share the grief over its loss but the diction in “befitted” hints Claudius disapproval of expected mourning rites, causing the audience to doubt his sincerity. Furthermore, Claudius adds that “discretion fought with nature” causing him to think of Hamlet together with a “remembrance of [himself]” (1.2). The metaphorical conflict between “discretion” and “nature” contrasts Claudius’ hasty marriage to the expected mourning after Hamlet’s death. Moreover, in Claudius’ statement, the dependen...
Claudius is the king of Denmark, who is a very powerful and assertive man. He is the type of person that will do anything to get what he wants and everything in his power to stay king. He will do what it takes to get his way, even if that means betraying the person he is supposed to be committed to and love, his wife Gertrude. Gertrude is the mother of Hamlet, who she deeply cares for and loves. She is convinced that Claudius does as well. In order for Claudius to stay as king he must keep Gertrude happy and pleased. He accomplishes this by pretending to love Hamlet in front of Gertrude when in reality he wants to kill Hamlet. Claudius faces the truth that his secret got out and Hamlet knows he killed King Hamlet. Not wanting to ruin his reputation and of course stay king he plans to have Hamlet killed. He lets Gertrude believe...
A mask is a covering worn on the face or something that disguises or conceals oneself. All the characters in Shakespeare's Hamlet hide behind masks to cover up who they really are, which contridictes a main idea, expressed by the fool, Old Polonius, "To thine ownself be true" (Polonius - 1.3.84). All the characters share strengths and triumphs, flaws and downfalls. Instead of revealing their vulnerabilities, each of them wears a mask that conceals who they are and there true convictions. The masks brought about feelings such as fear, hatred, insanity, indecisiveness, ambitiousness, and vengeance all of which contribute to the tragic ending of the play. Shakespeare reveals the idea of the masks in the first lines of the play, "Who's there" (Barnardo - 1.1.1). "Nay, answer me. Stand and unfold yourself" (Fransisco - 1.1.2).
Deceit is often used in politics and everyday life to acquire power and success. The theme of deceit is often repeated in Shakespeare’s Hamlet. Hamlet’s hesitation in killing Claudius, and Hamlet’s eventual death are a direct result of deceit in the court. Hamlet tries to deceive everyone into thinking that he is crazy. He believes that with this "antic disposition" he can kill Claudius without any consequences, and avenge his father’s death. When Cladius and Polonius hear of Hamlet’s madness, they decide to find out the reason behind it. They spy on Hamlet to figure out why he is acting this way. Through this Cladius learns that Hamlet is dangerous, and a threat to him. Hamlet’s trickery also leads to the death of Ophelia and her father Polonius. As well as triggering Laertes to seek revenge on Hamlet for causing the death of his family. After several attempts to kill Hamlet fail, Claudius teams up with Laertes and tries to murder Hamlet once and for all. Each of these plans directly or indirectly cause Hamlet’s death.
Hamlet’s dogged attempts at convincing himself and those around him of Claudius’ evil, end up being Claudius’ best moments. The audience doesn’t have just one view of Claudius; the other characters favorable ideas of Claudius as king and person lets them see the humanity, good and bad, in Claudius. An allegory for the human soul, Claudius is many things: a father, a brother, a husband, and a king. He, like anyone else, has to play the role to the best of his ability, but is still very human and susceptible to the evils of human emotion ranging from concern to jealousy, all of which could have easily fueled his decisions. Page 1 of 6 Works Cited Hamlet, Shakespeare.
King Claudius, as illustrated in Shakespeare’s Hamlet, displays both charm and eloquence. Claudius is an intelligent person and is able to deceive people into believing he is innocent and morally guided. He is adept at manipulating people in order to advance and maintain his own power and fails to show any remorse for his actions. Claudius utilizes his linguistic skills to portray himself as an innocent and prudent leader; however, upon further inspection his diction is a mere smoke screen that hides his manipulative and cunning nature.
It has always been in human nature to hide feelings from others, but there is a point where the idea of having a healthy exterior becomes more important that what is actually happening internally. In William Shakespeare’s Hamlet, the motif of a seemingly healthy exterior concealing inward sickness establishes the idea of characters and of the nation of Denmark as being corrupt through foreshadowing and irony.
“Come, let the games begin! And you, the judges keep a close watch on the duel.” King Claudius exclaimed with joy and adrenaline rushed through his words. Confusion dawned upon me: Why is he so happy? He seems overly ecstatic for a friendly duel...is he plotting something against the well-being of my son? My suspicions only raised when he continuously stated glowing praises about Hamlet’s fencing abilities. Why, why this sudden praise? Did he plan something behind my back? With the inner turmoils going inside my mind, I increasingly grew aware of my surroundings; I carefully observed my husband’s face, trying to find any hints of vile schemes. No, no my dear Claudius would never lay
Hamlet is acting crazy or insane and is exceptionally smart for a character who once in the past lost his father. By his fake acting, everybody will consider him as in consistent conduct after father's demise. Assume, on the off chance that somebody gets some misfortune news concerning the demise of their family member, they would act crazy or wild and individuals will look at that as a considerable portrayal act. Hamlet chooses to set up a mask after the Ghost states about Claudius. “As I, perchance hereafter shall think meet, to put an antic disposition on” (1.5.179-180). The reference is concerning about how Hamlet will uncovers his character by building up an "Antic Deposition" until affirmation of father's murderer, which is set up by Claudius. In doing as such no one will assume he is basically wanting to render payback on Claudius. Indeed, even right now, he cherishes Ophelia and seems, by all accounts, to be frantic before her since he needs to keep a separation amongst them and wouldn't like to hurt her in any importance. Likewise, Hamlet doesn't need any obstruction in his way from coming toward his arrangement, since Claudius and Polonius are seeing on his activities. The utilization of this splendid thought of "Antic Deposition" helps Hamlet towards to check whether Claudius murdered King Hamlet and in the event if he did then to deliver retribution for the death. Hamlet goes into this faking character so as to keep Claudius supposing he is in the free perspective and Hamlet does this fakeness to defeat his bitterness that is debilitating him, likewise reinforces him from the sad death of his dad. Additionally, this supports him candidly until the fact of the matter is to be
Upon the realization of the need to get rid of Hamlet, Claudius should have come to a conclusion that if Hamlet were to simply vanish, suspicion would surely arise. Hamlet’s stunt at the play along with Claudius’ reaction likely instilled questions of King Hamlet’s death into the minds of the citizens in attendance of the play. If any of those citizens recognized Hamlet as a hero for exposing King Claudius, they’d be very curious i...