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Files, Tamia Language Arts IV Ms. Magera 13 May 2014 Killing for Beauty “We are left without any guide or compass, nothing to base our actions on, or blame them on. Since all actions are free choices we cannot escape our personal responsibility for everything we do and its consequences.” (Walter). The highly respected Bathory family sprung from the Hun Gutkeled Clan which held power throughout east central Europe. By the mid-16th century their power rose to its peak but died out ultimately by the year 1658. Many well-known kings, princes, members of judiciary, and holders of ministerial and civil posts were born into the legendary Bathory family. Among these infamous family members Erzsebet also known as Elizabeth Bathory was born in 1560. It is said that in order to preserve her loveliness and youthfulness she butchered approximately six hundred young ladies. Although Ms. Bathory’s actions were very disgraceful, she is the epitome of the negative effect that beauty and youth has upon society. While Erzsebet was the product of two noble Bathorys from birth, she was not born with the noble qualities she was destined to possess. To begin, during time period inbreeding happened to be very common due to the fact that it kept blood lines pure. Consequently this practice was proved to be very fatal. For example: “There was considerable intermarriage amongst the Bathory family, with some of the usual problems of this practice produced as a result. Unfortunately, beyond the ‘usual problems’ some extraordinary difficulties arose (namely hideous psychoses) and several “evil geniuses” appeared, the notorious and sadistic Erzsebet the most prominent of them.” (Krause). From the beginning it was assumed that Elizabeth was a deadly creati... ... middle of paper ... ...mage or as beautiful as the people they see on magazines or television. Because young girls and women around the world are beginning to alter themselves to fit a certain mold, people are starting to realize that a pretty face and one’s youth is a factor that has been hurting the world for many years. So much so that a person is willing to kill to obtain beauty. This is truly and amazing yet sickening fact and the more we emphasize on one’s appearance the more catastrophes like this will happen. “Blood thirst, too, may lurk inside a person, even those we love, and we may never even spot it. It may smolder in the bosom which is most cherished by us, and we may be perfectly unconscious of its existence there. Perhaps circumstances will not cause its development; perhaps moral principle may have bound it down with fetters it can never break.” (Baring-Gould).
Drawn from her surviving love letters and court records, The Burgermeister's Daughter is an engaging examination of the politics of sexuality, gender and family in the 16th century, and a supreme testament to the grit and perseverance of a woman who challenged the inequalities of this distant age. The story, in Steven Ozment's meticulous and experienced hands, goes well beyond the litigious Anna to encompass much else about the 16th century, including the nature of sexual morality, the social individuality of men and women, the jockeying for power between the upwardly striving bourgeoisie and the downward sliding nobility, and the aftereffect of the reformation on private life. Steven Ozment's understanding of the Medieval German society and its effects on its citizens is amazing. Steven Ozment brings a medieval drama to life in this extensively researched and absorbing account of the 30-year lawsuit between Anna Buschler and her family. Anna's father was the Burgermeister (mayor) of the German town of Schwabisch Hall. He banished his daughter from the family home in 1525 after he read letters that proved her sexual connection with two men. Anna responded by suing her father. Anna Buschler looked predestined to a comfortable and serene life, not one of constant personal and legal conflict. Born into an eminent and respectable family, self-confident and high-spirited in her youth, and a woman of acknowledged beauty, she had a standing as the beauty of her hometown, and as something of a free soul. In an era when women were presumed to be disciplined and loyal, Anna proved to be neither. Defying 16th-century social mores, she was the constant subject of defamation because of her indecent dress and flirtatious behavior. When her we...
Anna was the daughter of Hermann Buschler, a prominent citizen who had even been the burgermeister of the German town of Schwabisch Hall, within the Holy Roman Empire. When she was young, Anna had simultaneous affairs with a young local nobleman, Erasmus Schenk of Limpurg, and a cavalryman named Daniel Treutwein. Anna’s father was so upset when he discovered these affairs; he deprived her of mostly all her inheritance. Anna a scandalized woman, fought in the Hall legal system for decades, and she eventually won back some of her inheritance.
Looking back through many historical time periods, people are able to observe the fact that women were generally discriminated against and oppressed in almost any society. However, these periods also came with women that defied the stereotype of their sex. They spoke out against this discrimination with a great amount of intelligence and strength with almost no fear of the harsh consequences that could be laid out by the men of their time. During the Medieval era, religion played a major role in the shaping of this pessimistic viewpoint about women. The common belief of the patriarchal-based society was that women were direct descendants of Eve from The Bible; therefore, they were responsible for the fall of mankind. All of Eve’s characteristics from the biblical story were believed to be the same traits of medieval women. Of course, this did not come without argument. Two medieval women worked to defy the female stereotype, the first being the fictional character called The Wife of Bath from Geoffrey Chaucer’s The Canterbury Tales. The second woman, named Margery Kempe, was a real human being with the first English autobiography written about her called The Book of Margery Kempe. In these two texts, The Wife of Bath and Margery Kempe choose to act uniquely compared to other Christians in the medieval time period because of the way religion is interpreted by them. As a result, the women view themselves as having power and qualities that normal women of their society did not.
In Dystopias, appearances often dictate society rankings and values. By defining an “ideal” or perfect appearance in a dystopia, judgment is made. The perfect appearance is superior and so divisions are made between people who meet the ideal and who do not fit (Caste systems). In our society, a similar dystopia is created by the control media has over the ideal facial and body images. Creating a generic look leads to a world that does not value individuality and is oppressive, exactly what a dystopia proves to be. Dystopias promote the ideology of a single perfect appearance through which a beauty caste system is created, and the loss of individual identity occurs, similar to the media’s control of one exemplary body image in our society.
Huppé, Bernard F. "Rape and Woman's Sovereignty in the Wife of Bath's Tale." Modern Language Notes 63.6 (1948): 378-81. The Johns Hopkins University Press.
In The Fall of the House of Usher, the noble Roderick and Madeline Ushers are the remaining children of the family line. Since they have been keeping their bloodline pure, they have developed some unusual traits that prevent them from leaving their decaying house. As Madeline lives with a life-threatening disease that will soon take her life one day, Roderick refuses to see his twin sister die in that painful man...
In part one, titled Bathsheba, Ulrich discusses how women fulfilled their role as a housewife. Bethseba is described as “a willing servant to her family… In doing so, she earns the devotion of her children, the praise of her husband, and the commendation of God” (pg 14). A wife would only be considered a good wife if she was able to perform her household duties, a seventeenth century writer wrote that “a woman who was ‘utterly ignorant’ of cookery could ‘then but perform half her vow; for she may love and obey, but she cannot cherish, serve, and keep him with that true duty which is ever expected’” (pg 20). In unfolding the roles of a good house wife, Ulrich allows the reader to be introduced to Beatrice Plummer, Hannah Grafton, and Magdalen Wear – three women living in three distinct households, but all are striving to fit the ideals molded to them.
In the Wife of Bath’s portrait she is described as heavy, bluff woman that is industrious, a talented weaver, her five husbands and her pilgrimages to Jerusalem. There is some reference to her potential promiscuity in youth but it is glossed over.
The Wife of Bath, a cloth maker, gets rich after her husbands die and leave her their fortunes. Even though medieval women were still far from being powerful, and had to obey their husbands, Alisoun states that she has power over her men’s bodies and property all her life: “ I have the power during al my life, Upon his proper body, and nat he”(line 164). Alisoun is an exception to the rule because she marries five times and is widowed five times. It is important to mention that there was no divorce for women in the fourteenth century: “She was a worthy woman al hr live. Husbondes at chirche dore she hadde five, Withouten other compaignye in youthe” (line 461). The three first husbands are old, rich and loyal to her. The fourth husband has a mistress: “My ferthe housbonde was a revelour. This is to sayn, he hadde a paramour” (line 459). The Wife of Bath learns that it is very important for a woman to satisfy her man, and she knows how to act to make him obedient and less powerful...
It is no surprise that many young females are turning to the knife when they are surrounded by images of young, beautiful models advertising everything from cars to beauty products reminding them every day of what they hate about themselves. Some women’s answer to this is to hide themselves away under baggy clothing but the majority cover themselves in make-up and fake tan and dye their hair to look like their favourite celebrity of the moment. However, recently many more women have tu...
Lee, Brian S. "Exploitation and Excommunication in 'The Wife of Bath's Tale.' Philological Quarterly, v74. (1995): 17(19)
“Looks don’t matter; beauty is only skin-deep” (Godfrey, 2013). We hear these sayings all the time, yet we live in a society that seems to constantly contradict this idea (Godfrey, 2013). If looks don’t matter, why is every woman in magazines photoshopped? If looks don’t matter, why are women constantly harming their bodies because they are unhappy with how they look and just want to fit in (Godfrey, 2013)? The unrealistic standard of beauty that women are bombarded with everyday gives them a goal that is impossible (Godfrey, 2013). Sociocultural standard of feminine beauty is presented in almost all forms of popular media, forcing women with images that portray what is considered to be the ideal body (Serdar). A majority of the models
Beauty is dangerous, especially when you lack it. In the book "The Bluest Eye" by Toni Morrison, we witness the effects that beauty brings. Specifically the collapse of Pecola Breedlove, due to her belief that she did not hold beauty. The media in the 1940's as well as today imposes standards in which beauty is measured up to; but in reality beauty dwells within us all whether it's visible or not there's beauty in all; that beauty is unworthy if society brands you with the label of being ugly.
Physical appearance of the body has become a fundamental part of identity. To gain social acceptance in society, women feel pressured to meet the standards of what society recalls as beauty. Women have tried to get a liposuction or reconstruct their face to try and attain their significant other's attention and follow what the media depicts as appealing. By eliminating their own individuality, women try to attain this invalid image to feel more confident and feel more accepted. As society becomes more accepting to plastic/cosmetic surgery, women in society will no longer look unique and will become a master race that will eventually brainwash society as individuality will become extinct. This is a result of a woman’s motive to try to obtain the ideals of beauty within society. As John Mason has said, "You were born an original. Don't die a copy" (Mason, 1993).
The prologue of this tale showed that the Wife of Bath was not seen as an upstanding woman, nor did she desire to be seen as one. She portrayed feminism, almost as soon as she began speaking in the prologue, she explained that she had gone through five husbands, and she was on the look out for a sixth. She also admitted that she married for money: "I’ll tell the truth. Those husbands I had, three of them were good and two of them bad. The three I call “good” were rich and old. They could indeed with difficulty hold the articles that bound them all to me” (Bath 263). She even went to the point of saying that she didn’t value her husbands’ love. Then again, why should she? She received what she wanted which was money, control, and anything that she desired, they provided. The Wife of Bath thought that all women needed to be the controlling factors in marriage. That is how she believed she would gain her husbands’ money. She claimed that if women can’t marry for money, they must marry for sex, for those are the only two things that really matter. Women must have control of their husbands, according to the Wife, and she is proud of the fact that she governed her husbands. If she had to put them in their place, she would make her husbands feel guilty, even if they had nothing to feel guilty about. The Wife exaggerated with her accusations, showin...